Knoop, Gerhard OuckamaAntiquariat.de
1 537 résultats
1911réf. 96495Leipzig, Insel, 1911. [2] Bl., 453 S., [1] Bl. (= Die Grenzen, Bd. 1). 18,5 cm. OHPgt. mit Kopfgoldschnitt u. Rückentitel.
réf. 87735Leipzig, Insel, [ca. 190]. 877 S. Mit Portrait-Abb.nach einer Originalradierung v. Axel Helsted. 19 cm. Privat. OPERGAMENT mit durchgezog. Bünden, Goldfileten auf den Deckeln, goldgepr. RTitel u. Kopfgoldschnitt.
1917réf. 96522(Dresden, Petzschke & Gretschel, 1917). XIII, 383 S. Mit illustr. Titel von Erich Büttner und Illustrationen von Julius Diez. 34,5 cm. HPgt mit Kopfgoldschnitt im Orig.-Pp.-Schuber (Schuber gebräunt, angestaubt, etwas bestoßen).
1910réf. 92171Berlin, S. Fischer, 1910. 21 cm. Flexibles OGanzPgt. m. Kopfgoldschnitt.
1909réf. 97708Leipzig, Insel-Verlag, 1909. 134 S. 20,5 cm. OHPgt. mit ornamentalem Deckelschmuck.
1924réf. 96454Frauenfeld (Schweiz) & Leipzig, Huber, 1924. VIII, 240 S. 19,5 cm. OHPgt. mit Goldprägung u. Farbkopfschnitt.
1921réf. 69745Berlin, Egon Fleischel, 1921. XIII S., 1 Bl.,86 S., 1 w. Bl., 102 S.; 2 Bll., 111, 110 S., 1 w. Bl., 107 S. Mit 1 farb. Frontispiz in Bd. 1. (19,5 x 14 cm). Privates HPgt. mit handschriftl. RTitel. Mit farb. Kopfschnitt, sonst unbeschnitten.
1660réf. 62692Cantabrigiæ [Cambridge], Excudebat Johannes Field, 1660. 40 nn., 291, 100 nn. S. Pgt. d. Zt. mit (späterem) hs. Rücken- u. Deckel-Titel.
1923réf. 96022Jena, E. Diederichs, 1923. 218 S. Mit illustr. Titel. 20 cm. OHPgt.
1783réf. 32580Paris, Prault, 1783. 144 S. Späterer Pgt.-Einband. m. hs. RTitel.
1644réf. 96370Frankfurt, Johann Beyer, gedruckt bei Caspar Röttel, 1644. Gestoch., illustr. "Titel Traiani Boccalini Relationes Auß Parnasso", [22] Bl., 702 S. 20 cm. Pgt d. Zeit mit umgebogenen langen Kanten.
1913réf. 96908Leipzig, Xenien-Verlag, 1913. 82 S. 25 cm. OHPgt.
1908réf. 47051München, Georg D. W. Callwey, 1907/1908. 432/416; 392; 408 S. Mit zahlr. Abb. im Text u. auf (tls. farb.) Taf. Gr.-8vo. HPgt. RSch.
1925réf. 32900(Hamburg, 1925). 28 einseitig bedruckte Blätter. OHPgt. mit durchzogenen Bändern (sign. Einband: Joh. Larink, Hamburg).
1906réf. 47043München, Georg D. W. Callwey, 1905/1906. 680; 672 S. Mit zahlr. Abb. im Text u. auf Taf. Gr.-8vo. HPgt. mit ldr. Rsch.
1934réf. 66660Weimar, Gesellschaft der Bibliophilen, 1934. 6 Bll., 190 S., 3 Bll. Mit roten Initialen. (= Jahresgabe für die Mitglieder der Gesellschaft der Bibliophilen, 1933). (Ca. 24 x 16,5 cm). OHPgt. mit RSch.
réf. ST16985NFrance first half of 14th century. 110 x 82 mm. 4 3/8 x 3 1/4". Single column 12 lines in a gothic book hand. Line enders in pink and blue with gold accents each leaf with one or more one-line initials in blue with red penwork or gold with blue penwork each leaf with one two line initial painted pink or blue filled with painted floral motifs and TWO INHABITED BY HUMAN FACES and on a gold ground one side of each leaf with A FULL BORDER composed of pink and blue tendrils accompanied by spikey gold decoration and gold accents often terminating in ivy leaves and incorporating EXTRAORDINARILY CHARMING EXAMPLES OF MARGINALIA INCLUDING ANIMALS HUMAN HEADS AND HUMAN-BEAST HYBRIDS. ◆Vellum a little soiled and with a few small stains one leaf with more obvious soiling varying degrees of smudging two leaves with more noticeable smudging affecting some of the text and decoration another leaf with two of the human heads slightly rubbed but all other examples of marginalia very well preserved and paint quite fresh and the gold sparkling. Though diminutive in size these leaves contain enormously appealing marginal decoration in the form of humans animals and hybrid creatures inventively incorporated into the lively borders in manners that range from adorable to bizarre. Especially popular in Flanders Northern France and England during the 13th and 14th centuries marginalia such as these comprise some of the most memorable and entertaining images to be found in any Medieval manuscripts. Despite being found largely in religious books such as Psalters and Books of Hours the images are often strange humorous or even outrageous and they provide us with consistent delight. Being by definition outside of the central text or miniature the margins seem to have been a place where illuminators felt more at ease to experiment resulting in highly imaginative and unique artistic expressions. The present specimens come from a fragmentary manuscript with many leaves either missing or rendered defective where portions of the vellum were cut away. Fortunately this group of leaves is intact and retains much marvelous imagery including several animals a dog a bird a squirrel and a large hare human and bestial heads capping the ends of border tendrils many with a memorable detail such as a bushy beard a massive gold horn or wearing a tall pointy hat including the torso of a person holding a long antler-like club and colorful human-beast hybrids. A couple of these leaves also have initials inhabited by charming little human faces. For additional leaves from this same manuscript at different price points please check our website. unknown books
réf. ST17060ZFrance probably Besançon 3rd quarter of 15th century. 239 x 165 mm. 9 3/8 x 6 1/2". Single column 15 lines in an elegant gothic book hand. Rubrics in dark pink line-enders in dark pink and blue highlighted with a gilt bezant several one-line initials and one two-line initial in burnished gold on dark pink and blue ground with white tracery one three-line initial in pink with white tracery filled with trefoils painted red or blue all on a gold ground verso with panel border of delicate hairline vines terminating in gilt bezants and ivy and with acanthus and flowers recto with A HALF-PAGE MINIATURE OF THE CRUCIFIXION in an arch-topped gilt frame Christ in the center of the composition with the mocking inscription "I N R I" "Iesus Nazarenus Rex Iudaeorum" on a banner above him the Virgin standing on the left and St. John on the right the landscape behind them filled with hills and trees under a tessellated sky SURROUNDED BY A FULL BORDER consisting of hairline vines terminating in gold bezants and ivy colorful acanthus strawberries and flowers the text and image further framed by a "U"-shaped bar of gold pink and blue extending the full height of the miniature. ◆Virgin's robe a little mottled and chipped minor chipping elsewhere borders with slight smudging to some of the hairline vines small marginal stain but in all in excellent condition with wide margins with the colors very bright and the miniature well preserved. Opening the Hours of the Cross a shorter text that is sometimes found in addition to the Hours of the Virgin this touching miniature of the Crucifixion is richly painted and features a particularly emotional depiction of Christ his head slightly bowed with an expression of pain. Blood flows freely from his wounds partly merging with the orange in the sky and partly forming rivulets at the base of the cross. This exsanguination stands in contrast to the more typically restrained indications in other Crucifixion scenes and serves to emphasize the cruel suffering of the execution. His mother stands to the left in a blue cloak hands knitted together and with a look of weary resignation on her face; to the right stands St. John whose lips are slightly parted as he looks directly at the crucified Christ as if searching his face for signs of life. Our artist has made an unusual choice for the background with the lower two thirds devoted to a naturalistic landscape with many hills and trees and the sky entirely tessellated with squares of red blue and gold. While the Virgin and St. John are both firmly situated within the earthy realm the body of Christ occupies both spaces perhaps emphasizing his dual nature as both human and divine. Stylistically this leaf can be localized to the Franche-Comté region in eastern France and is closely related if not directly attributable to an atelier specializing in Books of Hours made for the Use of Besançon and most likely situated in that city see Avril and Reynaud p. 197. The similarities are especially apparent in the figures' faces which are slightly puffy in appearance and have distinct slit-like eyes. As noted by Avril and Reynaud the unnamed master of this atelier was deeply indebted to the Master of Morgan 293 a talented Burgundian illuminator active in the second quarter of the 15th century whose name derives from a particularly lovely Book of Hours made for the Use of Besançon. In fact there are certain consonant details between this miniature and the Crucifixion in the Morgan manuscript: Christ's position and physicality are nearly identical as is the pattern of blood as it moves down the cross and both artists create a division in the landscape with the Morgan artist using gold rather than tessellation for his sky. Whoever the artist responsible for the present miniature the work here is clearly accomplished both quietly powerful and an excellent representation of a distinct regional style. unknown books
réf. ST17060NFrance probably Besançon 3rd quarter of 15th century. 239 x 165 mm. 9 3/8 x 6 1/2". Single column 15 lines in an elegant gothic book hand. Rubrics in dark pink line enders in pink and blue with white tracery and gold bezant one- and two-line initials painted gold on pink and blue ground with white tracery each side with a panel border decorated with hairline vines gold bezants and ivy and colorful flowers and acanthus RECTO BORDER INHABITED BY A CHARMING DOG-LIKE CREATURE. ◆A small light stain in border decoration largely masked by dense hairline vines but IN FINE CONDITION--bright clean and well preserved. From a large Book of Hours probably produced in Besançon this leaf features very pretty panel borders including one with a particularly charming inhabitant in the form of a dog-like creature with no front legs wearing an orange collar and emitting an acanthus leaf from its mouth. Imaginative touches like this and luxurious elements such as the several dozen gilt bezants and ivy leaves in each border and the unusually wide margins point to this manuscript having been quite a costly production. For additional leaves from this same manuscript at different price points please check our website. unknown books
1749réf. 97683Leipzig, Arkstee & Merkus, 1749. [6] Bll., XXXIV, [6], 916, [70] S., [1] Bl. Mit 2 Kupferstich-Vignetten. 4to. 25 cm. Ganzpergament d. Zt. m. Ganzfarbschnitt.
1904réf. 97764Leipzig, 1904. 79, [5] S. Mit mont. illustr. Titel u. 8 Tafeln (4 montiert), Notenbeispiel im Text sowie Schlußvignette. 19,5 cm. OHPgt m. goldgeprägter VDeckelillustr. u. Kopfgoldschnitt.
1915réf. 97758Leipzig, Kurt Wolff, 1915. 119 S. Mit 12 Originalholzschnitten v. Karl Thylmann. 23 cm. OHPgt m. goldgepr. RTitel u. goldgeprägter Illustr. auf d. VDeckel sowie Kopfgoldschnitt.
1500réf. 150799Frankreich (wohl Vienne-Lyon), ca. 1500. Blattgröße: 18,5 x 12,5 cm. Schriftspiegel: ca.10,5 x 6,5 cm. Blatt aus einem schönen französischen Stundenbuch um 1500 mit teils großen ausgeschmückten Initialen.
1500réf. 150797Frankreich (wohl Vienne-Lyon), ca. 1500. Blattgröße: 18,5 x 12,5 cm. Schriftspiegel: ca.10,5 x 6,5 cm. Blatt aus einem schönen französischen Stundenbuch um 1500 mit teils großen ausgeschmückten Initialen.
1500réf. 1510181500. Blattgröße: 16,5 x 11,5 cm. Schriftspiegel (inkl. Randleisten): ca. 15 x 9 cm.
