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1989rif. 33689New York: Bantam Books 1989. First US Edition. Hardcover. 266pp. Cloth backed boards. The first Police Commissioner Aurelio Zen mystery. A fine copy in fine dustjacket with a touch of wear to edges. ; Octavo. Bantam Books hardcover
rif. 1331887038.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1333249349.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1333267142.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1334102007.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1334485577.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1021103462.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1437018173.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1019390387.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1164587471.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1177017539.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1829rif. 049581London: Robert Jennings and John Major 1829. Book. VG. Full-Leather. 2nd Edition. Complete in three 3 volumes uniformly bound in original full polished calf gilt-ruled boards rebacked in brown cloth with gold foil title and volume labels in burgundy and black mounted on spine panels new endsheets original marbled text block edges. 2nd edition. xlii422 iv428 iv482 pp. illus. w/ engraved frontis. portrait in each volume engraved plates w/ guards cuts in text. Interiors show scattered foxing generally light otherwise clean nicely intact. Boards show mild surface rubbing mostly toward edges most corners showing exposure but not layered or excessively worn. A sound attractive set scarce. Robert Jennings and John Major Hardcover
rif. 1019205563.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1974rif. gold25111974 hardback in jacket 499 pages sound copy free of notes etc shows light general wear some yellowing due to age; dust spotting along upper text block edge; jacket is clean and bright price-clipped otherwise neat edges carefully packaged and dispatched from UK within two working days Wolfe Publishing Ltd hardcover
rif. 3752320982.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1810rif. 276651810 Dibdin Rare Book Printing 1ed William CAXTON Golden Legend Woodcut ART Ames A fine 1810 edition of "Typographical Antiquities" by Thomas Dibdin and William Ames. This work was bibliographical reference on the history of early printing known for its impressive illustrations depicting artwork of 15th-century woodcut masters. This particular volume focuses primarily on the work and published works of William Caxton. Of course no bibliography of Caxton would be complete without "Mirror of the World" and "The Golden Legend" both of which are described in detail in this volume from the 1810 first edition. Item number: #27665 Price: $750 DIBDIN Thomas Frognall Typographical antiquities or The history of printing in England Scotland and Ireland…vol I London: Printed by William Savage Bedford Bury for William Miller 1810. First edition. Details: <!-- if !supportLists-->· <!--endif-->Collation: Complete with all pages; <!-- if !supportLists-->o <!--endif-->2 xx 2 95 1; cxxxviii 390 <!-- if !supportLists-->o <!--endif-->14 engraved plates numerous in-text throughout <!-- if !supportLists-->· <!--endif-->References: <!-- if !supportLists-->· <!--endif-->Language: English <!-- if !supportLists-->· <!--endif-->Binding: Leather; tight and secure <!-- if !supportLists-->· <!--endif-->Size: ~11in X 9in 28cm x 23cm Our Guarantee: Very Fast. Very Safe. Free Shipping Worldwide. Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation! Photos available upon request. William Savage, Bedford Bury, for William Miller hardcover
1843rif. 51410130056W.H. Dalton 1843. Hardcover. Good. Good hardcover. No DJ. RARE ORIGINAL 1843 EDITION. Ex-Library with usual markings. Beautiful steel engraving of Edward the Sixth with light foxing spots. Pages are clean and unmarked. Covers gilt decoration on both covers show light edge wear with rubbing/light fading. Binding is tight hinges strong.; 100% Satisfaction Guaranteed! Ships same or next business day! W.H. Dalton hardcover
1836rif. A799322John Major. Very Good. 1836. Hardcover. 8vo - over 7¾" - 9¾" tall; 1/2 leather marbled boards raised band gilted spine a bit of edge rubbing remains nice tight clean attractive set . John Major hardcover
1809rif. 12989London: Longman Hurst Rees and Orme 1809. FIRST EDITION. Title in black with red. Half calf over linen; preliminary and last leaves foxed interior and text in generally excellent condition. First edition of this popular book which passed through many later editions. This work was inspired by another published under the same title by John Ferrier M.D. Ferrier had extensive medical experience and did himself suffer from the disease which he named Biblio-Mania. His work in verse begins: What wild desires what restless torments seize The hapless man who feels the book-disease. Dibdin was the originator and vice-president of the Roxburghe Club founded in 1812 the first of the numerous book clubs which have done such service to literature. Longman, Hurst, Rees and Orme unknown
1817rif. 13004London: The Author. By W. Bulmer & Co. Shakespeare Press 1817. FIRST EDITION. Complete with errata colophon and half-titles. With 40 plates including the oft missing "Presentation in the Temple" in Volume I portraits illustrations and facsimiles engraved vignettes woodcut and text illustrations some printed on India paper and mounted. Contemporary full crimson crushed levant morocco bound by St. James' Duke Street London a dated binding with the elaborate gilt spine in 6 compartments and "London 1827" in gilt at the foot. From the library of Thomas Willement 1786-1871 British stained glass artist called "the father of Victorian Stained Glass" with his signature a small circular binders label and his personal bookplate from the Society of London Antiquaries. A handsome copy with an important provenance. First and only edition of one of the monuments of typographical bibliography and the most extravagant of all Dibdin's works. It was limited to under 1000 regular and 50 large paper copies. "Its publication was a financial success and doubtless marks the high-water mark of the Dibdinian bibliomania" Windle & Pippin A28. According to Bigmore & Wyman the work is written in the same dialogue manner as Dibdin's Bibliomania with the same interlocutors and may be properly described as a continuation of that work. The Author. By W. Bulmer & Co., Shakespeare Press unknown
1820rif. D17393London: Roach and Co. 1820. First Edition. Paperback. Good. 8vo. 72 pp. Disbound. Ink ownership signatures trimmed to top of title. Roach and Co. paperback
rif. 1430473002.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 26788Premises of his publisher James Bohn 12 King William Street Charing Cross 18 March 1837. Letter written across two pages 8vo small tear with no loss of text small hole at fold mainly good address on verso counter-signed Free Post "H.Gally Knight" M.P. traveller and writer. Notation top left corner "F.66.Cole. CR". Text as follows: "The enclosed will prove to you that you are not forgotten. I am but just recovered from a dreadful illness which has shared one half of my person and two thirds of my purse: but the Tour Northern Counties and Scotland see full details below has been triumphant - and will I trust be profitable. I hope you continue well - . and that the dear bokes sic inclduing the Shakespeare and the Missals have escaped the Influenza. Shall we ever meety again - and will my fragile and tempest-beaten bark ever get again into smooth water I hope so. I think so. I am proud as I ought underlined to be of my new frioends and alliances in the North underlined. I have already got about £250 worth of sweet engravings and more to the tune of £800 are to follow. I do not forget the joyous days .". Note 1: The "Tour" referred to is "A bibliographical antiquarian and picturesque tour in the northern counties of England and in Scotland" London : printed for the author by C. Richards St. Martin's Lane: and sold by James Bohn 12 King William Street Strand London: Laing and Forbes Edinburgh: John Smith and Son Glasgow: and E. Charnley Newcastle 1838. Note 2: James Bohn "in February 1834 started bookselling on his own account at 12 King William Street Strand. Here his great knowledge of books soon attracted many customers and his shop became a meeting-place for some of the most learned men of the day." [Premises of his publisher, James Bohn], 12 King William Street, Charing Cross, 18 March 1837. unknown
rif. 1108009344.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 18480The five on letterheads of the Walker Art Gallery City of Liverpool and dating between 27 November 1915 and 23 February 1916. The letters total 5pp. 4to; and 1p. 12mo. In good condition on lightly-aged paper. With stamps of the Royal Society of Arts. On the reverse of one letter are pencil notes presumably by Wood. The correspondence - brought about because of a monograph Dibdin is writing 'on the Liverpool 18th century artists' begins with an enquiry about the painting 'The Fishery' by Richard Wright in the Walker Gallery for which the artist received a premium of thirty guineas from the Royal Society of Arts and proceeds with discussion of the other Liverpool artists Peter Perez Burdett and William Tate with a final discussion regarding the Society of Artists. Dibdin's papers are in the British Library. The five on letterheads of the Walker Art Gallery, City of Liverpool, and dating between 27 November 1915 and 23 February 1916. unknown