8,123 results
1948ref. LFA-126724439Une revue de 24 pages, format 150 x 230 mm, illustrée, brochée, publiée en 1948, bon état
ref. 23263Paris, Costard ou Fournier, 1776 à 1783. Deux volumes in-8 avec 5 jolies figures de Desrais. Contient dans le premier volume: Histoire de Pierre de Provence et de la belle Maguelonne (Paris, Costard, 1776); Histoire de Robert le Diable (Paris, Fournier, 1783); Histoire de Richard sans Peur, duc de Normandie; Histoire de Jean de Calais sur de nouveaux mémoires (Paris, Costard, 1776); Deuxième volume: Histoire de Fortunatus (Paris, 1776); Histoire des enfants de Fortunatus (Paris, 1775); Les quatres fils d' Aymon (Fournier, 1783, privilège en fin). Tous les contes ont une page de titre. Ex-libris de La Germonière. Veau mouchetté d'époque, dos à nerfs orné, pièces de titre et de tomaison de couleurs, tranches rouges. Bon état des reliures malgré quelques épidermures
1860ref. 167691860 Paris, Dalahays, sans date (vers 1860), in 4° relié demi-chagrin noir, dos à nerfs, fer doré su Lycée Impérial de Vesoul frappé au centre du plst supérieur, 160 pages ; papier bruni avec fortes rousseurs ; frottis d'usage
1929ref. 45431929 Paris Bulletin officiel des Maîtres imprimeurs 1929 In-folio, demi-chagrin brun à coins, dos à nerfs avec titre doré, couvertures conservées (M. Barast). Dos et coins frottés.
1927ref. 147111927 Paris, Quillet, 1927, in 4° broché, 48 pages non foliotées, 10 planches dont 3 dépliantes et 7 en couleurs, texte encadré dun décor en couleurs. Frontispice en couleurs et décor de Marcel JEANJEAN. Jolie brochure relatant les faits de la maison Quillet.
Large folio (280 x 360 mm). Including Menardus monachus. (1), CCCCLXI, (6) ff., with two coloured historiated initials. 16th century blindstamped pigskin binding over wooden boards, wants clasps. Koberger's third Latin Bible, printed with the same types as the second: in the splendid Gothic typeface which Koberger used exclusively for his Bibles; at the same time, the earliest type he is known to have used (cf. Klemm, Bibliogr. Mus., 722). The initial on fol. i shows the evangelist Mark with the lion; the tendril decoration reaches from the upper edge (slightly trimmed) to the lower one, ending in a coat of arms bearing the monogram "S-A-B". The second historiated initial on fol. iiii shows the Fall from Grace (Adam and Eve in paradise, with the apple tree and the serpent in the centre); here, the tendrils reach as far as the lower third of the page and also end in a coat of arms. Very exactingly rubricated throughout; signed at the end: "91 Jo fec". Several handwritten ownerships to fol. A1r, some contemporary, others as late as 1876: the name and printed bookplate of "C. R. Earley, Ridgway, Pa." (1823-98). Several manuscript marginalia. Some slight browning to the gutter of the first few leaves, staining to upper edge of fol. i. Insignificant waterstaining to upper edge of several leaves; occasional foxing or tiny smudged inkstains. Handwritten marginalia trimmed in places, but altogether a crisp, wide-margined copy. Some staining to the hefty binding; edges as well as a crack to the upper cover have been unobtrusively repaired. Hain 3068. Goff B-556. GW 4232. BMC II, 415. Polain 648. Pellechet 2296. Oates 988. Hase 27.
8vo. (132) ff. With 2 different woodcut devices. - (Bound with) II: [Melekhet ha-dikduk]. Institutiones grammaticae in Hebraeam linguam [...]. (144) ff. With several musical notes and two woodcut devices. Modern vellum, in custom-made cloth case. I: Second edition of Münster's "Proverbs", previously published in 1520, together with his first own work ever, an introduction to Hebrew grammar. Numerous contemporary Hebrew and Latin marginalia. - II: Only edition of Münster's second publication, a foundation stone of modern Hebrew studies. Includes (fol. r1 ff.) the co-called Jonas polyglot in Hebrew, Chaldaic, Greek, and Latin, with other matter. Contemp. ownership obliterated from t. p.; lower corner defective (remargined professionally; losses supplied in pencil). Numerous contemp. marginalia, mostly in Latin. Both works are very rare; the former has not been seen at auctions since 1950. I: VD 16, B 3564. Burmeister 137. Hantzsch 234.2-4. Adams B 1536. Steinschneider (Bodl.) 11.51. Panzer VI, 244, 540. Vinograd Mem 1256. OCLC 71515193. Not in BM-STC. - II: VD 16, M 6685. Burmeister 2. Hantzsch 220.2. Adams M 1931. BM-STC German 633. Steinschneider (Hdb.) 1374. Panzer VI, 245, 541. Wolfheim I, 865. Graesse IV, 623. OCLC 22612604.
8vo. (64) pp. With woodcut printer's device on verso of final leaf. Bound with numerous blank leaves. Contemporary vellum. First edition. "Decalogue with the commentary of Aben Esra [...]. Leaves d7-d8 contain the Aramaic text of the Ten Commandments [...]. Re-issued in 1559 by Sebastian Lepusculus" (cf. Burmeister, pp. 11; 111). The "synoptic word-for-word translations" of Biblical texts which Münster published during his Heidelberg years is a characteristic of his scheme of a "Propagatio linguae sanctae", to spread the knowledge of Hebrew at German universities (cf. Burmeister, p. 11). - Occasional insignificant waterstaining. Old ms. ownership of the Vienna Jesuits to title page; stamps of Vienna University Library and of Kubasta & Voigt, Vienna (c. 1900). VD 16, B 3018. Burmeister 145. Hanztsch 244.I.1. Prijs 29. Panzer VI, 260, 662. Fürst I, 252. Steinschneider (Bodl.) 681.8. Vinograd, Basle 28. Graesse I, 4. Yudlov, Ginzei Yisrael 1859. OCLC 311420175. Not in BM-STC.
Folio (240 x 369 mm). (6), 474 (but: 475), (3), 475-604, (15) ff. With woodcut title-page printed in red and black, 18 woodcut borders, 4 of which full-page size, and 136 woodcuts in the text, including a full-page depiction of the symbols of the Four Evangelists, a world map, and a full-length portrait of Joshua. Woodcut printer's device on title and at the end of the text. Contemporary calf over wooden boards with bevelled edges; two clasps. Second edition of the famous Melantrich Bible, published five times between 1549 and 1577. The present edition features for the first time the Bohemian version of a comparison of the Evangelists (translated from German by Jan Stránenský), surrounded by woodcut borders. It also contains the third Maccabees and the voyages of St. Paul, both translated by Sixt d'Ottersdorf, and originally published in the first edition. Richly illustrated throughout with. The small world map shows the three continents, Europe, Asia and Africa. - With contemporary ownership and a Czech note in a different hand to flyleaf. Second printer's device has added handwritten motto "Super omnes gentes" and additional ownership. Folios 203 and 343 are used twice; later, the foliation omits 404. The woodcut depicting the Fall of Man censored with sanguine pencil. Severe paper flaws to the margins near beginning and end of the volume with substantial text loss, partly remargined with paper 18th century paper. The title-page, the table of contents, and 3 full-page woodcut borders are retouched in ink by a contemporary hand. Several pages show small inkstains; a larger stain on ff. 442-450. Margins fingerstained and partly waterstained. Some underlinings, notes and cancellations in pencil and pen by contemporary and modern hands. From the library of the Viennese collector Werner Habel, with his signed and stamped ownership, dated 1982, to the pastedown. His note of acquisition from 1981 is loosely enclosed. Graesse I, 371. Darlow/Moule 2182 (note, no. 3).
1791ref. 000015094Worcester Massachusetts: Isaiah Thomas 1791. First Thomas edition. Hardcover. Good or better. 4to. 2 3-1310 pp. Contemporary paneled sheep with the spine in six compartments. Illustrated with two engraved frontispieces. Completing the title page: And with the former translations diligently compared and revised by the special command of King James I of England. With marginal notes and references. To which are added an index and an alphabetical table of the names in the Old and New Testaments with their significations. American Antiquarian Society "Isaiah Thomas’s Printing Press: "Old Number One". Darlow and Moule 1353. Isaiah Thomas' printing press first operated out of Boston: producing a newspaper and materials that encouraged American colonists to rebel against the British imperial government. Thomas moved his press to Worcester at the behest of his friends who suspected that it would be impounded by the British authorities. Thomas' Bible was produced in several quarto octavo and duodecimo editions. Darlow and Moule note that Thomas enlisted the help of clergymen and others to compare nearly thirty different editions of the scripture. The Thomas Bible is one of the more attractive productions of early American printing. The clasps largely perished quite a bit of rubbing to the leather's edges. Lacks leaves K3 and K4 the final verses of Maccabees also lacks the endpapers. An armorial bookplate that states "Williams" on the front pastedown an inscription reading Thomas Williams Jr. 1792 on the verso of the Apocrypha title page. Isaiah Thomas hardcover
12mo. (58) ff. Gothic type. With lombards and rubrication throughout. With 36 woodcuts, of which 30 in original hand colour, 3 recurring woodcuts full-page sized (twice in colour). Modern full calf with giltstamped and blindstamped spine. Rare Latin edition of the illustrated devotional prepared by the Dominican friar Bertholdus around 1350. Intended for day-to-day worship, this popular prayer book is divided into 24 parts, each prayer corresponding to an hour of the day, and each concerned with an event in the Life of Christ, commencing with the Annunciation and concluding with the Last Judgement. - The work was first published in German under the title "Zeitglöcklein des Lebens und Leidens Christi"; the first Latin edition appeared in 1488. The present edition is not dated, but VD 16 considers it to be published ca. 1503, Grebe dates it ca. 1507. - 16th century notes in Latin to title-page and last page. - Top margin of fol. e8 reinforced. Last page narrowly cut with slight loss to the handwritten notes. An attractively coloured copy. HC 8930. Goff B-509. GW IV, Sp. 57a. Schramm VIII, 27. Proctor 1482. BMC I, 303. VD 16, B 2190. Grebe (Landen) 29. ISTC ib00509000.
4to. (2) ff., (1), LXII, (1) pp., (2) ff. With etched armorial title and 62 large etched portraits in the text by Virgil Solis and Jost Amman. Contemporary vellum boards using a late 15th century vellum manuscript in red, blue and brown ink. Expanded fourth edition with the etchings by Solis and Amman. The French original edition of the main text had first appeared in Lyon in 1570, published by Clement Baudin under the title "Chronique sommairement traitée des faits héroiques de tous les rois de France". The title page shows the French arms, held by two genii; the etchings in the text show medaillon portraits surrounded by elaborate scrollwork borders, with little historical scenes inserted below. "Ammans's borders appear darker throughout than those of Solis and are marked out by being containing an abundant wealth of minute details. The scrollwork is less plastic than that of Solis, and humans are more frequently depicted" (cf. O'Dell-Franke). - The title illustration and the third portrait (showing Merovech) are weak impressions, the others crisp and well-defined throughout. Provenance: handwritten bibliographical notes and ownership (dated 1823) by Johann Andreas Boerner (1785-1862), the noted Nuremberg print dealer and auctioneer, on the flyleaf. Later in the Max and Maurice Rosenheim Collection (round paper label on inside front cover), dispersed at Sotheby's in 1923. Very rare; a single copy in VD 16 (BSB Munich). VD 16, B 1901. Becker 81b. Cf. Ebert 518. O'Dell-Franke 149.
1762ref. 18193Cambridge J. Baskerville, 1762 ; grand in-12, maroquin rouge, dentelle d’encadrement des plats, dos très décoré et doré, roulette sur les coupes et d’intérieur, tranches dorées (reliure de l’époque), 202 ff. non chiffrés (coll. a, b, c, A-Z, Aa-Hh 6 ; A3, B-I 6, K 1).
ref. ORD-653Lithographie. Typographie. Travaux de Luxe...Sans date (fin XIX° - début XX°). Une feuille (160 x 245mm), papier souple, portant une belle lithographie de publicité commerciale tirée en camaïeu de bleu représentant des figures allégoriques avec en arrière plan divers monuments d'Avignon dont le célèbre pont. Placard un peu poussiéreux mais séduisant.
1877ref. 21541Lyon, Pitrat Ainé, 1877 ; grand in-8, broché ; 35 pp., portrait photographique en médaillon en frontispice, couverture crème.
Gr. In-8 carré, 41p. Edition limitée à 1000 exemplaires sur vergé. Illustré de divers documents contrecollés hors texte. Typographie soignée en 2 couleurs. En parfaite condition.
1990ref. 6469Eugene: University of Oregon 1990. First edition of 17 copies. Oblong quarto. Title page eleven poems with tipped-in woodblock silk screen or inkjet color illustrations and colophon. Printed burgundy wrappers near fine. Beautifuly printed book with images and poems by Darryla Green-McGrath Oregon based artist. This project was seemingly completed to satisfy requirements from the Fine Arts Department as well as the Center for Study of Women in Society both at the University of Oregon. We note another artist's book by Green-McGrath held at the University of Oregon according to OCLC but this one is unlisted. . University of Oregon unknown
4to. (32) pp. With woodcut illustration to title-page. 18th century half calf over cardboard. Marbled endpapers. The first of the two undated editions of the "Mirror of the Art of Dying Well" by the Italian theologian, canonist, statesman, and cardinal Domenico Capranica (1400-58), published by Quentell in the 1490s. Pellechet cites one edition dated around 1496, and another dated around 1498. Although slightly differing in text, both editions bear an "Accipies" woodcut, showing a teacher inspired by the Holy Ghost (in the form of a dove on his shoulder) lecturing two disciples, which was used by Quentell between 1490 and 1500. A 17th or 18th century Latin note in ink below the woodcut mentions its recurring appearance in Quentell publications: "N. Haec figura sequenti etiam operi, ab Henrico Quentell Coloniae impresso, praefixa est". - A popular genre of devotional literature of the Middle Ages, "ars moriendi" works were widely distributed both in manuscript and printed form. Capranica created his "Speculum" in 1452; it saw a German translation in 1473. - Binding somewhat rubbed. Paper evenly browned throughout. A few contemporary marginal notes and underlinings. Bookplates of the numismatist and bibliophile Jean-Baptiste Colbert de Beaulieu (1905-95) and of Jean Stefgen to front and back flyleaf. Another ownership, dated 20 July 1874, in pencil to front flyleaf. Several bibliographical notes in pencil to flyleaves. Hain 14912. Goff A-1097. GW 2608. BMC I, 282. Proctor 1415. Pellechet 1338. Polain 971. Voullieme 304. Graesse VI, I, 460. Schreiber-Heitz, Die deutschen "Accipies" und Magister cum discipulis-Holzschnitte als Hilfsmittel zur Inkunabel-Bestimmung, 18.
2007ref. LFA-126739907N° 140 (Avril 2007) : 40 pages, format 215 x 285 mm, illustré, broché couverture couleurs, bon état
1927ref. 0051981927 Paris, Quillet, sans date [1927]. Grand in-quarto broché, couverture ornée de fermoirs gaufrés au palladium. Petite trace de choc au premier plat avec manque de palladium.
ref. 114705cazin 1777 1782 4 in-18 plein veau marbré A Genève [LYON], 1782 (I-II) - 1777 (III-IV), 4 volumes in-18 de 60 x 120 mm environ. Tome I : XVI pages, 220 p., XXXIII planches de musique; Tome II : 236 pages, XXXII planches de musique; Tome III : 240 pages, XXIV planches de musique; Tome IV : 239 pages, 2 pages, XXVI pages. Complet du frontispice de Boily et des 115 planches de partitions gravées. Plein veau marbré d'époque, dos lisses portants titres dorés sur pièces de cuir blond, filet doré sur les coupes, triple encadrement doré sur les plats, toutes tranches dorées, gardes marbrées à la coquille. Bel ensemble malgrés les défauts suivants : quelques accidents sur les coiffes, coins frottés, légères craquelures sur les dos, tache sur 1 feuillet sinon intérieur très frais.
Folio (204 x 325 mm). 161 (instead of 220) hand-numbered woodcut plates in early 18th-century colour, mounted on backing paper and missing parts supplemented by hand. Later half calf with 18th-c. spine label. All edges sprinkled in red. First edition of Jost Amman's encyclopedic book of costumes. A strongly fragmented copy, as usual; in the early 19th century, the plates were mounted on backing paper by the owner, the trained landscape painter Jakob Linckh (1786-1841) from Stuttgart (cf. Thieme/B. 23, 254), who also coloured the volume throughout and supplemented all missing parts of the images and even of the text by hand. Linckh, who had studied in Rome, visited Greece in 1810. There he met Byron, who commissioned him to provide the illustrations for Hobhouse's travel book. - Wants 59 plates altogether; the remainder are trimmed closely at the upper edge, and most have severe defects in the lower half. Although the present collection begins with the plate showing the Emperor, as originally issued, the remaining woodcuts follow no apparent order. 20 plates show costumes of Turkey, Arabia, Persia, Egypt, and Ethiopia; others depict Greeks, Russians, and Englishmen. 28 plates show the costumes of today's Italy; German cities are well represented, as are France and Spain, Bohemia and Hungary. Also includes the famous picture of the Brazilian Tupinamba Indians: a man with a crown and belt of feathers, a knife, and a bow and arrow, beside a long-haired woman carrying a baby in a knotted sling. The illustration is an adaptation of two cuts from the "Recueil de la diversité des habits" (Paris, 1562; Antwerp, 1572) by Francois Descerpz, "one of the first likenesses of the Brazilian Indian" (Borba de Moraes). - Title page shows Jakob Linckh's autograph ownership (dated 1825); somewhat later stamped ownership of Anton Franzin (possibly the like-named Tyrolean law clerk, c. 1840) to flyleaf. VD 16, W 1487 (BSB copy incomplete). Lipperheide 7-8 (both copies incomplete). Andresen I, 234. Becker 140. Borba de Moraes II, 373f. Maggs, Bibl. Americana 1-214 ("This book is excessively rare in a complete state").
1878ref. 13937On board the U.S.S. Trenton European Station. ca.1878-1881. Pamphlets Printed Aboard American Naval Vessels A curious pair of imprints printed on a U.S. Navy shipboard press sometime not long after the Civil War. The first the INSPECTION. pamphlet describes what an inspector should look for and contains the colophon "From the Press of U.S. Flagship Trenton European Station." The second pamphlet which describes the equipment to be carried on boats contains no colophon but is identical to the first in style and makeup and was found with the first pamphlet so it seems reasonable to assume that it is a product of the same press. Two pamphlets. 12; 16pp. 12mo. Fastened with bronze tack. Slight staining else good. unknown books
1878ref. 13937On board the U.S.S. Trenton European Station. ca.1878-1881. Pamphlets Printed Aboard American Naval Vessels A curious pair of imprints printed on a U.S. Navy shipboard press sometime not long after the Civil War. The first the INSPECTION. pamphlet describes what an inspector should look for and contains the colophon "From the Press of U.S. Flagship Trenton European Station." The second pamphlet which describes the equipment to be carried on boats contains no colophon but is identical to the first in style and makeup and was found with the first pamphlet so it seems reasonable to assume that it is a product of the same press. Two pamphlets. 12; 16pp. 12mo. Fastened with bronze tack. Slight staining else good. unknown
Small folio (209 x 291 mm). 248 unnumbered leaves (without the first and last blank, as usual). Gothic type, 2 cols., 51 lines. With a woodcut in the text on fol. a2r and printer's device at the end. A single ink initial on p. a2 supplied by the owner. 18th century full calf with panelled boards and giltstamped spine label. Marbled endpapers. All edges red. Rare edition; a single copy in Great Britain. The "Fortalitatium fidei", the principal work (written ca. 1458) of the baptized Spanish Jew de Spina, is considered the "methodical and ideological foundation of the Inquisition. The book, divided into five chapters, targets chiefly Jews and Muslims" (cf. LMA I, 408f.). Of the five books, "the first [is] directed against those who deny the Divinity of Christ, the second against heretics, the third against the Jews, and the fourth against Islam and the Muslims, while the fifth book treats of the battle to be waged against the Gates of Hell. In this last book the author dwells at length upon the demons and their hatred of men; the powers they have over men and the diminution of these powers, owing to the victory of Christ on the Cross, the final condition of the demons, etc." (Catholic Encyclopaedia). "Ouvrage fort curieux de ce théologien espagnol [...] il était dit-on d'origine juive, c'est pour cela que son 'Fortalicium' pèut ètre classé dans une bibliothèque kabbalistique" (Caillet). Part 3, on the iniquities of the Jews, is a veritable encyclopaedia of mediaeval antisemitic libel, containing numbered lists of Jewish "cruelties" and refutations of the Jews' supposed anti-Christian arguments. The section on Islam lists the numerous Saracen wars, while the fifth book is devoted to the battle to be waged against the Gates of Hell and its resident demons, whose population the author calculates at over 133 million; this is one of the earliest printed discussions of witchcraft and a precursor to the "Malleus maleficarum", the first edition of which appeared in the same year as this present edition. - Occasional contemporary ink marginalia (some touched by the binder's knife); some slight worming, confined to blank margins. Some even browning and a weak waterstain, but a very good, wide-margined copy with an 18th century noble collection stamp (crowned Gothic letter G; not in Lugt) on the first leaf. HC 874*. Goff A-542. GW 1577. Proctor 8575. BMC VIII, 277. Polain 159. Pellechet 564. Coumont (Witchcraft) S84.4. Caillet 10305.