20 238 résultats
réf. DADAX0131839152New unknown
1786réf. 22439Paris: Chez le Jay 1786. Second edition two parts in one. 12mo pp xx 244 4 264 pp with with four engraved plates after designs by Gabriel de Saint-Aubin. Fine copy in a later full-calf binding with red spine label. Jean Bernard Bossu was a French naturalist who traveled widely in the then-vast territory of Louisiana during several trips made between 1751 and 1772. According to Howgego B138 "Bossu went out to Louisiana in 1850 as a captain of the marines and from 1751 was stationed in the Illinois country where he was adopted by the Quapaw Indians. He returned to France for health reasons in 1757 and in 1758 sailed for Mobile where he was befriended by the Alibamu Indians. The second journey was made in 1758-62 and the last in 1771-72. His journeys included a number of trips into the interior during which he made a study of several tribes of Indians. Bossu's Nouveaux Voyages aux Indes Occidentales appeared in three editions each enlarged to take account of this latest travels. His second narrative published in 1768 comprises a series of twenty-one letters.describing his life in the travels in Louisiana country from 1751-1762." Streeter 1518: "Bossu wrote well and his letters not only give an interesting picture of life and travels in the Mississippi Valley and the Mobile country to the east at the beginning of the second half of the eighteenth century but incorporated also are many sketches of events of the preceding years. Bossu came to New Orleans only thirty-three years or so after its founding and only eighty years after La Salle's journey down the Mississippi and first and second hand recollections were still fresh." Sabin 6465; Howes B-626; Field pp 38-39; Graff 361; Hubach p. 13. Chez le Jay unknown
1786réf. 22439Paris: Chez le Jay 1786. Second edition two parts in one. 12mo pp xx 244 4 264 pp with with four engraved plates after designs by Gabriel de Saint-Aubin. Fine copy in a later full-calf binding with red spine label. Jean Bernard Bossu was a French naturalist who traveled widely in the then-vast territory of Louisiana during several trips made between 1751 and 1772. According to Howgego B138 "Bossu went out to Louisiana in 1850 as a captain of the marines and from 1751 was stationed in the Illinois country where he was adopted by the Quapaw Indians. He returned to France for health reasons in 1757 and in 1758 sailed for Mobile where he was befriended by the Alibamu Indians. The second journey was made in 1758-62 and the last in 1771-72. His journeys included a number of trips into the interior during which he made a study of several tribes of Indians. Bossu's Nouveaux Voyages aux Indes Occidentales appeared in three editions each enlarged to take account of this latest travels. His second narrative published in 1768 comprises a series of twenty-one letters.describing his life in the travels in Louisiana country from 1751-1762." Streeter 1518: "Bossu wrote well and his letters not only give an interesting picture of life and travels in the Mississippi Valley and the Mobile country to the east at the beginning of the second half of the eighteenth century but incorporated also are many sketches of events of the preceding years. Bossu came to New Orleans only thirty-three years or so after its founding and only eighty years after La Salle's journey down the Mississippi and first and second hand recollections were still fresh." Sabin 6465; Howes B-626; Field pp 38-39; Graff 361; Hubach p. 13. Chez le Jay unknown books
18091st American Edition. Mathew Carey, Printed by A. Small, Philadelphia, 1809. Period full leather with leather spine label, 12mo, viii, 136 pages Illustrated with 6 engraved plates [all present]. Publication of humorous essays and stories by Pindar, Freneau, Ladd, Swift, Dibdin, Pitt, and others. One of the first printed collections of American humor. Not in Paltsits. Scarce. Shaw & Shoemaker 17136; BAL, vol. 3, p. 253. Last auctioned at Christie's, Nov. 18, 1988, lot 282. SUBJECT(S): English wit and humor. English poetry. OCLC: 2161350. Old stain to lower right corner of first 6 leaves. Plates present but first 4 are damaged. Binding lightly worn but good, Good Condition Thus. (AC-22-23A)
2009Surfaces, Depths is a representative selection of Thomas Ruff's works, over a period that already spans about 25 years, with projects ranging from portraits and interiors to telescope and space probe pictures and "nightsight" photography. Ruff incorporates an extremely wide range of everyday subjects into his experiments--people, architecture, planets, the Internet--and subjects them to all forms of camera technology, so that his work often seems to embody the history of the art as it develops. Ruff has a particular fascination with photographic techniques that appear to erase or leave out the artist's hand, techniques often designed for military or scientific purposes. In a recent series titled Zycles, for example, Ruff constructs his images with the help of mathematical formulas and computer technology, twisting two-dimensional surfaces into the three-dimensional space of vector graphics. Surfaces and Depths focuses on ten of Ruff's total of 18 projects to address this particular ongoing preoccupation with artistic detachment, and the polarities of surface and depth vision in the construction of images. In doing so, it makes the broadest assessment to date of the oeuvre of this tireless innovator. — Testi: Hug Catherine, Matt Gerald et al. pagg. 287; rileg. rigida. Editore: Verlag für moderne Kunst, Nürnberg, 2009.
réf. 89354A Genève, Manget, Imprimeur-Libraire, an VII, 1799 vieux style, 2 volumes in-8 de 125x205 mm environ, 461 et 525 pages, demi reliure à coins en veau marbré fauve, dos à 5 nerfs portant titres et tomaisons dorés, ornés de caissons dorés aux entre-nerfs, 8 planches dépliantes (cheminées...). Petite déchirure sur la coiffe de tête du second tome, 3 trous de ver dans la marge inférieure du premier tome, sans atteinte au texte, quelques rousseurs, frottements sur les plats et les coins, sinon bon état.
1979F.to: 15x21; pagg. 120; rileg. brossura. Editore: Edizioni Punto e virgola, Modena, 1979.
1843réf. 0020Paris, Normand, Carillan-Goeury et Dalmont, 1843 pour le 1er volume, 1849 pour les deux autres. 3 vol. in-folio de 335 x 270 mm non paginés. Contiennent respectivement 6 pp. d'avant-propos et 159 planches, 159 planches et 160 planches. Reliures originales demi-maroquin anthracite à nerfs, fleurons et caissons à double filets, nom d'auteur et titre en doré, tomaison en doré. Plats jaspés bleu nuit, pages de garde marbrées gris-bleu à motif cellulaire. Le premier volume contient un frontispice avec les noms des architectes auteurs des œuvres citées. Le deuxième volume présente un frontispice avec dédicace à Georges Cuvier. Le troisième, enfin, est dédié aux "maisons de campagne et constructions rurales des environs de Paris" et s'accompagne lui aussi d'un frontispice.
réf. DADAX0394575733New unknown
réf. 2310The Whittington Press. . Limited edition; folio; half-bound in black leather pattern paper sides with an accompanying folder containing 2 prints made from original negatives. Edition of 350 this is one of 70 copies bound thus. This is copy number lxiii. 50pp; 31 photographic plates. These are very evocative photographs taken in the early 1950's of houses churches and gardens with accompanying descriptive notes and essays and a checklist of books with Smiths's photographic illustrations. Fine in slipcase. The Whittington Press. hardcover
réf. SONG0521333245Used: Good unknown
2012réf. TH215223Hirmer Munchen / Ridinghouse London 2012. 1st Edition. HARDCOVER. Extra large and heavy 4to. in colour printed thick boards 151pp on thick art paper colour plates some folding etc. Dual text in English and German. This copy boldly inscribed to Karin von Mauer art historian curator and author and signed by Bridget Riley in ink on the title-page no other marks or inscriptions __CONDITION : A well preserved AS NEW unmarked copy. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Hirmer, Munchen / Ridinghouse, London hardcover
réf. SONG0754627195Used: Good unknown
2005réf. 49663Ann Arbor MI / Berkeley CA: University of Michigan Museum of Art / University of California Press 2005. Near Fine/Near Fine. Ann Arbor MI / Berkeley CA: University of Michigan Museum of Art / University of California Press 2005. First Edition with full number line. Quarto 31cm; publisher's boards in pictorial dust jacket; 176pp.; full color illus. throughout. Small bump at top edge of rear board else a Near Fine example. Inscribed and signed on half title page "To Betty / w/ heart / Betye Saar." Splendid exhibition catalog for this solo show of the late Black artist Betye Saar 1926-2026 best known for her assemblage and installation art -- "I'll Bend But I Will Not Break": a chained ironing board superimposed with a 19th century illustration of a slave ship; or "The Band at The Libya" a photo of a band performing at The Libya Harlem restaurant affixed to an old violin. University of Michigan Museum of Art / University of California Press unknown
2005réf. 49663Ann Arbor MI / Berkeley CA: University of Michigan Museum of Art / University of California Press 2005. Near Fine/Near Fine. Ann Arbor MI / Berkeley CA: University of Michigan Museum of Art / University of California Press 2005. First Edition with full number line. Quarto 31cm; publisher's boards in pictorial dust jacket; 176pp.; full color illus. throughout. Small bump at top edge of rear board else a Near Fine example. Inscribed and signed on half title page "To Betty / w/ heart / Betye Saar." Splendid exhibition catalog for this solo show of the late Black artist Betye Saar 1926-2026 best known for her assemblage and installation art -- "I'll Bend But I Will Not Break": a chained ironing board superimposed with a 19th century illustration of a slave ship; or "The Band at The Libya" a photo of a band performing at The Libya Harlem restaurant affixed to an old violin. University of Michigan Museum of Art / University of California Press unknown books
réf. 7187Paris, Mercure de France, 1916. In-8 (140 x 223 mm), 12 pp., 1 f. n. ch. Broché, couverture jaune imprimée d'éditeur, petit manque au coin supérieur gauche de la couverture, légères marques de pliures aux feuillets, griffonnements à la mine de plomb sur 2 ff.
réf. SONG1842171755Used: Good unknown
2015réf. 19091De Patrick Modiano. (Prix nobel de littérature en 2014).Édition originaletirée à 160 exemplaires sur vélin rivoli des papèteries Arjowiggins. Celui-ci N°70.Paris, Gallimard nrf - 2015 - 30 pages.Ouvrage broché sous couverture repliée imprimée en rouge et noir. Non coupé. Papier de soie de protection. Pas de rousseur. Etat Neuf. Format in-8°(20x13).
1727réf. 19935Donnez sur les éditions les plus anciennes et les plus correctes : Augmentez de plusieurs lettres de l'auteur, où les passages grecs latins et italiens sont traduits plus fidèlement et citez plus exactement que dans aucune des précédentes. Avec des notes et une table générale des matières plus utile que celles qui avaient paru jusqu'ici, par Pierre Coste.Nouvelle édition plus ample et plus correcte que les dernières de Londres et de Paris.A La Haye, chez P. Gosse et J. Neaulme - 1727, pour les T1, T2, et T4. - Frontispice sur le T1.A Londres, chez Jean Nourse - 1739, pour les T3, T5, et T6. - 4ème édition.T1 : (xxxvi, 4, et 652 pp) - T2 : (596 pp) - T3 : (585 pp) - T4 : (583 pp) - T5 : (533 pp) - T6 : (425 pp).Reliure plein veau de l'époque. Dos à nerfs orné et doré avec pièces de titre et de tomaison. Tranches rouges. Coiffes usées. Dos frottés. Coins émoussés. Tampons sur le titre. Quelques rousseurs. Bon état. Format in-12°(17x11).Les Essais entrepris en 1572 et constamment continués et remaniés jusqu'aux derniers mois avant sa mort sont une oeuvre tolérée par les autorités puis mise à l'Index par le Saint-Office en 1676. Ils ont nourri la réflexion des plus grands auteurs en France et en Europe, Shakespeare, Pascal, Descartes, Nietzsche, Proust, Heidegger, etc.
réf. DADAX0198148496New unknown
1978réf. 5137931Stuttgart: Klett-Cotta 1978-83. Gr. 8° ( 23,5 x 16 cm). Rote Orig.-Leinenbände mit illustriertem Orig.-Schutzumschlag im Orig.-Pappschuber. [Hardcover / fest gebunden].
2001réf. TH252342Royal Academy of Arts London 2001. 1st Edition. SOFTCOVER. Inscribed and signed by Frank Auerbach on the half title leaf no other marks or inscriptions. Published to accompany the exhibition of the same title at the Royal Academy of Arts London 14 September - 12 December 2001. Large heavy 4to. in colour printed stiff card covers with colour printed stiff card dust jacket 156pp on glossy art paper colour plates etc __CONDITION : An extremely well preserved AS NEW unmarked copy in an AS NEW complete Dust Jacket. An excellent copy. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Royal Academy of Arts, London paperback
réf. DADAX0674307151New unknown
réf. DADAX0826401910New unknown
2013réf. TH250531Giunti Editore 2013. 1st Edition. SOFTCOVER. Large heavy 4to. in colour printed stiff card covers 159pp on thick art paper colour plates etc. Dual text in English and Italian __CONDITION : An extremely well preserved AS NEW unread and unmarked copy. An excellent copy of this elusive book it was printed in a small edition which sold out very quickly and copies are very rarely sold. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. . . . . . . . . . . . . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Giunti Editore paperback