1 535 résultats
1920réf. 96512Berlin, Gustav Kiepenheuer, 1920. VIII, 335; 323; 362 S. Orig.-Halbpergament m. goldgeprägt. RTitel.
1959réf. 2646Stuttgart, (1959). 291 S. Mit zahlr., tls. farb. Taf. 4to. OHPgt.
1909réf. 98251Leipzig, Insel-Verlag, 1909. 128; 137 S. 21 cm. OHPgt. m. Lesebändchen.
1913réf. 96508Jena, Eugen Diederichs, 1912/1913. XV, 244, [3] S. u [VI], 389, [3] S. Mit zu. 34 Tafeln (teils in Kupfertitefdruck). 22 cm. [Bd 1:] Weißes OHLdr u. [Bd 2:] HPgt.
1674réf. 77185Salisburgi [Salzburg], Johann Bapt. Mayr, 1674. 7 Bll., 319 S. Mit 1 Kpfr.-Taf. 12mo (13 x 7,5 cm). Pgt. d. Zt.
1695réf. 96348Amsterdam, Steven Swart Wwe. 1695. 4 Bll., 222 S. Kl.-8vo.16,5 cm. Mit gestochenem Titel u. Allegorie. Pgt. d. Zt. mit hs. Rückentitel u. Vollfarbschnitt.
1899réf. 95959London, Macmillan & Co, Ltd, 1899. [4] Bl., 139 S. (Golden Treasury Series). 16 cm. HPgtbd m. floraler Rückenvergoldung, goldgeprägtem RTitel, Goldfileten auf d. Deckeln, Kleisterpapierbezügen u. -vorsätzen sowie Kopfgoldschnitt.
1907réf. 69660Jena, Eugen Diederichs, 1907. 2 Bll., IV, 300 S., 2 Bll. Kl.-8vo (16,5 x 10,5 cm). OHPgt.
1610réf. 50589Venedig, Marc' Antonio Zaltieri, 1610. Kollation (Blattzählung): Bl. 1-233 (1), A-Z8, Aa8-Gg2. Kl.-8vo. Pergament d. Zeit mit geprägtem Rückentitel. Holzschnittvignetten u. Zierschlußstücke.
1912réf. 96520Leipzig, Albert Bonnier, [ 1912]. XV, 156 S. 19 cm. OHPgt m. goldgeprägt. Rückentitel u. goldgepr. Verlagssignet auf VDeckel.
1644réf. 41901Moulins, Petrus Vernoy, 1644. 32 Bll., 272 S. Kl.-8vo. Spät. Kart. mit durchgezog. Bünd.
1877réf. 43505Leipzig, B. G. Teubner, 1877. 2 Bll., 270 S. (= S. 201-471). (= Homeri carmina ad optimorum librorum fidem expressa, vol. 2, 2). Kl.-8vo. HPgt. d. Zt.
1909réf. 75230Leipzig, Insel-Verlag, 1909. 137 S. (21 x 14,5 cm). OHPgt.
1912réf. 95810München, Georg Müller, 1912. 335 S. 17 cm. Privat. HPgt. m. Rückenschild u. illustr. Bezügen.
1913réf. 97088Leipzig, Insel-Verlag, 1913. 136 S. 17,5 cm. HPgt m. Kopfgoldschnitt.
1621réf. 67367O. O. [Lugdunum/Lyon], Johann Tornaesius (fil.), 1621. 8 Bll., 698 S., 62 Bll.; 12mo. Pgt. d. Zt. mit hs. RTitel.
1737réf. 57405Jena, Joh. Felix Bielck, 1737. Titel in Rot-Schwarz, 7 Bll., 489 S., 7 nn. S. (Index). Kl.-8vo. Pgt. d. Zt. mit ornamentaler Schwarzprägung.
1697réf. 96411Jena, Johannes Bielkius, 1697. [2] Bll., 264 S., [32] Bll. 12mo. 14,5 cm. Ganzpergament d. Zt. m. goldgepr. RTiitel u. Rotschnitt.
1934réf. 66155Berlin, Georg Bondi, 1934. 31 S. Mit 1 Porträt als Frontispiz. Beigebunden 22 w. Bll., davon 8 S. mit handschriftl. bibliographischen Einträgen. Kl.-8vo. Privat. HPgt. mit eingebund. VDeckel der Orig.-Broschur.
1911réf. 94119München, Georg Müller, 1911. 520 S. Mit zahlr. s/w Abb. auf Tafeln. Kl.-8vo (18 cm). OHPgt m. Rückenvergoldung.
1748réf. 57794Madrid, Joseph Mathias Escrivano, ( 1748). Titel, 11 Bll., 392 S.; 442 S., 1 Bl. Kl.-8vo. Flexibles Pgt. d. Zt.
1912réf. 42569Leipzig, Xenien Verlag, 1912. 222 S., 47 S. Mit 1 Frontispiz u. 1 gefalt. Faks. 12mo. OBrosch. Zusammen in OHPgt. Schuber mit RVergold. u. Einstecklasche.
1470réf. ST19885Netherlands ca. 1470-80. 164 x 123 mm. 6 1/2 x 4 7/8". Single column 17 lines in a gothic hand. Capitals touched with red rubrics in red one-line initials in red or blue one two-line initial in blue A VERY LARGE HISTORIATED INITIAL approximately 60 mm. square DEPICTING PENTECOST the initial painted blue with white tracery on a burnished gold ground surrounded by A FULL BORDER decorated with colorful acanthus large flowers strawberries insects including a grasshopper fly moth and mosquito all on a liquid gold ground. See: Marrow et al. "The Golden Age of Dutch Manuscript Illumination" nos. 79-81. ◆Margins just faintly soiled gold very slightly rubbed but IN FINE CONDITION the initial and border beautifully preserved. This is an extraordinarily handsome leaf featuring an oversized historiated initial depicting Pentecost attributed to the circle of the Master of the London Jason. Our artist has made remarkable use of space fitting 13 clearly defined people within an initial opening measuring 45 x 32 mm. The Virgin sits enthroned directly in the center encircled by the Apostles dressed in blue violet green and orange robes. Our artist cleverly adds a notch at the top of initial--like a cupola inside a chapel--in order to fit an image of a dove inside the scene. The figures show an impressive degree of individualization and emotional response as they witness the descent of the Holy Spirit; a few gesture in surprise two lower their gaze and some look up in awe. The work is stylistically like that of the Master of the London Jason named for his work on the "Historie van Jason" manuscript now housed at the British Library. As Marrow et al. note the Master's style is characterized by "somewhat short heavy figures that are well formed and have unusual slightly broad yet expressive faces with deep sunken eyes." Our leaf's enclosing border is of very considerable interest featuring as it does naturalistic flowers strawberry plants insects and a small brightly colored bird all painted in colors that perfectly complement the main scene. A very fine production all around this distinctive energetic leaf would make a notable addition to any collection. unknown books
réf. ST16985GFrance first half of 14th century. 110 x 82 mm. 4 3/8 x 3 1/4". Single column 12 lines in a gothic book hand. Rubrics in red line enders in pink and blue with gold accents each leaf with one or more one-line initials in blue with red penwork or gold with blue penwork some leaves with one two-line initial painted blue filled with either decorative shapes or INHABITED BY A HUMAN HEAD all on a gold ground one side of each leaf WITH A FULL BORDER composed of pink and blue tendrils accompanied by spikey gold decoration and gold accents often terminating in ivy leaves and incorporating EXTRAORDINARILY CHARMING EXAMPLES OF MARGINALIA INCLUDING ANIMALS HUMANS AND HYBRIDS. ◆Vellum slightly soiled and with a few minor imperfections one leaf with a little offsetting in one corner each leaf with a small area excised by a former owner affecting marginalia and a few words of text but each leaf with at least two fully intact examples of marginalia and on the whole the leaves quite clean the colors very bright and the gold sparkling. Though diminutive in size these leaves contain enormously appealing marginal decoration in the form of humans animals and hybrid creatures inventively incorporated into the lively borders in manners that range from adorable to bizarre. Especially popular in Flanders Northern France and England during the 13th and 14th centuries marginalia such as these comprise some of the most memorable and entertaining images to be found in any Medieval manuscripts. Despite being found largely in religious books such as Psalters and Books of Hours the images are often strange humorous or even outrageous and they provide us with consistent delight. Being by definition outside of the central text or miniature the margins seem to have been a place where illuminators felt more at ease to experiment resulting in highly imaginative and unique artistic expressions. The present specimens come from a fragmentary manuscript with many leaves either missing or rendered defective where portions of the vellum were cut away as here. Fortunately these leaves each retain at least two excellent examples of marginalia including a very alert hare hybrids with the heads of humans and the bodies of two-legged beasts humans emerging from the border tendrils to help hold up initials a human head with a wizened beard and a stylized hat incorporated into the border and a trumpeter blowing into a long instrument accented with gold. Though fragmentary in appearance these leaves present an excellent opportunity to acquire fine examples of marginalia at an affordable price. For additional leaves from this same manuscript at different price points please check our website. unknown books
1905réf. 97919Jena, Eugen Diederichs Druck: Leipzig, Spamersche Buchdruckerei, 1905. XXIV, 289; 308 S. 20 cm. OHPgt m. goldgeprägt. Deckelsignet, goldgeprägten roten Rückenschildern u. Kopfgoldschnitt.