Newton, Huey P; J Herman BlakeBiblio.com
18 354 résultats
1973réf. 140949113New York: Harcourt Brace Jovanovich 1973. Advance Reading Copy. Near Fine/Near Fine. Advance reading copy of the first edition first printing with publisher's slip laid in. xiv 333 pp. illustrated with black and white photos. Bound in publisher's blue cloth lettered in silver. Near Fine with light wear along edges in a Near Fine unclipped dust jacket with slight wear at crown even toning to panels with irregular creasing to front flap and singular vertical crease to rear flap. A scarce issue of the radical manifesto by the Black Panther Party co-founder. Harcourt Brace Jovanovich unknown
1973réf. 140949113New York: Harcourt Brace Jovanovich 1973. Advance Reading Copy. Near Fine/Near Fine. Advance reading copy of the first edition first printing with publisher's slip laid in. xiv 333 pp. illustrated with black and white photos. Bound in publisher's blue cloth lettered in silver. Near Fine with light wear along edges in a Near Fine unclipped dust jacket with slight wear at crown even toning to panels with irregular creasing to front flap and singular vertical crease to rear flap. A scarce issue of the radical manifesto by the Black Panther Party co-founder. Harcourt Brace Jovanovich unknown books
2022réf. 48223Irvine CA: Suntup Editions 2022. Fine. Irvine CA: Suntup Editions 2022. Limited Numbered Edition of 350 copies of which this is number 302. Small quarto 26cm; 217pp. Publisher's chocolate bar boards with blind stamping to front panel; gilt spine; photographic endsheets. Quintin Blake's iconic color illustrations throughout. Housed in publisher's purple gatefold box; ribbon inside. Fine. Signed by Donald Sturrock and Paul Suntup at limitation page near rear. Signed by the artistic director of the Roald Dahl Foundation and the founder of Suntup Editions. Bonus content includes deleted chapters from Dahl's original manuscript alternate illustrations and correspondence. Suntup Editions unknown
2022réf. 48223Irvine CA: Suntup Editions 2022. Fine. Irvine CA: Suntup Editions 2022. Limited Numbered Edition of 350 copies of which this is number 302. Small quarto 26cm; 217pp. Publisher's chocolate bar boards with blind stamping to front panel; gilt spine; photographic endsheets. Quintin Blake's iconic color illustrations throughout. Housed in publisher's purple gatefold box; ribbon inside. Fine. Signed by Donald Sturrock and Paul Suntup at limitation page near rear. Signed by the artistic director of the Roald Dahl Foundation and the founder of Suntup Editions. Bonus content includes deleted chapters from Dahl's original manuscript alternate illustrations and correspondence. Suntup Editions unknown books
20132 vols., 8vo., First Edition thus, with a portrait frontispiece and 116 fine watercolour plates in facsimile; pictorial cloth, morocco back, upper board and backstrip lettered in gilt, Commentary Volume in brown cloth, gilt back, the two volumes housed in publisher's buckram solander case lettered in gilt, a fine set. EDITION LIMTED TO 1000 SETS. This splendid FS production reproduces the original watercolours, acquired by Paul Mellon in 1966 and now in the Paul Mellon Collection at the Yale Center for British Art. A number of scholars have written about this work, but Irene Tayler’s 1971 book, Blake’s Illustrations to the Poems of Gray, remains the most comprehensive and compelling reading. Presented here as a separate commentary volume, Tayler’s account tells how the illustrations were produced, relates Blake’s interpretation of the poems to his own ideas, and provides a detailed commentary on each poem.
1921réf. 1262361921. London: Florence Press Chatto and Windus 1921. Small 4to xxxviii 345 pages. Original de luxe binding of full vellum stamped in gilt inscribed at front in ink "C.G.A. Hill". § First edition of this collection a lovely copy in the special binding of which I suspect very few were issued -- I have seen two in the last 40 years. Sampson was a highly regarded editor. Bentley Blake Books 294 and see Bentley 300: "This the works is a work of pioneer scholarly importance well informed meticulously accurate well balanced and intelligent - virtues that were never collectively applied to Blake's text before this time. It is particularly valuable on the Songs. unknown
1921réf. 1262361921. London: Florence Press Chatto and Windus 1921. Small 4to xxxviii 345 pages. Original de luxe binding of full vellum stamped in gilt inscribed at front in ink "C.G.A. Hill". § First edition of this collection a lovely copy in the special binding of which I suspect very few were issued -- I have seen two in the last 40 years. Sampson was a highly regarded editor. Bentley Blake Books 294 and see Bentley 300: "This the works is a work of pioneer scholarly importance well informed meticulously accurate well balanced and intelligent - virtues that were never collectively applied to Blake's text before this time. It is particularly valuable on the Songs. unknown books
réf. 9781629487052NOVA SCIENCE PUBLISHERS INC
1813réf. 1092081813. London: Ackermann 1813. Single plate etching on wove unwatermarked paper recently cleaned. § From the second 4to edition this is one of the best known plates in the series. It was designed by Blake and engraved by Luigi Schiavonetti. Bentley Blake Books 435D. "In October 1805 Blake was commissioned by the engraver and would-be publisher Robert H. Cromek to prepare forty drawings illustrating Robert Blair's The Grave a popular "Graveyard" school poem first published in 1743. Cromek planned to select twenty of these designs for a deluxe edition of the poem. In Cromek's first prospectus of November 1805 Blake is named as both the designer and engraver of fifteen designs. Blake etched one image Deaths Door in white-line but Cromek rejected it. The dark power of the white-line print appeals to modern tastes but was far from fashionable in the early nineteenth century. In a second prospectus also of November 1805 Cromek announced that Luigi or Louis Schiavonetti would engrave twelve designs for the new edition. Blake had lost the potentially lucrative commission to engrave his own designs; his relationship with Cromek descended into anger and argument. In spite of their disagreement Cromek included a portrait of Blake as a frontispiece to the volume published in 1808. Cromek promoted the book aggressively and the illustrations to The Grave became Blake's best known work through much of the nineteenth century." The William Blake Archive. unknown
1808réf. 1073211808. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper margins slightly soiled and worn image clean. § From the first 4to edition this is one of the best known plates in the series. It was designed by Blake and engraved by Luigi Schiavonetti. Bentley Blake Books 435 A. unknown
1813réf. 1092061813. London: Ackermann 1813. Single plate etching on wove unwatermarked paper recently cleaned. § From the second 4to edition this is one of the most famous plates in the series. Bentley Blake Books 435D. unknown
1813réf. 1092111813. London: Ackermann 1813. Single plate etching on wove unwatermarked paper recently cleaned. § From the second 4to edition. Bentley Blake Books 435D. unknown
1808réf. 1073251808. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper margins slightly soiled and worn image clean. § From the first 4to edition. Bentley Blake Books 435 A. unknown
1808réf. 1073211808. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper margins slightly soiled and worn image clean. § From the first 4to edition this is one of the best known plates in the series. It was designed by Blake and engraved by Luigi Schiavonetti. Bentley Blake Books 435 A. unknown books
1813réf. 1092081813. London: Ackermann 1813. Single plate etching on wove unwatermarked paper recently cleaned. § From the second 4to edition this is one of the best known plates in the series. It was designed by Blake and engraved by Luigi Schiavonetti. Bentley Blake Books 435D. "In October 1805 Blake was commissioned by the engraver and would-be publisher Robert H. Cromek to prepare forty drawings illustrating Robert Blair's The Grave a popular "Graveyard" school poem first published in 1743. Cromek planned to select twenty of these designs for a deluxe edition of the poem. In Cromek's first prospectus of November 1805 Blake is named as both the designer and engraver of fifteen designs. Blake etched one image Deaths Door in white-line but Cromek rejected it. The dark power of the white-line print appeals to modern tastes but was far from fashionable in the early nineteenth century. In a second prospectus also of November 1805 Cromek announced that Luigi or Louis Schiavonetti would engrave twelve designs for the new edition. Blake had lost the potentially lucrative commission to engrave his own designs; his relationship with Cromek descended into anger and argument. In spite of their disagreement Cromek included a portrait of Blake as a frontispiece to the volume published in 1808. Cromek promoted the book aggressively and the illustrations to The Grave became Blake's best known work through much of the nineteenth century." The William Blake Archive. unknown books
1813réf. 1092061813. London: Ackermann 1813. Single plate etching on wove unwatermarked paper recently cleaned. § From the second 4to edition this is one of the most famous plates in the series. Bentley Blake Books 435D. unknown books
1813réf. 1092111813. London: Ackermann 1813. Single plate etching on wove unwatermarked paper recently cleaned. § From the second 4to edition. Bentley Blake Books 435D. unknown books
1808réf. 1073251808. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper margins slightly soiled and worn image clean. § From the first 4to edition. Bentley Blake Books 435 A. unknown books
1967réf. 150244N.p.: N.p. 1967. Five vintage borderless black and white photographs from the set of the 1967 film. With two printed mimeo snipes on the verso along with the stamp of still photographer James Johnson. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Truman Capote's most famous book and remains one of the great meditations on violence in America. Nominated for four Academy Awards. 10 x 8 inches. Most Very Good plus with light creasing and edgewear one Very Good with a tear to the top right corner repaired with cello tape on the verso. National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US. N.p. unknown
1967réf. 150244N.p.: N.p. 1967. Five vintage borderless black and white photographs from the set of the 1967 film. With two printed mimeo snipes on the verso along with the stamp of still photographer James Johnson. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Truman Capote's most famous book and remains one of the great meditations on violence in America. Nominated for four Academy Awards. 10 x 8 inches. Most Very Good plus with light creasing and edgewear one Very Good with a tear to the top right corner repaired with cello tape on the verso. National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US. N.p. unknown books
1866réf. 4020London: Basil Montagu Pickering 1866. First edition thus. 8vo in 4s. 172x105mm. pp. xii 108. Original brown cloth paper label to spine. Joint with upper cover split corners and label worn. Internally very good. Front free endpaper is inscribed "Frances Marten 1867 from H.C.R." On the front pastedown opposite is pasted a photograph of "H.C.R." who is Henry Crabb Robinson. The front free endpaper also has the book label of Priscilla and Samuel Meek. This reprint of Songs of Innocence and Experience contains two previously unpublished Blake poems. Two of the other poems were Bowdlerised and have lines replaced with asterisks to spare Victorian sensibilities. Henry Crabb Robinson 1775-1867 a lawyer journalist diarist and a co-founder of London University has been described as one of the best connected of literary men. He "knew almost every British writer of note from Blake Wordsworth Coleridge Lamb Southey and Hazlitt to Gaskell George Eliot and Matthew Arnold". Crabb Robinson's friendship with the elderly Blake was short they met in 1825 and Blake died in 1827 but unsurprisingly the shamanic artist and poet made an enormous impression. In his Diary Letters and Reminiscences. Crabb Robinson's describes his first meeting with Blake: "Shall I call him Artist or Genius—or Mystic—or Madman Probably he is all. He has a most interesting appearance. He is now old—pale with a Socratic countenance and an expression of great sweetness but bordering on weakness—except when his features are animated by expression and then he has an air of inspiration about him. The conversation was on art and on poetry and on religion". Crabb Robinson himself was an old man when this book was published which makes the gift all the more moving as he would have been one of the few people alive to have remembered Blake. Bentley 335A. London: Basil Montagu Pickering 1866 hardcover
1991réf. 53589Princeton University Press in conjunction with The William Blake Trust 1991-95. First editions US issue. Six volumes. Publisher's brown cloth gilt lettered to the spines dust jackets. Profusely illustrated in colour. Occasional minor shelf wear to the jackets very good overall Identical to the British issue published at the same by the Blake Trust in conjunction with the Tate Gallery. Princeton University Press in conjunction with The William Blake Trust unknown
réf. 74012London: Jonathan Cape 1982. Children's classic FIRST EDITION first impression. Octavo 24 x 13cm pp.224. With frequent in-text illustrations by Quentin Blake. Publisher's grey cloth with gilt titles to spine. With the dust-jacket illustrated by Blake priced at £6.50. Contents clean edges gently toned no inscriptions jacket with trivial wear at crown. Near fine. The story of Sophie's adventures with the Big Friendly Giant bursting with strange and quite dubious-sounding victuals such as fizzy Frobscottle and the revolting Snozzcumber. Basis for the 1989 animation starring Sir David Jason and more recently the 2016 live-action film by Steven Spielberg. London: Jonathan Cape, 1982 unknown
1902réf. 340611London : Published by David Nutt at the Sign of the Phoenix Long Acre 1902. First edition. Hardcover. SIGNED and inscribed by the illustrator. Very good copy in the original title-blocked pictorial cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Frontispiece is accompanied by a guard sheet. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: 83 pages: illustrations black and white; 23 cm. Notes: Illustrated title page. Subjects: 20th century. 19th century. Poetry. Great Britain. Illustrated. London : Published by David Nutt at the Sign of the Phoenix, Long Acre hardcover
2000réf. 2602H-94987A-58AThames & Hudson 2000-10-01. hardcover. Good. 8x1x11. 2 BLUE SPOTS ON SIDE PAGE EDGES OTHERWISE this Book is in Very Good condition. See our picture for exact item you will receive. All items ship within 24 hours. Packaging is 100% Recyclable. Most items purchased from Charitable organizations. A portion of each sale is also donated to a monthly charity check your package for this month's charity. Reuse-Recycle-Rebook! Thames & Hudson hardcover
