445 résultats
1725réf. 36349Paris: Chez la veuve de Pierre Ribou seul Libraire de l'Académie Royale de Musique; Quay des Augustins à la descente du Pont-Neuf à l'Image S Loüis 1725. Small quarto. Disbound. 1f. recto title with decorative device verso blank iii-xvi 43 i privilege pp. With woodcut head- and tail-pieces and occasional decorative initials throughout. With named cast list of actors and singers to p. vii; named cast list of "Acteurs et Actrices Chantans dans les Choeurs du Balet" to p. xiii; named cast list of dancers in the four entrées to pp. xiv and xv; and named list of singers in the ballet to p. xvi. Named dancers include Binet Blondy Dangeville Delisle C. Delisle L. Dumoulin L. F. Dumoulin P. Dumoulin Mrs. Dumoulin Duval Ferriere Lamotte Lemaire Maltaire L. Menès Myon Pety Pierret Prevôt Rey Tabary and Tyber Tiber. Very slightly worn and browned a bit heavier to final leaves; occasional foxing; some leaves very slightly cropped at upper margin not affecting text. Rare. OCLC one copy only at the Universitäts-und Landesbibliothek Darmstadt. Les elémens an opéra-ballet in a prologue and four entrées L'Air L'Eau Le Feu and La Terre set to a libretto by Pierre-Charles Roy was first performed in Paris at the Tuileries on 31 December 1721. "Destouches composed most of the music in Les élémens the overture and at least nine movements in the prologue and first entrée being Lalande's. Jean Balon choreographed the original production. It was the only stage work by Lalande to appear at the Paris Opéra . At court Les élémens marked the end of several eras: it was Lalande's final stage work Louis XV's last stage appearance and the final French court ballet. As a public production the Opéra-ballet looked forward modified and adjusted as necessary to accommodate changing tastes throughout the 18th century." Barbara Coeyman in Grove Music Online. Chez la veuve de Pierre Ribou, seul Libraire de l'Académie Royale de Musique; Quay des Augustins, à la descente du Pont-Neuf, unknown books
1947réf. 265092New York: New Directions Modern Readers 1947. Hardcover. ix 593p. introduction foxing to edges ownership name light shelfwear first printing of this reissue in plum cloth boards and unclipped edgeworn and rubbed dj. The Modern Readers Series. Originally published in the US in 1938 by Little Brown this is the Modern Readers Series reissue from about 1947. Céline's follow-up to "Journey Into Night" Both novels are semi-autobiographical and it is said John Banville for one that without Céline there would have been no Beat Generation no Kerouac or Bukowski or Miller. Not in Young as the earlier book is.Trotsky rave on rear panel. New Directions Modern Readers hardcover books
1810réf. 047156Paris: Vente 1810. Hardcover Full Leather. Very Good Condition. Contemporary leather worn hinges cracked fist few pages chipped at edges long note to endpaer a few other marks internally but generally quite clean. 9 plays bound as one each with a separate title. Published 1808-1810. Cendrillon Opéra-Féerie with a frontispiece of Cinderella by fireplace it is the third edition same year as the first. This and a few others are scarce. Size: Octavo 8vo. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Theatre & Plays; Inventory No: 047156. Vente hardcover books
1936réf. 2986Julius Kittls Nachfolger, Leipzig - M.-Ostrau, o.J. [1936]. 645(1) S., rot-bedruckter OLn, dunkler Farbkopfschnitt, Anrisse an den Vordersatzfalzen, Buchblock jedoch fest. DEA. Insgesamt ordentliches Exemplar dieser seltenen Ausgabe. Good copy. Rare edition.
2001réf. 74101München/Zürich, Piper Verlag, 2001. Origi.Pappband mit Schutzumschlag, 8°, 126 Seiten.
1859réf. 903018AGParis, Charivari und Martinet, 1859. Lithographie 21 x 27,5 cm, Blattgröße 26 x 32,5 cm.
1859réf. 903017AGParis:, Charivari u. Martinet, 1859. Lithographie 10 x 19 cm, Blattgröße 26 x 32,5 cm.
1909réf. 22316ALeipzig, 1909. Ca. 21,5 x 14,7 cm. 109 (4) Seiten, mit Notenbeispielen. Rückenbroschur.
réf. 9356784612.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1826réf. 1003N19Paris: De Bure 1826. Leather. Very Good. 5" by 3". François-Robert Ingouf. The complete works of the esteemed composer of French comedies a prominent figure in Restoration Drama bound in full decorative calf. The complete series of Oeuvres Choises de Destouches The Works of Destouches in three volumes comedic operas from the classical French composer. Published in 1826 by De Bure.In full black decorative calf. Volume I contains a frontispiece of Destouches based on the sculpture by François-Robert Ingouf.Destouches originally entered the theatrical scene after escaping his family's wishes to become a lawyer. From then he became a very successful operatic composer opera being appointed the Inspector General of the Academie Royale de Musique by Louis XIV and bringing French comedy traditions to English restoration theatre as seen in these works.- Volume I: Le Philosophie Marie Le Glorieux.- Volume II: Le Triple Mariage Le Dissipateur.- Volume III: La Fausse Agnes Le Tambour Nocturne. Each work contains a preface introducing the play. In full black decorative calf. Externally smart with minimal marks to boards. Slight rubbing to joints heavier to head of front joint of vol. I with small loss to dye. Minor bumping to heads and tails of spines a little heavier to extremities with minor loss to calf. Marble end papers are generally bright and clean with minor fading. Internally firmly bound. Pages are generally bright and clean with the odd spot to leaf extremities heavier to first and final leaves. Very Good De Bure hardcover
2018réf. x-2812450800Classiques Garnier 2018. Paperback. New. 1128 pages. French language. 8.66x5.98x2.44 inches. Classiques Garnier paperback
1967réf. x-9401757496Springer Verlag 1967. Paperback. New. 148 pages. 9.02x5.99x0.32 inches. Springer Verlag paperback
1711réf. 40469Paris: Pierre Ribou 1711. Small 8vo 16x10 cm. 18th century limp vellum. xii96 pp. - First edition in nice condition "Jouée la première fois le 7 novembre 1710 cette comédie eut 13 représentations dans les deux mois". La Gazette de Rotterdam la qualifie de pièce "la plus parfaite" parue depuis l'époque de Molière! Selon J. Haskins "avant d'être représentée à Paris elle fut d'abord jouée à Souleure chez la Marquise de Tibergeau et dans différentes villes de Suisse où son premier succès fut confrmé par plusieurs représentations". Pierre Ribou hardcover
réf. W645Paris: De l'imprimerie Royal 1757. Hardback. Vg. 4to. x756;724;752;780. The works of the French playwright Phillipe Nericault Destouches 1680-1754. Four volume set complete bound in full polished calf with raised raised bands to the spine with gilt morocco labels and block gilt decoration. Each volume has the armorial bookplate of 'Eardley- Non Solum Nobis'. Nice original eighteenth century binding of a scarce set. Text in French. De l'imprimerie Royal hardcover
1754réf. 76320Lausanne / Lyon - Paris - Genève - Besançon : Castaud - Veuve Duchesne - Prault Fils - Grasset - Fantet 1773 - 1777 - 1754 -1769 - 1764 . BELLOY M. de. - LEFEVRE. - CREBILLON M. de. - DESTOUCHES Néricault. Gaston et Bayard tragédie. Nouvelle édition revue et corrigée par l’Auteur 71 pages. Relié avec Zuma tragédie. Jouée à Fontainebleau devat Leurs Majestés le Jeudi 10 Octobre 1776 & Représentée à Paris par les Comédiens François le Mercredi 22 Janvier 1777 56 pages. Relié avec Catilina tragédie. Représentée par les Comediens Ordinaires du Roi pour la premiere fois le 20. Décembre 1748 64 pages. Relié avec Les Guebres ou la Tolérance. Tragédie. Relié avec Le Glorieux comédie en vers et en cinq actes. Nouvelle édition 95pages. Lausanne / Lyon - Paris - Genève - Besançon Castaud - Veuve Duchesne - Prault Fils - Grasset - Fantet1773 - 1777 - 1754 -1769 - 1764 185x120mm reliure veau-marbré de l’époque. Pièce de titre au dos. Ornementations et filets dorés au dos à nerfs. Dos usé. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Castaud - Veuve Duchesne - Prault Fils - Grasset - Fantet unknown
1873réf. 19620München: s.n. 1873.- 60 p.; 4º menor; Texto en alemán; Tela Ed. con cruz estampada en negro. Las cubiertas algo manchadas. GENEALOGÃA HERÃLDICA NOBILIARIA ÓRDENES MILITARES MEDALLAS BANDERAS. Buch auf deutsch Sin editorial hardcover
1948réf. 366533Copenhagen 1948. 1-1/2 pages on a single sheet. 1 vols. 4to. Fine with envelope. 1-1/2 pages on a single sheet. 1 vols. 4to. Letter from Louis Ferdinand Céline 1894-1961 author of Voyage au bout de la nuit Journey to the End of the Night and Mort à crédit Death on the Instalment Plan during his postwar limbo in Copenhagen. After the Allied landing in June 1944 Celine and his wife Lucette had fled France for Germany and later to Denmark where he was imprisoned for a year and a half. At the time he was writing this letter Céline was shunned by the French literary establishment and seeking funds. He was convicted of collaboration in 1950 but was granted amnesty in 1951. He returned to France later that year. He writes to Georges Geoffroy a Parisian jeweler whom he knew from first world war days seeking assistance with money owed to him and with copyright matters concerning Foudres et flèches a play published in 1948. He tries to tempt his friends to make "the pilgrimage to our mists and glaciers" Reading in part "Mon Vieux Frere Je tente par Daragnès et Marie Canavaggia de réunir qq fonds qu'elle ou lui te porteront à moins que tu montes toi même à Montmartre. Il s'agit d'argent que me doit un Laboratoire de Palaiseau depuis 4 ans! - et de droits d'auteur sur une petite connerie-ballet que me tire SORLOT en ce moment en luxe - une niaiserie Foudres et Flèches. Ballet mythologique 1948. . vous tenter les uns et les autres au pelerinage vers mos brumes et glaciers. Lucette est malade. L'hiver de ces 4 dernières années ont été trop durs. Bien affecteux Louis". unknown
1715réf. 19023Cont. full mottled calf with 5 raised bands. Spine-gilding quite worn hinges gently repaired. A little brown-spotted. Rare first edition. hardcover
réf. 23182Paris chez Dentu 1836. In-4 25 x 18 cm reliure demi-chagrin dos à nerfs à caissons dorés frontispice 818 p. 1 f. n.p. Rousseurs. Jean-François Regnard né le 7 février 1655 à Paris et mort le 4 septembre 1709 au château de Grillon à Dourdan écrivain et dramaturge français. unknown
1920réf. 760211920. Fine. circa 1930 8.40 x 13.30 cm Rare photographic portrait of René Destouches uncle of Louis-Ferdinand Céline accompanied by his wife Pauline Dauteville. Vintage gelatin silver print. Inscription ""M. et Mme Destouches"" ""Mr. and Mrs. Destouches"" on verso. One small corner loss and minimal creasing. René Destouches brother of Fernand Destouches married Pauline Dauteville with whom he had two children. Céline borrowed his moonstruck character inherited from a fall from the cliffs of Sainte-Adresse ""il était tout à fait sonné. Il se marrait doucement quand on lui parlait. Il se répondait à lui-même"" ""he was completely dazed. He would laugh softly when spoken to. He would answer himself"" and the hard labor he endured throughout his life for the character of Uncle Rodolphe in Death on the Installment Plan. To darken the picture even further Céline probably lent Uncle Rodolphe elements from the life of another of his uncles Charles Destouches whose wife had disappeared tragically at the age of twenty-eight: ""Une pauvre malheureuse elle crachait déjà ses poumons. Ça a pas duré trois mois"" ""A poor unfortunate woman she was already coughing up her lungs. It didn't last three months"" Death on the Installment Plan Denoël & Steele 1936. unknown
1920réf. 76019Rennes: Menzil 1920. Fine. Menzil Rennes circa 1921 14.50 x 21.80 cm Rare and unpublished childhood portrait of Colette Destouches only daughter of Louis-Ferdinand Céline born in 1920 on albumen paper mounted on cardboard from the Menzil studio. Manuscript caption ""Colette Destouches"" inscribed on recto and verso with the mention ""1920"". The portrait was taken by the Menzil house 6 rue Beaumont Rennes the city where Céline met and spent several years in the company of Édith Follet his second wife and mother of Colette. This photograph of Colette Destouches who is only a few months old is to our knowledge unpublished. Céline retained throughout his life an affection for his daughter whom he saw regularly in Rennes Geneva and Paris and who was ""surely more possessive in his way with her than he had been with any of his wives his mistresses. He had dreamed for her a glorious future of a medical career as if to strengthen their complicity"" Frédéric Vitoux La Vie de Céline coll. Folio 2005 p. 636. Menzil unknown
1900réf. 75325Paris: J. Couturier 1900. Fine. J. Couturier Paris s. d. ca 1900 10.30 x 15.50 cm une photographie au format carte cabinet Photographic portrait of Hermance Delhaye Destouches 1830-1869 paternal grandmother of Louis-Ferdinand Céline in cabinet card format on albumen paper mounted on cardboard from J. Couturier studio. Cardboard slightly trimmed at lower margin. Handwritten caption on verso. A bourgeoise of Flemish origin Céline's grandmother married Auguste Destouches in 1860 and had five children. Upon the premature death of her husband in 1874 at the age of thirty-nine the provincial Hermance tried her luck in Paris with Amélie Céline's aunt where she squandered her fortune and ended up being kept thanks to her daughter's demi-mondaine lifestyle. In Mort à crédit Céline borrows her second name Caroline for the character of the grandmother who runs the antique shop on rue Montorgueil. This aspect of the character however relates to the shopkeeper life of his maternal grandmother Céline Guillou whose first name served as the writer's pen name. J. Couturier unknown
1900réf. 76037Paris: A. Lauga 1900. Fine. A. Lauga Paris s. d. ca 1900 14.20 x 10.50 cm une photographie Photographic portrait of Charles Destouches uncle of Louis-Ferdinand Céline pictured with his wife and their young daughter Charlotte DestouchesCélines cousin known as Lolotteon albumen paper mounted on a card from the Parisian studio A. Lauga. Small loss to lower right corner. Some glue residue along the edges. Handwritten caption on verso. The bohemian life of Uncle Charles Destouches inspired the character of Uncle Arthur in Death on Credit: Il a vécu en vrai bohème en marge de la société dans une soupente en cheville avec une bonniche. Elle travaillait au restaurant devant l'École Militaire. Grâce à ça il faut en convenir il arrivait à bien bouffer. Arthur c'était un luron avec barbiche velours grimpant tatanes en pointe pipe effilée. Il s'en faisait pas. Il donnait fort dans la 'conquête'. But the tragic true story of the death of his wife Joséphinealso shown in the photographclaimed by cholera despite the care of Dr. Proust Marcels brother reappears in the character of Uncle Rodolphe. By blending the lives of two of his uncles Céline gives Rodolphe the simple-mindedness of René and the grief of Charles Destouches who loses his mind after the death of his tubercular wife: Elle est morte dans sa chambre même au 'Rendez-vous'. Il voulait pas qu'on l'emmène. Il avait bouclé sa lourde. Il revenait chaque soir coucher à côté. C'est à l'infection qu'on s'est aperçu. Il est devenu alors furieux. Il comprenait pas que les choses périssent. C'est de force qu'on l'a enterrée. Il voulait la porter lui-même sur 'un crochet' jusqu'à Pantin. . 'Bonjour ! qu'il me faisait. Bonjour mon petit fi !. Tu la vois hein ma Rosine'.' Il me désignait plus loin que la Seine toute la plaine. un point dans la brume. 'Tu la vois' Je lui disait 'Oui'. Je le contrariais pas. A. Lauga unknown
1877réf. 76022Bucarest Bucharest: Studio Louis 1877. Fine. Studio Louis Bucarest Bucharest 14 juin 1877 6.70 x 10 cm Rare photographic portrait of Amélie Destouches aunt of Louis-Ferdinand Céline in cabinet card format on albumen print mounted on cardboard from Studio Louis. Manuscript captions ""Suzannica 3 ans Bucarest ce 14 juin 1877"" ""Suzannica 3 years old Bucharest this 14th June 1877"" and ""Zenon Zawirski"" in another hand on verso. The portrait was taken by Studio Louis at 127 Calea Mosilor in Bucharest. At twenty-four Amélie married the wealthy Romanian Zenon Zawirski who poses beside her with their daughter Zenone Zawirska then three years old. Céline devoted an unflattering portrait to her in Death on the Installment Plan borrowing her features for the character of Aunt Hélène whose Slavic adventures he transposed to Russia rather than Romania. Though still alive when the novel was written Céline nonetheless had his character die in dishonor and shame: ""Elle a pris tout le vent dans les voiles. Elle a bourlingué en Russie. À Saint-Pétersbourg elle est devenue grue. À un moment elle a eu tout carrosse trois traîneaux un village rien que pour elle avec son nom dessus. Elle est venue nous voir au Passage deux fois de suite frusquée superbe comme une princesse et heureuse et tout. Elle a terminé très tragiquement sous les balles d'un officier. Y avait pas de résistance chez elle. C'était tout viande désir musique. Il rendait papa rien que d'y penser. Ma mère a conclu en apprenant son décès : 'Voilà une fin bien horrible ! Mais c'est la fin d'une égoïste !'"" ""She caught all the wind in her sails. She knocked around Russia. In St. Petersburg she became a whore. At one point she had everything carriage three sleighs a village all to herself with her name on it. She came to see us at the Passage twice in a row dressed up superb like a princess and happy and all. She ended very tragically under an officer's bullets. There was no resistance in her. She was all flesh desire music. It made papa sick just thinking about it. My mother concluded on learning of her death: 'What a horrible end! But it's the end of a selfish woman!'"" Studio Louis unknown
1875réf. 76004Paris 1875. Fine. Paris circa 1875 13.20 x 21.80 cm une photographie Original photograph mounted on rigid cardboard showing Fernand Destouches father of writer Louis-Ferdinand Céline top right posing alongside his brothers René Georges and Charles - from top to bottom and left to right. Edges of the rigid cardboard slightly bumped. This portrait of the four Destouches brothers in uniform with laurel collar dates from their happy schoolboy years at the Le Havre lyceum. The photograph a true incarnation of a carefree and bygone past must undoubtedly have held importance in the eyes of the four brothers who would reproduce as adults the exact pose of this childhood portrait for a second family portrait preserved in the collection of François Gibault Anton Sonia « Louis-Ferdinand Céline d'un Havre à l'autre : entre autofiction transposition et imaginaire » Le Territoire littéraire du Havre dans la première moitié du XXè siècle 2013 fig. 20 photograph taken around 1905. Our photograph is reproduced on page 11 of the Album Céline Gallimard 1977. Born in 1865 in that same city Fernand Destouches who became a quartermaster then sad insurance clerk retained a passion for the sea and its vessels. He occupies a choice place in his son's second novel Mort à crédit in which Céline further darkens the aborted aspirations and impossible character of his father for the character of Auguste Ferdinand's father : « Mon père il était pas commode. Une fois sorti de son bureau il mettait plus que des casquettes des maritimes. Ç'avait été toujours son rêve d'être capitaine au long cours. Ça le rendait bien aigri comme rêve. . C'était un gros blond mon père furieux pour des riens avec un nez comme un bébé tout rond au-dessus de moustaches énormes. Il roulait des yeux féroces quand la colère lui montait. Il se souvenait que des contrariétés. Il en avait eu des centaines. Au bureau des Assurances il gagnait cent dix francs par mois. En fait d'aller dans la marine il avait tiré au sort sept années dans l'artillerie. Il aurait voulu être fort confortable et respecté. Au bureau de la Coccinelle ils le traitaient comme de la pane. L'amour-propre le torturait et puis la monotonie. Il n'avait pour lui qu'un bachot ses moustaches et ses scrupules. Avec ma naissance en plus on s'enfonçait dans la mistoufle ». ""My father wasn't easy-going. Once out of his office he'd wear nothing but caps naval ones. It had always been his dream to be a ship's captain. It made him quite bitter as dreams go. . He was a big blond man my father furious over nothing with a nose like a baby's all round above enormous mustaches. He'd roll fierce eyes when anger rose in him. He only remembered annoyances. He'd had hundreds of them. At the Insurance office he earned a hundred and ten francs a month. Instead of going into the navy he'd drawn seven years in the artillery by lot. He would have liked to be strong comfortable and respected. At the Coccinelle office they treated him like dirt. Pride tortured him and then the monotony. All he had for himself was a high school diploma his mustaches and his scruples. With my birth on top of it we were sinking into poverty"" Mort à crédit Paris Gallimard coll. Folio 1952 p. 53 His three uncles appearing in the photograph - René Georges and Charles - are immortalized and deliciously mistreated in Mort à crédit : Rodolphe René Destouches « Mais le plus cloche de la famille c'était sûrement l'oncle Rodolphe il était tout à fait sonné. Il se marrait doucement quand on lui parlait. Il se répondait à lui-même. Ça durait des heures. Il voulait vivre seulement qu'à l'air. Il a jamais voulu tâter d'un seul magasin ni des bureaux même comme gardien et même de nuit. Pour croûter il préférait rester dehors sur un banc. Il se méfiait des intérieurs. Quand vraiment il avait trop faim alors il venait à la maison. Il passait le soir. C'est qu'il avait eu trop d'échecs. La ""bagotte"" unknown