194 résultats
réf. 1249945240.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. FR17460Un des cinquante exemplaires sur papier de Hollande.
1993réf. Q-052143744xCambridge University Press 1993-01-29. Paperback. New. In shrink wrap. Looks like an interesting title! Cambridge University Press paperback
1993réf. 124226Cambridge: Cambridge U. P. 1993. 1st edition. New book. octavo. laminated boards xii 295pp. index Inc. interesting material on women in the industrial revolution & modern conceptions Cambridge U. P. hardcover
réf. 696980-nnew. unknown
réf. 696980like new. unknown
1967Two books pound as one. 232 pages in total. Index for each book. Line drawings throughout. "The material presented in this account of the Quinault was gathered during three visits of a month each in the spring of 1925 and the winters of 1925-26 and 1926-27. Above-average wear. Usual library markings. Book
2016réf. x-2812451130Editions Classiques Garnier 2016. Paperback. New. 613 pages. French language. 8.62x5.91x8.66 inches. Editions Classiques Garnier paperback
réf. 53287706like new. unknown
réf. 53287706-nnew. unknown
2022réf. 1591911Classiques Garnier 2022. 1st. paperback. New. 5x1x8. Classiques Garnier paperback
réf. 2406095592.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2020réf. 1218861Classiques Garnier 2020. 1st. paperback. New. 92x20x135. Classiques Garnier paperback
réf. 2329243065.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 2329243081.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1675réf. 39689Paris: Christophe Ballard seul Imprimeur du Roy pour la Musique ruë Saint Jean de Beauvais au Mont Parnasse . Par exprés commandement de Sa Majesté 1675. Small quarto. Modern marbled boards with paper title label to upper and spine. 1f. recto title verso blank 1f. "Acteurs du Prologue" 4ff. "Prologue" 1f. "Acteurs de la Tragedie" 76 pp. With woodcut device to title including Apollo with lyre figures in Greco-Roman dress with harp and lute and a pegasus; exceptionally fine woodcut headpiece to Prologue and additional headpieces to each act; decorative woodcut initials and tailpieces throughout. Full named cast lists for the "Acteurs du Prologue" and the "Acteurs de la Tragedie." Small holes to blank inner margins from previous sewing; slightly worn; very occasional minor foxing soiling and stains; minor loss to blank upper outer corner of pp. 31/32. First Edition fourth issue. Sonneck Librettos p. 1069. Schmidt LLC3-2.3. Thesée a tragédie en musique in a prologue and five acts to a libretto by Quinault after Ovid's Metamorphoses was first performed at St Germain-en-Laye on 11 January 1675. "The orchestra and chorus are used with brilliant effect in several divertissements but especially in the evocation of battle throughout Act 1. Medea's role like that of Lully's final lovesick sorceress Armide is replete with expressive monologue airs: 'Doux repos' 'Dépit mortel' 'Sortez Ombres' and 'Ah! faut-il me venger'. Thésée was part of the standard repertory at the Paris Opéra from 1675 until 1767; in addition it was selected to represent Lully when in 1779 the Opéra presented an historical survey of French operatic styles. Lully's score was substantially modernized by editors for productions from 1754 onwards." Lois Rosow in Grove Music Online. Christophe Ballard, seul Imprimeur du Roy, pour la Musique, ruë Saint Jean de Beauvais au Mont Parnasse ... Par exprés command unknown books
1675réf. 39713Paris: Christophe Ballard seul Inprimeur du Roy pour la Musique ruë Saint Jean de Beauvais au Mont Parnasse . Par exprés commandement de Sa Majesté 1675. Quarto. Disbound. 1f. recto title verso blank 1f. "Acteurs du Prologue" 3ff. "Prologue" 1f. "Acteurs de la Tragedie" 70 pp. With woodcut device to title including Apollo with lyre figures in Greco-Roman dress with harp and lute and a pegasus; woodcut headpieces to each act; decorative woodcut initials and tailpieces throughout. Full named cast lists for the "Acteurs du Prologue" and the "Acteurs de la Tragedie." Somewhat worn browned foxed soiled and stained a bit heavier to title; some worming especially to lower inner margins; stub of front free endpaper and blank preliminary leaf preceding title; first signature detached; loss to blank outer margin of title repaired with contemporary paper; blank outer margin of all leaves of "Prologue" repaired with contemporary paper; numerous additional leaves with contemporary paper reinforcements to inner margins; other minor defects. Lacking first leaf of Prologue pp. 65-66 and pp. 71-76. First Edition first issue all other issues with a date of first performance as 11 January 1675. This issue not in Sonneck Librettos. Schmidt LLC3-1. Thesée a tragédie en musique in a prologue and five acts to a libretto by Quinault after Ovid's Metamorphoses was first performed at St Germain-en-Laye on 11 January 1675. "The orchestra and chorus are used with brilliant effect in several divertissements but especially in the evocation of battle throughout Act 1. Medea's role like that of Lully's final lovesick sorceress Armide is replete with expressive monologue airs: 'Doux repos' 'Dépit mortel' 'Sortez Ombres' and 'Ah! faut-il me venger'. Thésée was part of the standard repertory at the Paris Opéra from 1675 until 1767; in addition it was selected to represent Lully when in 1779 the Opéra presented an historical survey of French operatic styles. Lully's score was substantially modernized by editors for productions from 1754 onwards." Lois Rosow in Grove Music Online. Christophe Ballard, seul Inprimeur du Roy, pour la Musique, ruë Saint Jean de Beauvais au Mont Parnasse ... Par exprés command unknown books
1675réf. 39713Paris: Christophe Ballard seul Inprimeur du Roy pour la Musique ruë Saint Jean de Beauvais au Mont Parnasse . Par exprés commandement de Sa Majesté 1675. Quarto. Disbound. 1f. recto title verso blank 1f. "Acteurs du Prologue" 3ff. "Prologue" 1f. "Acteurs de la Tragedie" 70 pp. With woodcut device to title including Apollo with lyre figures in Greco-Roman dress with harp and lute and a pegasus; woodcut headpieces to each act; decorative woodcut initials and tailpieces throughout. Full named cast lists for the "Acteurs du Prologue" and the "Acteurs de la Tragedie." Somewhat worn browned foxed soiled and stained a bit heavier to title; some worming especially to lower inner margins; stub of front free endpaper and blank preliminary leaf preceding title; first signature detached; loss to blank outer margin of title repaired with contemporary paper; blank outer margin of all leaves of "Prologue" repaired with contemporary paper; numerous additional leaves with contemporary paper reinforcements to inner margins; other minor defects. Lacking first leaf of Prologue pp. 65-66 and pp. 71-76. First Edition first issue all other issues with a date of first performance as 11 January 1675. This issue not in Sonneck Librettos. Schmidt LLC3-1. Thesée a tragédie en musique in a prologue and five acts to a libretto by Quinault after Ovid's Metamorphoses was first performed at St Germain-en-Laye on 11 January 1675. "The orchestra and chorus are used with brilliant effect in several divertissements but especially in the evocation of battle throughout Act 1. Medea's role like that of Lully's final lovesick sorceress Armide is replete with expressive monologue airs: 'Doux repos' 'Dépit mortel' 'Sortez Ombres' and 'Ah! faut-il me venger'. Thésée was part of the standard repertory at the Paris Opéra from 1675 until 1767; in addition it was selected to represent Lully when in 1779 the Opéra presented an historical survey of French operatic styles. Lully's score was substantially modernized by editors for productions from 1754 onwards." Lois Rosow in Grove Music Online. Christophe Ballard, seul Inprimeur du Roy, pour la Musique, ruë Saint Jean de Beauvais au Mont Parnasse ... Par exprés command unknown
1675réf. 39689Paris: Christophe Ballard seul Imprimeur du Roy pour la Musique ruë Saint Jean de Beauvais au Mont Parnasse . Par exprés commandement de Sa Majesté 1675. Small quarto. Modern marbled boards with paper title label to upper and spine. 1f. recto title verso blank 1f. "Acteurs du Prologue" 4ff. "Prologue" 1f. "Acteurs de la Tragedie" 76 pp. With woodcut device to title including Apollo with lyre figures in Greco-Roman dress with harp and lute and a pegasus; exceptionally fine woodcut headpiece to Prologue and additional headpieces to each act; decorative woodcut initials and tailpieces throughout. Full named cast lists for the "Acteurs du Prologue" and the "Acteurs de la Tragedie." Small holes to blank inner margins from previous sewing; slightly worn; very occasional minor foxing soiling and stains; minor loss to blank upper outer corner of pp. 31/32. First Edition fourth issue. Sonneck Librettos p. 1069. Schmidt LLC3-2.3. Thesée a tragédie en musique in a prologue and five acts to a libretto by Quinault after Ovid's Metamorphoses was first performed at St Germain-en-Laye on 11 January 1675. "The orchestra and chorus are used with brilliant effect in several divertissements but especially in the evocation of battle throughout Act 1. Medea's role like that of Lully's final lovesick sorceress Armide is replete with expressive monologue airs: 'Doux repos' 'Dépit mortel' 'Sortez Ombres' and 'Ah! faut-il me venger'. Thésée was part of the standard repertory at the Paris Opéra from 1675 until 1767; in addition it was selected to represent Lully when in 1779 the Opéra presented an historical survey of French operatic styles. Lully's score was substantially modernized by editors for productions from 1754 onwards." Lois Rosow in Grove Music Online. Christophe Ballard, seul Imprimeur du Roy, pour la Musique, ruë Saint Jean de Beauvais au Mont Parnasse ... Par exprés command unknown
réf. 1286939860.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1882réf. H1711Paris, Laplace, Sanchez & Cie, 1882 ; in-12, 476 pp., reliure demi-cuir beige, dos orné à nerfs, pièce de titre rouge (rousseurs éparses). Précédé d'une notice biographique par M. Victor Fournel. Quatre gravures coloriées dessinées par Allouard. Très bon état.
réf. 972S.l. (Paris), nrf / Gallimard, s.d. (1986). In-16, reliure d'éditeur pleine peau rouge, dos lisse orné de filets dor., titre dor., sous jaquette rhodoïd, tranchefiles, double signet, tête grise, sous emb. pelliculé d'éditeur.
réf. 973S.l. (Paris), nrf / Gallimard, s.d. (1986). In-16, reliure d'éditeur pleine peau rouge, dos lisse orné de filets dor., titre dor., sous jaquette rhodoïd, tranchefiles, double signet, tête grise, sous emb. pelliculé d'éditeur.
réf. 232929509X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 2812451130.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback