1 525 résultats
1931réf. 115203Harper & Brothers 1931. paperback. Very Good. 0x0x0. #7 of limitation of 300 signed by Cenrars and Dos Passos. Gift note to flyleaf otherwise tight and unmarked in original glassine wrapped jacket. Many pages uncut along the top edge. E44 Please email for photos. Harper & Brothers paperback
1931réf. 22772New York: Harper & Brothers Publishers 1931. First American Edition. No. 276 of 300 copies printed on Utopian laid paper signed by both Cendrars and Dos Passos. Small quarto 24.5cm.; original rigid cream pictorial card wrappers unprinted glassine dust jacket 2ix1156pp.; illustrated throughout by Dos Passos. Just a hint of wear to book extremities small losses to glassine at spine and rear panels lacking the slipcase; Very Good to Near Fine overall. Harper & Brothers Publishers unknown
1966réf. 3117683New York: New Directions. Fine in Fine dust jacket. 1966. First Edition; First Printing. Hardcover. First edition. Review copy. Publisher's printed review slip and Los Angeles Times newspaper book review card laid-in. Fine in fine dust jacket. An 'as new' copy. 274pp. ; 8vo 8" - 9" tall; 274 pages . New Directions hardcover
1951réf. 51329Paris: Denoël 1951. Fine. Denoël Paris 1951 22.50 x 28.50 cm broché First edition of the French translation one of 1000 numbered copies on pure Johannot paper the only printing along with 10 on Auvergne. With a frontispiece original portrait of Blaise Cendrars by Rièra illustrated cover by Orfeo Tamburi. Covers very clearly and lightly shaded without consequence to margins. Fine and rare copy. Denoël unknown
1929réf. 22059Lausanne, Au Verseau, 1929. In-folio de 51-[5] pages couverture illustrée rempliée.
1928réf. 011263Paris René Kieffer 1928 In-4 Broché
réf. 37830Paris, Au Sans Pareil, 1919. In-8°, non paginé. Broché, couverture illustrée.
réf. EXE-166Paris, Au Sans Pareil, 1919. In-16° broché, couverture illustrée. Edition Originale. Illustré d’un portrait de l’auteur par Amedeo Modigliani. Tiré à 1100 exemplaires, celui-ci sur vélin d’alfa.
réf. EXE004adParis, Editions Denoël, 1949. In-8° broché. Edition originale tirée à 575 exemplaires, celui-ci sur alfa.
réf. EXE00009Paris, Editions Bernard Grasset. 1930. In-8°, reliure demi-maroquin marron, dos à 5 nerfs titré, tête dorée, couverture conservée. Edition originale. Tiré à 368 exemplaires numérotés; celui l'un des 360 exemplaires sur alfa satiné.
1948réf. 89361948 ÉDITION ORIGINALE. À Paris, Les Éditions Denoël, 1948. Un volume, grand in-8° (14.5 x 23 cm), 400 + [4] pages, non-coupé. Élégante reliure en demi-chagrin rouge, dos à 4 nerfs avec une ancre décorative, titre, auteur et date en lettres dorées et filets noires, beau papier-marbré sur les contre-plats, deuxième et troisième de couverture. La couverture et le dos cartonnés dorigine sont conservés à lintérieur. Tiré à 650 exemplaires, celui-ci lun des 500 sur papier vergé chiffon dAnnonay (n° A380). Ouvrage en parfait état.
1940réf. 89451940 ÉDITION ORIGINALE. À Paris, Éditions Bernard Grasset, 1940. Un volume, in-8° (12 x 19 cm), 269 + [3] pages, non-coupé. Élégante reliure en demi-chagrin rouge, dos à 5 nerfs avec titre, auteur et date en lettres dorées et filets noires, beau papier-marbré sur les contre-plats, deuxième et troisième de couverture. La couverture et le dos cartonnés dorigine sont conservés à lintérieur. Tiré à 31 exemplaires, celui-ci étant lexemplaire du service de presse, preuve supplémentaire de premier tirage. Ouvrage en parfait état.
1949réf. 89381949 ÉDITION ORIGINALE. À Paris, aux Éditions Denoël, 1949. Un volume, in-8° (12 x 18.7 cm), 344 + [3] + [5 bl.] pages, illustré dune photographie de Blaise Cendrars par Robert Doisneau en frontespice, non-coupé. Élégante reliure en demi-chagrin rouge, dos à 5 nerfs avec titre, auteur et date en lettres dorées et filets noires, beau papier-marbré sur les contre-plats, deuxième et troisième de couverture. La couverture et le dos cartonnés dorigine sont conservés à lintérieur. Tiré à 575 exemplaires, celui-ci porte le numéro 530 sur papier alfa, après 50 sur pur fil Johannot. Ouvrage en parfait état.
1949réf. 81328Paris: Pierre Seghers Éditeur 1949. First Edition. First Impression. Small quarto 24cm; original pale yellow paper-covered boards with titles stamped in black on spine and front cover; photo-illustrated endpapers; 56-1355pp featuring 130 photogravure images by Doisneau. Spine ends bumped upper corners tapped with wear to lower corners gentle sunning to spine with some of the usual light dust-soil to covers and a hint of foxing to text edges; Very Good lacking the dustjacket. "When Doisneau began to photograph the suburbs of Gentilly and Montrouge they were still the tough but spirited working-class communities celebrated in the poetic-realist films of Julien Duvivier and Marcel Carné. But Doisneau caught them just as they were about to change and expand beyond recognition making this book a valuable document that looks unsentimentally yet affectionately at a popular idea of the French working class" PARR & BADGER Vol.1 p.201. Pierre Seghers, Éditeur unknown books
1983réf. 468582Lausanne: Denoel 1983. Hardcover. Fine/Fine. New edition originally published in 1949. Text by Blaise Cendrars. Photographs by Robert Doisneau. Quarto. Embossed stamp and owners signature of African-American photographer Shedrick Williames front fly else fine in fine dust jacket. Signed by Robert Doisneau on the the half-title. Scarce thus. Denoel hardcover books
1949réf. 81328Paris: Pierre Seghers Éditeur 1949. First Edition. First Impression. Small quarto 24cm; original pale yellow paper-covered boards with titles stamped in black on spine and front cover; photo-illustrated endpapers; 56-1355pp featuring 130 photogravure images by Doisneau. Spine ends bumped upper corners tapped with wear to lower corners gentle sunning to spine with some of the usual light dust-soil to covers and a hint of foxing to text edges; Very Good lacking the dustjacket. "When Doisneau began to photograph the suburbs of Gentilly and Montrouge they were still the tough but spirited working-class communities celebrated in the poetic-realist films of Julien Duvivier and Marcel Carné. But Doisneau caught them just as they were about to change and expand beyond recognition making this book a valuable document that looks unsentimentally yet affectionately at a popular idea of the French working class" PARR & BADGER Vol.1 p.201. Pierre Seghers, Éditeur unknown
1983réf. 468582Lausanne: Denoel 1983. Hardcover. Fine/Fine. New edition originally published in 1949. Text by Blaise Cendrars. Photographs by Robert Doisneau. Quarto. Embossed stamp and owners signature of African-American photographer Shedrick Williames front fly else fine in fine dust jacket. Signed by Robert Doisneau on the the half-title. Scarce thus. Denoel hardcover
1931réf. 4330043New York: Harper & Brothers 1931. First Edition. Softcover. Very Good with no dust jacket. Illustrated by John Dos Passos. First Edition. Sound binding. Previous owner's bookplate on ffep. Clean off-white uncut and rough-edged pages. Wrappers are a bit rippled but no water damage is evident. Spine is tanned. Signed by Cendrars and Dos Passos on page preceding title and frontispiece. This volume is number 160 of 300 numbered copies in the first edition. Illustrations are reproduced using photogelatine process in four-color separation. Frédéric-Louis Sauser 1887-1961 better known as Blaise Cendrars was a Swiss-born novelist and poet who became a naturalized French citizen in 1916. He was a writer of considerable influence in the European modernist movement. John Roderigo Dos Passos 1896-1970 was an American novelist most notable for his U.S.A. trilogy as well as an accomplished artist. Color Illustrations; 9.5" tall; 156 pages; Signed by Author. Harper & Brothers unknown
1949réf. 14177Paris: Pierre Seghers 1949. Hardcover. First edition. Very Good with light soiling light taps to the extremities and opened hard in two places. Cream-colored hardcover with black embossed title to front and spine no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY WRAPPED IN PADDING IN A BOX. Photographs by Robert Doisneau; text by Blaise Cendrars. 55 pages of text 135 gravure-printed b&w plates; 7 x 9.5 inches. Captions at rear. Text in French. The simultaneous Pierre Segher edition; the version with the dust jacket and yellow boards was the second printing. A photo-documentary look at the suburbs of Paris immediately after WWII displaying Doisneau's warmth and humanity with none of his later cuteness. See: Parr & Badger The Photobook Vol. 1 p201; Roth Book of 101 Books p132-133; Auer 802 Photo Books p336. Pierre Seghers hardcover
1931réf. C1077New York: Harper & Brothers 1931. First Edition . Soft cover. Near Fine/Near Fine. Some wear and sunning to the spine and a neatly and unobtrusively removed bookplate from the interior front sheet otherwise a very nice copy of the limited edition. Number 161 of 300 numbered copies signed by Dos Passos and Cendrars. Harper & Brothers paperback
1945réf. MCENHOM1Paris Denoël 1945 Un fort volume in-8 broché (23x14.5 cm), couverture crème imprimée en noir et rouge, 382 pp. Un des 500 exemplaires du tirage sur pur fil Johannot (n° J172), achevé d'imprimer au 8 décembre 1945.
réf. 17345P., Denoel, 1956, in-8, grandes marges, br., 298 p. édition originale. 1/86 ex. num. sur Hollande (tirage de tête après 22 Japon). Bel exemplaire, non coupé.
réf. 30417Paris, Au Sans Pareil, 10 décembre 1926. In-8, broché, couverture imprimée et rempliée (dos insoléà, 91 pp-[1].
réf. 22000Paris, Denoël, 1983. In-4, 104 pp., toile noire de l'éditeur, jaquette originale illustrée, étui cartonné de l'éditeur (petits frottements et insolation à l'étui).
1936réf. 011301Paris Grasset 1936 In-8 Broché Ed. originale