8,143 results
16mo (12.5 x 8 cm). [44], [4 blank], 499, [8], [5 blank] pp. With dozens of woodcut illustrations in text. Contemporary limp sheepskin parchment. Third edition in the original Latin, of the first part of Conrad Gesner's very popular book of secrets. It primarily concerns distillation and its use in making medicines, with most of the woodcuts illustrating furnaces, glassware and other equipment for distilling. It discusses the various kinds of distillation, the equipment and techniques, aqueous solutions, the making of medicines from a wide variety of plants, animals and minerals (including metal salts), extracting oils, etc. - "The work begins with a short historical introduction which says that the Greeks and Romans could not yet distil and claims that the art was invented by the Barbarians, Carthaginians and Arabs shortly after the famous Hellenistic physicians. He gives a few short notes on Arabian scientists like Mesue, Avicenna and Bulcasis, describing their methods of making rose-oil" (Forbes). - Conrad Gesner (1516-65), a Zurich scholar of remarkable breadth who wrote on bibliography, botany, zoology, medicine and pharmacology, published the first volume of his De remediis secretis in 1552 under the pseudonym Euonymus Philiatrus. It quickly went through many editions and was translated into French, German, Italian and English by 1559. A second part appeared posthumously, edited by Gesner's student Caspar Wolf (1532-1601) and Froschauer, who printed its first edition. - Binding soiled and a few stains and smudges throughout; a good copy. USTC 151668. Wellcome I, 2778. Not in Durling. Cf. Forbes, A short history of the art of distillation, pp. 120-126.
Folio (ca. 220 x 337 mm). (216) pp. With 106 woodcut illustrations within the text, 85 of which full-page. Woodcut printer's devices to title-page and final page verso. - (Bound with) II: Strein von Schwarzenau, Richard. Gentium et familiarum Romanarum stemmata. [Geneva], Stephanus (Estienne), 1559. (120) pp. With woodcut title-vignette. Contemporary full vellum. First edition. - The first complete edition of this "curious book" (cf. Graesse), a "state handbook of the military and civil organisation of the late Roman Empire" (cf. Hieronymus). Compiled anonymously around 410, the classical text and illustrations were passed on in several manuscripts, first appeared in print in abridged form in 1529 and were published in the present version by the classicist Gelen (ca. 1498-1554), who worked as an editor and translator at the Froben printing office. The woodcut illustrations were created by Conrad Schnitt (1495-1541), except for pp. 6f and 23 (Imperium Orientale, Imperium Occidentale, Constantinople), which probably originate from the hand of Hans Rudolf Manuel Deutsch (1525-71). They show, inter alia, allegoric depictions of parts of the Empire, the insignia of court, civil and military authorities, as well as statues, small buildings and books. Includes the petition to the emperor on warfare ("De rebus bellicis"), the corresponding illustrations, not all of which by Schnitt, showing chariots, ships and other military equipment. The treatise on civil and military organisation by Andrea Alciato, the topographic description of classical Rome by Publius Victor and the conversation between Emperor Hadrian and the philosopher Epictetus can be found towards the end. - Bound with this is a genealogical work on the origins of Roman families by the Austrian historian Strein von Schwarzenau (1538-1600), giving a short description of each family, with a family tree. - With contemporary ownership of the library of the Piarist school in Schlackenwerth (now Ostrov) to the title-page; a previous ownership crossed out. A library shelfmark to the pastedown. A page marker to the final leaf of the "Notitia". Binding somewhat brownstained. Paper evenly browned throughout with very slight brownstaining and waterstaining to a few pages. From the library of the Viennese collector Werner Habel, with his signed and stamped ownership, dated 1978, to the pastedown. VD 16, N 1884. BM-STC German 747. Adams II, 354. Hieronymus, Oberrhein. Buchill. II, 466. Lonchamp 1164. Schweiger 618. Graesse IV, 691. Ebert 14904. Brunet IV, 111. - II: Adams II, 1931. Renouard 118, 2.
ref. 223652Paris, Imprimerie Pierre Gaudin, 1972 in-12 étroit, [11] ff. n. ch., musique notée, illustration en frontispice, en feuilles sous chemise rempliée et illustrée en couleurs d'un bois de Pierre Gaudin.
1630ref. 11321Antverpiae, Joan Galle, (circa 1630) ; F. Ioannes Nys invenit, Peter de Jode figuravit, Theodor Galle sculpsit et excudit ; titre gravé, portrait et 32 planches légendées. SUIVI de 4 planches gravées par JOAN GALLE : I- Prudentia, II- Justitia, III- Fortitudo, IV- Temperantia (les 4 vertus cardinales). SUIVI de 14 planches de sujets religieux, gravées par CORNELIUS GALLE le Vieux : Silva sacra, Fugit familia sacra, S. Barbara, S. Ianvarius Neapolis patronis, S. Lucia, S. Leontius martyr miraculis gloriossus in Muris Helvetiorum, S. Iacobus Maior, Benedicite omnes bestiae et pecora domino, S. Hieromymus, Vierge à l'Enfant, etc. Soit en tout 52 planches, reliées en 1 volume petit in-4 ; plein vélin ivoire, titre au dos, tranches rouges (reliure du XIXe).
First Irish edition, xi, [1], 412, [16]pp., cont. calf, worn, raised bands, without title label, the bottom inch of spine is worn through to stitching.
ref. 36021Saint-Etienne, Chambre Syndicale des Maitres-Imprimeurs de l'Arrondissement de Saint-Etienne, sans date (1950), in 8° broché, 32 pages.
1581245 [recte: 246], (17) Bll. Titel sowie Titelholzschnitt in rot und schwarz gedruckt. Flexibler schwarzer Pappband der Zeit mit oxydierter Deckelinitiale "F". 8vo. Dritte Ausgabe (EA 1579); eine von zwei Titelvarianten im selben Jahr. - Das Pamphlet gegen die katholische Kirche; eine genaue, ohne Streichungen und Änderungen, aber mit zahlreichen Zusätzen durchgeführte Übertragung des niederländischen "Byencorf" von Philipp van Marnix. "In der Gesinnung angeregt durch Calvin, in der Weltanschauung durch Erasmus, im Stil durch Rabelais" (Neufforge). Das Titelblatt - mit der Variante "durchziert" im Titel (vgl. Goed.) - und der Titelholzschnitt in rot und schwarz gedruckt. Der Titelholzschnitt zeigt einen Bienenkorb in Form der Tiara mit Kirche und Windmühle. Dieser im Text wiederholt (Bl. 235v), ferner am letzten Textblatt ein weiterer Textholzschnitt, der die Kirche in Form einer Karikatur der "Veritas" verunglimpft. - Papierbedingt durchgehend schwach gebräunt; gelegentl. kl. Wurmgänge im Rand (teils Berührung der Marginalien). Einband etwas berieben; Vordergelenk angeplatzt. VD 16, M 1050. Ritter 855. Neufforge 112f. Goedeke II, 499, 37c. Graesse II, 587f. Weller (Druckorte) 6. Stammler III, 213. Hauffen II, 123. Seebaß/Edelmann NF 308.
246, (18) Bll. Mit rot kol. Holzschnitt am rot-schwarzen Titel sowie 2 Textholzschnitten. - (Beigebunden) II: [Fischart, Johann]. Die wunderlichst unerhörtest Legend und Beschreibung des abgeführten, quartirten, gevierten und viereckechten vierhörnigen Hütleins [...]. "Lausanne, Gangwolf Suchnach" [d. i.= Straßburg, Bernhard Jobin], 1580. (23) Bll. Mit Holzschnitt am Titel. - (Vorgebunden) III: Nigrinus, Georg. Fegfeuers Ungrund grüntlich erörtert und außführlich beweiset, mit der H. Schrifft, der Vätter, Concilien und ander Zeugnussen. Auß 14 Leichpredigen D. Jacobi Feuchten Weihbischoffs zu Bamburg [...]. O. O. u. Dr. 1582. (255) Bll. Titel in rot und schwarz gedruckt. Blindgepr. Schweinslederband der Zeit auf 4 Bünden (Bindebänder fehlen). 8vo. Hübscher Sammelband mit drei antikatholischen Polemiken in seltenen Elsässer Drucken. - II: Zweiter Druck dieser deutschen Bearbeitung: eine genaue, umfangreich ergänzte Übertragung des niederländischen "Byencorf" des Philipp van Marnix. "In der Gesinnung angeregt durch Calvin, in der Weltanschauung durch Erasmus, im Stil durch Rabelais" (Neufforge 112f.). Der Titelholzschnitt zeigt einen Bienenkorb in Form der Tiara mit Kirche und Windmühle (dieser Bl. 235v im Text wiederholt), ferner am letzten Textblatt ein weiterer Textholzschnitt, der die Kirche in Form einer Karikatur der "Veritas" verunglimpft. - II: Erste Ausgabe von Fischarts "Jesuitenhütleins", seiner satirischen Reimdichtung gegen die Jesuiten. - III: Einzige Ausgabe dieser Arbeit aus der Feder eines "der gröbsten Polemiker des Jahrhunderts" (Goedeke II, 505). - Titelblatt der Vorbindung mit zeitgenöss. hs. Besitzvermerk des Benediktinerstifts Altenburg bei Horn (Niederösterreich). Durchwegs etwas gebräunt bzw. leicht wasserrandig; zu Beginn mehrere zeitgenössische Marginalien. Der hübsche Prägeeinband etwas berieben; im Ganzen wohlerhalten. I: VD 16, M 1047. Ritter 855. Muller III, S. 586, Nr. 111. Goedeke II, 499, 37b. Graesse II, 587f. Weller (Druckorte) 6. Vgl. Jantz I, 81 (Ausg. 1586). - II: VD 16, F 1163. Muller III, S. 586, Nr. 109. Ritter (IV) 1721. Goedeke II, 499, 40. - III: VD 16, S 4637. Goedeke II, 507, 22.
1990ref. 7839Pacifica CA: Big Bridge Press 1990. First edition number 53 of 74 copies from a total edition of 100. 9x8.5" 30 accordion style pages printed on one side only. Illustrations by Nancy Davis. Bound between publisher's paper covered boards with gilt vignette on front cover in matching slipcase. Very lightly scuffed along fore edge of front board else near fine in slipcase with some light spotting to one panel. Very attractive production from the Big Bridge Press printed on Rives paper by Peter Rutledge Koch and bound by Arnold Martinez. Consists of short poems by Michael Rothenberg Michael McClure Philip Whalen Joanne Kyger Andrei Codrescu and Jim Harrison accompanied by line drawings by Nancy Davis. Of the 100 copies printed OCLC cites 17 as held by institutions. Big Bridge Press unknown
2021ref. 9063Austin: W. Thomas Taylor 2021. First editions of 100 and unstated limitations respectively. 2 vols 28x20cm 46pp bound in green paper wraps with printed spine label green and gilt patterned endpapers photos illustrations some in color. and 25x18cm 24pp maroon paper wraps with blue and gilt paste paper jacket attached at spine title in two colors illustrations facsimiles. Both nearly fine with minimal wear. Two privately printed items from the Texas fine printer W. Thomas Taylor issued for friends and family. Both are designed by Taylor and bound at the Cloverleaf Studio in Austin. These little booklets contain various short essays and musings by Taylor often on books and printing but also about travel birding history life etc. Taylor notes in his introductory letter: "Why not in a sense 'acquire' anew the books I already have by reading them studying them and producing personal essays concerning various topics that can be illumined by the material within them. This then is the first of what I hope will be a series of such casual essays collectively titled Alibi." OCLC cites 2 and 3 holdings respectively for these publications and notes Taylor has published 5 from this series through 2024 all being naturally scarce. W. Thomas Taylor unknown
1986ref. 6154Sacramento: Art 38 Historic Press Class American River College 1986. 26x18cm 15ff. printed recto only. Illustrations. Floral corded fabric over boards with purple illustrated endpapers. Some rubbing to cloth at extremities nearly fine. A beautiful compilation of fine printing from students in American River College's Historic Press class 1986. Printers include Dianna Woods E. R. Callison Vince Lozito Fred Gunsky John White and instructor Jean Pratt. The projects were all printed on a Filcher-Brannan Adams Acorn Press Ca. 1843 and vary from a diagram of the press to an alphabet to a quote from Douglas C. McMurtrie to a printed tuit by Professor Pratt. Perhaps a unique specimen and certainly remarkable as a completely handmade object. Art 38 Historic Press Class, American River College unknown
ref. 66249Very Good. Silk scarf measuring 12" x 12". Two fold lines one horizontal one vertical through the center. 1" split in the cloth to the surface. A sporty design by John Held Jr. Utah Artist John Held Jr. 1889-1958 was a prominent illustrator of the 1920s and 1930s. He began by drawing sports and political drawings for The Salt Lake Tribune when he was just 16 years old. Held moved to New York City in 1910 where he went on to gain notoriety for his drawings in the popular magazines "Life" "The New Yorker" "Vanity Fair" "Judge" and "College Humor." His work epitomized the Jazz Age. He is most recognized for creating the short-haired "flapper. unknown books
ref. 66249Very Good. Silk scarf measuring 12" x 12". Two fold lines one horizontal one vertical through the center. 1" split in the cloth to the surface. A sporty design by John Held Jr. Utah Artist John Held Jr. 1889-1958 was a prominent illustrator of the 1920s and 1930s. He began by drawing sports and political drawings for The Salt Lake Tribune when he was just 16 years old. Held moved to New York City in 1910 where he went on to gain notoriety for his drawings in the popular magazines "Life" "The New Yorker" "Vanity Fair" "Judge" and "College Humor." His work epitomized the Jazz Age. He is most recognized for creating the short-haired "flapper. unknown
ref. 845Hanoï, Imprimerie d'Extrême-Orient, 1930. 1 plaquette in-8, 57 pp., brochée, bon état.
ref. 860Hanoï, Imprimerie d'Extrême-Orient, 1931. 1 plaquette in-8, 23 pp., brochée, illustrée de photos et enrichie de tableaux, bon état.
ref. 861Hanoï, Imprimerie d'Extrême-Orient, 1931. 1 plaquette in-8, 26 pp., brochée, illustrée de photos et de grands plans dépliants, enrichie de tableaux, bon état.
ref. 851Hanoï, Imprimerie d'Extrême-Orient, 1931. 1 plaquette in-8, 20 pp., brochée, illustrée d'une carte, de photos et de tableaux, bon état, présence d'un tampon sur le premier plat.
ref. 871Hanoï, Imprimerie d'Extrême-Orient, 1930. 1 plaquette in-8, 20 pp., brochée, illustrée de photos, bon état mais quelques traces de mouillures
ref. 872Hanoï, Imprimerie d'Extrême-Orient, 1930. 1 plaquette in-8, 15 pp., brochée, illustrée de photos et de cartes, bon état.
ref. 874Hanoï, Imprimerie d'Extrême-Orient, 1931. 1 volume in-8, 219 pp., broché, bon état.
ref. 855Hanoï, Imprimerie d'Extrême-Orient, 1931. 1 plaquette in-8, 62 pp., brochée, illustrée d'un grand plan dépliant, de photos et de tableaux, bon état.
ref. 857Hanoï, Imprimerie d'Extrême-Orient, 1931. 1 plaquette in-8, 63 pp., brochée, illustrée de photos, bon état.
ref. 862Hanoï, Imprimerie d'Extrême-Orient, 1931. 1 plaquette in-8, 40 pp., brochée, enrichie de tableaux, bon état.
ref. 863Hanoï, Imprimerie d'Extrême-Orient, 1931. 1 plaquette in-8, 34 pp., agrafée, illustrée de 10 planches photographiques. Bon état, malgré des agrafes oxydées.
ref. 844Hanoï, Imprimerie d'Extrême-Orient, 1931. 1 plaquette in-8, 63 pp., brochée, illustrée d'une carte, de photos et de tableaux, bon état.