Francois Marie Arouet De VoltaireBiblio.com
798 risultati
1950rif. 311507New York: Heritage Press 1950. First Edition Thus; First Printing. Hardcover. Very Good in a Very Good slipcase. Shelfwear on slipcase corners and bottom edge. Heritage Press hardcover
1978rif. 0105041The Franklin Library; 1978. A Limited Edition. 'The 100 Greatest Books of All Time'. Full beige/brown leather binding with gold lettering and stampings on the spine and covers. Orange silk Moire end papers. Attached silk ribbon marker. No dust jacket as published. The translation of Tobias Smollett- with the illustrations of Sylain Sauvage Notes from the Editors included. More photographs on request. Slightly musty smell due to previous storage but in near fine condition. Preowned. No ISBN. The Franklin Library hardcover
1977rif. 129336The Easton Press 1977. hardcover. Like New. 11x8x1. Unread mint condition collectible copy that was prominently displayed in a private collection. Part of the 100 Greatest Books Ever Written collection. Beautifully bound in genuine top-grain dark leather with deluxe 22kt gold inlaid accents on spine and front and back covers and raised bands on the spine. Pages are sewn in between heavy-duty binding boards and have gilt edges on all three sides. Frontispiece full color portrait of author by Charles Attebery. Numerous illustrations by Sylvain Sauvage throughout. Printed on sturdy acid-neutral archival quality paper specially milled for this collection that conforms to all guidelines established for permanence and durability by the Council of Library Resources and the American National Standards Institute that will resist yellowing aging and tearing. Gorgeous gold silk moire end pages and a satin-ribbon page marker. Unconditional money back guarantee. The Easton Press hardcover
1977rif. 1829197Published by Easton Press 1977. 1st thus edition. Hardback. Nearly Fine. Illustrated by Sauvage Sylvain. Nearly fine condition with no wrapper. Introduction by Paul Morand. Collector's edition. Bound in genuine leather. Grey leather boards with three raised bands to spine gilt title to spine gilt tooling to boards. Orange moire endpapers with matching page marker. xix and 131 pages. All edges gilt. Colour plates and b/w text illustrations. A lovely copy. Ribbon page marker is creased. Published by Easton Press hardcover
rif. FORT177575The Easton Press. Used - Very Good. Illustrated by Sylvain Sauvage. Translated by Richard Aldington. Fully-bound in richly coloured leather. Raised bands and gilt lettering on spine; Gold decoration on spine and boards. Silk moire endpapers silk sewn-in bookmark and all edges gilt. The Easton Press hardcover
1977rif. 098677Easton Press 1977-01-01. Hardcover. Like New. 11x8x1. Unread mint condition collectible copy. Part of the 100 Greatest Books Ever Written collection. Beautifully bound in genuine leather with 22kt gold inlaid accents on spine and front and back covers. Pages are sewn in between heavy-duty binding boards and have gilt edges on all three sides. Frontispiece full color portrait of author by Charles Attebery. Illustrated by Sylvain Sauvage throughout. Printed on sturdy acid-neutral archival quality paper specially milled for this collection that conforms to all guidelines established for permanence and durability by the Council of Library Resources and the American National Standards Institute that will resist yellowing aging and tearing. Gorgeous moiré end pages and a satin-ribbon page marker. Includes ex-Libris collectible bookplate for you to personalize. Unconditional money back guarantee. Easton Press hardcover
1973rif. 31777NY: Limited Editions Club. Very Good. 1973. Hardcover. B000OO2W5S . Translated from the French by Richard Aldington. Introduction by Anatole Broyard. Illustrated by May Neama. This copy is number 969 of a limited edition of 1500 copies. SIGNED by the illustrator. Near fine in a very good some light mottling slipcase. . Limited Editions Club hardcover
1939rif. 226147England: Nonesuch Press 1939. Hardcover. Very Good/Very Good. Very good plus. Hardcover lightly rubbed at spine ends and corners has wax paper type dust jacket that is browned. In slipcase in very good plus condition lightly rubbed at corners and edges. Nonesuch Press hardcover books
1977rif. 015002Norwalk Connecticut: The Easton Press 1977. All edges gilt. Covers and spine decorated and lettered in gilt. Silk sewn-in bookmark. From the Easton series "The 100 Greatest Books Ever Written". Illustrations by Sylvain Sauvage. Color frontispiece portrait of the author. This novella was first published in 1759. Voltaire 1694-1778 was a French writer poet historian social and religious critic. 131pp. Collector's Edition. Full Gray-blue Leather. Fine/No Dust Jacket. Demy Octavo. The Easton Press Hardcover books
1977rif. 97413Norwalk:: Easton Press. Fine. 1977. Hardcover. Translated from the French by Richard Aldington. Introduction by Paul Morand. Collector's edition. Large octavo bound in gray leather with gilt lettering and design raised bands along spine all edges gilt silk moire endpapers sewn-in ribbon book mark. Fine.; 131 pages . Easton Press, hardcover books
1977rif. 90897Norwalk:: Easton Press. Near Fine. 1977. Hardcover. B00H9Z9SJI . Translated from the French by Richard Aldington. Introduction by Paul Morand. Collector's edition. Large octavo bound in gray leather with gilt lettering and design raised bands along spine all edges gilt silk moire endpapers sewn-in ribbon book mark. Near fine.; 131 pages . Easton Press, hardcover books
rif. 43771Norwalk:: Heritage Press. Near Fine. N.D. Hardcover. Translated from the French by Richard Aldington. Introduction by Paul Morand. "Sandglass" laid in. A reprint edition. Near fine in a near fine some sun fading slipcase. . Heritage Press, hardcover books
1973rif. 31777NY: Limited Editions Club. Very Good. 1973. Hardcover. B000OO2W5S . Translated from the French by Richard Aldington. Introduction by Anatole Broyard. Illustrated by May Neama. This copy is number 969 of a limited edition of 1500 copies. SIGNED by the illustrator. Near fine in a very good some light mottling slipcase. . Limited Editions Club hardcover books
1930rif. L046960Editions Nilsson 1930. First Edition. Paperback. Very Good/Good. 8vo - over 7¾" - 9¾" 217 4 pages plates. Text in French. Illustrated edition of the 3 short novels; notable for the tipped-in pochoir stencilled watercolor illustrations on glassine. Date is conjectural not dated in book. Few small chips browning and slight rubbing to color pictorial glassine jacket; inner upper hinge starting; slight browning to plates generally unaffecting images; slight internal browning to edges.Polack Robert illustrator; 6 Color Illustrations / Plates. Editions Nilsson paperback
1759rif. elala1495np Paris: 1759. 1759. 12mo. pp. 237 3. contemporary calf gilt back spine ends worn. Published the same year as the first. Voltaires witty and devastating attack on philosophical and religious optimism is generally regarded as his most masterful composition. Published surreptitiously no less than seventeen different printings and editions appeared in 1759. Bengesco 1440. Martin 59.25. cfCioranescu 64321. cfQuérard X 323. cfPrinting and the Mind of Man 204. BOUND WITH: POPE Alexander 1688-1744. Essai Sur LHomme Traduit de lAnglois en François Édition revûe par le Traducteur Second Édition. 12mo. pp. 2 p.l. vii-xxxvi 189 3privilege. woodcut ornaments & title vignette. Lausanne: Marc Michel Bousquet & Compagnie 1752. np [Paris]: 1759. unknown
1952rif. 624996Paris: Gibert Jeune Librairie d'Amateurs 1952. Softcover. Good. Limited edition. Illustrations by Umberto Brunelleschi. Small octavo. 160pp. Containing reproduction of the original 1933 titillating illustrations in a reduced format the 16 full-page color plates and the 23 black-and-white tailpieces. Owner name penned neatly inside wrapper signatures coming loose lacking the last page and rear wrapper lacking the spine some pages unopened thus a fait to good only copy lacking the original glassine dust jacket. One of 3000 numbered copies. Beautiful plates. Gibert Jeune Librairie d'Amateurs unknown
1952rif. 316680Paris: Gibert Jeune Librairie d'Amateurs 1952. Softcover. Near Fine. Limited edition. Small octavo. Illustrations by Umberto Brunelleschi. Some toning with wear to the spine ends near fine in pictorial wrappers with very good chipped and torn original glassine dustwrapper. One of 3000 numbered copies. Includes titillating illustrations throughout: 16 color and 23 black and white. Gibert Jeune Librairie d'Amateurs unknown
1928rif. 8733One of 237 copies number 211 one of 185 on Vélin de Montval. Sylvain Sauvage ws the pseudonym of the artist Félix Roy 1888-1948. He later illustrated the Nonesuch edition of Candide. 4to 280 × 220 mm pp. 6 157 7 including frontispiece and title 54 etched illustrations and vignettes by Sauvage including the cover hand-coloured numerous decorative initials printed in red and black. Uncut in original pictorial wrappers chemise and slipcase. An excellent copy. [Frazier-Soye and Paul Haasen for] the artist and A. Maillart.
rif. 99718Paris Jules Tallandier 1927. . Voltaire 1694-1778. - Leder mit Schabstellen Paris, Jules Tallandier, ( 1927). unknown
1759rif. 752Genève Geneva: Cramer 1759. First Edition. 3 vols. in one 12mo 164 x 100mm pp. 2 291 1; 133 1 35 1. First printing of the great 18th century philosophical narrative with all the points correct. Including the 3 usual cancels the right title page ornament repeated pages 193 and 266 the misprints of “que ce ce fut” page 103 line 4 and “précisément” page 125 line 4 the correction removing a paragraph break page 31 the rewritten lines about the Lisbon earthquake page 41 etc. Contemporary full calf red calf label rebacked with the original spine saved and laid down recornered marbled endpapers gilt rubbed inner paper hinges strengthened old ink signatures on the endpaper and front blank tiny signature on the title page one tissue strengthened tear at the bottom of A2 touching the last 3 lines of text without any loss otherwise internally quite nice clean and very good. Bound without N7 a blank and N8 a notice to the binder as is usual agreeing in all respects to what you would have received if you had purchased a copy in sheets on publication day then bought the sequels and then handed them over to the most local Swiss bindery. Ref: PMM 204. There were 18 editions of Candide in 1759. It took 221 years for a clear and convincing bibliography to first sort them out and then got accepted and once accepted our real 1st edition was confirmed as rare. In the last 15 years however that bibliographical data has been more widely circulated and several 1st editions that weren’t on the original 22–copy census have come into market. It is still scarce more so in a contemporary binding. Candide bides as the epitomic philosophical fable of the French Enlightenment and the genotype of irony without exaggeration and though it’s laced with more salt than the postwar streets of Carthage it repeatedly tolls a reminder that light hearts live long. Most importantly Candide remains remarkably relevant when examined through contemporary frameworks functioning as an incisive proto-postcolonial text that anticipates modern discourse on global inequality systems of oppression and the limitations of Enlightenment rationality. The novel's scathing portrayal of slavery conquest and religious persecution resonates with intersectional analyses that recognize how power structures interlock across racial gender and economic dimensions. The savage irony throughout the text dismantles not just philosophical optimism but also European exceptionalism exposing the hypocrisy of colonial enterprises and religious institutions alike. The narrative's episodic structure—with its global movements between Europe South America and the Ottoman Empire—invites discussions of transnationalism and diasporic experience while Candide's concluding retreat to cultivate his garden has been reinterpreted by ecocritical scholars as both an acknowledgment of environmental interdependence and a potentially problematic withdrawal from systems-level political engagement. “Do you believe” said Candide “that men have always massacred each other as they do to-day that they have always been liars cheats traitors ingrates brigands idiots thieves scoundrels gluttons drunkards misers envious ambitious bloody–minded calumniators debauchees fanatics hypocrites and fools” “Do you believe” said Martin “that hawks have always eaten pigeons when they have found them” –Voltaire Candide. Cramer unknown
1928rif. 24452Paris: Kra Éditeur 1928. First Edition. Pictorial wrappers. Illustrated by Pruvost. Third volume in the Poivre et Sel series. Edition limited to 1000 numbered copies on Rives paper. 225pp. Original pictorial wrappers in glassine. Frontispiece and numerous in-text illustrations in color by Pruvost. Light toning to top edge of front cover and spine where the glassine is torn. Previous owner's name on the first page otherwise internally extremely clean and with the publisher's promotional announcement still intact. A near fine copy. In the French language. ; Octavo. Kra, Éditeur unknown
1952rif. 624996Paris: Gibert Jeune Librairie d'Amateurs 1952. Softcover. Good. Limited edition. Illustrations by Umberto Brunelleschi. Small octavo. 160pp. Containing reproduction of the original 1933 titillating illustrations in a reduced format the 16 full-page color plates and the 23 black-and-white tailpieces. Owner name penned neatly inside wrapper signatures coming loose lacking the last page and rear wrapper lacking the spine some pages unopened thus a fait to good only copy lacking the original glassine dust jacket. One of 3000 numbered copies. Beautiful plates. Gibert Jeune Librairie d'Amateurs unknown books
1952rif. 316680Paris: Gibert Jeune Librairie d'Amateurs 1952. Softcover. Near Fine. Limited edition. Small octavo. Illustrations by Umberto Brunelleschi. Some toning with wear to the spine ends near fine in pictorial wrappers with very good chipped and torn original glassine dustwrapper. One of 3000 numbered copies. Includes titillating illustrations throughout: 16 color and 23 black and white. Gibert Jeune Librairie d'Amateurs unknown books
1924rif. MVOLCAN1Paris PIAZZA, Le Livre Français 1924 Grand in-8, broché, couverrture rempliée. Un des 4000 ex. sur papier Vélin, n° 4399.
rif. 21899Paris, Editions Rombaldi, (1952). Un vol. pt in-8 (202 x 152 mm) de 188 pp., broché, sous couvertures à rabats rempliés. Un des exemplaires du tirage numéroté sur vélin crème N°5141, recelant de délicates compositions en couleurs de Van Moppès gravées sur cuivre et coloriées au pochoir, ici en premier tirage.
