Appianus d'Alexandrie :Livre Rare Book
1 531 résultats
1560réf. 14605[Genève], Henri Estienne, Huldrich Fugger (Huldrici Fuggeri), 1560 ; in-8 ; plein vélin ivoire ; 100 pp. (A-F 8, G 2).
1805réf. 15629Paris, Le Normant, 1805 ; in-12 ; plein vélin ivoire, dos lisse très décoré et doré de fers symboliques : coupe, oiseau, cœur percé de flèches, panier de fleurs dans un encadrement de guirlandes de fleurs et palmettes, pièce de titre vert foncé, large encadrement des plats agrémenté de roses en coins et de torsades et rameaux, roulette sur les coupes, roulette intérieure, pièce de brocard de soie moire vert empire avec une large roulette décorative d'encadrement, garde de soie identique, toutes tranches dorées (F. Lefebvre) ; (4), 46 pp. de Préface, (1) f. blanc, 331 pp. et 6 figures par Stéphane Barthélémy Garnier, gravées par Saint-Aubin et Choffard.
réf. 10756Amsterdam, Daniel Elzevier, 1669. In-12 (128 x 76 mm), 18 ff. n. ch., 403 pp., 2 ff. bl. Vélin, dos lisse (reliure de l'époque).
1833réf. 199011833 Planche double 299-300 de La Caricature. 1833. Lithographie originale sur Velin blanc. 515 x 338. Delteil 65. Belle épreuve en beau coloris du temps, avec pli vertical médian normal,et pli horizontal,legere decharge sur une moitié de la double feuille,plis;lithographie coloriée sur velin blanc,Delteil 65
1610réf. 50589Venedig, Marc' Antonio Zaltieri, 1610. Kollation (Blattzählung): Bl. 1-233 (1), A-Z8, Aa8-Gg2. Kl.-8vo. Pergament d. Zeit mit geprägtem Rückentitel. Holzschnittvignetten u. Zierschlußstücke.
réf. 109923Saint-Félicien en Vivarais, Au Pigeonnier, 1944, 1 volume in-folio de 390x290 mm environ, 46 pages, 1f. (table), suivies de 12 bois gravés et numérotés, de Jean Chièze avec une suite sur Chine de 15 planches dont 2 bandeaux et une planche en double (Eglise de la Clastre, à Montpezat), en feuillets sous chemise rempliée, feuillets non rognés. Exemplaire N° 222, sur grand vélin Montgolfier d'Annonay à la forme. Des articles de journaux sur Louis Pize contrecollés à la page de garde, 2 planches de la suite un peu fendillées dans une marge,
1971réf. 9504Dijon, Comité Bourgogne, 1971 ; grand in-4 ; en feuilles sous couverture rempliée blanche imprimée en rouge, chemise de toile rouge, titre doré en long, étui de toile bleue (emboitage d'éditeur) ; 210, [211], (3) pp., 58 pointes sèches d'André Jacquemin protégées par des serpentes.
1672réf. 52449Amstelodami [Amsterdam ], Daniel Elzevier, 1673/1672/1672. 24 Bll., 869 S.; 2 Bll., 998 S., 42 Bll.; 12 Bll., 750 S., 1 Bl., 316 S., 14 Bll. Mit 1 illustr. Kupfer-Frontispiz (Seneca-Büste umgeben von mytholog. Figuren) u. 2 Kpfr. im Text und zahlr. holzgestoch. Vignetten und Initialen. Pgt. d. Zt. mit je 2 RSch.
1968réf. 001872paris S.N. 1968 In-4 En feuilles, couv. rempliée Ed. originale
réf. 014421Paris Maeght 0 En feuilles, couverture illustrée rempliée, chemise éditeur
réf. ST21065CNortheastern France or Rhineland early 14th century. 345 x 239 mm. 13 1/2 x 9 3/8". Single column nine lines of music and text in a gothic hand. Rubrics and staves in red calligraphic initials in black. Later ink foliation in upper right corners. See: de Hamel Christopher. "Medieval and Renaissance Manuscripts from the Library of Sir Sydney Cockerell" British Library Journal 13 1987. Vellum with light soiling and a little light creasing mostly marginal a few negligible marks but very clean and in excellent condition. From a manuscript fragment that once passed through the hands of Sir Sydney Cockerell the leaves in this group appear to come from a rarely seen liturgical text called a Sequentiary. Consisting of sung hymns called "sequences" performed between the Alleluia and Gospel readings during Mass a Sequentiary could be either a standalone volume or part of a longer work such as a Gradual or Missal. The script here is a neat and legible gothic book hand with some interesting calligraphic initials in black--some with little spikes or other flourishes--that might warrant further study. These leaves were previously bound into a later perhaps 18th century limp vellum binding the pastedown of which contained a tipped-on handwritten note from Cockerell 1867-1962 who was William Morris' private secretary and the director of the Fitzwilliam Museum for nearly 30 years. Cockerell attributed this manuscript to Northern France and suggested a date of ca. 1280 we believe it dates a little later noting that it was probably made for Dominican use based on the presence of the sequences for St. Peter Martyr and St. Dominic. It is unclear whether Cockerell actually owned this manuscript at one point or served as a consultant for a dealer or a private collector as he was known to do: in the words of de Hamel Cockerell became "the arbiter of quality before whom generations of collectors and scholars brought their acquisitions and attributions for judgement. . . . Dyson Perrins Yates Thompson Chester Beatty Pierpont Morgan St John Hornby Lord Kennet Francis Wormald Eric Millar J. R. Abbey and many others never felt that a manuscript acquisition was truly made until Sydney Cockerell had seen and approved it." De Hamel also notes that Cockerell "gave away sold or exchanged manuscripts on many occasions during his life of collecting" making it difficult to know exactly how this manuscript may have crossed his path or for how long it was in his possession. His appraisal does however suggest that this manuscript was in a defective state from at least the 1920s and probably a good deal earlier than that. Most of the choir book leaves that we offer for sale come from 15th and early 16th century manuscripts typically Italian or Spanish in origin; the present leaves offer an uncommon opportunity to purchase earlier specimens of musical notation from an unusual liturgical text with distinguished if uncertain ownership history and at an attainable price. The price given here is for a single leaf; for additional leaves from this same manuscript please see our website. unknown
réf. ST21065CNortheastern France or Rhineland early 14th century. 345 x 239 mm. 13 1/2 x 9 3/8". Single column nine lines of music and text in a gothic hand. Rubrics and staves in red calligraphic initials in black. Later ink foliation in upper right corners. See: de Hamel Christopher. "Medieval and Renaissance Manuscripts from the Library of Sir Sydney Cockerell" British Library Journal 13 1987. Vellum with light soiling and a little light creasing mostly marginal a few negligible marks but very clean and in excellent condition. From a manuscript fragment that once passed through the hands of Sir Sydney Cockerell the leaves in this group appear to come from a rarely seen liturgical text called a Sequentiary. Consisting of sung hymns called "sequences" performed between the Alleluia and Gospel readings during Mass a Sequentiary could be either a standalone volume or part of a longer work such as a Gradual or Missal. The script here is a neat and legible gothic book hand with some interesting calligraphic initials in black--some with little spikes or other flourishes--that might warrant further study. These leaves were previously bound into a later perhaps 18th century limp vellum binding the pastedown of which contained a tipped-on handwritten note from Cockerell 1867-1962 who was William Morris' private secretary and the director of the Fitzwilliam Museum for nearly 30 years. Cockerell attributed this manuscript to Northern France and suggested a date of ca. 1280 we believe it dates a little later noting that it was probably made for Dominican use based on the presence of the sequences for St. Peter Martyr and St. Dominic. It is unclear whether Cockerell actually owned this manuscript at one point or served as a consultant for a dealer or a private collector as he was known to do: in the words of de Hamel Cockerell became "the arbiter of quality before whom generations of collectors and scholars brought their acquisitions and attributions for judgement. . . . Dyson Perrins Yates Thompson Chester Beatty Pierpont Morgan St John Hornby Lord Kennet Francis Wormald Eric Millar J. R. Abbey and many others never felt that a manuscript acquisition was truly made until Sydney Cockerell had seen and approved it." De Hamel also notes that Cockerell "gave away sold or exchanged manuscripts on many occasions during his life of collecting" making it difficult to know exactly how this manuscript may have crossed his path or for how long it was in his possession. His appraisal does however suggest that this manuscript was in a defective state from at least the 1920s and probably a good deal earlier than that. Most of the choir book leaves that we offer for sale come from 15th and early 16th century manuscripts typically Italian or Spanish in origin; the present leaves offer an uncommon opportunity to purchase earlier specimens of musical notation from an unusual liturgical text with distinguished if uncertain ownership history and at an attainable price. The price given here is for a single leaf; for additional leaves from this same manuscript please see our website. unknown books
1813réf. 12217Paris, Antoine-Augustin Renouard, 1813. In-12 XX-234-[2] pages, plein maroquin noir à grains longs, dos lisse orné de filets et fleurons dorés et à froids, plats décorés de même, roulette dorée sur les coupes et intérieures, tranches dorées, gardes de papier rose.
1931réf. 14589Paris, Les Amis de l'Amour de l'Art, Librairie de France, 1931 ; in-folio, broché ; (48) ff. non chiffrés, le premier et le dernier blancs, et 16 lithographies dont 15 hors-texte et une vignette de titre.
1633réf. 14597Lugdunum Batavorum (Leyde), Elzevier, 1633 ; in-12 ; plein vélin ivoire à recouvrement rigide de l'époque, titre manuscrit au dos ; (12) dont titre illustré gravé et portrait d'Alexandre le Grand, carte dépliante, 338, (21) pp., (1 bl.), 1 gravure sur bois hors-texte (p.75).
1904réf. 260651904. Librairie de la Collection des Dix, A. Romagnol, Paris. Illustriert von Frabcois Courboin. Dekorativer Ledereinband mit reicher Vergoldung und Ganzgoldschnitt sowie Innenkantenvergoldung und mit Seide bezogenen Vorsätzen. [10], 192, [8] Seiten. 26,5 x 19 cm.
1917réf. 96522(Dresden, Petzschke & Gretschel, 1917). XIII, 383 S. Mit illustr. Titel von Erich Büttner und Illustrationen von Julius Diez. 34,5 cm. HPgt mit Kopfgoldschnitt im Orig.-Pp.-Schuber (Schuber gebräunt, angestaubt, etwas bestoßen).
réf. 10900Préface de E. COORNAERT, 2 tomes en 2 volumes in 4 en feuillets, couverture cartonnée, de couleur gris bleu, à rabats, avec titre au dos et sur les plats. Pagination continue, non coupé. Tome 1 1 page additions et corrections, faux-titre, titre, XL, 199 pages, 1 portrait de Catherine ANCILLON épouse de Dominique Nicols KRANTZ maître papetier de Dinozé . Tome 2 faux-titre, titre pages 200 à 524. Nombreuses reproduction de filigranes vosgiens en blanc sur papier gris bleu. . Cet ouvrage réalisé par des Lorrains, dans un esprit de désintéressement absolu, a été tiré à 600 exemplaires. Les papiers de chiffon à la forme vergés et vélins ont été fabriqué spécialement par les papeteries de LANA à DOCELLES- Le filigrane de Saint Antoine, ermite, patron des papetiers vosgiens a été dessiné par GEO CONDE. . Achevé d’imprimer à Nancy sur les presses de BERGER LEVRAULT le 11 mai 1952. Exemplaire n° 465. Etui cartonné. Très bon état
2012réf. 012473Paris Gallimard NRF 2012 In-8 Broché, couverture à rabats
1971réf. 005640Colombes , Collection Génération n°5 (Gervais Jassaud) 1971 In-8 Broché Edition originale
1600réf. 97208[Heidelberg], Commelinus [Hieronymus Commelinus Erben], 1600. [7] Bll., 274 S.; 1 Vakatbl., 291 S. Mit Druckermarke aT, einig. Holzschnitt-Vignetten u. -Initialen. 17 cm. Geflecktes Pergament d. Zt. m. eingeschlagenen Vorderkanten, und hs. Rückentitel.
1967réf. 013650Paris Nouveau Cercle parisien du livre 1967 In-2 En feuilles, couverture illustrée, emboitage éditeur
1645réf. 6365Leyde, Adrianus Wyngaerden et Franciscus Moiardus, 1645 ; in-12 ; plein vélin ivoire rigide, titre manuscrit au dos (reliure de l'époque) ; (1) f. blanc, (22), 159, (15) pp. (index) ; (8), 254, (23) pp., (1 bl.), (2) ff. blancs.
1892réf. 12349Lyon, Librairie Artistique et Littéraire, Dizain et Richard, 1892 ; in-4, plein chagrin rouge cerise, dos à nerfs soulignés de filets à froid et dorés, fers dorés aux lions au dos, titre et tête dorés, non rogné, couverture t dos conservés (reliure de l’époque) ; IV, (1), 358, (2) pp., très nombreuses illustrations (32 hors-texte, 1 eau-forte).
1926réf. 2589Paris, Editions Briant-Robert, 1926 ; in-4, broché ; (36) ff. ; 31 planches d'illustrations en noir ; couverture blanche à rabats imprimée en rouge.
