19 240 résultats
1966réf. 133525New York: New American Library 1966. First edition of this collection of essays—which Rand in her introduction characterizes as “a nonfiction footnote to Atlas Shrugged.” Octavo original half cloth. Boldly signed by the author on the half-title page "Ayn Rand 1/21/71." Near fine in a very good dust jacket ownership to the front free endpaper. Jacket design by S.A. Summit Inc. With additional articles by Nathaniel Branden Alan Greenspan and Robert Hessen. Uncommon signed. This collection of 26 essays includes twenty by Ayn Rand as well as three essays by Alan Greenspan two by Nathaniel Branden and one by Robert Hessen. "One of the best defenses and explanations of capitalism one is likely to read" Walter E. Williams. New American Library hardcover
réf. DADAX0920544908New unknown
Paris, Gallimard, Collection Les Essais n° LXVII, 1954. Un volume in-12, (120 x 190 mm), broché, non coupé, 188 pp. Édition originale. Un des 175 exemplaires sur vélin pur fil Lafuma-Navarre, seul grand papier après 25 Hollande. Exemplaire en parfait état.
1923réf. 68490Richmond, Hogarth Press, 1923. 80 Bütten-S., 1 Bl. (22 cm). OHLn. mit blaugemustertem Papierbezug u. RSchild.
1993réf. 27734Paris, Gallimard, 1993. Un volume fort et grand in-8, broché, non coupé, 324 pp.
Paris, Gallimard, 1993. fort et grand in-8, broché, non coupé, 324 pp. Edition originale. Un des 50 exemplaires numérotés sur vergé blanc de Hollande. Seul tirage en grand papier. Non coupé, neuf.
réf. 6817Édimbourg et Paris chez Clousier, Pichard, Bailly, Desenne, 1788. In-12 (196 x 122 mm), XII pp., 350 pp. Chagrin vert, large encadrement composé de filets, dos à nerfs orné, filet sur les coupes, double filet sur les coiffes, double filet intérieur, tranches dorées, p. 3 : petit manque de papier en marge inférieure sans atteinte au texte ; pp. 171 et 187 : petit manque de papier en marge supérieure sans atteinte au texte ; rousseurs en marge sur quelques feuillets (Andrieux).
1730réf. 019663printed for J. and J. Knapton John Darley Thomas Osborne etc 1730. 2nd Edition . Hardcover. Very Good. 8vo - over 7¾ - 9¾" tall. Contemporary blind-panelled calf. rubbed joints partially cracked a little wear to spine ends and a red morocco label. Corners bumped. Previous owner's name on front endpaper. 'Proposals for printing by subscription' leaf at rear. 333 pages printed for J. and J. Knapton, John Darley, Thomas Osborne, etc hardcover
réf. 932369Lopen Somerset: Fulgur Press 2022. NEW - From the Publisher see images : "Deluxe Issue of 69 Copies Only Signed by the Contributors in Full Pigskin. Top edge gilt in Silk Chemise Fleece-lined / Slipcase. Custom endpapers from @paperwilds ooze and flow taking their cue from the colour palette of the principal text and self-portrait by Spare. The scale and quality of work make this something of a beast. N.B. This is the largest book we have yet produced 15 inches by 10 inches and it matches the original format of Spare's 1913 edition of The Book of Pleasure" - "There are few works in the life of Austin Osman Spare as notorious as his illustrations for Krafft-Ebing's Psychopathia Sexualis. First documented in the early 1930s by the socialite Viola Bankes Spare shared various anecdotes about this commission with friends and acquaintances until the end of his life. However drawings of a directly sexual nature remain surprisingly scarce in the artist's oeuvre despite his reputation for producing erotica. Recent biographers have even cast doubts on Spare's anecdotes noting Krafft-Ebing died long before the young artist became widely known. The discovery of the Psychopathia Sexualis folio in the archives of the Kinsey Institute is therefore a major milestone towards reclaiming and understanding the life story of the artist. Working closely with the team at the Kinsey Institute FULGUR PRESS is pleased to offer you the first publication of this masterpiece of the grotesque. Edited by Ryan M. Pfeiffer Rebecca Walz and Robert Shehu-Ansell this book reproduces the forty-four portfolio drawings in astonishing detail drawn from hi-resolution scans made directly from the original artwork. These extraordinary works by Spare have been augmented with a preface from Rebecca Fasman curator at the Kinsey Institute an introduction detailing the discovery by Ryan M. Pfeiffer and Rebecca Walz and illustrated analytical essays from Elijah Burgher Jeremy Biles and Robert Shehu-Ansell". First Edition Deluxe/Limited/Signed. Hard Cover/Full Pigskin/T.E.G. New. Illus. by 53 colour 5 black and white. Elephant Folio - over 15" tall. Heavy Oversized Safely Securely Packed. Fulgur Press hardcover
réf. 8970Londres, Jean Nours, 1748. 3 volumes in-12 (99 x 167 mm). Veau raciné aux armes, dos à nerfs orné, pièces de titre et de tomaison en maroquin rouge, roulettes sur les coupes et les coiffes, tranches mouchetées, tome I, p. 102 : petite déchirure en marge supérieure avec atteinte au titre de relais sans manque, coiffe supérieure du tome 1 finement restaurée (reliure de l'époque).
réf. 20998691Privately published at the Sunnybrook Press Sydney. 33.0 x 24.0cms 120pp 48 tipped in duotone plates Hoff has signed the frontespiece ie In Vain The Christian very good hardback & dustwrapper with red printers mark. No 15 of 100 copies with the signatures of the Earl Beauchamp the former Governor NSW Howard Ashton E C Temple Smith W Bede Dalley Rayner Hoff E H Shea publisher & printer. This is a rare example of the slow and expansive collotype printing process in Australia. This book celebrates Hoff's sculptures on Sydney's Anzac Memorial. Beachamp writes on war memorials and the Anzac War Memorial Building Sydney. Ashton writes on Hoff's 'fine accomplishment'. Temple Smith writes on Hoff as a sculptor. Dalley writes about Hoff's attempt 'to fill the thirsty land with springs of water'. and use of local white marble. The book features other Hoff bronzes & ends with an extensive list of subscribers and donors to its publication. They include Justice HV Evatt Dorothea Mckellar Frank Packer Keith Murdoch and the V&A Museum Library London. Privately published at the Sunnybrook Press Sydney hardcover
1975Book is in excellent condition with foxing and dust on the upper page ends, some foxing on side page ends also. Binding is solid and square, covers have sharp corners, exterior shows no other blemishes, text/interior is clean and free of marking of any kind except for previous owner's inscription on half title page. Dust jacket shows the slightest signs of shelf wear only, no tears. Initialed by Andy on title page in black marker at half title page. Price-clipped dust jacket with some chipping at top of spine and corners, now wrapped in clear protective cover. Publisher's page has the words "First Editon" above the letters "B C D E"
réf. 810Durham NC: Duke University Press 1987. First edition of the photographer's second major photobook. Quarto original cloth. Signed by Helen Levitt on the title page. Fine in a fine dust jacket. Not to be confused with the more common paperback edition. Helen Levitt and the author James Agee first collaborated in 1945 on a documentary film set in Harlem called "In the Street." Psychologist Robert Coles contributed the essays to this volume. Owen Edwards from The New York Times has noted that "in common situations Miss Levitt finds the glint of an often bizarre beauty that most of us-including photographers-do not notice. . . . She brings to her pictures an intensity that can be almost hypnotic." "There is no fundamental difference in the great landscapes and quiet portraits of Edward Weston and the profoundly revealing pictures of children by Helen Levitt. Both are photographic perceptions of the highest order" Ansel Adams. Duke University Press paperback
réf. DADAX1560850078New unknown
réf. SONG0888995563Used: Good unknown
1950réf. 021485London: Martin Secker & Warburg 1950 First printing of first British edition. Publisher's original binding and dust jacket. Ownership signature to front endpage light rubbing and tanning to board edge else book in fine condition; dust jacket with toning to back cover and flap margins small stamp "690" to bottom back cover moderate rubbing/creasing/paper loss to edges primarily spine ends and corners and a short ink mark to upper front cover else fine. Martin Secker & Warburg hardcover
réf. 20049Paris, José Corti, 1974. In-12, 244 pp ; demi-veau aubergine à bandes, dos lisse, titre en long, tête dorée, couvertures et dos conservés, étui bordé (reliure signée de D. Grégoire).
Paris, José Corti, 1974. In-12, 244 pp ; demi-veau aubergine à bandes, dos lisse, titre en long, tête dorée, couvertures et dos conservés, étui bordé (reliure signée de D. Grégoire). Edition originale. Tirage à 293 ex n°. Un des 150 sur vergé ivoire. Très bel exemplaire.
1842réf. 000177Paris Gosselin 1842
1905réf. 21639Paris, Félix Juven (Imprimerie Paul Dupont), (1905) ; petit in-8, bradel de percaline à coins vert lentilles d’eau, pièce de titre chair (reliure de l’époque) ; XXXIV, 313 pp., [1] f. de table.
réf. 17185Paris, Eugène-Renduel, 1836-1839. 5 vol. in-8°. t. I (1836) : (2) ff.-IV-559 pp (texte et appendice).-[1] p. de table ; t. II (1836) : (2) ff.-VIII-493 pp.-(1) f. ; t. III (1836) : (2) ff.-573 pp.-(1) f. ; t. IV (1839) : (2) ff.-II-489 pp.-(1) f. ; t. V (1839) : (2) ff.-553 pp.-(1) f. Demi cuir de Russie rouge à coins, dos à faux nerfs orné de filets dorés (rel. ép.).
Paris, Eugène-Renduel, 1836-1839. 5 vol. in-8°. t. I (1836) : (2) ff.-IV-559 pp (texte et appendice).-[1] p. de table ; t. II (1836) : (2) ff.-VIII-493 pp.-(1) f. ; t. III (1836) : (2) ff.-573 pp.-(1) f. ; t. IV (1839) : (2) ff.-II-489 pp.-(1) f. ; t. V (1839) : (2) ff.-553 pp.-(1) f. Demi cuir de Russie rouge à coins, dos à faux nerfs orné de filets dorés (rel. ép.). Très important ouvrage publiant pour la première fois en librairie des articles où la pensée et la méthode de critiques et de jugements de Sainte-Beuve s’affine et évolue. Les tomes 2 à 5 sont en édition originale, le tome 1 est en deuxième édition augmentée et corrigée (la première date de 1832 mais elle est incomplète) A ce sujet ; Sainte-Beuve a précisé en 1842 : « … l’auteur signale aux gens du métier, que c’est en définitive sur elle que, pour ses débuts critiques, il aimerait à être jugé ». Précieux exemplaire avec l’ex-libris manuscrit de Charles Labitte sur chaque volume ; on sait que Charles Labitte (1816-1845), brillant critique et historien, éminent professeur, fut en relation étroite avec Sainte-Beuve ; les lettres de ce dernier à Charles Labitte furent publiées pour la première en 1911 avec une introduction de Charles Sangnier. Ex-libris du grand bibliophile Gérard Sangnier. Vicaire, VII, 120-121. Quelques rousseurs, néanmoins bon exemplaire.
réf. DADAX0571142087New unknown
réf. DADAX0394408098New unknown
1992réf. 867Ithaca: Herbert F Johnson Museum of Art Cornell University 1992. First edition one of 1000 hardbound copies this one of 200 issued with an original lithograph signed dated & numbered by the artist. Small folio xiii & 192 pp illustrated throughout in color & black & white. Laid in and enclosed in a folding sleeve is the untitled lithograph number 7 of 200 measuring 11.75 inches by 8.75 inches. Publisher's blue cloth lettered in silver on the spine & upper cover in pictorial dust jacket. A fine copy in near fine dust jacket with slight edge wear and soiling Issued in conjunction with an exhibition at Cornell University's Herbert F Johnson Museum of Art this catalog of conceptual artist Agnes Denes' work is visually stunning. Includes essays by Peter Selz Lowery Stokes Sims Robert Hobbs and Donald Kuspit. The lithograph printed in blue ink on thick deckle-edged paper is not titled but represented on page 51 as "Model for Probability Pyramid - Study for Crystal Pyramid." Herbert F. Johnson Museum of Art, Cornell University hardcover books
