18 439 résultats
1903réf. 23193London 1903. Engraving by Thomas Butts after Blake. Laid paper. First and only state. Hand-written in ink upper right corner "Cent quatre vingt septieme 187" Christ walks over the vanquished Satan. This fascinating engraving after a Blake drawing depicts a muscular and single-minded Christ with a bow in one hand and arrow in the other walking on the beard and chest of Satan who despite his lifeless eyes reaches for Christ's bow. Blake's Christ is more reminiscent of Hercules or Gilgamesh than the Christ known to us through church iconography and his Satan reminds us more of Zeus than Christianity's Devil. Archibald Russell in The Engravings of William Blake Houghton Mifflin 1912 writes that this image illustrates a passage in Paradise Lost Bk. VI 763 but was an allegory for the triumph of imagination or creativity over reason. Thomas Butts senior 1757-1845 and junior 1788-1862 were both given drawing and engraving lessons by Blake starting in March 1806. They produced a number of plates from Blake's designs although his level of direct involvement can only be estimated. The present plate was sold by the Butts' descendants at Sotheby's lot 20 24 June 1903. The plate was acquired shortly after the auction by Edward J. Shaw of Walsall. He apparently had printed a number of impressions by December 1903. These are the earliest recorded impressions of this plate other than a single impression sold with the plate at the auction. The plate remained in Shaw's possession until 1925 when it was sold at Sotheby's 29 July lot 158 to Mansfield. The New York dealers E. Weyhe bought a number of impressions and possibly the plate itself as they still had multiple copies for sale as late as 1965. Essick records 18 copies of this print on various paper types but no order of precedence is given and he had not seen any `proof' impressions. Essick The Separate Plates of William Blake. unknown
réf. 1965659Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1820. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 1965589Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1820. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 1965649Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1820. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2002réf. Q-0415289858Routledge 2002-11-15. Paperback. New. In shrink wrap. Looks like an interesting title! Routledge paperback
réf. Q-0192810502Oxford University Press 1966-12-31. Paperback. New. New. In shrink wrap. Looks like an interesting title! Oxford University Press paperback
réf. 36191BLAKE William. The Complete Writings.With all the Variant Readings. Edited by Geoffrey Keynes. Original cloth. N.Y.: Random House 1967. Very good. unknown
2000réf. BN433196Bibliotheque de l'Image Paris 2000. 2000. Hardcover. De goddelijke Komedie De goddelijke Komedie Blake William & Davis Bindman Bibliotheque de l'Image, Paris hardcover
1808réf. 1238981808. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper; wide margins somewhat soiled. § From the first 4to edition this is one of the most powerful plates in the series. Bentley Blake Books 435b. unknown
1813réf. 1092051813. London: Ackermann 1813. Single plate etching on wove unwatermarked paper recently cleaned . § From the second 4to edition this is one of the most powerful plates in the series. Bentley Blake Books 435D. unknown
réf. 101933343X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2012réf. Q-0486223035Dover Publications 2012-03-14. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
réf. 0267307314.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1104737108.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2002réf. 76659Ediciones Hiperión S.L. 2002. tapa blanda. 2ª Mano/2ª Mano. Ediciones Hiperión S.L. 2002. Poesia Hiperion 434. Edición facsimil y bilingüe. est preliminar traducción y notas. José Luis Palomares 192 p. : il. col. ; 20x14 cm. rústica Ediciones Hiperión, S.L. unknown
2002réf. 2375134Madrid.: Hiperión. 2002. Paperback. Good. 20 cm. 187 p. Encuadernación en tapa blanda de editorial ilustrada. Blake William 1757-1827. The book of Urizen. Estudio preliminar traducción y notas de José Luis Palomares. Poesía Hiperión. volumen coleccion 434. Incluye p. 59-86 reprod. fotográfica del original de 1794. Traducción de: The book of Urixen. Texto original y traducción al español. Palomares Arribas . ISBN: 8475177379 Literatura inglesa. Poesía lírica. Siglo XVIII. 821.111-14"17" 821.111-1 Hiperión. paperback
réf. 1354615964.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1939réf. SDR144-SB110719-3717Cordon Company c1939 1939-01-01. Hardcover. Good. Good condition item with wear and markings. Ex-library. Cordon Company c1939 hardcover
1790réf. 1417032England 1790. Engraved by William Blake after William Hogarth's painting. Published July 1 1790 by John and Josiah Boydell London. Sheet measures 19 x 25 in. In Good condition. Age toning throughout with scattered foxing particularly around the margins. Substantial paper loss to lower right corner approximately 4.25 x 2.5 in. affecting part of the engraved inscription. Sheet is backed with cardboard and protected with clear plastic wrap. William Blake 1757-1827 was an English poet painter and printmaker. His work combined imagination spirituality and bold personal vision. Today he is considered a major figure of British Romanticism. 1417032. Special Collections - Upstairs. unknown
2006réf. G1598005227I4N00Outskirts Pr 2006. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Outskirts Pr paperback
réf. 1598005227.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1975réf. 37955San Francisco: Thomas Ingmire. Fine. 1975. First Edition. Softcover. Sewn wrappers. One of 300 copies. The gilt letters are hand drawn. Includes the original blue paper band with gold sticker. Scarce. Blake's poem. ; 48mo 3½" - 4" tall . Thomas Ingmire paperback
1975réf. 1239801975. San Francisco: Thomas Ingmire 1975. Oblong 12mo 11pp. With a hand-drawn gold initial letter on the cover and on the title-page. Original rust wrappers fine. § Limited to "300" copies of which 40 were hand-bound and maybe 100 copies completed in all. Exceptionally scarce and beautiful we have had one copy in the last 30 years. Ingmire here reproduces his calligraphic version of Blake's famous poem found in the "Notebook" 1787-1818. Thomas Ingmire was the first American to be elected a Fellow of the prestigious Society of Scribes and Illuminators London. A vivid expression of the modern calligraphy movement his work can be found in public and private collections around the world; it is the subject of Michael Gullick's Words of Risk: The Art of Thomas Ingmire 1989 and codici 1: a teacher's notebook on modern calligraphy & lettering art 2003. His teaching experience and influence extends throughout the United States to Canada Europe Australia Japan and Hong Kong. unknown
1969réf. 14163London: Published by the Trianon Press for the William Blake Trust 1969. With 17 colour plates reproduced from the original edition of 1794 each watermarked with Blake’s initials. Illustrated with water-colour washes added to partial colour printing. Original quarter brown morocco over marbled boards in the original marbled slipcase. The illuminated pages were reproduced in Paris on rag paper specially manufactured to match the paper used by Blake. A fine copy of a beautiful facsimile. Limited edition number 71 of 480 copies. Published by the Trianon Press for the William Blake Trust unknown
1976réf. 1252431976. Normal IL: The American Blake Foundation 1976. 4to 23 loose leafs of text plus 38 loose plates and 3 folded and uncut leafs each with 8 illustrations double-sided. All loosely inserted in a blue cloth folder in a slipcase. Very good to near fine. § Copy #33 of 149 copies thus; a few were issued in a quarter morocco binding. Bentley Monochrome reproduction of copy H with ancillary material see Bentley. Essick contributed a bibliographical introduction. BBS pp.69-70. unknown