1 302 résultats
1978réf. 35687New York: Knopf 1978. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Light area of residue from a removed book plate small address sticker owner pressed in stamp. Stated First American Edition.; 8vo 8" - 9" tall. Knopf hardcover
réf. 5736067like new. unknown
1841réf. 666609John Murray 1841. First Edition. Leather Binding. Near Fine. Beautiful inlaid binding by Kelliegram ca. 1920s signed at rear. Near fine in full dark blue crushed Levant morrocco spine with raised bands gilt shell devices and three small gilt balls at corners of gilt-ruled compartments covers bordered with a single gilt fillet front cover features an elaborate inlaid and tooled ship under sail composed of ca. a dozen inlays in red three shades of brown and two grays transfixed by a trident edges of boards and inner dentelles tooled in gilt red silk endpapers slight wear. Illustrated with 12 plates by George Cruikshank. John Murray unknown
2005réf. SBBI-mon0000157876Faber & Faber 2005. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Faber & Faber paperback
réf. 16691209-nnew. unknown
réf. 007869Bangor. London.: J. W Ambrose Lith. Printers M&N Hanhart. 1st Edition . Hardcover. Very Good. Folio - over 12 - 15" tall. HUGHES H. LYNCH JH. DIBDIN TC. HUGHES S. WITH 21 LITHOGRAPHED VIEWS IN WALES c1845/50 Ultra Rare in contemporary half red morocco over rubbed red cloth some gilt tooling gilt tile. rubbed. Spine raised bands decorative gilt tooling worn along joint edges. Internally 4to not dated but c1845 lithographed title and 20 plates 6 on India paper 1 extra lithographed plate of Cheltenham bound in at end cut down and mounted a.e.g. some tissue guards 1 torn slight foxing empty pocket to epd 2 book labels to fpd Peter Bicknell & Stanley Arnold. 357259 mm. Not listed at COPAC WorldCat or Anderson. No listing on line. see advert in Blacks Iron Highway p50. 0 J. [W] Ambrose, Lith. Printers M&N Hanhart hardcover
1888réf. 031012Edinburgh: Richard Cameron 1888. Book. Very Good. Hardcover. 1st Edition. 4to - over 9¾ - 12" tall. Half burgundy leather gilt on red leather boards lightly soiled. Binding tight top edge gilt and pages uncut. First edition. Front and rear hinges white taped and faint foxing in the margins plus the rare bit of soiling but the text block is clean. Contains 9 plates. Large 8vo. Tells the stories of famous actors theatres and associated people from 1691 to 1888. Very nice binding. Richard Cameron Hardcover
1821réf. 2020421London: Shakespeare Press for the author 1821. 1st edition. Supplement bound after volume 3. 3/4 brown pebbled leather with 5 raised bands and marbled boards & endpapers T.E.G. Ex-library Marlboro College and Boston Atheneum some plates foxed no tissue guards occasional in-text foxing but generally clear hinges tape reinforced inside and out bindings tight light edge rubbing: VG. 8vo. Shakespeare Press (for the author) hardcover
1989réf. 65656New York:: Bantam 1989. SIGNED hardcover first edition -. Very near fine in a like dustjacket. First US printing. A mystery and novel of psychological suspense introducing Roman Police Commissioner Aurelio Zen - Ruth Rendall described this first book as transcending its genre - "tremendously exciting . both subtle and horrific." SIGNED on the title page and uncommon thus. Winner of the CWA Gold Dagger Award. 266 pp. Bantam, hardcover
1989réf. 70810London:: Faber & Faber 1989. SIGNED hardcover first edition -. Near fine in a very near fine dust jacket usual toning to the pages. First printing. Author's fourth novel - a pyschological thriller called by the London Times an "extraordinary portrait of squalid half-real existence.with a gripping buildup to a stunning eerie climax."SIGNED on the title page. 168 pp. Faber & Faber, hardcover
1988réf. 24571London: Faber & Faber 1988. Book. Near Fine. Cloth. 1st Edition. 8vo. White lettered black cloth in decorative dust jacket. The first of the Aurelio Zen mysteries. A near fine copy with no obvious flaws. Faber & Faber Hardcover
1804réf. 500034882London: Barker & Son 1804. First Edition. . Hardcover. Good. 19pp 23 p. A new edition. 27pp 23pp 30pp new edition 28pp published Woodfall not in British Library8pp8pp8pp8pp. All bound in one contemporary volume disbound Barker & Son hardcover
1989réf. 52204New York:: Bantam 1989. Hardcover first edition -. Fine in a very good dustjacket short closed tear to back cover other minor wear now protected by an archival cover. First US printing. A mystery and novel of psychological suspense introducing Roman Police Commissioner Aurelio Zen - Ruth Rendall described this first book as transcending its genre - "tremendously exciting . both subtle and horrific." Winner of the CWA Gold Dagger Award. 266 pp. Bantam, hardcover
1843réf. 004641114 New Bond Street London: Dickinson 1843. No Binding. Very Good. TC Dibdin. The title page and 6 B&W plates as called for Drawn from Nature and executed on stone by TC Dibdin. Title page with decorative fonts within double lined border plate 2536cm mounted 3042cm. Plate 1.The Dolgarrog engraver and artist TC Dibdin 1843 image 3123cm mounted 4229.5cm. Plate 2.At Trefriw near Llanrwst engraver and artist TC Dibdin 1843 image 2332cm mounted 3042cm. Plate 3.Pont y Pair engraver and artist TC Dibdin 1843 image 31.523cm mounted 4229.5cm. Plate 4.Penmachno on the Conway 1843 image 23.531.5 mounted 3042cm. Plate 5.Rhaidr y Wennol 1843 image 31.523cm mounted 4229.5cm. Plate 6.Caunant Mawr Llanberis 1843 with fishermen image 31.523cm mounted 4230cm. Most of these plates cannot be bought elsewhere and are uncommon to say the least. Dickinson unknown
1838réf. 90020290London: Thomas Frognall Dibdin 1838. First Edition. . Hardcover. Very Good. 8vo Large. volume II only. A good copy. Ex-library with library brown cloth binding with gilt lettering. Gilt fore edge top & tail. 2 stamps on verso-title page. Slight creasing to bottom corner of a few pages. Heavy book may incur additional postage charge. Immediate despatch from the UK. Thomas Frognall Dibdin hardcover
1836réf. 6022107London: John Major 1836. 3/4 calf and marbled boards & leather spine labels by Zaehnsdorf top edges gilt. Ex-library with external markings neatly removed lacks leather labels on volume 1 light rubbing of extremities: VG. 8vo. Illustrated with 10 full page engravings John Major hardcover
1805réf. 003920Preston. NELSON Lord Horation; DIBDIN Thomas. The Death of Nelson on the Twenty First of October. Sung by Mr. Incledon in the Interlude of Nelson's Glory at the Theatre Royal Covent Garden. London: Printed & Sold by Preston at his Wholesale Warehouses 97 Strand 1805. Folio bifolium 320 x 240 mm pp. 4. Engraved musical notation and printed text. Small holes and minor wear along former stitching line old folds a little creasing and light marking but a sound and well-preserved example. Good. Scarce patriotic sheet music issued in the immediate aftermath of the Battle of Trafalgar and the death of Admiral Lord Nelson on 21 October 1805. Written by the dramatist and songwriter Thomas Dibdin 1771-1841 the piece formed part of Nelson's Glory a theatrical interlude performed at the Theatre Royal Covent Garden one of several productions mounted in response to Britain's greatest naval victory. The lyrics celebrate Nelson's triumph over the combined French and Spanish fleets while simultaneously memorialising his death in battle. The song was performed by the celebrated tenor Charles Incledon 1763-1826 among the most popular singers of the Georgian stage. His prominent appearance on the title-page reflects both his celebrity status and the commercial appeal of such commemorative productions. Printed by the Strand music publisher Preston and sold for one shilling the work was intended for immediate performance and domestic consumption during the wave of public mourning and patriotic enthusiasm that followed Trafalgar. . Good. Soft cover. 1st Edition. 1st Printing. 1805. Preston paperback
réf. 23087ST Surrey Theatre 17 August watermark 1819. 1 page 7 x 4 inches in good condition. Thomas John Dibdin 1771-1841 actor and dramatist. unknown
réf. 249363London Printed W. Nicol. Shakespeare Press 1822. VIII 2 2 LXII 279 1; 6 322 pp. 2 engraved frontispieces 29 engraved plates of which one plate with two illustrations and one double-page plan. Text-illustrations. Contemporary full calf spine gilt and blind tooled. Covers gilt. All edges gilt.Rebacked. Covers restored. Rubbed. Provenence: Bookplate to front pastedown Lord Batterssea Two bookplates to front endpaper. Occasional foxing in places. Some offsetting. . unknown
réf. 18531London: Walter King 1889. . Small 4to 20.8cm. Pp. xvi227 30 wood-engraved figures in text 2 folding diagrams index. Hardbound original cloth gilt lettered title to backstrip. Excellent copy in unlikely pristine state really like new. - Rare. One of the first widely available books thoroughly investigating and summarising the available photometric methods. The author analytical chemist by profession was Superintending Gas Examiner to the London Metropolitan Board of Works. - gkt.1058 London: Walter King, 1889. hardcover
réf. 06432London: Published by the Author at His Music-Warehouse. 1803. Sixty Aquatint Plates Illustrating Charles Dibdin's Songs Delicately Designed Etched and Hand-Colored by Dibdin's daughter DIBDIN Charles. The Professional Life of Mr. Dibdin Written by Himself. Together with the Words of Six Hundred Songs Selected from His Works and Sixty Small Prints Taken from the Subjects of the Songs. And Invented Etched and Prepared for the Aqua Tinta by Miss Dibdin. Embellished Also with an Elegant Engraving by Mr. Smith from a Portrait of Mr. Dibdin a Striking Likeness and an Admirable Picture Painted by Mr. Devis. In Four Volumes. London: Published by the Author at His Music-Warehouse.And may be had of Longman and Rees. 1803. First edition. Four octavo volumes 8 3/16 x 5 1/8 inches; 208 x 130 mm. xxv 1 blank 229 1 printer's imprint 5 index 1 blank; 2 303 1 blank 7 index 1 blank; 2 387 1 blank 7 index 1 blank; 2 328 8 index pp. Volumes II-IV bound without half-titles. Added engraved title in Volume I with hand-colored portrait by Mr. Smith after Mr. Devis and sixty circular hand-colored aquatint plates. Early to mid twentieth-century full tan scored calf by Bayntun of Bath stamp-signed on the verso of the front free endpaper. Expertly rebacked with original spines laid down. Covers decoratively bordered in gilt and blind spines decoratively tooled in gilt in compartments with maroon morocco gilt lettering labels board edges and turn-ins decoratively tooled in gilt all edges gilt marbled endpapers. An excellent copy of this very rare color-plate book. A lively and highly important account of Georgian theatrical and musical life by "our great sea-song writer" whose patriotic songs - Tom Bowling Poor Jack and others - became synonymous with the British naval spirit during the Napoleonic era. More than a memoir the work preserves the words of some 600 songs and offers a vivid firsthand record of the late eighteenth-century stage. Particularly appealing are the sixty charming circular aquatint plates delicately hand-colored and designed and etched by Miss Ann Dibdin his daughter a rare early example of female participation in English color-plate production. These small scenes of sailors taverns and domestic life - perfectly complement the tone of the songs and give the work a distinctive visual character. Rare: OCLC/RLIN locate just six copies in libraries and institutions worldwide: University of Illinois IL USA; University of Miami FL USA; Toronto Public Library ON CA; British Library UK; University of Aberdeen Scotland; Bibliotheque Nationale de France France. Charles Dibdin 1745-1814 "our great sea-song writer. In addition to his musical gifts he possessed considerable as a comedian and was also a successful dramatic writer" English Theatrical Literature. Song-writer dramatist and actor Charles Dibdin Dibdin the elder "is best known for his popular songs about the sea and his dramatic monologues. He also wrote an autobiography The Professional Life of Mr Dibdin 1803 which contains interesting details about life in the theatre at the time and which includes transcriptions of 600 fashionable songs. One of his sons followed him into the world of entertainment Charles Dibdin 1768-1833 who became a dramatist. His nephew Thomas Dibdin was the renowned bibliographer" Marion Wynne-Davies Dictionary of English Literature Abbey Life 413; English Theatrical Literature 2677. London: Published by the Author, at His Music-Warehouse..., 1803 unknown
réf. 77841London : Printed for the author by W. Bulmer and Co. 1817. Stor 8vo. 6 VI I CCXXV I 410; 4 535 1;4 544 2 pp. 37 plates. Text-illustrations. Finely bound in three calfs. Spines eleborately gilt. Covers gilt. Top edge gilt Signed Tout Binder. Rebacked. Bookplate to front pastedown. Occasional light foxing. A fine copy. . unknown
réf. 05844London: Cockrem Elliott and Barrett; R. Ackermann and Co. ca. 1841. Six Fine Hand-Colored Lithographed Views of Torquay and Babbicombe DIBDIN Thomas Coleman. Vivian Edward. Scenery of Torquay and Babbicombe. London: Cockrem Elliott and Barrett; R. Ackermann and Co. ca. 1841. First edition. This copy issued without title-page and five text leaves. Oblong folio 12 5/8 x 17 1/2 inches; 321 x 444 mm. Six fine hand colored plates on thick card drawn by T.C. Dibdin from a sketch by Edward Vivian Esquire lithographed on stone by W. Gauchi and printed by M. & N. Hanhart all with tissue guards. Plate image size 8 x 11 3/4 inches; 203 x 298 mm. Plates lightly foxed mainly in blank margins. An excellent example Publisher's maroon roan backed limp brown pebble-grained cloth front cover lettered in gilt "Environs of Torquay" same as the Abbey copy. Spine a little worn at extremities. Housed in a brown buckram clamshell case front panel with black morocco label lettered in gilt "Dibdin / Environs of Torquay / 1841". Abbey Scenery 332 calls for five plates only; Our copy has "Torquay from the summit of Park Hill" lithographed by Day & Haghe after E. Vivian bound as plate number five. Rare: We have been unable to trace any other copies. Thomas Robert Colman Dibdin 1810-1893 was an English water color artist and teacher. He became an artist at the age of 28 and traveled to France Germany and Belgium. He also did paintings in Gibraltar and India although the latter were created in England based on detailed sketches. In 1845 he published a guide to water color painting. Edward Vivian 1808-1893 was an influential figure in the development of Torquay particularly noted for his extensive contributions to the town's social and educational institutions. Born in 1808 Vivian was educated at Oxford University where he developed a broad range of interests and skills. His first encounter with Torquay occurred during a sailing trip along the coasts of Wales and Devon a discovery that ultimately led him to settle in the town. Vivian's dedication to enhancing the lives of the working classes was a driving force behind his involvement in numerous local initiatives. As the first treasurer of the Torquay Museum Society he played a pivotal role in its establishment and growth. His work Scenery of Torquay and Babbicombe published around 1841 featured five hand-colored lithographs and depicted the picturesque landscapes of Torquay and Babbicombe reflecting his artistic talents and his appreciation for the area's natural beauty. Vivian was also an avid sportsman horticulturist photographer artist and illustrator. These interests were not only personal hobbies but also areas in which he sought to engage and elevate the community. His artistic skills in particular are well represented in the Torquay Museum's collections showcasing his ability to capture and convey the beauty of his surroundings. Edward Vivian's multifaceted contributions to Torquay left a lasting legacy cementing his reputation as a great Victorian polymath whose work significantly impacted the moral and intellectual upliftment of the local working classes. His diverse skills and relentless dedication to social improvement continue to be celebrated through the institutions and collections that thrive in Torquay today. The Plates: 1. Tor Church 2. Torbay from Tor Abbey Sands 3. Torquay from Waldron Hill 4. Torquay from Park Hill 5. Torquay from the summit of Park Hill lithographed by Day & Haghe 6. Babbicombe from Petit Tor Abbey Scenery 332; Bobins IV 1427. London: Cockrem, Elliott, and Barrett; R. Ackermann and Co., ca. 1841 unknown
réf. 28928London Jonathan Cape 1978. Octavo 192 pages original boards in dustwrapper price-clipped lightly foxed edges. First edition London, Jonathan Cape, 1978 hardcover