934 résultats
1864réf. C18106London 1864. Third Edition. Hardback. Neat name on the title page with slight rubbing at spine and corner tips otherwise sound very good with clean text and plates. 8vo. pp xxxi 328. Attractively bound in full green leather lettered gilt at the spine. From the library of John Lewis 1912-1996 typographer book designer author and illustrator with his bookplate. hardcover
2010réf. DADAX1164930613Kessinger Publishing 2010-09-10. paperback. New. 6.00x0.78x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
réf. 1253London: John Murray 1841. Hardcover. Good. Small octavo. xxxi 328 pages. Second edition. In a green cloth binding. Illustrated with 12 plates by George Cruikshank. 0 London: John Murray, 1841. hardcover
1860réf. 115276London: Bohn 1860. hardcover. near fine. George Cruikshank. Collected and Arranged by T. Dibden. Frontispiece & illustrations by George Cruikshank. 328 pages. Small 8vo 3/4 brown morocco gilt-stamped raised bands t.e.g. London: Henry G. Bohn 1860. Near Fine. Bohn unknown
1852réf. 59972London: Henry G. Bohn York Street Covent Garden 1852. 8vo pp. 1 frontispiece; xxxi 1 328; 12 engravings by George Cruikshank frontispiece included; original blind-stamped purple cloth gilt-decorated spine; binder's ticket of J. Cathers & Bro.; some ink stains along the spine; otherwise very good. Bookseller's ticket of J. Cathers & Bro. Baltimore. Hundreds of songs from the English composer Charles Dibdin 1745-1814 the most prolific singer-songwrtiter of his day. Prepared for publication by his illegitimate son the dramatist Thomas John Dibdin 1771-1845. A member of the circle which included Garrick Sheridan and Harris Dibdin boasted truly "My songs have been the solace of sailors in long voyages in storms in battle; and they have been quoted in mutinies to the restoration or order and discipline." It is said that his sea songs of which he is the indisputable master were responsible for bringing more men into the Navy in war time than could all the press-gangs. Henry G. Bohn, York Street, Covent Garden unknown
1841réf. V56260London: Murray 2nd edition 1841. Disbound. Good. Plates 10 by George Cruikshank. Small octavo disbound spine eroded and split/lacks covers xxxi328pp some pale foxing but hardly affecting the plates. Subscriber list including the royal family over 200 copies and 500 to the Admiralty. A large collection of sea shanties etc. Murray 2nd edition unknown
1854réf. 994N10Edinburgh: Wood and Co. 1854. Leather. Good. 10" by 7". None. The scarce first abridged edition to a collection of national folk songs from Scotland dating back to the fifteenth century. The scarce and first abridged edition of the Songs of Scotland a collection of traditional national folk songs collected by musicologist George Farquhar Graham. Published by Wood and Co. in 1854. Containing all three volumes.In half morocco half brown cloth. Contains in-text sheet music throughout. A binding stamp from Alex Banks Jr. based in Edinburgh to rear paste down.Scottish national melodies are known for both their longevity and popularity and this extensive collection celebrates this fact. Containing songs such as Roslin Castle My Ain Fireside and Oh Dinna Think Bonnie Lassie lyrics and music are recorded as well as numerous informative notes accompanying the songs which date back to the fifteenth century. In half morocco half brown cloth. Externally mostly smart with the odd small mark to boards. Edgewear with rubbing to the joints heavier to the front joint with small signs of cracking and to the extremities. Signs of creasing to spine. Bumping to the head and tail of the spine and to the extremities. Smudged marks to end papers. Internally firmly bound. Pages are clean and generally bright with slight age toning. Good Wood and Co. hardcover
1841réf. 59843London: John Murray Albemarle Street publisher to the Admiralty 1841. Small 8vo pp. xxxi 1 328; frontispiece and 11 engraved plates after the humorous nautical drawings of Cruikshank; original green cloth stamped in gilt on upper cover and spine; small crack at the top of the spine else very good and sound. A member of the circle which included Garrick Sheridan and Harris Dibdin boasted truly "My songs have been the solace of sailors in long voyages in storms in battle; and they have been quoted in mutinies to the restoration or order and discipline." It is said that his sea songs of which he is the indisputable master were responsible for bringing more men into the Navy in war time than could all the press-gangs. Cohen 231. John Murray, Albemarle Street, (publisher to the Admiralty) unknown books
1841réf. 9002830London: John Murray 1841. Hardcover. Very good condition. George Cruikshank. Collected and arranged by Thomas Dibdin with characteristic sketches by George Cruikshank. Bound in contemporary full brown calf with rules stamped in gilt on the covers and spine. The title is stamped in gilt on a black label on the spine. Five raised bands on the spine. Top edge gilt. Marbled end papers. From a non-circulating library with bookplate and a pocket at the rear. Wear at the head and the heel of the spine. Front board detached. John Murray hardcover books
1841réf. 666609John Murray 1841. First Edition. Leather Binding. Near Fine. Beautiful inlaid binding by Kelliegram ca. 1920s signed at rear. Near fine in full dark blue crushed Levant morrocco spine with raised bands gilt shell devices and three small gilt balls at corners of gilt-ruled compartments covers bordered with a single gilt fillet front cover features an elaborate inlaid and tooled ship under sail composed of ca. a dozen inlays in red three shades of brown and two grays transfixed by a trident edges of boards and inner dentelles tooled in gilt red silk endpapers slight wear. Illustrated with 12 plates by George Cruikshank. John Murray unknown
1841réf. 051179London: John Murray Albemarle Street 1841. First Edition First Printing . Hardcover. Very Good. 12mo - over 6¾ - 7¾" tall. George Cruikshank. Signed binding by "Root & Son." Hardcover bound in 20th century 3/4 morocco with raised bands on the spine. Spine designs in gilt and with Cruikshank's facsimile signature in gilt on the spine. The binding shows light to moderate wear; the front hinge shows some rubbing. Top edge gilt. Signed in type by the binder at the top verso of the front flyleaf "Bound by Root & Son". Patterned endpapers. A sound copy with clean text. Illustrated with 10 engravings. The "Songs" are text only poetry; there is no scored music in this work. Please note: Only the binding is signed in type. This book is NOT signed by either the Dibdins or by Cruikshank. John Murray, Albemarle Street hardcover
1841réf. 59843London: John Murray Albemarle Street publisher to the Admiralty 1841. Small 8vo pp. xxxi 1 328; frontispiece and 11 engraved plates after the humorous nautical drawings of Cruikshank; original green cloth stamped in gilt on upper cover and spine; small crack at the top of the spine else very good and sound. A member of the circle which included Garrick Sheridan and Harris Dibdin boasted truly "My songs have been the solace of sailors in long voyages in storms in battle; and they have been quoted in mutinies to the restoration or order and discipline." It is said that his sea songs of which he is the indisputable master were responsible for bringing more men into the Navy in war time than could all the press-gangs. Cohen 231. John Murray, Albemarle Street, (publisher to the Admiralty) unknown
1841réf. 9002830London: John Murray 1841. Hardcover. Very good condition. George Cruikshank. Collected and arranged by Thomas Dibdin with characteristic sketches by George Cruikshank. Bound in contemporary full brown calf with rules stamped in gilt on the covers and spine. The title is stamped in gilt on a black label on the spine. Five raised bands on the spine. Top edge gilt. Marbled end papers. From a non-circulating library with bookplate and a pocket at the rear. Wear at the head and the heel of the spine. Front board detached. John Murray hardcover
1841réf. 10159London: John Murray Albermarle Street 1841. First edition. 8vo xvi 336pp. Illustrated with numerous plates by Cruikshank. Later 19th century half green calf gilt tooled spine with red calf label cloth boards. Presentation inscription from Dibdin dated 1841 on a blank leaf at front. Scuffing at inner hinges joints rubbed boards perhaps reattached at some point front board not attached. Bookplate to front pastedown. A very good sound copy. Collection of maritime verse by the English composer Charles Dibdin collected posthumously by his son and composer Thomas John Dibdin in the year of his own death. Presentation copy inscribed by Dibdin on the front flyleaf "With many thanks from Thos. Dibdin to _.W. Cribb 1841." The recipient is likely the "Cribb - Esq." recorded in the subscriber list. John Murray, Albermarle Street unknown
réf. 45238604-nnew. unknown
1841réf. 148382London: John Murray 1841. First edition of this collection of patriotic and maritime-themed songs. Octodecimo bound in three-quarters morocco over red cloth with gilt titles and anchor detailing to the spine in six compartments within raised bands top edge gilt marbled endpapers tissue-guarded frontispiece with tissue-guarded illustrations by George Cruishank. In very good condition with rubbing to the extremities. Songs Naval and National of the Late Charles Dibdin compiled by his son Thomas Dibdin serves as both a preservation and celebration of Charles Dibdin’s influential patriotic songs which played a key role in shaping British national identity during the Napoleonic era. Known for their vivid depictions of sailors’ lives these songs blend sentimentality humor and moral fortitude reinforcing ideals of loyalty courage and British maritime supremacy. By compiling the collection with biographical notes and commentary Thomas Dibdin not only honors his father's legacy but also situates the songs within a broader cultural and historical framework highlighting their significance as tools of propaganda and morale during wartime. John Murray hardcover
1841réf. 7342London:: John Murray 1841. First edition. Very Good. A Very Good Copy. Boards rubbed shelf wear. Head of spine softened. 12 mo 6 x 4.5 inches. Navy blue polished calf gilt/ tooled spine with 6 panels and 5 raised bands gilt lettering set in 2nd panel. xv 2 336 pp steel engraved frontispiece 11 engraved plates. Dedication page list of patrons with number of requested copies; beginning with Her Majesty the Queen and all members of the Royal household three page subscriber's list . Selected and arranged by Thomas Dibdin author of The English Fleet Cabinet with characteristic steel engraved sketches by George Cruikshank. Published in London by the Publisher to the Admiralty: John Murray Albemarle Street. Charles Dibdin Hampshire 1745-1814 prolific and popular English composer dramatist author and actor best known for his sea songs and operas. calf John Murray, hardcover
1841réf. 1034London: John Murray 1841. First Edition. Fine Leather Kelliegram Binding. Fine. George Cruikshank. DIBDIN Charles; CRUIKSHANK George Illustrator Songs Naval and National of the Late Charles Dibdin; with a Memoir and Addenda. London: John Murray 1841. First Edition. The Binding An exceptional and striking mid-19th-century nautical binding stamped "Kelliegram Binding" to the rear. Bound in full navy crushed morocco. The upper board features a magnificent large gilt-tooled vignette of a fully rigged galleon in full sail cresting stylized turbulent waves. The lower board is centered with a brilliant gilt trident. The spine is divided into six compartments by five raised bands lettered in gilt in the second compartment with the remaining compartments featuring distinct gilt nautical motifs: a pennant a camp tent a ship an anchor and a leaping dolphin. Finished with gilt-ruled edges intricate gilt inner dentelles solid endpapers and a gilt top edge. The absolute precision lavish tooling and premium materials are characteristic of the famed Kelliegram style produced by Kelly & Sons placing this remarkable piece firmly alongside the finest work of Golden Age peers like Riviere Zaehnsdorf and Bayntun. The Work & Maritime Significance This volume represents the definitive collection of Charles Dibdin 1745-1814 the undisputed master of the sea song whose music forms the absolute bedrock of the traditional sea shanty. For collectors interested in the tall ships era the Golden Age of Piracy and naval history Dibdin's works offer the authentic rugged soundtrack of that world-the very drinking songs working chants and tavern ballads sung by sailors privateers and smugglers below decks. Notably this text features Dibdin's wildly famous sea ballad "Poor Jack" the genuine 18th-century archetype that inspired centuries of maritime folklore and modern cinematic characters. In the era of sail "Jack Tar" or simply "Jack" was the universal moniker for the fearless and fatalistic British sailor. "Poor Jack" perfectly encapsulates the adventurous spirit of the men who lived and died by the unforgiving ocean dealing heavily in shipwrecks naval battles grog and tavern brawls. The Illustrations The volume is vastly elevated by the etchings of George Cruikshank one of the most important British illustrators of the 19th century. Cruikshank's brilliant style perfectly captures the grit and humor of naval life. Plates such as "Saturday Night at Sea"-depicting sailors drinking smoking and carousing below decks-offer incredible visual appeal and provide exactly the kind of authentic maritime aesthetic sought after by discerning collectors. Finding a highly thematic heavily gilt nautical Kelliegram binding in such a brilliant state of preservation is highly uncommon. The magnificent gilt galleon on the upper cover makes this an undeniable shelf-piece and a cornerstone acquisition for any fine maritime library. A book in fine condition. Measures 6.5"x4.25". Internally bright and clean with very little foxing. Extra illustrated. . John Murray unknown
réf. 0365117676.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1804réf. 500034882London: Barker & Son 1804. First Edition. . Hardcover. Good. 19pp 23 p. A new edition. 27pp 23pp 30pp new edition 28pp published Woodfall not in British Library8pp8pp8pp8pp. All bound in one contemporary volume disbound Barker & Son hardcover
1820réf. 9959London: J. Duncombe; John Cumberland; T. Dolby c1820 -1830. Six imprints bound as one in half calf over marbled boards; bumped and scuffed to corners and boards; six panelled spine good; a sound and square copy. Endpapers and flyleaves age toned and water marked; a handwritten 1961 ownership inscription to top of front free endpaper; text block unmarked; tender over gutters front and rear. 1. Demon of the Desert; or The Murderer's Sacrifice: A Melo Dramatic Spectacle in Two Acts. By A L Campbell. J. Duncombe: London c1830. 36pp. 2. Ivanhoe; or The Jew's Daughter: a Romantic Melo Drama in Three Parts. By Thomas Dibdin. John Cumberland: London c1820. 64 pp. 3. The Gambler's Fate; or a lapse of Twenty Years. By Charles Thompson. John Cumberland: London c1827. 52pp. 4. The Maid of Genoa; or The Bandit Merchant. By John Farrell. J. Duncombe: London 1848. 24pp. 5. The Duenna A Comic Opera. By Rt Hon R.B. Sheridan. T. Dolby: London 1823. 59pp. 6. Clari; Or the Maid of Milan in Two Acts. By John Howard Payne. John Cumberland: London c1830. 40pp. Please contact Christian White Rare Books Ltd for more information or images of this item 1823 J. Duncombe; John Cumberland; T. Dolby hardcover
réf. BBS-032502David Longworth. Hardcover. Good. Six plays bound together into one book. Title pages dated 1808-1812. 12mo. 3.5 inx5.5 in. 433 total pages. All published by David Longworth at the Dramatic Repository Shakespeare Gallery New York. lacks indramatis personae in page for Family Quarrels. full calf. gilt spine titling. cover rubbed and shelfworn at edges. light foxing throughout. bookplate. withdrawn from academic library. remains of pocket on rear endpapers. owner's notations on verso of front flyleaf. expected library markings and property stamps. interior pages unmarked. binding tight and solid. David Longworth hardcover
réf. 0483783811.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1996réf. 51982ECON TASCHENBUCH 1996. 1. softcover. ECON TASCHENBUCH paperback
réf. 05844London: Cockrem Elliott and Barrett; R. Ackermann and Co. ca. 1841. Six Fine Hand-Colored Lithographed Views of Torquay and Babbicombe DIBDIN Thomas Coleman. Vivian Edward. Scenery of Torquay and Babbicombe. London: Cockrem Elliott and Barrett; R. Ackermann and Co. ca. 1841. First edition. This copy issued without title-page and five text leaves. Oblong folio 12 5/8 x 17 1/2 inches; 321 x 444 mm. Six fine hand colored plates on thick card drawn by T.C. Dibdin from a sketch by Edward Vivian Esquire lithographed on stone by W. Gauchi and printed by M. & N. Hanhart all with tissue guards. Plate image size 8 x 11 3/4 inches; 203 x 298 mm. Plates lightly foxed mainly in blank margins. An excellent example Publisher's maroon roan backed limp brown pebble-grained cloth front cover lettered in gilt "Environs of Torquay" same as the Abbey copy. Spine a little worn at extremities. Housed in a brown buckram clamshell case front panel with black morocco label lettered in gilt "Dibdin / Environs of Torquay / 1841". Abbey Scenery 332 calls for five plates only; Our copy has "Torquay from the summit of Park Hill" lithographed by Day & Haghe after E. Vivian bound as plate number five. Rare: We have been unable to trace any other copies. Thomas Robert Colman Dibdin 1810-1893 was an English water color artist and teacher. He became an artist at the age of 28 and traveled to France Germany and Belgium. He also did paintings in Gibraltar and India although the latter were created in England based on detailed sketches. In 1845 he published a guide to water color painting. Edward Vivian 1808-1893 was an influential figure in the development of Torquay particularly noted for his extensive contributions to the town's social and educational institutions. Born in 1808 Vivian was educated at Oxford University where he developed a broad range of interests and skills. His first encounter with Torquay occurred during a sailing trip along the coasts of Wales and Devon a discovery that ultimately led him to settle in the town. Vivian's dedication to enhancing the lives of the working classes was a driving force behind his involvement in numerous local initiatives. As the first treasurer of the Torquay Museum Society he played a pivotal role in its establishment and growth. His work Scenery of Torquay and Babbicombe published around 1841 featured five hand-colored lithographs and depicted the picturesque landscapes of Torquay and Babbicombe reflecting his artistic talents and his appreciation for the area's natural beauty. Vivian was also an avid sportsman horticulturist photographer artist and illustrator. These interests were not only personal hobbies but also areas in which he sought to engage and elevate the community. His artistic skills in particular are well represented in the Torquay Museum's collections showcasing his ability to capture and convey the beauty of his surroundings. Edward Vivian's multifaceted contributions to Torquay left a lasting legacy cementing his reputation as a great Victorian polymath whose work significantly impacted the moral and intellectual upliftment of the local working classes. His diverse skills and relentless dedication to social improvement continue to be celebrated through the institutions and collections that thrive in Torquay today. The Plates: 1. Tor Church 2. Torbay from Tor Abbey Sands 3. Torquay from Waldron Hill 4. Torquay from Park Hill 5. Torquay from the summit of Park Hill lithographed by Day & Haghe 6. Babbicombe from Petit Tor Abbey Scenery 332; Bobins IV 1427. London: Cockrem, Elliott, and Barrett; R. Ackermann and Co., ca. 1841 unknown books
