1556 risultati
1638rif. 27683Venetia Apresso Lorenzo Griffo 1638 In-12 carré 373 ppavec la table finale, petit manque de cuir en coiffe, la reliure est postérieure d'au moins un siècle à l'impression et l'impression est plus dans l'esprit des livres du XVI ème siècle avec un bois gravé in-texte pour chaque Chant. Cours de Marge en tête. Belle étiquette d'un Libraire d'Arras du XVIIIIème siècle - menus défauts sans gravité
1556rif. 001310Lyons: Bastiano di Bartholomeo Honorati 1556. Full Calf. Very Good Plus. 511 40 pp. 8vo 17 by 11 cm 6.5 by 4 inches. With woodcut illustrations for each canto above the "Argomento". 52 woodcuts in text plus title illustration plus a few header/footers and ornamented letter at beginning of each canto. Also Exposition by Ludovico Dolce and useful table or index. Brunet I 433. Light dampstaining to early pages hardly distinguishable from general age toning which is moderate in this copy. Small inkstain on title page corner and some occasional minor spotting elsewhere. Some wear to calf boards with minor chipping along edges. Rebacked sympathetically. Attractive modern marbled endpapers. Tight copy. Bastiano di Bartholomeo Honorati unknown books
1603rif. 004548Venice: F. Valgrisi and N. Moretti 1603. Early Printing. Hardcover. Some of the impressions are weak but most are quite presentable. Trimmed at the top close to the text and plate lines affecting one line of text in the dedication; other margins quite adequate. Vellum soiled. Very Good or better. Large octavo 7" x 10" bound in early full vellum 16 654 32 pages. The complete and corrected ORLANDO FURIOSO with Ruscelli's dedication to the Duke of Ferrara dated 1556 and an account of the life of Ariosto by Battista Pigna. Illustrated with an engraved title page 51 full-page woodcuts ornamental headpieces and initial letters. The woodcuts within decorative borders are after the designs of Dossa Dossi the Ferrarese painter and are printed from the blocks of the first Valgrisi quarto editon of 1556. First published in 1516 this classic Italian romantic epic influenced many later works including Spenser's THE FAERIE QUEENE and Shakespeare's MUCH ADO ABOUT NOTHING. The action takes place against the background of the war between Charlemagne and his Christian paladins and the Saracen army which is attempting to invade Europe. However Ariosto has little concern for historical or geographical accuracy and the poem wanders at will from Japan to the Hebrides as well as including many fantastical and magical elements such as a trip to the moon and an array of fantastical creatures including a gigantic sea monster called the orc and the hippogriff. The poem grew in popularity as well in size after Ariosto's death increasing from 40 to 46 cantos in 1532 and finally to the finished form of 51 cantos. F. Valgrisi and N. Moretti hardcover books
1974Due volumi di cm. 19, pp. 806; 838 (2). Con ritratti all'antiporta. Leg. edit. in similpelle, dorsi a nervi con titoli e fregi in oro. Tagli di testa dorati ed entro custodia in cart. rigido. Ben conservato. Collana "I classici Rizzoli".
1895rif. 500081895 Firenze, successori Le Monier, 1895, Deux tomes in-huit ,XI-975 pp, reliure en demi-toile verte ,pièce de titre en cuir rouge ,très bon état,couvertures conservées,pagination continue,
1877Opera in due volumi in 8° piccolo, bella legatura coeva in mezza pelle, titolo e fregi in oro al dorso, sguardie, tavola d'antiporta con ritratto dell'autore protetto da velina, frontespizi, proemio, XLVI 492, 526 pp., bianche finali. Una corretta e poco comune edizione del capolavoro di Ludovico Ariosto, narra le appassionanti avventure del prode Orlando che andò a riprendersi il senno sulla luna, in una bella edizione di fine Ottocento, con note e glosse interessanti ed inedite. In bello stato, qualche sporadica fioritura, notevole.
1931rif. RO20209794LIBRAIRIE HATIER. 1931. In-12. Broché. Etat d'usage, Couv. légèrement passée, Agraffes rouillées, Papier jauni. 76 pages. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
1777rif. 204631777 Parigi, Delalain, 1777, 2 tomes en 2 volumes (sur 4), in-12 de (4)-XLVIII-357-(24) pp. ; 444 pp., 2 titres gravés, portrait de l'Arioste gravé par Littret, une figure par Cochin gravé par Aveline, reliure de l'époque de plein veau fauve marbré, dos lisses ornés de fers dorés, pièces de titres de maroquin rouge et de tomaisons de maroquin vert, encadrements de triple-filets dorés sur les plats, tranches jaspées, sans les deux derniers volumes.
1931rif. RO60131304Hatier. 1931. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 31 pages. Texte en italien.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
1990rif. yd1417Mondadori Dos carré collé sous emboîtage 1990 Coffret 2 volumes in-12 (11 x 18,5 cm), dos carré collé sous emboîtage, pagination continue (1487 pages), texte en italien ; traces et marques de frottement sur l'étui, mors des deux tomes frottés, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1967Mm 340x425 Introduzione di Riccardo Bacchelli, tavole e illustrazioni di Fabrizio Clerici. Opera completa in tre volumi nei loro rispettivi cofanetti in cartone editoriale: il primo volume, di XVIII-340 pagine, contiene il testo; gli altri due, 158 tavole sciolte a colori. La brossura e le tavole sono inserite in delle camicie originali cartonate. Grande formato. Piccola fessura al cofanetto del primo volume, per il resto le condizioni dell'opera sono ottime. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1957
1781rif. 204941781 Londra, Livorno, Gio, Tomaso, Masi e Comp., 1781, 4 tomes en 4 volumes in-12 de (6)-XXIV-338 pp., 14 figures hors-texte et un portrait de l'Arioste; (2)-495 pp., 12 figures hors-texte ; (2)-458 pp., 13 figures hors-texte, (2)-487 pp., 7 figures hors-texte, + 4 titres-frontipices gravés, reliure de l'époque de plein veau fauve granité, dos à nerfs ornés de fers dorés, pièces de titre et tomaisons de maroquin rouge, papier du texte bruni, manque de papier marginal dû à un défaut, (sans atteinte au texte des feuillets des pages 1-2 et 443-444 du tome II, sinon bon exemplaire dans une reliure décorative du temps.
1582rif. 12091582 venitia 1582 DEUX TOMES ILLUSTRES parfait etat details et photos sur demande
1932buono stato. Due volumi legati in unico tomo
1812In 8°, 5 volumi legati in mz pelle con tassello al dorso. Collezione dei classici italiani. Ritratto dell'autore in antiporta.
1920Collana " Gli Immortali". Due volumi in 8° piccolo. Legatura editoriale tutta tela, fregi e titoli in oro impressi al piatto e al dorso.Prima serie. Senza data. Ottime copie. Pp.607 + 637
1959rif. RO60121132Ulrico Hoepli. 1959. In-12. Relié. Bon état, Couv. convenable, Dos très frotté, Intérieur frais. 600 pages. Gravures en noir et blanc en frontispice (portrait) et en page de titre. Texte sur 2 colonnes. Dos insolé. Emboîtage abîmé.. . Sous Emboitage. . Classification Dewey : 450-Italien, roumain, rhéto-romain
1634rif. 69070London: Printed by G. Miller for J. Parker 1634. HARRINGTON John. . Orlando Furioso. in English Heroical Verse by Sir John Harrington of Bath Knight. Now thirdly revised and amended with the Addition of the Author's Epigrams. London: Printed by G. Miller for J. Parker 1634. Full Description: ARIOSTO Lodovico. HARRINGTON John translator. Orlando Furioso in English Heroical Verse by Sir John Harrington of Bath Knight. Now thirdly revised and amended with the Addition of the Author's Epigrams. London: Printed by G. Miller for J. Parker 1634. Third edition of Harrington's 1591 translation which was the first English edition and remained the only English translation of many years. This third edition is further expanded by the addition of the "Author's Epigrams." Two works in one small folio in sixes 10 5/8 x 7 1/4 inches; 270 x 185 mm. 16 1 Ads 1 plate 423 9 table 1 Title 1 blank 43 1 blank pp. With engraved title-page for the first work and 46 full-page engravings included in the pagination accompanying each Canto. Separate title-page for "Epigrams" with an engraved vignette. Epigrams have a separate title but continuous register. Elaborate engraved head and tail pieces and initials. Contemporary full calf rebacked to style. Spine with red morocco spine label lettered in gilt. Spine stamped in gilt. All edges speckled red. Newer endpapers Fore-edge margins are trimmed close a few times just touching printed marginal notes. Closed tear to bottom margin of S1 barley touching a few letters. T6 with a tear to fore-edge margin with a bit of loss to marginal note. Some various dampstains and other soiling throughout. Some minor occasional offsetting from plates. Overall a very good copy. "Lodovico Ariosto represented the sentiments the passions and the vices and virtues of 16th-century Italians in his epic poem L'Orlando Furioso The Crazy Orlando. This Renaissance classic based on romances popular at the time furnished the framework for the chivalric narrative in Edmund Spenser's The Faerie Queene. Orlando Furioso is a tale of knights dames and courtesies when the Moors invaded France to avenge the death of their king's father. In the story Orlando Roland Charlemagne's nephew and most famous knight falls madly in love with Angelica who is also pursued by many other Christian and Moorish knights. She flees these attentions only to bestow her love in the end on a poor man without rank. Ariosto's view of life reflected throughout the poem is one of ironic disillusionment-love is madness. John Harington 1561-1612 was a witty courtier and godson of Queen Elizabeth. He is also the acknowledged inventor of the flush toilet. According to lore Harington first translated the racy tale of Jocundo from Canto XXVIII and circulated it among the ladies of the Court. The Queen feigned to be shocked by some passages and reprimanded her godson for endangering the morals of her maids of honor. Elizabeth sentenced Harington to stay away from the Court until he had translated the whole of Ariosto's poem. Harington completed the translation by 1591. Harington's Orlando Furioso is one of the major translations of the age freely executed but faithful to the spirit and style of the original. At 33000 lines in length and nearly 6000 lines shorter than the original the translation is seldom exactly what Ariosto wrote shorter in places and expanded elsewhere-with moral truisms added. Each of the forty-six cantos of the poem is preceded by a full-page illustration including the especially risqué one for Canto XXVIII. All are copied strictly or with slight variation from the plates used by Girolamo Porro in a Venice edition printed in 1584. The engravings are unsigned purportedly the work of several engravers including possibly Jodocus Hondius. Clark Library UCLA Chrzanowski 1607a : Regarding the 1607 Second edition. STC 748. Pforzheimer 447. HBS 69070. $3000. Printed by G. Miller for J. Parker unknown books
1899rif. 1396568Milano Milan: Fratelli Treves Editori Fratelli Treves Publishing 1899. Hardcover. Large quarto xvi 64 74-80 74-294 293 296-740 2 inconsistent pagination. In Good condition. Half bound in brown leather with brown cloth. Faded gilt lettering and ornamentation to spine and boards. Cracking along the joints and small tears along the spine. Boards have light stains chipping and rubbing wear along the edges and light bumping to corners. Rear board is slightly detached. Textblock has marbled end papers and a closed tear on the title page impacting some text. Light plus age toning and very minor foxing scattered on some pages throughout. Text in Italian. Shelved in Room A Oversized. 1396568. Special Collections. Fratelli Treves Editori [Fratelli Treves Publishing] hardcover books
rif. 36547Venice: Felice Valgrisi ca. 16th century. Very Good. Three leaves from what has been identified as a 16th century Italian edition of Orlando Furioso. The research of the former owner of the leaves led him to believe that the pages are from an edition printed by Felice Valgrisi in 1574. However further research does not show Valgrisi printing Orlando Furioso before the 1580s and that he only began his printing career in 1574. The leaves are for pages 369-370 and 391-394. The pages include decorated initials Two of the pages have an opening "argomento" - subject - with a pictorial border. There is also a full-page illustration. The leaves pages show aging and the top and bottom margins and right fore-edges are browned. Still very good examples of fine sixteenth century printing. Measures 7 x 10 inches. EPHEM/042423. Felice Valgrisi unknown books
1858rif. 425444Firenze: Barbera Bianchi E.C. 1858. Hardcover. Good. Volume one of three only. 48mo. Approximate measurements: 4" x 2 1/2" x 1 1/2". 540pp. Text in Italian. Portrait frontispiece. Gilt decorated white leather with gilt-stamped red leather spine label marble endpapers all edges gilt purple silk bookmark attached. Blank front preliminary page glued to the front fly leather yellowed and warped a bit still a very good copy. Barbera , Bianchi, E.C. hardcover books
2004Ariosto, Ludovico. Caretti, Lanfranco ( a cura di) Orlando Furioso. Roma, Ricciardi - Treccani 2004 italian, 1248 2004. Collana "Letteratura Italiana: storia e testi /vol. 41" diretta da Mattioli - Pancrazi - Schiaffini. Copertina con mezza legatura in pelle e brossura telata al piatto con titoli in bassorilievo in oro al dorso e al piatto. In custodia. Edizione di pregio. SL12
1547rif. 48296appresso Gabriel Giolito de Ferrari | In Vinegia (Venise) 1547 | 10.50 x 16 cm | relié
1928rif. 46977360275 volumes reliés en un ouvrage, GLN-132, G, B, Paravia 1928