15 947 résultats
réf. 0856470139.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1994réf. 49671New York: Studio Museum in Harlem / Abradale Press / Harry N. Abrams 1994. Very Good/Very Good. New York: Studio Museum in Harlem / Abradale Press / Harry N. Abrams 1994. Second Edition. Quarto 29.5cm; publisher's boards in unclipped pictorial dust jacket; 200pp.; halftone and full color illus. throughout. Pinpoint wear to jacket and board margins spine slightly cocked closed tear at bottom edge of rear jacket panel not approaching text ownership label to front free endpaper. Very Good and sound overall. Signed by David C. Driskell and Deborah Willis Ryan on table of contents p. 5 next to their contributions. Studio Museum in Harlem / Abradale Press / Harry N. Abrams unknown
1987réf. 49670New York: Studio Museum in Harlem / Harry N. Abrams 1987. Very Good/Very Good-. New York: The Studio Museum in Harlem / Harry N. Abrams 1987. First Edition. Quarto 29.5cm; publisher's cloth in pictorial dust jacket; 200pp.; halftone and full color illus. throughout. Remainder mark to bottom textblock edge jacket and cloth quite worn at corners with old price sticker to rear panel. About Very Good. Signed by contributor David Levering Lewis to title page. Studio Museum in Harlem / Harry N. Abrams unknown
1996réf. 27383New York:: Knopf 1996. First Printing of the First US Edition. A Near Fine unread copy in a Fine bright unclipped dust jacket. In this collection of essays William Gass writes about literary language about history about the avant-garde about minimalism's brief vogue about the use of the present tense in fiction Is it due to the lack of both a sense of history and a belief in the future about biography as a form about exile - spiritual and geographical - and he examines the relationship of the writer's life to the writer's work. Gass writes with wit and intelligence as he sifts through cultural issues of our time and contemplates how written language whether a sentence or an entire book is a container of consciousness the gateway to another's mind that we enter for a while and make our own. Knopf, hardcover
1962réf. 014407New York London: Hafner Publishing 1962. 2nd Revised Ed. 2nd Printing. Hardcover. Fine/Very Good. Dark green cloth with gilt spine lettering. F/piece English t.p. facs. 1852 German t.p. xxvii inc. all prelims 435 numerous ills. of various kinds throughout inc plates ex-pagination. No obvious internal faults being clean tight and unmarked. Jacket price-clipped to top front wraparound otherwise clean with slight edge-rubbing in places but no chips or nicks will add protective sleeve when ordered. 16 cm x 23 cm Hafner Publishing hardcover
2001réf. 55621Edition Linter & Nusser ; Verlag Robert Gessler 2001-01-01. Paperback. Like New. Signed by Other. Artist inscribed to previous owner and signed as new paperback. Please email for photos. Edition Linter & Nusser ; Verlag Robert Gessler paperback
2006réf. 72048Austin: University of Texas Press 2006. First edition. Hardcover. Very Good /Very Good . SIGNED. Quarto 31 cm Brown cloth over boards with silver stamping. In the dust jacket with subtle surface wear. May require extra postage due to size and weight. The photographs in this book are a part of the permanent collection of The Wittliff Gallery of Southwestern & Mexican Photography at Texas State University San Marcos. Inscribed by the photographer in the year of publication to the late Santa Fe bookseller Nick Potter on the page following the half title: "Signed with pleasure for / Nick on this 14th / day of July 2006- / Bill. University of Texas Press hardcover
réf. A9781340576318Hardback. New. hardcover
2000réf. 00002759Library Of Congress 2000. Hardcover. Fine. r. 600pp. Library Of Congress hardcover
1991réf. 018131St. John's Newfoundland: Breakwater Books with Mira Godard Gallery 1991. 1st Edition. Hardcover. Near Fine/Very Good. 4to - over 9¾ - 12" tall. Inscribed by Authors. Signed by Christopher Pratt to previous owner dated Oct 1/ 91. Slight crinkling to back of dust jacket at top. Toning to edges of dust jacket. Breakwater Books with Mira Godard Gallery hardcover
réf. 30682369-nnew. unknown
2005réf. 50599Princeton Architectural Press New York 2005. First Edition. Hardcover. Very Good Condition/Near Fine. Illustrator: Jem Southam. Signed by Illustrator. Size: Oblong 4to 9 3/4 - 12". Unpaginated. Binding firm spine cocked. Dust Jacket is in as new condition apart from normal shop shelf wear. Edge marked. Covers slightly marked. Jem Southam's signature to front end paper. Profusely illustrated. Illustrator: Jem Southam. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Photography; Modern; Environment & Ecology. Signed by Illustrator. ISBN: 1568985177. ISBN/EAN: 9781568985176. Pictures of this item not already displayed here available upon request. Inventory No: 50599. . 9781568985176 This book is extra heavy and may involve extra shipping charges to some countries. Princeton Architectural Press hardcover
1881réf. 296045George Routledge & Sons 1881. hardcover. Good. 14 to 17 cm tall 16mo. A. T. Elwes. 1881 edition with maroon cloth decorated with swirling branches. This is not an illustrated edition. Posted within 1 working day. Royal Mail Tracked 24 to UK. Tracked Airmail worldwide. Robust recyclable packaging. Picture is the actual item. George Routledge & Sons hardcover
1930réf. 288756Moss Bros c1930. paperback. Good. 19 to 25 cm tall Octavo 8vo. Foxing on the covers. Posted within 1 working day. Royal Mail Tracked 24 to UK. Tracked Airmail worldwide. Robust recyclable packaging. Picture is the actual item. Moss Bros paperback
2008réf. 011342NEW YORK PUBLIC LIBRARY. Brand new. Never been read. . Fine. Hardcover. 1st Edition. 2008. NEW YORK PUBLIC LIBRARY hardcover
réf. 30682369like new. unknown
2014réf. 072054Paris and Milwaukee WI: Centre Pompidou/Milwaukee Art Museum 2014. Book. New. Hardcover. 1st Edition. Folio - over 12" - 15" tall. Blue cloth lettered in gold foil. New/as issued dust jacket now in mylar. 1st ed. Brochure for Kandinsky exhibition at Milwaukee Art Museum 5 June - 1 Sept. 2014 laid in. xviii201 pp. Centre Pompidou/Milwaukee Art Museum Hardcover
1991réf. 060916New York: Oxford University Press 1991. First Edition . Hardcover. Near Fine/Near Fine. A Near Fine copy in black cloth in a Near Fine dust jacket. Owner's name of North Carolina African-American sculptor/artist Henry G. Michaux else close to as new. Oxford University Press hardcover
2015réf. 626153New York: Rizzoli / Central Park Conservancy 2015. Hardcover. Fine/Near Fine. First edition. Oblong folio. Measuring 15¼" x 13¼". 176pp. Illustrated from color photographs by Sara Cedar Miles. Fine in near fine dust jacket with two tiny rubbed spots the rear panel lightly scuffed and one tiny tear. Nicely Inscribed by Sara Cedar Miles to a scholar of New York City: "To Graham - in deep appreciation for your work and for our new friendship. Sara Cedar Miller." A handsome and surprisingly uncommon production stamped 0760 of an unknown limitation. Rizzoli / Central Park Conservancy hardcover
2018réf. 000925UK: National Portrait Gallery London 2018. Book. Hardcover. Published for the London exhibit of the same name. SIGNED by Smith. Essays by Smith and Jefferson .Published in the UK. Numerous artist's portraits of Jackson along with Photos with commentary. Large art book 4to size will require extra shipping. . National Portrait Gallery London hardcover
2012réf. 931840Australia: Buratti Fine Art Pty Ltd 2012. NEW / SIGNED by Buratti. Signed by Author. First Edition. Soft Cover. New. Illus. by Full-color Images Throughout Most Full-page. 4to size - over 11" tall. Buratti Fine Art Pty Ltd paperback
1969réf. 041144Toronto Ontario Canada: University of Toronto Press 1969. Oversized hardcover with unclipped dust jacket xviii 286 pages including "---hundreds of black-and-white selections---"; book has just a hint of shelf wear to cover tips front cover and spine gilt lettering very bright and clear very clean and unmarked throughout; DJ of surprisingly poor quality paper for a U of T Press publication has numerous tiny chips and tears one short tear to front top flap hinge. PLEASE NOTE: the Stock Image provided by next to my listing is not an image of my copy but rather a book in poorer condition not reflective of my much better copy. For more of Eaton's see also our listing for Canada's Greatest Store: Christmas Catalogue1897 The T. Eaton Co. Limited or for later Canadian retail shopping see also our listings for Canadian Tire Corporation: VALUE GUIDE '89 1989 Catalogue catalog and for Our Store : 75 Seventy-Five Years of Canadians and Canadian Tire. First Edition. Hard Cover. Fine/Very Good -. University of Toronto Press Hardcover
2012réf. 058287New York: Rizzoli. Near Fine in Very Good dust jacket. 1st Edition; 1st Printing. Hardcover. Oblong hardcover with dustjacket first printing as indicated by the publisher's "1" in the number line on copyright page inscribed dated and signed by artist James Prosek along with a drawing of a fish on the half-title page the book has mild rubbing to the corners and mild crinkling to the spine-ends the book is in great shape overall with no other remarkable flaws the jacket has a long but mild and faint verical crease on the front panel and is clean and attractive overall the original price is present and a professional removable mylar cover is included "Prosek captures 35 of the most pursued fish - from striped bass to tarpon swordfish to bonefish - as well as many creatures that share these marine ecosystems from lobsters to shells to beach plants - through rich watercolors painted specifically for this handsome volume"; 184 pages; Signed by Author . 2012. 0847839079 . Rizzoli hardcover
1936réf. 008594London: Jonathan Cape Ltd. 1936. First edition first printing. Hardcover. This compellingly well-preserved jacketed first edition first printing was signed by Frost in Texas in 1937. Frost wrote in two lines on the front free endpaper recto: Robert Frost San Antonio 1937. This copy was signed thus within four months of publication 13 November 1936; Frost spent the winter of 1936-37 in San Antonio from December 1936 until late March 1937 taking up residence at a home close to Trinity University. Condition is near fine in a near fine dust jacket. The blue cloth binding is square clean bright and tight with sharp corners and only mild shelf wear to the bottom edges. The contents are clean with no spotting no soiling and only mild age toning. The blue-stained top edges retain even color the fore and untrimmed bottom edges are clean. Texas provenance for this British-only edition is both a bit ironic and entirely complete; the sole previous ownership mark other than the authors signature is a small booksellers sticker affixed to the lower left rear pastedown: FRANK ROSENGREN BOOKSELLER MILAM BLDG. San Antonio Texas in operation from 1935 to 1987. Willie Morris editor of Harper's called Rosengren's Books "one of the finest and most admirable bookstores in America." The white dust jacket printed in red and black is unclipped retaining the original lower front flap 5s. net price and entirely complete with no loss or tears. While the jacket shows light overall soiling we note no appreciable color shift between the covers and spine and only trivial hints of shelf wear to extremities. The dust jacket is protected beneath a clear removable archival cover. Selected Poems had first been published in 1923 with poems from Frosts first three published collections A Boys Will North of Boston and Mountain Interval. The collection was carefully calculated to present Frost as a major contemporary figure. Frosts arrival as a major contemporary figure had been imminent; that first Selected Poems was published in March 1923 preceding the November 1923 publication of New Hampshire the collection that won Frost his first Pulitzer Prize. By 1936 when this expanded Selected Poems was published by Jonathan Cape in London Frost unequivocally was a major contemporary figure. The arrangement of poems 62 rather than the 1923 editions 43 poems was not only a new and expanded arrangement but also the first book of Frosts to contain material by others with introductory essays by W. H. Auden C. Day Lewis Paul Engle and Edwin Muir. This expanded edition of Selected Poems was published first and only in England where Frosts first book A Boys Will had been published in 1913 23 years before. It had been in England that this quintessential American poet had been first published and recognized. Now preeminent in America Frost was being reintroduced to England. As explained by the publishers note on the dust jacket flap: Mr. Robert Frost is by now recognized as the outstanding poet of his generation in America and to the few but still too few in England his work has long been known as unique in its kind it is a striking tribute to the appeal of his poetry that Mr. W. H. Auden Mr. Cecil Day Lewis Mr. Paul Engle and Mr. Edwin Muir should have contributed for this volume four specially written essays of critical appreciation uniting in their admiration of an artist older in years but unageing in his sensibility and performance. Frost required little introduction for the rest of his life. The next year 1937 he won the third of his eventual and still-unequaled four Pulitzer Prizes for Poetry. He spent his final years as the most highly esteemed American poet of the twentieth century with an ever-growing hoard of academic and civic honors. Two years before his death he became the first poet to read in the program of a U.S. Presidential inauguration Kennedy January 1961. References: Crane A5 & A22; Parini Robert Frost: A Life; San Antonio Current Jonathan Cape Ltd. hardcover
réf. Niyogi-9789389136043Niyogi Books Illustrated. 320. Hardbound. New. 31.7 x 23.6 x 2.7 cm. English Niyogi Books Illustrated hardcover