Blake, WilliamBiblio.com
18 439 résultats
2007réf. DADAX1854377299Tate Publishing 2007-03-01. Nintey Eight. hardcover. New. 5.88x0.70x6.75. Buy with confidence. Excellent Customer Service & Return policy. Tate Publishing hardcover
réf. 0486409449.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1961réf. LPB011095PSLondon: The Nonesuch Press 1961. Fourth Edition/Unknown Printing . Hardcover. Very Good /Good. In lovely blue cloth with gilt to type/design motif on spine which has dulled. Bottom corners softened/dinged. Clean interior and solid binding. Jacket is unclipped 30s. Net with some edgewear. Nicks/short tears mostly to spine ends. The Nonesuch Press hardcover
réf. 0674525906.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1994réf. Q-0679436332Everyman's Library 1994-10-18. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Everyman's Library hardcover
réf. 0333580516.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 13592BLAKE William. The Book of Urizen. Reproduced in Facsimile from an Original Copy of the Work Printed and Illuminated by the Author in 1794 Formerly in the Possession of the Late Baron Dimsdale. With a Note by Dorothy Plowman. Small 4to. Orig. cloth dust jacket soiled and torn missing part of spine. London: J.M. Dent and Sons Limited 1929. First of this edition. A very good copy. unknown
réf. 1965699Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1820. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2014réf. 545468Ithaca New York: Larch Tree Press 2014. Unbound. Fine. Broadside. Illustrated by James Tyler. Measuring 10" x 8". Fine. One of 40 copies printed by James Tyler using hand-set type. OCLC locates no copies. Larch Tree Press unknown
réf. 45479895-nnew. unknown
réf. 45479895like new. unknown
réf. 1018257640.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1927réf. 1020411927. London: Privately Printed for the Burlington Fine Arts Club 1927. Large 4to 63 pp. 49 plates. A good copy in original cloth some discoloration to the green cloth along edges. Slipcase. Very good. § A sumptuous catalogue with text by Binyon Russell and Keynes and fine gravure plates. Bentley Blake Books 632A the second issue had no plates. unknown
1827réf. 1259791827. N.p.: n.d. 8vo 141pp. original printed blue wrappers with the Blake plate pasted in at the front. The image and plate mark as per Essick 3.1 x 7.8 cm. and 3.3 x 8.1 cm. respectively. Printed in black on wove India paper measuring 5 x 10 cm. § Enigmatic version of the famous "Cumberland card" Blake's last engraving executed for one of his closest friends. It is lightly printed and pasted into a copy of the Hayward catalogue: inscribed at the front by Geoffrey Keynes to Robin Skelton and with a later pencil inscription see below noting that this is "a copy of Blake's engraving struck off by Keynes from the plate". This cannot be true since Keynes never owned the original plate and its whereabouts have never been established. More likely is that Keynes gave Skelton a spare proof of the card illustrated in his book Engravings by William Blake plate 38. A subsequent owner William Clair notes in pencil: "Presented to Robin Skelton by Geoffrey Keynes with a copy of Blake's engraving struck off by Keynes from the plate." and adding "Bought in Toronto". Skelton was a highly regarded poet and academic who though English lived in Toronto and taught at the University of Victoria. The images invoke one of Blake's greatest themes-the relationships between time and eternity. Opinions vary on the purpose of this plate but it should be noted that at the time 1827 it was not uncommon to paste a calling card into a book as proof of ownership. However no book once owned by Cumberland has been located with his card pasted in. It has also been suggested that the name of Cumberland in the center was executed by a writing engraver and Blake added his borders later. 39 examples of this print are known to Essick not including examples now untraced all but three on laid paper printed later and three on card but it is quite rare in commerce. Offered with the book Engravings by William Blake. Essick The Separate Plates of William Blake XXI. Bindman Complete Graphic Works of Blake 654. unknown
1827réf. 1050781827. London: William Blake 1827. Printed in black ink on thick card. Very finely printed in good condition though trimmed very close to the image at the left and right edges once pasted down and thus with traces of mounting on the verso and pencil notes from an earlier collector c. 1950 image and plate mark exactly as per Essick 1DD. § Blake's last engraving executed for one of his closest friends. "Blake inscribed the plate lower right with his name and age "A Æ 70." He may have sensed that 1827 could well be the last year of his life but took pride in being capable of pursuing his art and craft to the end. Blake was in fact 69 when he died; perhaps he inscribed "70" on the Cumberland card in anticipation of working on it until he turned that age. At least when considered in retrospect this most unusual inscription contributes to the elegiac and prophetic iconography of the design." The images invoke one of Blake's greatest themes-the relationships between time and eternity. Although probably intended as a calling card two books have been located with this card pasted in both written by George Cumberland Jr. Thus it has on occasion been sold as a "bookplate." Examples on card not in Cumberland's book are exceptionally rare and have been presumed to be of the earliest printing and possibly by Blake himself. All other impressions on laid paper most often are posthumous. Thirty-nine examples in all are known to Essick not including examples now untraced of which eight are on card of which one is described as printed in green ink. Essick The Separate Plates of William Blake XXI see entry 1DD for identical measurements but not this copy. Bindman Complete Graphic Works of Blake 654. unknown
réf. 8437606683.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1918réf. 48652London.: Christie Manson & Woods. 1918. Original publisher's printed paper wrappers stitched as issued titles to front cover in black. 8vo. 246 x 155 mm. Title to front wrapper conditions of sale verso and the details of 215 lots. A fine unsophisticated copy of the important catalogue of the sale of this highly significant collection of William Blake material.The sale was held on Friday March 16th 1918 at Christie's 'Great Rooms' in King Street St. James's. In 1818 John Linnell 1792 - 1882 met William Blake 1757 - 1827 with whom he remained friendly until Blake’s death in 1827. Linnell became an important patron to Blake in the final years of his life commissioning among other works a set of engravings illustrating the Book of Job and buying the watercolours that Blake had made for John Milton’s 'Paradise Regained'.The first portion of the sale was made up of works by Linnell himself as well as works and prints by other artists. Lots 148 to 215 all relate to Blake and include among sketches watercolours and letters the 98 drawings for Dante the drawings for the 'Illustrations of the Book of Job' the drawings for Milton's 'Paradise Regained' the illuminated books 'America A Prophecy' 'The Marriage of Heaven and Hell' 'Songs of Innocence and Experience' two copies 'There Is No Natural Religion' 'Vala' and more; notable are also the eleven sets of Blake's engravings for Dante and the 68 copies of the 'Illustrations for the Book of Job'.Four of the lots are priced in sepia ink in the catalogue: a note records that '148 Dante's 'Divina Comedia'' sold for 7300 Guineas; '149 The Book of Job' i.e. the original drawings sold for 3000; '151 Paradise Regained' fetched 2100; and '215 . 'Songs of Innocence and Experience'' achieved 700 Guineas.The catalogue a remarkable survival shows some toning to the wrappers and has been folded at some point a few chips to the rear wrapper and some dog ears do not detract from a well-preserved and unsophisticated example. Although well represented and widely held in institutions the catalogue is very scarce in commerce. Christie, Manson & Woods. unknown
réf. 006697Mclennan Library McGill University. Limited Edition. Hardcover. Near Fine/No Dust Jacket. xv 172 pages. Gold lettering on the spine and front covers. Front foredge untrimmed decal edges. Very minimal wear to the cover and corners of the book. A fine copy of this limited edition of 500 books featuring Dr. Lande's special collection of William Blake books and ephemera. Illustrated with 7 pages of b/w images. This is a heavy book and may require additional shipping charges. Mclennan Library, McGill University hardcover
1903réf. 1028961903. London: Sotheby Wilkinson and Hodge 1903. 8vo title-page and 4 pages of text. Original printed wrappers in later cloth-backed marbled boards. § A sale of the first order of importance though only comprising 42 lots of which 23 were from the Butts collection comprising 18 original drawings 4 printed proofs and a bill from Blake to Butts. The remaining lots were from the Gilchrist collection. Bentley Blake Books 598. A scarce catalogue. unknown
réf. 1120227453.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 116645360X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1808réf. 1238991808. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper margins slightly spotted image clean. § From the first 4to edition. Bentley Blake Books 435b. unknown
1813réf. 1107781813. London: Ackermann 1813. Single plate folio etching on wove unwatermarked paper good. § From the second folio edition. Bentley Blake Books 435. unknown
1813réf. 1092031813. London: Ackermann 1813. Single plate etching on wove unwatermarked paper recently cleaned. § From the second 4to edition. Bentley Blake Books 435D. unknown
1808réf. 1073291808. London: Cadell and Davies 1808. Single plate etching on wove unwatermarked paper margins slightly soiled image clean. § From the first 4to edition. Bentley Blake Books 435 A. unknown
