1770réf. 028261765 - 1770 s.l. sans éditeur 1770. Cramer - Genève - 20 x 12 cm - 2376pgs - 388 pgs - 430 pgs - 366 pgs - 364 pgs - XXIIles pages 3-312 pgs 1et 2 n'existent pas - 404 pgs - plein basane dos à 5 nerfs - fleurons estampées en or dans les caissonstomaisons rouges avec une partie du titre estampée en or - traces d'usage aux dosaux coiffes et aux coins mais très acceptable nom à l'intérieur des plats suppérieurs pour le premier vol.: texte en manuscrit en face du faux titre 18ième- en tout des ex. très acceptables - Bengesco 2212 - Barbier III 532 - les parties 1-3 probablement imprimés en 1766 mais la date sur la page de titre est 1765 le supplément dans la 3ième partie est intégré dans le texte 1765 - 1770 s.l. sans éditeur unknown
1815réf. 964F61Paris: Pierre Didot 1815 . Leather. Very Good. 5.5" by 3.5". None. Early 19th century editions of two historical works by Voltaire discussing the Russian Empire Peter the Great Louis XIV and Louis XV. In the original French.Two works are present here: 'Histoire de l"Empire de Russie sous Pierre le Grand' complete in two volumes and 'Siecles de Louis XIV et de Louis XV' complete in five volumes.These are early 19th century editions of mid-18th century works from Voltaire the French Enlightenment writer philosopher satirist and historian. 'Histoire de l"Empire de Russie sous Pierre le Grand' recounts the reign of Peter the Great and the transformation of Russia from an unremarkable state into a European power.'Le Siècle de Louis XIV' is Voltaire"s ambitious attempt to chronicle not only the political events of Louis XIV"s reign but also its cultural and intellectual flourishing.The posthumously published 'Le Siècle de Louis XV' deals with the complexities and contradictions of Louis XV"s rule including military setbacks and political corruption.From the Edition Stereotype of Voltaire's works published by Didot.Inscriptions to half title heads. In full calf bindings with gilt detailing to back strip. Lacking two volume number labels and a small portion of one title label. A touch of rubbing to joints otherwise externally lovely. Head and tail of Russia vol I front joint starting with board firmly held. Inscriptions to half title heads. Internally firmly bound. Pages bright with the odd instance of spotting most concentrated to first and last few leaves. Very Good Pierre Didot hardcover
réf. 133281aafA Dresde, chez Georg Conrad Walther, Libraire du Roy, 1752, in-8vo, 80 p. + 1 feuille (vide), cartonnage d’époque couvert de papier peint.
réf. 1155Paris : Éditions René Kieffer, 1925. RELIURE ÉDITEUR LUXE, EXEMPLAIRE DE LA BIBLIOTHÈQUE PERSONNELLE DE RENÉ KIEFFER
1723réf. 50Genève, Jean Mokpap (Rouen, Viret) 1723 ; in-8 viii-231 pp., reliure de l'époque veau brun, trois filets dorés en encadrement sur les plats, armes dorées au centre, dos à nerfs orné, pièce bordeaux.
1752réf. 10495A Berlin, Chez Etienne Bourdeaux, 1752. In-12 de (2)-106 pp., percaline beige, pièce de titre en long, monogramme doré MH , frappé en coin sur le premier plat (reliure du XIXe siècle).
1826réf. 38630Paris: Werdet & Lequien fils 1826. 66 of 70 volumes; 21x14 cm. The volumes 15-18: "Essais sur les moeurs" are missing. 66 vols. Half cloth gilt title on spines a few tops and feet of spines rubbed small holes in spine of vol. 65. With engraved portrait and 8 engraved plates. - Foxing throughout but acceptable well bound set of the main works by the most influential philosopher of the 18th century. Vol.1: Vie de Voltaire. iv632 pp. with portrait; Vol.2-9: Théâtre. 8 vols. iv478 pp.; iv512 p.; iv428 pp.; iv502 pp.; iv488 pp.; iv544 pp; iv492 pp.; iv602 p. Vol. 10: La Henriade. iv466 pp. Vol. 11: La Pucelle. iv406 pp. Vol.12-14: Poésies. 3 vols. iv608 pp.; iv448 pp.; iv590ii pp.; Vol.19-20: Siècle de Louis XIV. 2 vols. iv514 pp.; iv558 pp. Vol.21: Siècle de Louis XV. iv484 pp. Vol.22: Histoire de Charles XII. iv358 pp. Vol.23: Histoire de Russie. iv432 pp. Vol.24: Annales de l'Empire. iv672 pp. Vol.25: Histoire du Parlement. iv544 pp. Vol.26-27: Mélanges historiques. 2 vols. iv544 pp.;iv562 pp. Vol.28-29: Politique et l'égislation. 2 vols. iv560 pp.;iv604 pp. Vol.30: Physique. iv642 pp. and 8 engr. plates. Vol.31-34: Philosophie. 4 vols. iv576 pp.; iv584 pp.; iv512 pp.; iv472 pp. Vol.35: Dialogues et entretiens philosophiques. iv584 pp. Vol.36-42: Dictionnaire philosophique. 7 vols. iv528 pp;iv416 pp; iv524 pp.; iv532 pp. iv528 pp; iv516 pp. iv528 pp. Vol.43-44: Romans. 2 vols. iv432 pp; iv482 pp. Vol. 45: Facéties. iv472 pp. Vol.46-47: Melanges littéraires. 2 vols. iv540 pp.; iv532 pp. Vol.48-49: Commentaire sur Corneille. 2 vols. iv540 pp.;iv532 pp. Vol.50-52: Correspondance avec le roi de Prusse. 3 vols. iv510 pp.;iv432 pp.iv412 pp. Vol.53: Correspondance avec Cathérine. iv456 pp. Vol.56-69: Correspondance générale. 14 vols. iv558; iv530; iv564; iv484; iv528; iv556; iv422; iv490; iv480; iv504; iv500; iv486; iv490;iv498 pp. Vol.70: Table des matières. 574 pp. printed in 2 columns pp. 559-562 "Pseudonymes de Voltaire; pp. 563-574 "Table chronologique des principaux ouvrages de Voltaire 1706-1778. Werdet & Lequien fils hardcover
1809réf. 17695Antoine-Augustin Renouard 1809 9 volumes in-8 demi-basane rouge peignée, dos à nerfs, fleurons à froid, roulettes et dentelles dorées. 44 gravures hors-texte. Petite humidité marginale affectant les 5 planches du tome 3, sinon bel exemplaire sans rousseurs et très agréablement relié.
1923réf. 22200Paris: Rene Kieffer 1923. leather_bound. Orig. full two-toned brown leather covers decorated in blind backstrip lettered in gilt marbled endpapers. Teg. Fine. 54 pages. 24 x 19 cm. Limited edition copy 95 of 500 on velin la forme with 45 vignettes in pochoir by Joseph Hemard. An exquisite copy bound by Kieffer with his label on verso of front cover paste-down. Hémard’s lasting fame however lies in his book illustrations – always with a distinctly French character usually comic and often mildly erotic. He was probably the most prolific book illustrator in the first half of the twentieth century in France. Rene Kieffer unknown
1923réf. 22200Paris: Rene Kieffer 1923. leather_bound. Orig. full two-toned brown leather covers decorated in blind backstrip lettered in gilt marbled endpapers. Teg. Fine. 54 pages. 24 x 19 cm. Limited edition copy 95 of 500 on velin la forme with 45 vignettes in pochoir by Joseph Hemard. An exquisite copy bound by Kieffer with his label on verso of front cover paste-down. Hémard’s lasting fame however lies in his book illustrations – always with a distinctly French character usually comic and often mildly erotic. He was probably the most prolific book illustrator in the first half of the twentieth century in France. Rene Kieffer unknown books
1755réf. 44453Amsterdam (Paris), , 1755. 2 vol. in-12 de (4)-278 pp. et (4)-208 pp., demi-basane fauve à petits coins, dos à nerfs, pièces de titre et de tomaison en maroquin blond et olive, tranches rouges (reliure de l'époque).
1733réf. 6451A l'enseigne de la Vérité, Chez Hierosme Print-All, 1733. In-8 de (2)-63 pp.VOLTAIRE. Hérode et Mariamne, tragédie de M. de Voltaire. A Paris, Chez Noel Pissot et chez François Flahault, 1725. In-8 de (20)-95-(5) pp.VOLTAIRE. L'Indiscret, comédie de M. de Voltaire. A Paris, Chez Noel Pissot et chez François Flahault, 1725. In-8 de (2)-59-(1) pp.FAGAN (Barthélemy-Christophe). La Pupille. Représentée pour la première fois le 5 du mois de juillet 1734. A Paris, Chez Chaubert, 1734. In-8 de 62-(2) pp.Ensemble 1 vol. in-8, veau marbré havane, dos orné à nerfs, pièce de titre en maroquin rouge, tranches rouges (reliure de l'époque).
1767réf. 44917A Lausanne, , 1767. 2 parties en 1 vol. in-12 de (4)-118-(4)-120 pp., veau marbré, dos orné à nerfs, pièce de titre en maroquin rouge (reliure de l'époque).
1736réf. elala1494Paris: Jean Baptiste Claude Bauche 1736. 1736. 8vo. pp. 5 p.l. vii 1 80. woodcut ornaments initials & title vignette. 5 inserted engraved plates after Eisen Moreau Gravelot & Desene illustrating various scenes from the play taken from various editions of the work. modern bds. Second Edition published same year as the first by the same publisher with errata corrected. This tragedy revolving around a wicked Spanish governor of Peru who is in love with the virtuous American princess who in turn loves the long believed dead heroic American prince is one of the first French plays to be set in America. It was one of the most well received of Voltaires theatrical works. Bengesco 107. Cioranescu 64168. European Americana 736/253. Sabin 100698. cfQuérard X 313. Paris: Jean Baptiste Claude Bauche, 1736. unknown
1790réf. 88112Lisboa: Na Officina de Simao Thaddeo Ferreira 1790. First Portuguese edition of Voltaire's three tragedies translated into Portuguese. Octavo bound in full period calf gilt titles and tooling to the spine red spine label marbled endpapers. In near fine condition. A nice example. One of the most influential thinkers of the French Enlightenment François-Marie Arouet know by the nom de plum Voltaire was a resourceful and prolific writer. His works touched nearly every literary form including plays poems novels theoretical essays and scientific treatises. A forthright and candid advocate of civil liberties he frequently criticized the institutions of religious dogma and classism prevalent in 18th century France often doing so through satire to avoid censorship and imprisonment. Na Officina de Simao Thaddeo Ferreira unknown
1949réf. 148560New York: Hermitage House 1949. Hermitage House limited edition of Voltaire’s satirical masterpiece. Octavo bound in full modern morocco by Sangorski & Sutcliffe / Zaehnsdorf with gilt titles and tooling to the spine in six compartments within raised gilt bands gilt ruling to the front and rear panels all edges gilt gilt turn-ins and inner dentelles marbled endpapers with black and white illustrations. One of 1500 numbered copies this is number 500. In fine condition. Illustrated by Sydney Joseph. One of the most influential thinkers of the French Enlightenment François-Marie Arouet know by the nom de plum Voltaire was a resourceful and prolific writer. His works touched nearly every literary form including plays poems novels theoretical essays and scientific treatises. A forthright and candid advocate of civil liberties he frequently criticized the institutions of religious dogma and classism prevalent in 18th century France often doing so through satire to avoid censorship and imprisonment. Candide has ranked as one of the world's great satires since its first publication in 1759. It concerns the adventures of the youthful Candide who in the course of his travels in Europe and South America saw and suffered such misfortune that it was difficult for him to believe this was "the best of all possible worlds." Indeed it seemed to be quite the opposite. In brilliantly skewering such naïveté Voltaire mercilessly exposes and satirizes romance science philosophy religion and government — the ideas and forces that permeate and control the lives of men. Hermitage House unknown
1750réf. 0074571750. First Edition of most if not all the copper engravings presumed. Full Morocco. Near Fine. Hubert Gravelot Hyacinthe Rigaud Robert Gardelle Charles-Andre Van Loo Jannet La Tour. Also various engravers. An interesting collection of copper engraved plates relating to Voltaire and these mostly illustrations from his dramatic works including "Henriade" the most represented of the works and as so happens one of the very few that occasionally still known by non-Voltaire scholars and that might enjoy a production in the modern era "Tancrede" "La Princesse de Navarre" "L'Enfant Prodigue" "Socrate" "L'Orpheline de Chine" "Horace" "Nanine" "La Prude" "Semiramis" "Le Duc de Foix" etc. We believe these are without exception also copper engravings issued during Voltaire's lifetime and all of them date to the 18th Century. The plates we stress were not issued as the suite here; this suite was created later probably by or on behalf of the bibliophile whose decorative bookplate is mounted in the front -- Charles MacAllister Wilcox 1870 - 1932 who was a successful Denver business executive. all done during Voltaire's lifetime. The dramatic works include Bound by Riviere & Son in full red morocco gilt ruling and decoration raised bands turn-ins. 8vo. 25 by 19.5 cm. 50 plates including frontis the plates done by various artists and engravers but Hubert Gravelot is by far the most represented of the artists with 43 of the engravings based on his artwork. Six of the plates are portrait plates one of Voltaire as to be expected the others of Louis XIV and XV monarchs during Voltaire's lifetime Charles XII and Peter the Great monarchs Voltaire wrote biographies of and of Gravelot. This makes the point to us that the Suite of Plates is as much a tribute to Gravelot's artistry as to Voltaire his inspiration. And his artwork is vivid often seething with activity and movement. Not only is he without peer among Baroque illustrators but also the perfect choice to capture the spirit of a dramatic work. The raised bands and edges of the binding have some rubbing. Offsetting of the turn-ins onto the FEPs which we and most will find rather attractive. A few of the plates have an obvious jagged crease mark in their lower portion. Some light scattered soiling including a fox mark here and there. unknown
1750réf. 0074571750. First Edition of most if not all the copper engravings presumed. Full Morocco. Near Fine. Hubert Gravelot Hyacinthe Rigaud Robert Gardelle Charles-Andre Van Loo Jannet La Tour. Also various engravers. An interesting collection of copper engraved plates relating to Voltaire and these mostly illustrations from his dramatic works including "Henriade" the most represented of the works and as so happens one of the very few that occasionally still known by non-Voltaire scholars and that might enjoy a production in the modern era "Tancrede" "La Princesse de Navarre" "L'Enfant Prodigue" "Socrate" "L'Orpheline de Chine" "Horace" "Nanine" "La Prude" "Semiramis" "Le Duc de Foix" etc. We believe these are without exception also copper engravings issued during Voltaire's lifetime and all of them date to the 18th Century. The plates we stress were not issued as the suite here; this suite was created later probably by or on behalf of the bibliophile whose decorative bookplate is mounted in the front -- Charles MacAllister Wilcox 1870 - 1932 who was a successful Denver business executive. all done during Voltaire's lifetime. The dramatic works include Bound by Riviere & Son in full red morocco gilt ruling and decoration raised bands turn-ins. 8vo. 25 by 19.5 cm. 50 plates including frontis the plates done by various artists and engravers but Hubert Gravelot is by far the most represented of the artists with 43 of the engravings based on his artwork. Six of the plates are portrait plates one of Voltaire as to be expected the others of Louis XIV and XV monarchs during Voltaire's lifetime Charles XII and Peter the Great monarchs Voltaire wrote biographies of and of Gravelot. This makes the point to us that the Suite of Plates is as much a tribute to Gravelot's artistry as to Voltaire his inspiration. And his artwork is vivid often seething with activity and movement. Not only is he without peer among Baroque illustrators but also the perfect choice to capture the spirit of a dramatic work. The raised bands and edges of the binding have some rubbing. Offsetting of the turn-ins onto the FEPs which we and most will find rather attractive. A few of the plates have an obvious jagged crease mark in their lower portion. Some light scattered soiling including a fox mark here and there. unknown books
1768réf. PLTInVOL99Dublin: Printed for J.Milliken 1768. 1768. 12mo. pp. contemporary sprinkled calf gilt back numbered Vol. XXVI on spine. First Dublin Edition. Voltaire's classic philosophical tale of the noble savage of the New World - a Canadian Huron and his encounters with and impressions of the hypocrisy and corruptness of civilized European society. The work enjoyed immense popularity being widely translated and frequently reprinted and adapted to the stage. cfNCBEL II 101. cfLande S2289. cfSabin 100747. Hardcover. Dublin: Printed for J.Milliken, 1768. Hardcover
1738réf. 10961738 Amsterdam, Etienne Ledet & Compagnie, 1738. In-8, frontispice, titre, (1)., avertissement, xii pp. (éclaircissements), 410 pp., veau brun marbré, dos orné à nerfs, pièce de titre rouge, tranches rouges (Rel. de l'époque).Édition originale, illustrée d'un frontispice allégorique gravé par Folkema d'après Dubourg, un portrait de Voltaire par Folkema, de nombreuses vignettes d'en-tête et culs-de-lampe gravés en taille-douce ; l'illustration scientifique comprend de nombreuses vignettes in-texte, 6 figures et un tableau dépliant des couleurs & des tons de la Musique, hors-texte."L'édition de 1738 fut imprimée par Ledet, à qui Voltaire avait confié le manuscrit incomplet des Élémens. Ledet fit achever l'ouvrage par un mathématicien hollandais et le mit en vente vers la fin de mars ou le commencement d'avril 1738. " (Bengesco, 1570). L'éditeur hollandais ayant donc fait paraître cette édition avant de recevoir les 2 derniers chapitres, Voltaire fit imprimer quelques cartons pour l'édition parisienne chez Prault.Un des rares exemplaires auxquels ont été ajoutées les additions faites par Voltaire à Paris ; un papillon imprimé collé sur le titre annonce ces ajouts : - un feuillet d'avertissement des libraires de Londres (Paris) et la réponse de ceux d'Amsterdam, imprimé sur deux colonnes- les éclaircissements donnés par Voltaire sur cette édition (xii pp.)- un feuillet de table- le chapitre XXVI, Du Flux et du reflux.Sans le portrait de Newton annoncé sur le papillon. Reliure usagée, titre empoussiéré.
1763réf. 9356Londres, J. Nourse, 1763. In-12 de 213 pages, plein maroquin vert, dos lisse richement orné, triple filet doré encadrant les plats, fleurons aux angles, filet doré sur les coupes, tranches dorées, dentelle dorée intérieure, garde de soie jaune.
1757réf. 92381757 S. l., s. n. e., 1757. Sept volumes in-8° (127 x 202 mm) de [2]+VIII+336 / [2]+IV+335+[1bl] / [2]+IV+334+[2bl] / [2]+IV+326+[2bl] / [2]+IV+335+[1bl] / [2]+II+344 / [4]+332 pages, avec les pages de titre en noir et rouge. Reliures de lépoque, probablement allemandes, en pleine basane marron, dos à nerfs ornés, pièces de titre en maroquin rouge et pièces de tomaison en noir, tranches rouges. Menus accrocs à quelques coiffes, plats un peu frottés et coins légèrement émoussés; sinon reliures en très bel état. La dernière page du volume I présente de nombreuses taches claires; la moitié inférieure de la page de titre du volume II manque; manque également un feuillet de garde blanc au volume V. Dans lensemble cependant un exemplaire en très bonne condition.
1776réf. 1316353Londres 1776. Hardcover. Octavo 280 pages; VG; bound in quarter red calf gilt lettering and tooling to paneled spine marbled boards marbled endpapers; half-title present verso of sfep has two early math equations; wide margins; scarce; shelved case 10. The imprint is false; probably printed in the Netherlands. Contrary to the title this edition does not contain "L'evangile de la raison" but does include "Dialogue du douteur & de l'adorateur". Signature marks include "Tome I" but no Vol. 2 is recorded; Preceeded by a second false imprint printed in Amsterdam by M. M. Rey in 1768; ESTC Citation No. N12875. 1316353. Shelved Dupont Bookstore. hardcover
1776réf. 1316353Londres 1776. Hardcover. Octavo 280 pages; VG; bound in quarter red calf gilt lettering and tooling to paneled spine marbled boards marbled endpapers; half-title present verso of sfep has two early math equations; wide margins; scarce; shelved case 10. The imprint is false; probably printed in the Netherlands. Contrary to the title this edition does not contain "L'evangile de la raison" but does include "Dialogue du douteur & de l'adorateur". Signature marks include "Tome I" but no Vol. 2 is recorded; Preceeded by a second false imprint printed in Amsterdam by M. M. Rey in 1768; ESTC Citation No. N12875. 1316353. Shelved Dupont Bookstore. hardcover books
réf. 5671sans lieu [Genève], sans nom [Cramer], 1759 - 1763. 2 volumes in-8 de XXXIX, 302p., + [2]ff., XVI, 318p. plein veau marbré brun, dos à nerfs orné de filets et fleurons dorés, pièces de titre et tomaison rouge, coiffes sup. manquantes, mors un peu fendus, tampon répété sur les deux page de titre "L. Derôme". Le titre de la première partie est imprimé en rouge et noir, celui de la seconde partie en noir. Sans l'errata du tome 1er, mais les 3 fautes ont été corrigées.