934 résultats
1825réf. CLL-149Paris, Crapelet, 1825 4 volumes in-8 de XXIV, 344 pp. - (2) ff., 374 pp., (1) f. d'errata - VIII, 383 pp., (1) f. de table - (2) ff., 446 pp., demi-maroquin rouge à coins, dos à nerfs très finement orné et doré, têtes dorées, non rognés (Capé).
1810réf. 437London: William Miller John Murray & Longman et al. 1810. 1st Dibdin Edition. Modern calf reback over contemporary calf boards. Very Good. The first Dibdin edition of Typographical Antiquities is a seminal work in the history of printing scholarship providing a comprehensive account of early English Scottish and Irish printing and serving as a foundational reference for bibliographers and collectors. The work was highly anticipated amongst English bibliophiles booksellers and dignitaries. Subscribers included King George III prominent British Institutions like the British Museum and Cambridge University and numerous prominent publishing houses some of which bought dozens of copies. PROVENANCE From the library of Arthur Dalrymple 1808-1868 FSA Fellow Society of Antiquaries a solicitor and antiquary from Norwich England. He was a major collector of historical manuscripts books and prints. His library was well known among contemporary historians for its rare volumes and meticulously affixed armorial bookplates. Overall Condition: Very Good SET INFO Published in London by William Miller Vol I and II John Murray Vol III and Longman Hurst et al. Vol. IV. Each volume published separately between 1810-1819 and issued to subscribers: Volume I 1810 Volume II 1812 Volume III 1816 Volume IV 1819. Each volume is a preferred first Dibdin edition when his influential and impressive book scholarship greatly expanded the work. Authors: Thomas Frognall Dibdin Joseph Ames William Herbert. Bound in contemporary fine calf binding with spines rebacked in modern gilt calf. Boards with thick gilt vine-patterned roll paneling. Spines with five raised bands separating compartments ruled and tooled in gilt. All board edges with gilt rolls. All page edges gilt. Marbled endpapers and leather-turn ins tooled in blind. Quarto 11" x 8. 7/8". Each volume richly illustrated in addition to the plates - full page woodcuts within text woodcuts decorated initials head-and tail-pieces. Collated and textually complete including half-titles lacking a few binder's notes for plate placement and ads and all 38 plates: Volume I: xx 2 95 1 cxxxviii 2390 pp. 15 plates with Binder's Instructions leaf. Volume II: 4 v 1 30 2 xii 33-399 1 x 401-614 pp. 15 plates without Binder's Instructions leaf and publisher ads. Volume III: 4 iv 615 3 pp. 5 plates with Binder's instructions leaf. Volume IV: 4 ii 2 623 1 pp. 3 plates with Binder instruction's leaf. Dibdin's four-volume edition substantially built upon the earlier works of Joseph Ames and William Herbert. Descriptions of the earliest and most important English printers and publishers are described in detail including their typography genres and key works published printer devices and ornamentation devices like woodcuts head and tail pieces and decorated capitals and initials. Dibdin's edition is highly valued for several key reasons: 1. Comprehensive Documentation: It systematically covers printers from Caxton onwards tracking their known works and offering historical context; 2. Biographical Detail: Volume 1 includes lives of Ames and Herbert followed by accounts of early printers providing insight into the development of the printing profession; 3. Bibliographical Utility: By consolidating prior editions with new editorial notes it has enabled subsequent scholars and collectors to identify locate and study early printed books with greater accuracy; 4. Cultural and Historical Importance: Recognized as a work of cultural significance it serves as part of the knowledge base of civilized bibliographical scholarship preserving the history of early printing practices. ABOUT THE AUTHOR EDITIOR AND BIBLIOGRAPHER Thomas Frognall Dibdin 1776 - 1847 was an influential English bibliographer and Anglican clergyman best known for popularizing book collecting and producing landmark bibliographical works such as Bibliomania Bibliotheca Spenceriana and his revised edition of Typographical Antiquities. Dibdin was one of the founders and vice-president of the Roxburghe Club established in 1812 considered the first English bibliophile society. The club encouraged the production and reprinting of rare books stimulating a culture of book collecting that profoundly influenced English literary and bibliographical history. Dibdin's legacy lies less in his enthusiasm for books colorful writing style encouragement of book collecting and role in creating bibliophile societies that preserved rare works for future generations. His works remain referenced both for their historical contents and for their influence on the culture of bibliophilia. CONDITION REPORT The books are in Very Good antiquarian condition. Exterior and binding: firm hinges and joints tight pages. Rubbed and worn edges rubbed boards. Top edge darkened per usual. leather darkening in multiple areas particularly along the edges and board perimeters dry areas with cracking. Interiors: Flaking and darkening of leather turn-ins. Generally lightly toned pages which are clean and bright. Offsetting from plates and occasional light offsetting from woodcuts. Moderate to heavy foxing at extremities of each volume and on and near plates. Signs of handling - some smudges creases bent corners small ink spills and multiple instances of marginal reading tears and some paper repairs with tape not affecting text a few leaves with small holes or feathered edges. Armorial bookplate of Dalrymple on front pastedowns. Volume I: light oxidation of text block. Small water dampening stain at head of first few leaves and bottom fore-edge corners of pp. cvii-cxxiv. Light and scattered foxing most main text. This volume GOOD to GOOD due to the text block oxidation. Volume II: Mostly white to lightly toned pages. 2" tear at title page foot. A few pages with small waterdrop along a margin. An occasional spot of foxing in the main text. Some charring along fore-edge of rear cover leather. Volume III: Head of margins of leaf 461-462 and adjacent plate with multiple tears and creases not affecting the plate image or text. Volume IV: Several tears and marginal wear of FFEP. Large water dampening stain at foot of frontispiece. All in all a scarce complete first Dibdin set of Typographical Antiquities: Or the History of Printing in England Scotland and Ireland in VERY GOOD antiquarian condition. . William Miller, John Murray & Longman, et al. unknown
1618réf. 1395620London UK: William Miller 1810 1812 18161819. First Dibdin Edition. Hardcover. Quarto 4 volumes. In Very Good minus condition. Bound in full red morocco leather with gilt ornamentation to spine boards board edges and turn ins. Boards have light to moderate chipping to joints and corners in some cases leaving the corners of the boards visible. All textblocks have gilt edges still very bright. All textblocks have marbled end papers and mild age toning and foxing on some pages throughout. All volumes bound by Riviere with Riviere stamp to verso of each front free end page. CONTENTS: VOL I: xx 2 95 1 cxxxviii ix-xi 1 390 plus 16 plates. Lacking binder's instruction page. Published in 1810.- VOL II: 4 vi 32 xii 33-400 x 401-614 4 ad plus 15 plates. Lacking binders instruction page. Published in 1812.-- VOL III: 4 iv 2 615 1 plus 5 plates. Contains binders instructions page. Published in 1816.-- VOL IV: 4 ii 2 623 pages plus 3 plates. Contains binder's instruction page. Published in 1819. Shelved in Room A. 1395620. Special Collections - Upstairs. William Miller hardcover
1618réf. 1395620London UK: William Miller 1810 1812 18161819. First Dibdin Edition. Hardcover. Quarto 4 volumes. In Very Good minus condition. Bound in full red morocco leather with gilt ornamentation to spine boards board edges and turn ins. Boards have light to moderate chipping to joints and corners in some cases leaving the corners of the boards visible. All textblocks have gilt edges still very bright. All textblocks have marbled end papers and mild age toning and foxing on some pages throughout. All volumes bound by Riviere with Riviere stamp to verso of each front free end page. CONTENTS: VOL I: xx 2 95 1 cxxxviii ix-xi 1 390 plus 16 plates. Lacking binder's instruction page. Published in 1810.- VOL II: 4 vi 32 xii 33-400 x 401-614 4 ad plus 15 plates. Lacking binders instruction page. Published in 1812.-- VOL III: 4 iv 2 615 1 plus 5 plates. Contains binders instructions page. Published in 1816.-- VOL IV: 4 ii 2 623 pages plus 3 plates. Contains binder's instruction page. Published in 1819. Shelved in Room A. 1395620. Special Collections - Upstairs. William Miller hardcover books
1827réf. 107222London: Harding and Lepard 1827. Together with an account of polyglot Bibles polyglot Psalters Hebrew Bibles Greek Bibles and Greek Testaments; the Greek fathers and the Latin fathers. Fourth edition; greatly enlarged and corrected. In two volumes. Pp. ivxiv562iv580 1 engraved plate and small mounted specimen leaf Volume I corrigenda at end of Volume II; impl. 8vo; half dark green morocco the spines lettered and decorated in gilt marbled papered boards; edges slightly rubbed; t.e.g. others uncut and partly unopened; marbled endpapers; ribbon markers; bookplate on upper pastedowns small catalogue slip tipped-in after upper free endpaper Volume I large water stain to top fore-corner of the engraved plate and a couple of the surrounding leaves a little light offsetting from the bookmarkers scattered pale foxing; Harding and Lepard London 1827. Fourth edition large paper copy one of 250 thus. Windle & Pippin A3d. Contains much information not found in earlier editions. The plate is a facsimile of a page from the Complutensian Polyglot Bible and the mounted specimen leaf is from Pickering's 1826 Diamond Edition of the Greek New Testament. Harding and Lepard unknown
1822réf. 54607London: John Lowndes 1822. Isaac Robert Cruikshank. Two volumes. VOLUME 1 FIRST EDITION: Folding hand-colored frontispiece etching "Mr. Wilkinson Mr. Burroughs & Mr. Wrench As Logic Jerry & Corinthian Tom." by Robert Cruikshank. Bound together with Songs Parodies etc below in 8vo gilt-stamped polished calf by Riviere & Son with six spine compartments; all edges gilt; 54 pp; 2-line Errata and "Printed by F. Marshall Kenton Street Brunswick Square" at base of last text page. Upper half-inch of spine rubbed to board darkening from old tape repair on verso of frontis crossing upper left corner otherwise very good. Bound in at rear is SONGS PARODIES DUETS CHORUSSES . TOM & JERRY; OR LIFE IN LONDON . UPS & DOWNS IN LIFE . BY A CELEBRATED EXTRAVAGANT ERRATIC AUTHOR." London: John Lowndes no-date. Title page notes "First performed at the Adelphi Theatre November 26 1821." Hand-colored frontispiece etching "Corinthian Tom" by Robert Cruikshank 23 pp; publisher's ads on verso of title page. VOLUME 2 SECOND EDITION CORRECTED: Hand-colored frontispiece etching "Mr. Oxberry as Jerry Hawthorn" by Robert Cruikshank. "Bingham Printer Tavistock-street Covent-garden" on title page. Bound by Wallis in 8vo three-quarter leather over light brown cloth boards gilt-lettered spine; 40 pp; top edge gilt. Front cover front free endpaper and first blank detached rubbing along edges of leather lower half inch of spine leather rubbed to board. Provenance: Bookplate of William Hartmann Woodin who served as the Secretary of Treasury under Franklin Roosevelt in each. In the first Woodin's bookplate partially obscures that of J. Barton Townsend whose collection of color-plate books was auctioned in 1919 and in the second that of Cruikshank bibliographer Alfred M. Cohn whose collection was auctioned in 1920. The first and second editions of the "Larks" are exceedingly scarce if not rare as is "Songs Parodies etc. John Lowndes unknown
1817réf. 13004London: The Author. By W. Bulmer & Co. Shakespeare Press 1817. FIRST EDITION. Complete with errata colophon and half-titles. With 40 plates including the oft missing "Presentation in the Temple" in Volume I portraits illustrations and facsimiles engraved vignettes woodcut and text illustrations some printed on India paper and mounted. Contemporary full crimson crushed levant morocco bound by St. James' Duke Street London a dated binding with the elaborate gilt spine in 6 compartments and "London 1827" in gilt at the foot. From the library of Thomas Willement 1786-1871 British stained glass artist called "the father of Victorian Stained Glass" with his signature a small circular binders label and his personal bookplate from the Society of London Antiquaries. A handsome copy with an important provenance. First and only edition of one of the monuments of typographical bibliography and the most extravagant of all Dibdin's works. It was limited to under 1000 regular and 50 large paper copies. "Its publication was a financial success and doubtless marks the high-water mark of the Dibdinian bibliomania" Windle & Pippin A28. According to Bigmore & Wyman the work is written in the same dialogue manner as Dibdin's Bibliomania with the same interlocutors and may be properly described as a continuation of that work. The Author. By W. Bulmer & Co., Shakespeare Press unknown
1817réf. 13004London: The Author. By W. Bulmer & Co. Shakespeare Press 1817. FIRST EDITION. Complete with errata colophon and half-titles. With 40 plates including the oft missing "Presentation in the Temple" in Volume I portraits illustrations and facsimiles engraved vignettes woodcut and text illustrations some printed on India paper and mounted. Contemporary full crimson crushed levant morocco bound by St. James' Duke Street London a dated binding with the elaborate gilt spine in 6 compartments and "London 1827" in gilt at the foot. From the library of Thomas Willement 1786-1871 British stained glass artist called "the father of Victorian Stained Glass" with his signature a small circular binders label and his personal bookplate from the Society of London Antiquaries. A handsome copy with an important provenance. First and only edition of one of the monuments of typographical bibliography and the most extravagant of all Dibdin's works. It was limited to under 1000 regular and 50 large paper copies. "Its publication was a financial success and doubtless marks the high-water mark of the Dibdinian bibliomania" Windle & Pippin A28. According to Bigmore & Wyman the work is written in the same dialogue manner as Dibdin's Bibliomania with the same interlocutors and may be properly described as a continuation of that work. The Author. By W. Bulmer & Co., Shakespeare Press unknown books
1825réf. 24574Paris Crapelet 1825 4 volumes in-4, demi-maroquin bleu petits coins, plats de papier marbr, dos nerfs orns de filets dors; doublures et gardes de papier marbr, ttes dores, non rogns, couvertures imprimes (Muller, successeur de Thouvenin).Le texte des deux premiers volumes est traduit par Th. Licquet, celui des deux derniers par M. Crapelet.
1812réf. BIBLIO-12977Harding and Wright London first edition 1812. Limited edition of 50 copies. Slightly later half calf and marbled boards edges sprinkled 8vo. 24 pp without title-page as issued several blank leaves bound in at end. Very scarce: Fifty copies were printed but it is rarely seen in the market: our copy sold at Swann in 2006 US $ 1320 and this seems to have been the last solo auction appearance subsequently there has been only a copy included in a bound volume of Dibdin rarities in the 2015 Pirie sale US $15000. Before that there were auction appearances in 1992 and 1939 making just four copies assuming no duplication in the salerooms in 85 years. Dibdin wrote the work "in five morning-sittings' while on holiday in Ramsgate in September 1812 taking a break from his labours on the Bibliotheca Spenseriana. The poem has some 554 lines of Dibdin's bibliographical advice and opinions in what he calls 'mongrel-blank' verse and it appears as 'Book 1' Dibdin had intended there to be a total of six books with the verse serving as a peg on which to hang 'such elaborate notes that the reader could disregard the verse' Jackson. Wise friends who saw this first canto dissuaded the author from proceeding with this very Dibdinesque plan so Book 1 is all that saw the light of day in a small private printing from which copies were sold 'at the mere sum which it had cost'. Provenance: Jean-Sylvain Van de Weyer 1802 -1874 an Anglophile served briefly as Prime Minister of Belgium in 1845-6 but is better known in bibliophilic circles as a distinguished book collector and grandfather of Oliver Brett Viscount Esher another such and as co-founder with Richard Monckton Miles of the Philobiblon Society and Vice-President of the London Library 1848-1874. Three bookplates on front endpapers: of Sylvain van de Weyer Harvard College Library Samuel Shapleigh bequest released stamp and Francis J. Gagliardi small Harvard College stamps on title-page and blindstamps on advertisement leaf and first text leaf small bookseller label of Phillip. C. Duschnes on rear pastedown endpaper. Spine scuffed joints worn but firm slight edgewear to boards some foxing to endpapers and blank leaves but text-leaves very clean with slight agetoning. Harding and Wright, London, first edition, 1812 hardcover
1800réf. 131Charles Dibdin 1800. Good. All 5 volumes have been rebound in half leather with purple marbled paper and are housed in a custom slipcase. There is some foxing and stains to the text throughout the volumes and the print quality is fairly poor. Mr. Dibdin was a bit of a musical theater prodigy and polymath who ended up building his own theater to perform in. In addition to multiple songs and plays he also wrote a 4 volume memoir and a couple of 3 volume novels. Unusual to see a complete set in hardcover that is not print on demand. Charles Dibdin unknown
1821réf. 1227501821. London: Printed For The Author By W.Bulmer And W.Nicol Shakespeare Press And Sold By Payne And Foss Longman Hurst And Co. 1821. 3 vols. royal 8vo. pp. 2 p.l. xxv 3 leaves 462 lxxix 1 errata; 2 p.l. 555; 2 p.l. 622 lxii. without half-titles. 83 plates incl. portraits; 1 color 2 sepia & 5 double-page & 63 smaller illus. in the text some on India paper mounted. Early half dark green morocco marbled boards gilt-lettered backstrips a tall untrimmed set with usual occasional foxing or spotting. Bookplates of James Whatman and Charles Sebag-Montefiore. § First edition regular paper issue. One of a very few books by Dibdin that went into a second edition. "The collation is very irregular by reason of the fact that all illustrations in the text being printed on India paper pasted-in are on separately inserted leaves . This Voyage Pittoresque is lavishly illustrated mainly with copperplates after drawings by G.R. Lewis and others. Dibdin says he spent over 7000 pounds on the book being the first patron to pay 100 guineas for a plate . It has been unkindly said of this book that it would have been better without any text. However it does contain a modicum of bibliographical information that is still useful if used with due caution" Jackson. Lowndes notes that it "contains much useful and curious information" on the libraries and private collections of Europe. The second edition of 1829 is abridged and omits all but 5 of the original plates. Jackson 48; Lowndes I 641; Windle & Pippin A38a. Provenance: James Whatman; Lister; Colin Franklin; Charles Sebag-Montefiore. Windle and Pippin A38a. unknown
1814réf. 1067671814. London: Printed for the Author by W. Bulmer Shakspeare Press and published by Longman Hurst etc. 1814-15. 4 vols. 8vo ix lii i 383; 503; 509 3; vii 509 lxxvii pp. with 22 plates including one double-page as called for and numerous additional woodcuts some in red in the text of all four volumes. These woodcut facsimiles are by the Byfield family. Full red morocco gilt dentelles. Bookplate of Ross Winans on the front pastedown of vol. one. Some occasional spotting or foxing especially in vol. 4 upper joint of vol. 4 beginning to split at head generally a very good set complete as issued. § First edition of Dibdin's great work. Loosely inserted at the front of vol. 1 is a manuscript note from Dibdin: "Subscription for copy of the Bibliotheca Spenceriana herewith sent £8.8. T.F. Dibdin Mar. 31." 500 copies were printed according to the prospectus and most nineteenth-century sources though A.N.L. Munby states that there were 550 copies; the prospectus states 50 copies on large-paper but Dibdin Bibliographical Decameron vol.II p.392 says: 'There were only 55 copies struck off on Large Paper.'. Regular and large-paper copies collate and paginate identically. In vol.I leaf M4 pp.87-88 occurs in two states both usually found together with and without the engraved facsimile of Polish type; the text of the bottom nine lines of p.87 is reset with the headline in a different type face; and there are minor changes in p.88. Ross Winans 1796-1877 was an American inventor mechanic and builder of locomotives and railroad machinery. He was one of the United States' first multimillionaires. His "small but choice" library Dickinson was bought en bloc by G.D. Smith and sold through various auctions though his copy of the First Folio was last recorded by Lee in the Census and is now unlocated. Windle and Pippin A25. unknown
1821réf. 1227501821. London: Printed For The Author By W.Bulmer And W.Nicol Shakespeare Press And Sold By Payne And Foss Longman Hurst And Co. 1821. 3 vols. royal 8vo. pp. 2 p.l. xxv 3 leaves 462 lxxix 1 errata; 2 p.l. 555; 2 p.l. 622 lxii. without half-titles. 83 plates incl. portraits; 1 color 2 sepia & 5 double-page & 63 smaller illus. in the text some on India paper mounted. Early half dark green morocco marbled boards gilt-lettered backstrips a tall untrimmed set with usual occasional foxing or spotting. Bookplates of James Whatman and Charles Sebag-Montefiore. § First edition regular paper issue. One of a very few books by Dibdin that went into a second edition. "The collation is very irregular by reason of the fact that all illustrations in the text being printed on India paper pasted-in are on separately inserted leaves . This Voyage Pittoresque is lavishly illustrated mainly with copperplates after drawings by G.R. Lewis and others. Dibdin says he spent over 7000 pounds on the book being the first patron to pay 100 guineas for a plate . It has been unkindly said of this book that it would have been better without any text. However it does contain a modicum of bibliographical information that is still useful if used with due caution" Jackson. Lowndes notes that it "contains much useful and curious information" on the libraries and private collections of Europe. The second edition of 1829 is abridged and omits all but 5 of the original plates. Jackson 48; Lowndes I 641; Windle & Pippin A38a. Provenance: James Whatman; Lister; Colin Franklin; Charles Sebag-Montefiore. Windle and Pippin A38a. unknown books
1814réf. 1067671814. London: Printed for the Author by W. Bulmer Shakspeare Press and published by Longman Hurst etc. 1814-15. 4 vols. 8vo ix lii i 383; 503; 509 3; vii 509 lxxvii pp. with 22 plates including one double-page as called for and numerous additional woodcuts some in red in the text of all four volumes. These woodcut facsimiles are by the Byfield family. Full red morocco gilt dentelles. Bookplate of Ross Winans on the front pastedown of vol. one. Some occasional spotting or foxing especially in vol. 4 upper joint of vol. 4 beginning to split at head generally a very good set complete as issued. § First edition of Dibdin's great work. Loosely inserted at the front of vol. 1 is a manuscript note from Dibdin: "Subscription for copy of the Bibliotheca Spenceriana herewith sent £8.8. T.F. Dibdin Mar. 31." 500 copies were printed according to the prospectus and most nineteenth-century sources though A.N.L. Munby states that there were 550 copies; the prospectus states 50 copies on large-paper but Dibdin Bibliographical Decameron vol.II p.392 says: 'There were only 55 copies struck off on Large Paper.'. Regular and large-paper copies collate and paginate identically. In vol.I leaf M4 pp.87-88 occurs in two states both usually found together with and without the engraved facsimile of Polish type; the text of the bottom nine lines of p.87 is reset with the headline in a different type face; and there are minor changes in p.88. Ross Winans 1796-1877 was an American inventor mechanic and builder of locomotives and railroad machinery. He was one of the United States' first multimillionaires. His "small but choice" library Dickinson was bought en bloc by G.D. Smith and sold through various auctions though his copy of the First Folio was last recorded by Lee in the Census and is now unlocated. Windle and Pippin A25. unknown books
1841réf. 666609John Murray 1841. First Edition. Leather Binding. Near Fine. Beautiful inlaid binding by Kelliegram ca. 1920s signed at rear. Near fine in full dark blue crushed Levant morrocco spine with raised bands gilt shell devices and three small gilt balls at corners of gilt-ruled compartments covers bordered with a single gilt fillet front cover features an elaborate inlaid and tooled ship under sail composed of ca. a dozen inlays in red three shades of brown and two grays transfixed by a trident edges of boards and inner dentelles tooled in gilt red silk endpapers slight wear. Illustrated with 12 plates by George Cruikshank. John Murray unknown
1814réf. 134661814. DIBDIN THOMAS FROGNALL. Bibliotheca Spenceriana; or A Descriptive Catalogue of the Books Printed in the Fifteenth Century . in the Library of George John Earl Spencer with: Supplement to the Bibliotheca Spenceriana with: Aedes Althorpianae; or An Account of the Mansion Books and Pictures at Althorp with: A Descriptive Catalogue of the Books Printed in the Fifteenth Century Lately Forming Part of the Library of the Duke di Cassano Serra and now the Property of George John Earl Spencer. London: For the author by Shakespeare Press 1814-1815 1822-1823. 7 vols. 4to. Profusely illustrated with engraved plates hundreds of facsimiles of early woodcuts and type some printed in color. Modern full tan morocco richly gilt covers with central arms and cornerpieces within a two-line fillet board edges and turn-ins gilt spines fully gilt in compartments by Edmund Worrall of Birmingham with his ticket in each volume. Engraved plates mostly toned and offset to facing pages some minor text offsetting a few random gatherings maybe 12-15 leaves in all very heavily foxed else a very good set in very fine fresh bindings. The complete Spencer catalogue with all supplements in a very handsome matched binding. The greatest library catalogue of its time and a major work on fifteenth-century books. unknown books
1838réf. ST17640fLondon: Printed for the author by C. Richards 1838. FIRST EDITION. 251 x 156 mm. 9 7/8 x 6 1/8". With the list of subscribers in volume I. Two volumes. HANDSOME EARLY 20TH CENTURY RED MOROCCO GILT BY MATTHEWS stamp-signed on front turn-in covers with gilt French fillet border enclosing a simple lobed panel raised bands spines very attractively gilt in compartments with spiral cornerpieces and centerpiece featuring either a fleur-de-lys a manuscript scroll and quill or Dibdin's cipher gilt inner dentelles marbled endpapers all edges gilt. With numerous engravings in the text and 44 ENGRAVED PLATES as called for including portraits views antiquities and manuscript facsimiles. Jackson 89; Windle & Pippin A-65; Lowndes I 641. ◆Plates with occasional minor foxing otherwise A VERY PLEASING SET IN ESPECIALLY FINE CONDITION the text clean and bright and the decorative bindings unworn and remarkably lustrous. This charming bibliographical travelogue takes us from Peterborough to London and on to Lincoln York Durham Newcastle Carlisle Dumfries Edinburgh Glasgow St. Andrews and the border lands of Sir Walter Scott with many stops along the way at libraries cathedrals castles and ruins. Dibdin 1776-1847 was perhaps the most visible figure among the bibliophiles and bibliographers of the first half of the 19th century. His "Bibliomania" 1809 was an amusing account of the then-current craze of book collecting among wealthy English aristocrats and the book while cynical did much to encourage the mania. And it was at his suggestion that the Roxburghe Club was founded in 1812. Our binding is typical of the elegant work produced by William Matthews a Scot who became the leading binder in America during the second half of the 19th century. He was head of the bindery at D. Appleton and Company was an early member of the Grolier Club and was an important advisor in the formation of the Club Bindery a firm organized with the generally realized intention of executing fine American bindings that rivalled the best being produced in Europe. Printed for the author by C. Richards unknown books
réf. 38324London: Printed for the Author by W. Bulmer and Co. Shakspeare Press 1817. First edition 3 vols. 4to 270 x 185 mm 6 vi 2 ccxxv 1 410 2; 4 535 3; 4 544 4pp. with half-titles ONE OF 50 LARGE PAPER COPIES 37 engraved plates without the 'Presentation in the Temple' plate which was not ready at publication and occurs in only a very few copies and the 'Portrait of Los Rios' which Windle & Pippin suggest is an extra-illustration also without the engraved portrait of Dibdin by Henry Mayer numerous woodcuts engraved vignettes several printed in red or blue some mounted some light spotting and offsetting as usual marbled endpapers contemporary full blue-green morocco decorated in gilt with interlacing geometrical design on the covers richly tooled gilt morocco doublures flat spines lettered in gilt direct all edges gilt spine slightly faded corner of lower board of vol. II bumped some slight edge-wear to bindings otherwise a handsome set. A fine copy of the rare large paper issue of the author's most lavish publication and the high water of Dibdinian Bibliomania. Jackson 40; Windle & Pippin A28. London: Printed for the Author, by W. Bulmer and Co. Shakspeare Press, 1817 unknown
1821réf. 31659London: printed for the author by W. Bulmer and W. Nicol Shakespeare Press 1821. First edition 1000 copies printed this one of 900 of the regular issue; 3 volumes large thick 8vo vignette title pages in each volume 83 plates 5 double-page 3 printed in sepia and 1 colored 64 other illustrations on India paper mounted in the text plus a multitude of textual illustrations throughout 4 printed in red; bound without half-titles in slightly later full tan calf double gilt rules on covers black morocco labels on gilt decorated spines a.e.g.; edges worn upper joint on vol. III restored a number of the plates foxed largely confined to the margins; a good sound set. This copy enhanced with a presentation in each volume to "B. C. Brodie Esq. from the author." With the bookplates of B. C. Brodie and B. H. Goldschmidt in each volume. Benjamin Collins Brodie was author of the classic Pathological and Surgical Observations on the Diseases of the Joints G-M 4311. "The collation is very irregular by reason of the fact that all illustrations in the text being printed on India paper pasted-in are on separately inserted leaves . This Voyage Pittoresque is lavishly illustrated mainly with copperplates after drawings by G.R. Lewis and others. Dibdin says he spent over 7000 pounds on the book being the first patron to pay 100 guineas for a plate . It has been unkindly said of this book that it would have been better without any text. However it does contain a modicum of bibliographical information that is still useful if used with due caution" Jackson. Lowndes notes that it "contains much useful and curious information" on the libraries and private collections of Europe. The second edition of 1829 is abridged and omits all but 5 of the original plates. Windle & Pippin note but a single presentation copy that from Dibdin to his son. Jackson 48; Lowndes I 641; Windle & Pippin A38a. printed for the author, by W. Bulmer and W. Nicol, Shakespeare Press unknown
1821réf. 31659London: printed for the author by W. Bulmer and W. Nicol Shakespeare Press 1821. First edition 1000 copies printed this one of 900 of the regular issue; 3 volumes large thick 8vo vignette title pages in each volume 83 plates 5 double-page 3 printed in sepia and 1 colored 64 other illustrations on India paper mounted in the text plus a multitude of textual illustrations throughout 4 printed in red; bound without half-titles in slightly later full tan calf double gilt rules on covers black morocco labels on gilt decorated spines a.e.g.; edges worn upper joint on vol. III restored a number of the plates foxed largely confined to the margins; a good sound set. This copy enhanced with a presentation in each volume to "B. C. Brodie Esq. from the author." With the bookplates of B. C. Brodie and B. H. Goldschmidt in each volume. Benjamin Collins Brodie was author of the classic Pathological and Surgical Observations on the Diseases of the Joints G-M 4311. "The collation is very irregular by reason of the fact that all illustrations in the text being printed on India paper pasted-in are on separately inserted leaves . This Voyage Pittoresque is lavishly illustrated mainly with copperplates after drawings by G.R. Lewis and others. Dibdin says he spent over 7000 pounds on the book being the first patron to pay 100 guineas for a plate . It has been unkindly said of this book that it would have been better without any text. However it does contain a modicum of bibliographical information that is still useful if used with due caution" Jackson. Lowndes notes that it "contains much useful and curious information" on the libraries and private collections of Europe. The second edition of 1829 is abridged and omits all but 5 of the original plates. Windle & Pippin note but a single presentation copy that from Dibdin to his son. Jackson 48; Lowndes I 641; Windle & Pippin A38a. printed for the author, by W. Bulmer and W. Nicol, Shakespeare Press unknown books
1821réf. 21259London: Printed For The Author By W. Bulmer And W. Nicol 1821. First edition. leather_bound. Contemporary calf ruled in gilt raised bands black leather backstrip title and volume labels lettered in gilt rebacked with original spines laid-down. Aeg gilt. 3 Vols. Very good. 462 lxxIx 555 621 lxii. 28 x 19 cm. 83 engraved plates one hand-colored two double-page engraved vignettes many on India paper woodcuts within text. Index bound in Vol. I with printed ticket and Supplement at end of Vol. III. Dibdin's most extravagant work which went a long way toward ruining him plates alone purported to cost 5000 pounds. This copy with the rare "Diane of Poictiers" plate inserted which was supposedly destroyed after only 50 copies were printed LOWNDES II p. 641. With manuscript letter in ink signed by Bernard Quaritch June 17 1890 attesting to the genuineness of the Poicters engraving with another Quaritch letter dated Jan. 28 1881 letter attesting to the collation noting where three plates were misplaced by the binder. Text very clean plate offsetting to text with marginal toning to some plates bookplates of Charles Williston McAlpin joints repaired lacks black leather spine label Vol. II. DIBDIN Vol. II p. 682. "De toutes les productions de Dibdin celle-ci nous parait etre le plus origninale." calling it his most original work. Printed For The Author By W. Bulmer And W. Nicol unknown
1821réf. 21259London: Printed For The Author By W. Bulmer And W. Nicol 1821. First edition. leather_bound. Contemporary calf ruled in gilt raised bands black leather backstrip title and volume labels lettered in gilt rebacked with original spines laid-down. Aeg gilt. 3 Vols. Very good. 462 lxxIx 555 621 lxii. 28 x 19 cm. 83 engraved plates one hand-colored two double-page engraved vignettes many on India paper woodcuts within text. Index bound in Vol. I with printed ticket and Supplement at end of Vol. III. Dibdin's most extravagant work which went a long way toward ruining him plates alone purported to cost 5000 pounds. This copy with the rare "Diane of Poictiers" plate inserted which was supposedly destroyed after only 50 copies were printed LOWNDES II p. 641. With manuscript letter in ink signed by Bernard Quaritch June 17 1890 attesting to the genuineness of the Poicters engraving with another Quaritch letter dated Jan. 28 1881 letter attesting to the collation noting where three plates were misplaced by the binder. Text very clean plate offsetting to text with marginal toning to some plates bookplates of Charles Williston McAlpin joints repaired lacks black leather spine label Vol. II. DIBDIN Vol. II p. 682. "De toutes les productions de Dibdin celle-ci nous parait etre le plus origninale." calling it his most original work. Printed For The Author By W. Bulmer And W. Nicol unknown books
1841réf. 1034London: John Murray 1841. First Edition. Fine Leather Kelliegram Binding. Fine. George Cruikshank. DIBDIN Charles; CRUIKSHANK George Illustrator Songs Naval and National of the Late Charles Dibdin; with a Memoir and Addenda. London: John Murray 1841. First Edition. The Binding An exceptional and striking mid-19th-century nautical binding stamped "Kelliegram Binding" to the rear. Bound in full navy crushed morocco. The upper board features a magnificent large gilt-tooled vignette of a fully rigged galleon in full sail cresting stylized turbulent waves. The lower board is centered with a brilliant gilt trident. The spine is divided into six compartments by five raised bands lettered in gilt in the second compartment with the remaining compartments featuring distinct gilt nautical motifs: a pennant a camp tent a ship an anchor and a leaping dolphin. Finished with gilt-ruled edges intricate gilt inner dentelles solid endpapers and a gilt top edge. The absolute precision lavish tooling and premium materials are characteristic of the famed Kelliegram style produced by Kelly & Sons placing this remarkable piece firmly alongside the finest work of Golden Age peers like Riviere Zaehnsdorf and Bayntun. The Work & Maritime Significance This volume represents the definitive collection of Charles Dibdin 1745-1814 the undisputed master of the sea song whose music forms the absolute bedrock of the traditional sea shanty. For collectors interested in the tall ships era the Golden Age of Piracy and naval history Dibdin's works offer the authentic rugged soundtrack of that world-the very drinking songs working chants and tavern ballads sung by sailors privateers and smugglers below decks. Notably this text features Dibdin's wildly famous sea ballad "Poor Jack" the genuine 18th-century archetype that inspired centuries of maritime folklore and modern cinematic characters. In the era of sail "Jack Tar" or simply "Jack" was the universal moniker for the fearless and fatalistic British sailor. "Poor Jack" perfectly encapsulates the adventurous spirit of the men who lived and died by the unforgiving ocean dealing heavily in shipwrecks naval battles grog and tavern brawls. The Illustrations The volume is vastly elevated by the etchings of George Cruikshank one of the most important British illustrators of the 19th century. Cruikshank's brilliant style perfectly captures the grit and humor of naval life. Plates such as "Saturday Night at Sea"-depicting sailors drinking smoking and carousing below decks-offer incredible visual appeal and provide exactly the kind of authentic maritime aesthetic sought after by discerning collectors. Finding a highly thematic heavily gilt nautical Kelliegram binding in such a brilliant state of preservation is highly uncommon. The magnificent gilt galleon on the upper cover makes this an undeniable shelf-piece and a cornerstone acquisition for any fine maritime library. A book in fine condition. Measures 6.5"x4.25". Internally bright and clean with very little foxing. Extra illustrated. . John Murray unknown
1827réf. ST12282London: Printed for Harding & Lepard 1827. Fourth Edition. 292 x 197 mm. 11 1/2 x 7 3/4". Two volumes. HANDSOME EARLY 20TH CENTURY BROWN STRAIGHT-GRAIN MOROCCO covers with gilt double fillet border fleuron cornerpieces raised bands spines richly gilt with panels dominated by a bold and complex quatrefoil incorporating spade-like tools and with palmette cornerpieces turn-ins with two gilt fillets marbled endpapers all edges gilt. With a facsimile of Greek and Latin text from the Complutensian Polyglot and volume I with a specimen leaf laid down as called for the leaf taken from the 1826 Pickering Diamond miniature edition of the New Testament. A Large Paper Copy. Front pastedowns with engraved armorial bookplate of John William Pease; rear pastedown with vellum armorial bookplate of Lord Wardington. Lowndes I 639; Brunet II 684 "Édition la plus complète et la meilleure"; Graesse I 382. ◆A touch of rubbing to tail edge of boards one leaf with a thin band of soiling along four inches of the fore edge light glue stain at lower corner of specimen leaf endpapers with faint fox spots isolated minor foxing elsewhere other trivial imperfections but generally A VERY FINE COPY the text clean and fresh with vast margins and the decorative bindings with no significant wear. This is the extremely attractive Wardington copy of the fourth and best edition of this quotable bibliographical classic. It is more heavily weighted than the earlier printings toward the Bible and the early Church Fathers and because of the presence of the Pickering specimen leaf it also qualifies as the earliest example to our knowledge of a leaf book. This was Dibdin's first work as a bibliographer and it quickly became the standard guide in English to editions of the classics. Its favorable notice brought him a position as Lord Spencer's librarian along with ecclesiastical preferment and he was consequently allowed to pursue his bibliographic career without financial worries. Spencer invited him not only to catalogue but also to add to the library at Althorp and Dibdin 1776-1847 turned it into the finest library in private hands in England. Our impressive Large Paper Copy comes from another of England's fine private libraries the collection of Lord Wardington 1924-2005 who was successively Chairman Vice-President and then President of the Friends of the British Library. His grandfather John William Pease was a member of the Northumberland banking and business family who amassed a substantial library and Lord Wardington added greatly to it particularly important Bibles and atlases. The Wardington sales at Sotheby's in London were major bibliophilic events in 2005 and 2006. Printed for Harding & Lepard unknown