Cham

Cham — marelibri

CHAM pseudonym of Amedee de Noe; DAUMIER HonoreABAA

Album du Siége

réf. 04977Paris: Aux Bureaux du Charivari 1871. Thirty-Nine Wonderfully Satiric Images by Daumier & Cham of the Siege of Paris by the Prussian army in the Winter of 1870-1871 CHAM pseudonym of Amédée de Noé. DAUMIER Honoré. Album du Siége Par Cham et Daumier. Recueil de Caricatures publiées pendant Le Siege dans Le Charivari. Paris: Aux Bureaux du Charivari 1871. First edition. Large quarto 12 x 9 5/8 inches; 305 x 244 mm. Pictorial lithograph title-page Cham and thirty-nine fine lithograph plates ten of which are by Honoré Daumier and the rest by Cham. Publisher's red pebbled cloth over boards front cover lettered in gilt marbled endpapers. Thirty-nine wonderfully satiric images of the siege of Paris by the Prussian army in the winter of 1870-1871 originally published in Le Charivari and reprinted as an album in 1871 with a new image used for the title page. OCLC locates just sixteen copies in libraries and institutions worldwide nine in the USA four in the Netherlands two in Germany and one in Australia ten of these appear to be bound without the pictorial title. It would seem that this volume was only issued with uncolored plates. "For many of Daumier's admirers his lithographs of 1870-1871 represent the peak of his achievement. They are in his last style massive stripped down direct which speaks as nothing else could for this tragic period in France's history. The Siege of Paris - that took place from 19th September 1870 to 28th January 1871 and the consequent capture of the city by Prussian force - culminated in France's defeat in the Franco-Prussian War and the establishment of both the German Empire and the Paris Commune - the radical socialist anti-religious and revolutionary government that ruled Paris from 18th March to 28th May 1871. The Franco-Prussian War had led to the capture of Emperor Napoleon III in September 1870 the collapse of the Second French Empire and the beginning of the Third Republic. The Plates: 1. Pictorial title-page Cham 2. Modes Parisiennes en prévision du bombardment Cham 112 3. Le bombardment Cham 5 4. La valeur Prussienne n'attendant pas le nombre des années Cham 8 5. Ceci a tué cela Daumier 3845 6. Plus de Gaz Cham 127 7. Préparant les éntrennes pour son peuple Cham 8. Pour ne pas être bléssé je n'ai qu'a mettre ce plastron Oui monsieur en ayant soin bien entendu de ne pas sortir de chez vous Cham 107 9. Un paysage en 1870 Daumier 3828 10. Laissez appuyer moâ sur le bras à vôs! Fallait pas me laisser amputer Cham 129 11. T'allais jamais à l'Église autrefois Pour le pain bénit on ne fait pas la queue Cham 18 12. Tu t'es mis un faux ventre! Pour faire des sorties pour montrer à l'ennemi que nous avons beaucoup de vivres Cham 106 13. Les animaux du jardin des plantes faisant queue comme tout le monde pour avoir leur viande Cham 110 14. Square Napoléon Daumier 3824 15. Je me suis mis dans les volontaires! Animal! Tu n'as pas 35 ans! On va dire que nous ne sommes pas mariés! Cham 121 16. Ce pauvre Henri IV voyant emmener son cheval chez le boucher Cham 130 17. Épouvantée de l'héritage Daumier 3838 18. Madame Putois j/aurais tout de même jamais cru que vous tueriez votre chien pour nous en faire manger - Il a bien fallu. il était enrage! Cham 17 19. Maintenant j'adore les gens grêlés ils me rappellent le gruyere! Cham 120 20. Plus de viande! Allons donc! Cham 123 21. Rationnement du pain - un monsieur allant diner en ville Cham 16 22. Les Nouveaux Gardiens de Paris Cham 111 23. Six heures et demie - les chevaux de Madame la Marquise sont sur la table Cham 104 24. Le danger de manger de la souris est qu'ensuite votre chat ne coure après Cham 119 25. On aurait pu profiter de passage du ballon-poste pour surprendre l'ennemi Cham 96 26. L'empire c'est la paix Daumier 3814 27. Ils auront beau emporter les pendules ils n'empêcheront pas l'heure de la vengeance de sonner Cham 138 28. Nous ne nous serions jamais doutés tout de même que nous naviguerions un jour sur ce vaisseau-là Daumier 3819 29. Le nouveau char de la victoire Daumier 3849 30. Le revers de la médaille de Sainte-Hélène Cham 108 31. Soldats! Il fait très froid; mais si l'on est content de vous on donnera un paletot fourré. au maréchal Fritz Cham 122 32. La queue pour la viande de rats Cham 124 33. Pauvre France!. le tronc est foudroyé mais les raciness tiennent bon! Daumier 3843 34. Tant bis! Il aurait brobablement ennuyé blu tard les enfants de Fritz Cham 6 35. J'ai besoin de quitter Paris - Pour rejoinder votre femme - Au contraire; voila cinq mois qu'elle ne m'a pas quitté Cham 27 36. L'unité allemande Daumier 3831 37. Les Prussiens m'ont donné un cigare! - C'est bien le moins alors qu'un Francais te donne aussi quelque chose Cham 28 38. Aveugle! C'est triste mais c'est encore de la chance dans ce moment-ci! Cham 22 39. Moi je suis ravitaillé!. le rests m'est égal Daumier 3851 40. Après le Siége Cham 113 "Particularly to be noted are his bitter reflections on the legend which Charlet Bellangé Raffet and their imitators had helped to create. The desolate battleground of "The empire means peace" no. 26 offers an ironic commentary on an epigram uttered by Napoleon III in 1852. His "Square Napoleon" no. 14 displays the gravestones of those for whose death the Emperor has been responsible beginning with the Boulevard Monmartre in the winter of 1851 and ending with Sedan in 1870. In Cham's "The reverse of the Saint Helena medal" no. 30 indeed the country's disaster is attributed specifically to Napoleon Bonaparte as well as to Napoleon III. Daumier's first plate for 1871 showing France "Appalled by her heritage" no. 17 is bleak indeed but a later design offers a gleam of hope: "Poor France!. The trunk blasted but the roots hold fast" no. 33. It should be mentioned that Cham's contributions to this album though trivial in comparison with Daumier's monumental compositions are by no means negligible. He provides the detail that Daumier omitted. The horrors of the bombardment are recorded in his plates but so too is the black humor of Parisian life during the siege. For example he shows the population pursuing food in any form - horses cats rats even a large woman regarded with speculation by an impudent boy: "No more meat! - Let's go then!" no. 20. The plates included in Album du siège were transferred to zinc for engraving by Gillot's process rather than printed directly from Daumier's lithographic stones." Gordon N. Ray. The Art of the French Illustrated Book 1700 to 1914 p. 245. Paris: Aux Bureaux du Charivari, 1871 unknown books

David Brass Rare Books, Inc. · États-Unis4 850,00 $US≈ 4 324,57 €

CHAM pseudonym of Amedee de NoeABAA

L'Art d'engraisser et de Maigrir a Volonté & Mr. Papillon & Pincez-moi à la Campagne!!

réf. 04875Paris: Maison Martinet 1856. Three of Cham's Rarest Works with Sixty Wonderful Hand-Colored Lithograph Plates CHAM pseudonym of Amédée de Noé. Three complete works bound together in one volume - L'Art d'engraisser et de Maigrir a Volonté. & Mr. Papillon & Pincez-moi à la Campagne!! First editions. Folio 12 11/16 x 9 7/8 inches; 326 x 251 mm. Three pictorial hand colored lithograph title-pages and a total of sixty hand colored lithograph plates heightened with gum arabic. Plates lithographed by Fernique & Destouches. Bound together in late nineteenth century olive green buckram over boards marbled endpapers. Spine a little rubbed the plates bright and fresh with superb hand-coloring. The Art of Gaining Weight and The Art of Losing Weight Twenty Highly Amusing Multi-Image Hand Colored Lithograph Plates by Cham CHAM Pseudonym of Charles Amédée de Noé. L'Art d'Engraisser et de Maigrir a Volonté. The art of gaining and losing weight with willpower. Paris: Maison Martinet 1857. Pictorial hand colored lithograph title-page and twenty hand colored lithograph plates heightened with gum Arabic and containing seventy-nine images. Plates lithographed by Fernique. A highly amusing album depicting the adventures of the very thin Mr. Lesec who wants to gain weight and the rather plump Mr. Legras who wants to lose weight. Both Mr. Lesec and Mr. Legras are getting married and there is much going on in their households. They leave jointly for Algeria and go lion hunting. this adventure unfortunately causes Mr. Legras to gain weight and Mr. Lesec to lose several kilos. The same thing happens during a subsequent adventure with a camel. Unfortunately the two friends leave Algeria for Italy then for Turkey Crimea India where they live multiple adventures that leave them in their respective physical states. They both decide to return to France Mr Legras dies from being severely overweight - and the very depressed Mr Lesec just gets thinner and thinner and eventually also dies. Somewhat scarce with OCLC locating just four colored copies in libraries and institutions worldwide: The Morgan Library & Museum NY; University of Chicago IL; Boston Public Library MA; Victoria & Albert Museum London UK. There are also two other 'uncolored' copies: Kunstbiblio Staatliche Museen Zu Berlin Germany & National Library of Poland Biblioteka Naro Poland. Mr. Papillon's Highly Amusing Voyage Around the World Love and Romance in Various Countries CHAM Pseudonym of Charles Amédée de Noé. Mr. Papillon ou L'Amour Autour du Monde. Paris: Maison Martinet 1856. Pictorial hand-colored lithograph title-page and twenty hand-colored lithograph plates heightened with gum Arabic and containing sixty-eight amusing images. The plates clean and fresh with superb hand coloring. Plates lithographed by Fernique. Mr. Papillon's highly amusing voyage around the world depicting love and romance in different countries. Rare. OCLC locates just one copy in libraries and institutions worldwide: Bibliotheque Nationale de France. Pinch Me I'm In the Country!! Now Get Me Out of Here The Scarcest Cham of All CHAM pseud. of Amédée de Noé. Pincez-moi a la campagne!! Paris: Maison Martinet n.d. c. 1860. Pictorial hand-colored lithographed title-page and twenty hand-colored lithographed plates heightened with gum Arabic and containing eighty-six humorous scenes with captions. Plates lithographed by Destouches. Original quarter green pebble-cloth over green grained-paper boards with blindstamped decoration and gilt lettering. Of Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had ‘an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. In the ninety-seven years since 1923 that ABPC has been recording auction results not a single copy of this work has fallen under the hammer. All albums by Cham are scarce; the volume under notice is extremely so. Only eight copies survive in institutional holdings worldwide. The gently amusing trials of an urban gentleman preparing for a vacation in the French countryside and the hilarious tribulations once he arrives. In essence Woody Allen leaves Manhattan for the Catskills and copes with nature and rural life. CHAM pseudonym of Charles Amédée de Noé 1818-1879. "It is to be regretted that space will not serve to represent the caricaturists and depictors of manners who followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah of whom it was said that he had ‘an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. Paris: Maison Martinet, 1856 unknown books

David Brass Rare Books, Inc. · États-Unis14 500,00 $US≈ 12 929,11 €

CHAM Pseudonym of Charles Amedee de NoeABAA

Nos Gentils Hommes a Gout

réf. 03321Paris: Chez Aubert & Cie. 1846. The Pleasures of Youth. Young Parisian Gentlemen At Play CHAM pseudonym of Amédée de Noé. Nos Gentils Hommes a Gout. Tournure Elégance Moeurs et Plaisirs de la Jeunesse Dorée. Par Cham Paris: Chez Aubert & Cie. n.d. 1846. First only edition complete. Folio 13 1/4 x 9 7/8 inches; 336 x 250 mm. Hand-colored lithographed title page and twenty hand-colored lithographed plates. Pictorial lithographed advertisement and Aubert et Cie. catalogue 16 pp. at rear. Original pictorial lithographed green boards. Later dark green pebbled cloth spine and endpapers. Board edges and corners a little rubbed some light mainly marginal foxing. Small repaired tear to outer margin of lithographed advertisement leaf. An excellent example. With the bookplate of Joel Spitz on front paste-down. Provenance: purchased in Paris 1947. Rare with OCLC recording only six copies in institutional holdings worldwide and no auction records since 1923. We have only seen one other copy of this title. A satire of the bustle behavior customs and pleasures of young Parisian gentlemen - golden youth. Of Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had ‘an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. The Plates: 1. Ne vous effrayez pas! 2. Un objet de prix pour ne rien prendre 3. Fol de carrossier. 4. Un maitre dans une peau de domestique. 5. Des gages fabuleux. 6. Ton vicomte est un cuistre! 7. Pauvre créancier! 8. L'ami de coeur. 9. Tiens! C'est le m'sieu du château! 10. Palsambleu quél bon petit chic!! 11. L'etat d'heritier a bien ses charges! 12. Monsieur le baron après souper. 13. Prenez y garde John! 14. Un ci-devant. 15. Tachez donc de faire aller mes cheveux! 16 Le tir des pigeons. 17. Oh he! Ce cavalier! Ohe! 18. Bravo Marquis! Tu arrives le premier. 19. Dieu! La belle chasse. 20. Au diable les préjugés! Paris: Chez Aubert & Cie.,, [1846] unknown books

David Brass Rare Books, Inc. · États-Unis3 750,00 $US≈ 3 343,74 €

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