18 354 résultats
1998réf. 88458Princeton: The Blake Trust / Princeton University Press 1998. Mixed paperback printings originally published in cloth 1991-95. Five quarto volumes 30cm. Publisher's pictorial heavy card wrappers. Trivial external wear all volumes Fine or nearly so. From the library of poet and translator Nathaniel Tarn with his printed bookplate to each half-title Comprises: v.I Jerusalem: the Emanation of the Giant Albion; v.II Songs of Innocence & of Experience; v.III The Early Illuminated Books; v.IV The Continental Prophecies; v.V Milton: a Poem. Lacking is v.VI "The Urizen Books." Color facsimiles of the original illuminated works with commentary by various scholars. A beautifully produced series. The Blake Trust / Princeton University Press unknown books
1968réf. 1411766New York: Grossman Publishers 1968. Reprinted. Hardcover. Thin Octavo unpaginated. In Very Good minus condition. Light grayish blue slipcase has moderate wear including chipping to the edges slight soiling and mild age toning. Bound in the publisher's light grayish blue cloth bearing black lettering to the spine. Boards have slight plus wear including faint age toning. Text block has mild wear including faint age toning to the edges. Illustrated. Reprinted. NOTE: Shelved in Locked Annex Column CC. 1411766. FP New Rockville Stock. Grossman Publishers hardcover books
1973réf. 89682London: Trianon Press 1973. First Thus. Limited edition facsimile. Copy no.30 of 750 numbered copies of a total edition of 808. Quarto. Quarter blue morocco over marbled paper-covered boards. Single small spot of abrasion at base of spine else a Fine copy in the publisher's slipcase. A typically fine production of the press produced under the supervision of Arnold Fawcus. The original publisher's prospectus is laid in. Trianon Press unknown books
réf. 6633London: William Blake Trust 2009. Limited Edition. Hardcover. Fine in Fine Slipcase and Fine Portfolio. Limited Edition. Hardcover. "Bound in gilt-lettered quarter deep scarlet calf over black moiré silk covered boards deep scarlet leather label blocked in gilt to the centre of the upper board; 96pp. illustrated throughout with colour and b/w reproductions of Blake's drawings and watercolours. Contents: Morton D. Paley William Blake and Robert Blair's 'The Grave'. Martin Butlin The History of Blake's Illustrations to 'The Grave' and The Newly Discovered Water-colours. Blake's twenty watercolour designs with a Catalogue and illustrated Commentaries by Martin Butlin. Robert Blair's The Grave from Cromek's edition 1808. Schiavonetti's engravings of twelve of Blake's designs from the 1808 edition. Blake's rejected engraving of 'Death's Door'. Printed throughout in black and white and colour on 200 gsm archival acid-free paper. With A portfolio 35x28x2.8 cm bound in maroon calf with tongue-and-strap closure blocked in gold flap blind-embossed with double rule border lined in red; all in close replication of the portfolio made sometime after 1822 to contain: 19 of 20 watercolour inventions by Blake in illustration of Blair's The Grave mounted on thick beige paper within ruled and tinted borders and trimmed to 33.3x26.7 cm; here reproduced in facsimile. One of 36 copies of the Portfolio Plates and Book in cloth-covered double slipcase numbered I-XXXVI." Tight bright and unmarred. Black cloth red leather matching slipcase gilt lettering. Small fo. Illus. color plates. William Blake Trust hardcover books
193558 p. Text printed on a special all-rag paper at the Walpole Printing Office. Hand-set in Deberny italic, with medallions adapted from engravings by Blake. Unopened. 180mm. Original full color paper covered boards. Original slip case. Limited Edition. Number 38 of only 950 copies. Hardbound. Very good. W33
195457p. Decorated with cuts after Thomas Stothard. Top edge blue. Small 8vo. Original full paper binding. Color vignette on front cover. Original slip case. Hardbound. Nice copy. POETRY/W40
1967réf. 608431New York: G. Schirmer 1967. Softcover. Near Fine. Later printing. Quarto. Two nested bifolia making eight pages. Light age toning and light bumping to the corners else near fine. For voice and piano. Plate number 46151. G. Schirmer unknown books
1924réf. 606480Philadelphia: Theodore Presser Co 1924. Softcover. Very Good. Sheet music. Quarto. Single bifolium with a single-sheet-insert making six pages. Edgewear including some separation along the bottom of the fold on the bifolium name stamp on the front cover and bumping to the corners still a very good and complete copy. For voice and piano. Plate number 19538 - 3. The back cover features short samples of seven other songs including "How Far Away Is April" by Abigail Cresson and Alden Barrell and "Dusky Sleep Song" by Paul Laurence Dunbar and Grace A. Hammon. The name stamp is that of Fay Foster a prolific American composer and pianist who took first place in the American Composers Competition of 1913. OCLC locates five holdings. Theodore Presser Co unknown books
1965réf. 578913Boston Mass: General Music Publishing 1965. Softcover. Near Fine. First edition. Quarto. Two nested bifoliums with a single sheet insert making ten pages. Very light bumping to the corners else near fine. For high voice and piano. General Music Publishing unknown books
1965réf. 525198Boston Mass: General Music Publishing 1965. Softcover. Near Fine. First edition. Quarto. Single bifolium with a single sheet insert making six pages. Very light bumping to the corners else near fine. For high voice and piano. General Music Publishing unknown books
1912réf. 578570New York: G. Schirmer 1912. Softcover. Good. Later printing. Folio. Two nested bifoliums making eight pages. Outer bifolium separated at the fold foxing and soiling to the exterior a dampstain at the top of the front cover affecting throughout a sticker with "999" printed on it on the front cover and edgewear throughout a complete but good only copy. For voice and piano medium in D flat. Plate imprint "20727 c." The back cover features samples of four songs by Frederic Norton "The Sea-Gull and the Crow" "Dates and Things" "The Ambitious Duck" and "The Chickabiddies." OCLC locates eight holdings. G. Schirmer unknown books
1945réf. 606483New York: G. Schirmer 1945. Softcover. Very Good. First edition. Quarto. Two nested bifolia making eight pages. Foxing and rubbing to the exterior and light bumping to the corners a very good and complete copy. For voice and piano. Plate number 41204. OCLC locates seven holdings and it appears to be equally uncommon in the trade. G. Schirmer unknown books
1948réf. 607932New York: G. Schirmer 1948. Softcover. Very Good. First edition. Quarto. Single bifolium with a single-sheet-insert making six pages. Light soiling to the exterior a bit of offsetting at the top of the front cover and light bumping to the corners very good. For voice and piano. The back cover features short samples of "Four Roman Sketches" by Chrales T. Griffes. G. Schirmer unknown books
1957réf. 572316New York: G. Schirmer 1957. Softcover. Near Fine. First edition. Quarto. Single bifolium with a single sheet insert making six pages. Very light edgewear else near fine. For voice and piano. Plate number "44155 C. G. Schirmer unknown books
1925réf. 578904New York: G. Schirmer 1925. Softcover. Near Fine. First edition. Quarto. Single bifolium with a single sheet insert making six pages. Publisher's stamp on the front cover canceling the original price and printing a new one light soiling to the front cover else near fine. For high voice and piano. Plate number 32268. OCLC locates three holdings. G. Schirmer unknown books
1958réf. 552305New York: Caedmon Publishers 1958. Unbound. Fine. Original 33 1/2 rpm vinyl album. Directed by Howard Sackler. Fine in a printed paper sleeve in a near fine pictorial cardboard sleeve with slight creasing. Caedmon TC 1101. Caedmon Publishers unknown books
1972réf. 119524Normal: The American Blake Foundation at Illinois State University 1972. Paperback. xv55p.plates 8.5x11 inches preface illustrated with reproductions of the engravings first paper edition in original pictorial wraps with a small crinkled tear at top of front cover light external soiling. Bears a personal inscription signed by author/bibliographer Easson. The American Blake Foundation at Illinois State University paperback books
2024réf. 210078Berlin: Hatje Cantz Verlag 2024. Hardcover. 396 pages. Text in German. Features contributions by David Bindman Esther Cahdwick Sarah Haggarty Joseph Leo Koerner Julia Kersting Cecilia Muratori Jan Steinke Andreas Stolzenburg William Vaughan James Vigus and Peter Nils Doren. Includes numerous illustrations. A fine copy in illustrated boards. No dust jacket as issued. As new and still in the publisher's shrinkwrap. Please note that this is a heavy book and will require extra shipping. Hatje Cantz Verlag unknown books
1981réf. 1266421981. Isle of Ely: Waterside Press 1981. 8vo 7 leaves 3 with letterpress the remainder blank. Bookplate of L. Turner on front pastedown on which has been hand-noted "Given to me by Sir Geoffrey Keynes when I visited him at his house". Green card wrappers with printed label on upper cover. Very good. § No. 23 of 100 copies in all signed and numbered by Geoffrey Keynes who believed that the poem had originally been written by Blake for publication in Poetical Sketches. The attribution to Blake was made by Keynes in 1980 although it is not supported by some Blake scholars at present. Bentley BBS p140. unknown books
1797réf. 1045881797. London: R. Noble 1797. Large 4to pp. 87/88 with 2 full-page engravings by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young's masterpiece. The publisher only issued the first four 'Nights'and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. unknown books
1797réf. 1045861797. London: R. Noble 1797. Large 4to pp. 23/24 with 2 full-page engravings by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young's masterpiece. The publisher only issued the first four 'Nights'and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. unknown books
1797réf. 1046161797. London: R. Noble 1797. Large 4to pp. 69/70 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young's masterpiece. The publisher only issued the first four 'Nights'and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. unknown books
1797réf. 1046211797. London: R. Noble 1797. Large 4to pp. 85/86 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young's masterpiece. The publisher only issued the first four 'Nights'and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. unknown books
1797réf. 1046121797. London: R. Noble 1797. Large 4to pp. 57/58 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. § First edition perfect for display or for teaching as the leaf is quite sturdy and can be carefully handled or matted for framing. The leaf is from from "Narcissa" the third night of Young's poem and the illustration shows a party of drinkers under a looming figure clutching a spear. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young's masterpiece. The publisher only issued the first four 'Nights' and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. unknown books
1797réf. 1046041797. London: R. Noble 1797. Large 4to pp. 39/40 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young's masterpiece. The publisher only issued the first four 'Nights' and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. unknown books