Cioranescu, al.MareMagnum
Arioste, LBiblio.com
L' Arioste Roland Furieux - Orlando furioso T. IV
2002rif. 64531Les Belles Lettres 2002. 1st. paperback. New. 83x26x122. Les Belles Lettres paperback
ISD · Stati Uniti58,00 USD≈ 51,72 €
1572 risultati
1939Mm 165x255 Publications de L' Ecole Roumaine en France. Brossura editoriale in due volumi, 738 pagine complessive, 32 tavole fuori testo. Dorso brunito, usuali e leggeri segni del tempo. Volumi intonsi. Testo in francese. Buono stato. Spedizione entro 24 ore dalla conferma dell'ordine.
2002rif. 64531Les Belles Lettres 2002. 1st. paperback. New. 83x26x122. Les Belles Lettres paperback
1909rif. 173443Munich: Georg Muller 1909. Limited Edition. Hardcover. VG- light soiling and wear to boards. interior clean and tight. Vellum boards with 4 raised bands on spine metal clasp on cover and decorative endpapers. XII LIII 660 pp. Mounted BW illustrations. Text in German. Georg Muller hardcover books
1909rif. 173443Munich: Georg Muller 1909. Limited Edition. Hardcover. VG- light soiling and wear to boards. interior clean and tight. Vellum boards with 4 raised bands on spine metal clasp on cover and decorative endpapers. XII LIII 660 pp. Mounted BW illustrations. Text in German. Georg Muller hardcover
1871rif. 17840Frauenfeld 1871. Ein Ritt ins "romantische Land" mit manchen Rösselsprüngen in die modernste Gegenwart ausgeführt als Epische Dichtung in zwölf Gesängen EA W/G 7 Huber Vlg. Kl.-8°. Hln. marm. Literatur/Schweiz unknown
1987pp. 176, cm 17x11, brossura.
2012rif. Q-1609136950Lippincott Williams & Wilkins 2012-02-09. Paperback. New. New. In shrink wrap. Looks like an interesting title! Lippincott Williams & Wilkins paperback
187432 cm, doppio foglio in carta forte con testo incorniciato, poesia all'Ariosto nel IV° centenario della nascita. Timbro di biblioteca privata, segno di piegatura.
1875In-4, brossura. In buono stato di conservazione. In questo numero: “Casa dell’Ariosto in Ferrara”.
1875In-4, brossura. In buono stato di conservazione. In questo numero: “Lodovico Ariosto, dal ritratto del Tiziano che trovasi nella Biblioteca Comunale di Ferrara”.
1981pp. 141, cm 21x15, brossura, prefazione di Walter Binni, Biblioteca Teatrale, 37. Nuovo.
1934Milano, 1934, 4to stralcio con copertina posticcia muta, pp. 33/40. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo, completo in se, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perché ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “extract” or “excerpt” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
1969A CURA DI Pompeo Giannantonio, Francesco Pugliese Carratelli LIGUORI 1969 673 PP. FONDO DI MAGAZZINO: NEL CELLOPHANE EDITORIALE
2005Milano, RCS Quotidiani, 2005, 8vo cartonato editoriale, pp. VI-826 con una tavola a colori in antiporta e numerose illustrazioni a colori nel testo (La letteratura italiana, 5) .
2026rif. LRB6009279Paris: Editions Recreasoft 2026 Rilegatura rigida. Lingua: Italiano. Circa 932 pagine. Italiano : Ristampa su richiesta. Edizione originale : 1833. Raccolta letteraria dedicata ai grandi poeti italiani con una selezione di poesie italiane dal XIII secolo fino ai tempi moderni. L'opera mette in risalto la continuità della tradizione poetica italiana attraverso testi di Dante Petrarca Ariosto e Tasso in una presentazione destinata allo studio e alla consultazione bibliografica. Immagini del libro non contrattuali English : Print-on-demand reprint. Original edition : 1833. Literary collection devoted to the great Italian poets with a selection of Italian poems from the thirteenth century to modern times. The work highlights the continuity of the Italian poetic tradition through texts by Dante Petrarch Ariosto and Tasso in a presentation intended for study and bibliographic reference. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
1938Cm. 23, pp. 26. Bross. edit. Perfetto. Estratto originale.
1890In-folio (cm. 38,2x28,2), pp. (18), (2b). Bross. edit. con gran titolo entro ricca cornice ornata in viola. Testatine. Vistosa GORA a tutti margini superiori. Dotta introd. sulle prime 18 edizioni. Testo del primo canto con le varianti interlineari. Timbro Gabotto in cop. Esemplare da studio con vistose gualciture e piccole mancanze ai piatti, che sono staccati. Così com'è
1826rif. 008345Lipsia: Fleischer 1826. Un volume in 8vo grande 24 cm di XXIII pagine di introduzione di Adolfo Wagner una pagina incisa in antiporta da Raffaello Morghen con il ritratto dei quattro poeti erroneamente nel titolo si indicano quattro ritratti; 236 colonne VII pagine e 160 colonne VII pagine e 644 colonne XVI pagine e 256 colonne 88 ppnn. Qualche brunitura. Legatura coeva in cartone telato con tassello di titolo al dorso etichetta del legatore J. Muller. Fleischer unknown
1562[Teatro] (cm.13,7) bella mz. pergamena antica ben restaurata. sguardie antiche. -- cc. 36, marca tipografica al frontis e fregi e capilettera figurati, elegante corsivo. Edizione originale molto rara. E' parte separata della prima edizione collettiva delle commedie. Vedi le ampie note in Bongi e Agnelli-Ravegnani. Esemplare bello e ben marginato. * Allacci 552; * Bongi II 142; * Agnelli-Ravegnani II 79; * Graesse I 204; * Adams A 1647; * Bm. Stc. 38. Il Census Iccu registra solo 12 copie nelle biblioteche italiane.[f64] Libro
1532In-8°; cc. (40) grande ritratto dell’autore inciso su legno al frontespizio. Legatura in cartonato moderno. Agnelli 2, pp. 119-120
rif. 2121709Venice: Gabriele Giolito de' Ferrari. 1551. 12mo. Early 19th-century English half calf roll-tooled in blind spine with raised bands tooled in blind and lettered directly in gilt; ff. 43 1; woodcut printer's device to recto of first and final leaf woodcut initials and ornaments; extremities a little worn hinges cracked but hold firm head of spine chipped; a few small stains but otherwise a very good crisp copy; armorial bookplate of Samuel R. Block to front pastedown his ownership signature in ink to title page.First edition the final and definitive ""Ferrara"" version of Ariosto's first comedy in verse and his ""most problematic work for the stage"" Portner.Ludovico Ariosto 1474-1533 best known today for his epic poem Orlando furioso was also the author of five comedies. Following the successful staging of his comedy I Suppositi in the Vatican during the 1519 Carnival he was commissioned by Pope Leo X to write a new play. Il Negromante The Necromancer was sent to Rome on 16 January 1520 however its planned Roman premiere never took place; the pope instead chose to stage Niccolo Machiavelli's La Mandragola. The most likely reason for the play's cancellation was its veiled yet pointed critique of Leo X and the Vatican particularly regarding the sale of indulgences and clerical corruption. While Ariosto's wit was tolerated in other settings a performance of Il Negromante in the heart of the papal court - just three years after Martin Luther's Ninety-five Theses - may have been considered too unsettling.In the play the charlatan Mastro Iachelino the so-called ""Necromancer"" is summoned to cure the supposed impotence of Clintio through his claimed magic arts. Clintio a newlywed is in fact secretly married to another woman Lavinia. Seeking to escape the marriage imposed on him by his foster father Massimo he later turns to Iachelino himself hoping to maintain the illusion of impotence. Meanwhile another young man Camillo also seeks the Necromancer's help hoping to win the favour of Emilia the bride involved in the unconsummated marriage with Clintio.Two versions of the comedy exist: one ""for Rome"" and one ""for Ferrara"". The first sent to the papal court in 1520 was published posthumously in Venice in 1535. The second revised for the Ferrarese court around 1528 was also published posthumously in this edition printed by Gabriele Giolito de' Ferrari in 1551 and dedicated by the editor Lodovico Dolce c. 1508-1568 to Giovan Vincenzo Vigliona. Dolce based his edition on the original manuscript which he had acquired from Ariosto's heirs.Adams A-1655; Edit16 CNCE 2665; Agnelli-Ravegnani Annali delle Edizioni Ariostee II p. 123 ""of considerable rarity like all Giolito editions and of undeniable importance regarding the text of Il Negromante inasmuch as it provides us with a version of the comedy not merely corrected but entirely rewritten by the poet"" trans. See Portner ""A Non-Performance of Il Negromante"" Italica 59/4 Renaissance Winter 1982 pp. 316-329. hardcover
rif. 0364853948.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 0364363290.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1396237046.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1390304655.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
