Camus, RenaudBiblio.com
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Best.-Nr. Z1-S-035-02323FLAMMARION. Used - Acceptable. Used - Acceptable. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. FLAMMARION unknown
1959Best.-Nr. 353085Paris: Gallimard 1959. First Edition Copy "C" of 21 copies on Hollande van gelder of which six are marked A-F hors commerce. 8vo. Original printed wrappers uncut and unopened. Fine in original glassine. First Edition Copy "C" of 21 copies on Hollande van gelder of which six are marked A-F hors commerce. 8vo. Camus's powerful theatre adapatation of Dostoevsky's Demons The Possessed which he directed at the Théâtre Antoine with the money from the Nobel Prize. It was a massive undertaking and a big success. Gallimard unknown
1947Best.-Nr. 146463Paris: Gallimard 1947. First edition Service de Presse-copy of Camus' short story collection exploring themes of existentialism and absurdism with "S P" perforated stamp at top of rear wrapper. Small octavo original publisher's stiff wrappers with titles in red and black. Presentation copy inscribed by the author on the half title page "a M. Claude Leslise en sirene hommage Albert Camus." In near fine condition with some toning to the spine front and rear panels edges of the text block a closed tear to the 'Table' page at the rear. Housed in a custom quarter red levant and patterned paper slip case and chemise by P. Goy & C. Vilaine. Rare and desirable. This collection of six short stories covers the whole variety of existentialism or absurdism as Camus himself insisted his philosophical ideas be called. The six works collected in this volume include: The Adulterous Woman The Renegade of a Confused Spirit The Silent Man The Guest Jonas or the Artist at Work and The Growing Stone. The final story most clearly manifests Camus' existential ideals with a protagonist who actively shapes his life in spite of receiving a deep insight into the absurdity of the world and acting morally nevertheless. Gallimard unknown
1959Best.-Nr. 353085Paris: Gallimard 1959. First Edition Copy "C" of 21 copies on Hollande van gelder of which six are marked A-F hors commerce. 8vo. Original printed wrappers uncut and unopened. Fine in original glassine. First Edition Copy "C" of 21 copies on Hollande van gelder of which six are marked A-F hors commerce. 8vo. Camus's powerful theatre adapatation of Dostoevsky's Demons The Possessed which he directed at the Théâtre Antoine with the money from the Nobel Prize. It was a massive undertaking and a big success. Gallimard unknown books
1802Best.-Nr. 57462Paris: Baudouin Imprimeur de L'Institut National. 1802. Foundation Americana Bibliography An important early bibliographical study of new world exploration and one of the foremost examinations of the De Bry and Thévenot collections of travel narratives by Armond Gaston Camus 1740-1804 a noted French jurist and participant in the French Revolution. De Bry's Grand Voyages and Thévenot's collection of early North American travel narratives are among the most bibliographically complex works in the Americana canon. "An excellent analysis not only of De Bry's but of Thevenot's collections with incidental notes on those of Hervagius Ramusio Hakluyt and Hulsius" - Harrisse. "An excellent specimen of bibliographical analysis and indispensable to the 'De Bry' and 'Thévenot' collector" - Sabin. "Excellent mémoire qu'on consulte encore avec fruit" - LeClerc. Half title. Modern three-quarter calf and marbled boards spine gilt gilt leather labels. Scattered light foxing. Very good. SABIN 10328. LeCLERC 99. HARRISSE BAV pp.xxiii-iv. hardcover
1802Best.-Nr. 57462Paris: Baudouin Imprimeur de L'Institut National. 1802. Foundation Americana Bibliography An important early bibliographical study of new world exploration and one of the foremost examinations of the De Bry and Thévenot collections of travel narratives by Armond Gaston Camus 1740-1804 a noted French jurist and participant in the French Revolution. De Bry's Grand Voyages and Thévenot's collection of early North American travel narratives are among the most bibliographically complex works in the Americana canon. "An excellent analysis not only of De Bry's but of Thevenot's collections with incidental notes on those of Hervagius Ramusio Hakluyt and Hulsius" - Harrisse. "An excellent specimen of bibliographical analysis and indispensable to the 'De Bry' and 'Thévenot' collector" - Sabin. "Excellent mémoire qu'on consulte encore avec fruit" - LeClerc. Half title. Modern three-quarter calf and marbled boards spine gilt gilt leather labels. Scattered light foxing. Very good. SABIN 10328. LeCLERC 99. HARRISSE BAV pp.xxiii-iv. hardcover books
1953Best.-Nr. 45741Gallimard | Paris 1953 | 12 x 19 cm | broché
1953Best.-Nr. 46393Gallimard | Paris 1953 | 12 x 19 cm | broché
1953Best.-Nr. 49565Gallimard | Paris 1953 | 12 x 19 cm | broché
Best.-Nr. 37964Couverture beige avec titre en rouge. Intérieur très frais. Non coupé. A grands témoins.
1956Best.-Nr. 85206Sous étui et chemise en demi-chagrin vert, signés Carine VILAINE. Couverture souple imprimée en vert. Non coupé et non rogné.
1948Best.-Nr. 45740Gallimard | Paris 1948 | 12 x 19 cm | broché
1946Best.-Nr. 46650Rombaldi | Paris 1946 | 29 x 39 cm | en feuilles sous chemise et étui
Best.-Nr. 13161Paris, NRF Gallimard, 1953. In-12, 186-(2) pp., broché.
1939Best.-Nr. 44692Alger [i.e. Algiers], (1939). 8vo. Entire 2nd issue of ""Rivages"" present. Uncut. Original printed wrappers, showing an outline map of the Mediterranean. A bit of brownspotting and a tiny tear to front wrapper. A bit of wear to lower capital, and minor wear to extremities. All in all a fine copy. [Été à Alger:] Pp. 87-91. (Entire issue: (16, -advertisements) pp., pp. (65)-128, (16, -advertisements) pp.
1939Best.-Nr. 44692Alger i.e. Algiers 1939. 8vo. Entire 2nd issue of "Rivages" present. Uncut. Original printed wrappers showing an outline map of the Mediterranean. A bit of brownspotting and a tiny tear to front wrapper. A bit of wear to lower capital and minor wear to extremities. All in all a fine copy. Été à Alger: Pp. 87-91. Entire issue: 16 -advertisements pp. pp. 65-128 16 -advertisements pp. The very rare first printing of one of Camus' earliest literary productions namely the first part of his famous "Été à Alger" which was printed later the same year in his second book "Noces" for which there is an advertisement on the inside of the back wrapper in the second part of the very rare Algerian review "Rivages".In all only two numbers of "Rivages" appeared as it was interrupted due to the censorship at the beginning of the war. It was edited by Camus together with Gabriel Audisio René-Jean Clot Jacques Heurgon and Jean Hytier and was published by Edmond Charlot in Algiers. The aim of the review was to provide to the rest of the world with an insight in to the rich cultural life of the Mediterranean. When "Été à Alger" originally appeared in "Rivages" Camus had only published one book ""L'Énvers et l'Endroit" 1937. Later in 1939 his second book "Noces" which is announced in the present volume of "Rivages" appears. unknown
1946Best.-Nr. 2405010Hamish Hamilton 1946. 1st UK 1st impression. Hardback. Near fine/Very good. The received wisdom is that our 'case-hardened' anti-hero Meursault is outside usual bourgeois notions of sensibility and emotion but this did not according to Sartre make Camus an existentialist a label the author himself also rejected. As an Algerian he was beyond the pale anyway the original stranger. First published in French in 1942 much adolescent angst has been expended since on this slim novella usually in Livre de Poche or Folio format. This version on the other hand is toute autre chose - a very handsome volume indeed with a superb cover by Edward Bawden. Given the strictures under which this was produced it's amazing to see it in such good condition today and it should be kept well away from any student bedroom. The book's boards are clean and good and just a little worn to top edge. Text block is fine with no foxing to this cheap war economy paper. The unclipped jacket has marginal losses to spine top and is slightly grubby verso. . Hamish Hamilton unknown
1921Best.-Nr. K89F1Z5BMZW5Paris 1921. Paul Lechevalier colophon: printed by Jouve et Cie part 1 Winter Heidelberg part 2 Contemporary brown half morocco. With a photographical frontispiece portrait in the text volume and 133 lithographed plates including 120 coloured by hand. 2 text parts 4to bound in one volume and an atlas folio. 559 1; 72 pp. First and only edition of a well-illustrated and comprehensive study of the orchids of Europe and the Mediterranean published posthumously by the daughter of Edmond Gustave Camus 1852-1915 a pharmacist and botanist fascinated by the intricate taxonomy of the family Orchidaceae. Aimée Antoinette Camus 1879-1965 worked together with her father on this project until his death in 1915. She would continue the research and finally published the present work which is preceded by an obituary by Henri Lecomte and a bibliography of the elder Camus's his works. The present copy not only has the regular 110 of the 122 plates of the first part of the atlas coloured by hand but also 10 of the 11 plates of the second part. A very good copy well bound with only the spines slightly discoloured.l Nissen BBI 316; Stafleu & Cowan 971. unknown
1953Best.-Nr. 55641Paris Gallimard 1953 In-16, demi-maroquin brun bandes, plats de papier bois, dos quatre nerfs; doublures et gardes de papier marbr, tte dore, non rogn, couverture imprime.Edition originale de cette adaptation par Albert Camus de la comdie la plus connue de la Renaissance franaise, et l'une des plus russies, pour laquelle Pierre de Larivey s'inspira d'une comdie italienne, elle-mme tire de Plaute et de Trence. La pice en trois actes fut joue en juin 1953 au Festival d'Angers, dans une mise en scne d'Albert Camus. Un des 65 premiers exemplaires numrots sur vlin pur fil. Dos lgrement dcolor.
1953Best.-Nr. 75124Nrf | Paris 1953 | 12 x 19 cm | relié
1953Best.-Nr. 49565Paris: Gallimard 1953. Fine. Gallimard Paris 1953 12 x 19 cm broché First edition an advance service de presse copy. Autograph inscription from Albert Camus to Raymond Peju. Spine lightly but insignificantly sunned. Gallimard unknown
1953Best.-Nr. 46393Paris: Gallimard 1953. Fine. Gallimard Paris 1953 12 x 19 cm broché First edition an advance service de presse copy. Autograph inscription from Albert Camus to Constant Burniaux. Gallimard unknown
1953Best.-Nr. 45741Paris: Gallimard 1953. Fine. Gallimard Paris 1953 12 x 19 cm broché First edition on ordinary paper. Autograph inscription from Albert Camus to J.P. Loiseau : "". pour le remercier encore.to thank him once more."" Spine lightly sunned. Gallimard unknown
1948Best.-Nr. 45740Paris: Gallimard 1948. Fine. Gallimard Paris 1948 12 x 19 cm broché First edition an advance service de presse copy. Autograph inscription signed by Albert Camus to Henri Gouhier. Paper yellowed as usual spine sunned retaining its advertising slip. Gallimard unknown
1946Best.-Nr. 46650Paris: Rombaldi 1946. Fine. Rombaldi Paris 1946 29 x 39 cm en feuilles sous chemise et étui First edition of only 100 copies numbered by Pierre-Eugène Clairin on pur fil de Lana paper plus a few hors commerce copies. Text by Albert Camus. With 7 etchings 2 drypoints and three original lithographs one in colors by Pierre-Eugène Clairin who has signed eight of the illustrations in pencil. A little light marginal worming a good copy complete with its chemise and slipcase with flaps. Rare. Rombaldi unknown
