de Saint-Lambert, Jean-FrancoisBiblio.com
ref. 2013094795.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 2329016816.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 2013094779.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 1179590074.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 1166321509.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 1120020484.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2007ref. 5003782182007 collection étonnants classiques. 2007.
ref. lc_52872La Musardine (26 mai 2004)
2005ref. LFA00e7dUn ouvrage de 128 pages, format 165 x 235 mm, illustré, broché, publié en 2005, Editions Alan Sutton, bon état
1769ref. 3046S.n., à Amsterdam 1769 In 8 de xxviij, 369pp., relié en plein veau marbré, dos plat orné, mors et coiffes usées. Edition originale, finement illustrée de 5 figures par Le Prince et Gravelot, gravées par Delaunay, Prévost, Rousseau, Saint-Aubin et Watelet. 1 fleuron en forme de lyre sur le titre et 4 vignettes en-tête gravées à l'eau-forte par Choffard.
1775ref. 38316S. n. | à Amsterdam 1775 | 14 x 23 cm | relié
1775ref. 48828S. n. | Paris 1775 | - | relié
1796ref. 71224De l'Imprimerie de P. Didot l'aîné | Paris 1796 | 23 x 31.50 cm | relié
ref. 005778Jean-François de Saint-Lambert, Les Saisons. Amsterdam, s.n., 1773. In-4, XXXVI-224-203-[1]p. Nouvelle édition de ce classique de la fin du XVIIIe siècle, exemplaire unique : l'ouvrage, imprimé en format in-8, a été ici remonté au format in-4 (28.5*21.5cm). Chaque page a été placée dans une feuille plus grande ajourée. 5 Gravures avant la lettre de Gravelot. Ouvre maîtresse de Saint-Lambert, elle fut publiée en 1769 et lui ouvrit les portes de l'Académie Française. Elle connut plusieurs éditions très rapidement et notamment plusieurs avec les gravures de Gravelot. Reliure plein veau porphyre, dos à nerfs orné, pièce de titre maroquin, triple filet d'encadrement sur les plats, tranches dorées. Petit manque à la coiffe supérieure, petits défauts. Magnifique exemplaire.
ref. 010888Jean-François de Saint-Lambert (1716-1803), militaire, poète, écrivain, membre de l'Académie Française, auteur des Saisons. L.A., sd, 1p in-8 oblong. A Louis-Elisabeth de la Vergne, comte de Tressan (1705-1783). Petit courrier amical pour le remercier de son attention, Saint-Lambert ayant été malade : « le pis de tout c'est que les remèdes qui soulagent un de mes maux augmentent l'autre. » Il est question ensuite d'un dîner le lundi suivant. Il regrette que Tressan viennent sans sa femme. « Madame d'Houdetot ira se promener de bonne heure aujourd'hui et je vous conseille de ne pas venir. » Houdetot est sa maîtresse. Avec le comte d'Houdetot, ils firent un ménage à trois jusqu'à la mort de Saint-Lambert. « Je vous félicite sur votre nouvel état de braconnier. » Beau courrier amical. [188-2]
ref. 0259016640.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 0265493137.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 0428304494.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1769ref. 1769LSP-SAI-1-FAmsterdam: anonymous 1769. 1st Edition. Fine. Illustrated with five engraved plates after Le Prince and Gravelot etched title-page fleuron and vignettes by Choffard. Bound by Emile Rousselle in full brown crushed morocco a.e.g. the spine with gilt titles doublures of blue crushed morocco with wide gilt tooled dentelle border and oval corner medallions inlaid in brown morocco marbled flyleaves. Front flyleaf cracked at inner joint fingerprint size darker spot on upper cover else fine. The rare illustrated octavo edition. An elegant book with the leater bookplate of Cortland Bishop. Cortland Bishop was an early 20th century aviator and book collector. Fived raised bands on spine. Text in French. Pages: 399 Dimensions: 5¼ x 7¾ x 1. anonymous unknown
ref. 46456305like new. unknown
ref. 650546951University of Exeter Press . Papeback. New. pp. 88 University of Exeter Press unknown
ref. 0666664587.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1796ref. 71224Paris: De l'Imprimerie de P. Didot l'aîné 1796. Fine. De l'Imprimerie de P. Didot l'aîné Paris 1796 23 x 31.50 cm relié New edition revised by the author illustrated with 4 copper-engraved plates by Morel after drawings by Chaudet Cohen col. 927. A sumptuous publication from the press of Pierre Didot l'aîné the foremost printer of his day. This edition is distinguished from all previous ones by its entirely renewed illustration in a neoclassical spirit in keeping with the aesthetic of the Directoire period. It is the first to have been revised by the author himself. Contemporary binding in full red morocco spine with five raised bands richly decorated with gilt dentelles fillets and fleurons boards framed with a double gilt dentelle gilt roll on the turn-ins and headbands pastedowns and doublures framed with a gilt dentelle of marbled paper all edges gilt. The first edition of Les Saisons published in 1769 had secured Saint-Lambert's reputation and earned him a seat at the Académie française with the support of Voltaire who wrote of the poem: « C'est le seul ouvrage de notre siècle qui passera à la postérité. » The present edition appears at a singular moment: two years after the abolition of slavery voted by the Convention on 4 February 1794 and at a time when Saint-Lambert then eighty years old was himself revising his work for the last major edition of his lifetime. The choice of Didot as printer whose productions then represented the pinnacle of French typographical luxury and the very date of publication lend this volume a significance that goes well beyond a simple reprint. The work contains in addition to the long poem in four cantos devoted to the seasons and its preface on bucolic and pastoral poetry the tales L'Abénaki Sara Th. Ziméo the Pièces fugitives and the Fables orientales. The latter open with a ""Préface de Saadi"" an explicit attribution new to this edition relative to those of 1769 and 1775 of the free adaptation of the preface to the Gulistan the ""Rose Garden"" 13th century that has appeared in the collection since the first edition. It is in this author-revised edition that Saint-Lambert publicly acknowledges his debt to Persian literature at the very moment when the first complete French translation of the Gulistan had just appeared abbé Gaudin 1789. It is through Ziméo included in the collection since the first edition of 1769 that Saint-Lambert's work occupies a singular place in the literary history of the Enlightenment. One of the rare texts of this period to stage a slave insurrection where Voltaire in Candide had sketched only a solitary figure of revolt this tale constructs an African hero of full epic dignity and predates both the insurgent figure in Louis-Sébastien Mercier 1771 and the celebrated antislavery passage of the Histoire philosophique des deux Indes attributed to Diderot which did not appear until the 1780 edition. It is worth noting however that this 1796 edition unlike its predecessors does not reproduce the ""Réflexions sur les Nègres"" that followed Ziméo in the editions of 1769 and 1775 a text in which Saint-Lambert had argued that the faults attributed to Africans « sont de l'esclavage » and not of nature. This omission occurring barely two years after the abolition decree remains difficult to interpret with certainty: an editorial choice dictated by the luxurious format of the publication a calculated discretion in a still unstable political climate in which the colonial question was far from settled under the Directoire. unless this very absence of advocacy is precisely the sign of the triumph of the humanist ideals for which the author no longer needed to argue having been fully vindicated by the Convention which voted the abolition of slavery on 4 February 1794 16 Pluviôse Year II. A fine copy in a handsome contemporary binding of full red morocco of the definitive edition revised by the author published two years after the abolition of slavery. De l'Imprimerie de P. Didot l'aîné hardcover
1782ref. 19781782. : 8 . 4 Blank pages / 1 Blank pages / 1 Blank pages / 21 Roman numbered pages / 1 Blank pages / 187 Pages / 5 Blank pages Binding: Contemporary Half Leather 24mo Height cm: 134 CM Width cm: 82 CM Thickness cm: 11 CM hardcover
1775ref. 48828Paris: S. n. 1775. Fine. First illustration of Zimeo the first Black insurgent hero in French literature S. n. Paris 1775 - relié Seventh edition first to illustrate Zimeo adorned with 7 plates by Moreau le Jeune: a frontispiece and 4 plates for Les Saisons engraved by Delaunay Duclos Prévost and Simonet and 2 plates for the Contes Poésies fugitives and Fables orientales together with 4 headpiece vignettes by Choffard. Our copy is further enriched with separate pulls of the title-page ornament and Choffard's vignettes. Nineteenth-century binding in full midnight-blue morocco. Five-raised-band spine decorated with pastoral flowers vine wheat and billhook game and hunting horn. and gilt compartments. Triple gilt fillet and geometric gilt lace border to boards. Wide gilt lace border to doublures of marbled paper. Upper joint rubbed. The first edition of Les Saisons published in 1769 with illustrations by Gravelot and Le Prince had secured Saint-Lambert's reputation and earned him a place at the Académie française. The present seventh edition Cohen/Ricci Sp. 926; Sander 1779 retaining the fictitious imprint « Amsterdam » concealing a Parisian printer is the first to include an illustration for Zimeo the anti-slavery philosophical tale that had been part of the volume since the first edition:Moreau's frontispiece captioned ""j'aimerai deux blancs dit-il"" gives a face for the first time to the first Black insurgent hero in French literature.The volume contains in addition to the long poem in four cantos devoted to the seasons and its preface on bucolic and pastoral poetry the tales L'Abénaki Sara Th. Zimeo the Pièces fugitives and the Fables orientales. The Fables orientales open with a prefatory text constituting a free adaptation of the preface to Saadi's Gulistan the « Rose Garden » 13th century. This adaptation is not yet attributed to Saadi in the table of contents it would be in the 1796 edition yet it represents one of the rare French versions of this text available between André du Ryer's partial translation 1634 and the first complete translation by the abbé Gaudin 1789. It is above all through the anti-slavery philosophical tale Zimeo included in the collection since the first edition that this work by Saint-Lambert holds a singular place in European literary history. This philosophical tale is one of the rare Enlightenment texts to stage a slave insurrection where Voltaire in Candide had sketched only a solitary figure of revolt. Drawing on Aphra Behn's Oroonoko 1688 translated into French by La Place in 1745 Saint-Lambert constructs a Black hero endowed with full epic dignity and appends to the narrative « Réflexions sur les Nègres » in which he systematically dismantles racial prejudice asserting that the faults attributed to Africans « sont de l'esclavage » and not of nature. Chronologically Zimeo precedes the figure of the rebel in Louis-Sébastien Mercier 1771 and the celebrated anti-slavery passage of the Histoire philosophique des deux Indes attributed to Diderot which did not appear until 1780. The present 1775 edition is precisely the first to furnish the tale with an illustration: Moreau le Jeune's frontispiece depicting Zimeo rescuing two white captives gives a visual image for the first time to Saint-Lambert's Black hero at the very moment when the abolitionist debate was beginning to gather momentum in France. From the libraries of Francis Kettaneh 18971976 and Irwin Laughlin 18711941 with their bookplates. Francis Kettaneh a businessman born in Lebanon was one of the great American bibliophiles of the twentieth century whose bookplate bears the motto Mehr Licht Goethe's last words. Irwin Boyle Laughlin an American diplomat served as United States Minister Plenipotentiary to Greece 19241926 and subsequently as Ambassador to Spain 19291933; a passionate collector of eighteenth-century French art and books he commissioned the construction of S. n. hardcover
