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2016réf. 29338New York:: Penguin Press 2016. First Printing of the First US Edition. A Fine tight copy in a Near Fine price-clipped dust jacket. In these essays Mary Oliver reflects on her willingness as a young child and as an adult to lose herself within the beauty and mysteries of both the natural world and the world of literature. Emphasizing the significance of her childhood “friend” Walt Whitman through whose work she first understood that a poem is a temple “a place to enter and in which to feel” and who encouraged her to vanish into the world of her writing Oliver meditates on the forces that allowed her to create a life for herself out of work and love. Upstream follows Oliver as she contemplates the pleasure of artistic labor her boundless curiosity for the flora and fauna that surround her and the responsibility she has inherited from Shelley Wordsworth Emerson Poe and Frost the great thinkers and writers of the past to live thoughtfully intelligently and to observe with passion. Penguin Press, unknown
réf. 69067Mercatorfonds & Bozar Books 2026. couverture rigide 288 pages avec illustrations en couleur 305 x 23 cm texte en français Neuf. ISBN 9789462304024. La beauté et la laideur sont depuis lAntiquité des sujets qui ne cessent de fasciner et de questionner sagissant de thèmes universels dont les variantes sont déterminées selon les cultures et les époques. Comment la dialectique entre le beau et le laid sest-elle formellement exprimée entre la fin du XVe siècle et le XVIe période qui savérera charnière Les artistes de la Renaissance ont été les premiers à leur accorder une égale importance et cet intérêt ira croissant tout au long du XVIe siècle. Le présent ouvrage explore cette trajectoire déployant les thèmes de la beauté et de la laideur sous leurs aspects les plus saillants et les plus représentatifs. Une approche comparative entre les oeuvres de la Renaissance italienne et celles de lEurope du Nord en particulier des anciens Pays-Bas permet de saisir les constantes et les déclinaisons dans lhistoire des formes et du goût à lappui doeuvres accompagnées de notices entre autres de Sandro Botticelli Lucas Cranach lAncien Léonard de Vinci Frans Floris de Vriendt Albrecht Dürer Lorenzo Lotto Quentin Metsys Michel-Ange Titien Le Tintoret et Veronese. Sous la direction scientifique de Chiara Rabbi Bernard avec des essais de Cristina Acidini Christophe Brouard Elena Capretti Maria Clelia Galassi Yves Hersant Koenraad Jonckheere Catherine Lanoë Pietro C. Marani et Giandomenico Spinola. Mercatorfonds & Bozar Books 2026 unknown
2024réf. 29371Minneapolis:: Graywolf Press 2024. First Printing of the First US Edition. A Near Fine copy with discreet remainder dot in a Fine unclipped dust jacket. This collection of Maggie Nelson's non-fiction spans two decades of her work including essays reviews and conversations with artists and writers like Prince Carolee Schneemann and Kara Walker. The book explores recurring themes in her work such as love friendship queer and feminist issues and the role of art and criticism offering a look into her development and preoccupations with subjects like art parenting and identity. It's been praised for its blend of personal and analytical writing showcasing her unique style and deep engagement with art and culture. Graywolf Press, unknown
2024réf. 29385Berkeley:: Counterpoint 2024. First Printing of the First US Edition. A Near Fine copy with discreet remainder dot in a Fine unclipped dust jacket. With Every Great Breath is a collection of essays by environmentalist Rick Bass featuring both new and previously published essays that explore ecological personal and social landscapes ranging from his local Montana community to global locations like Alaska and Namibia while balancing environmental crisis with the celebration of natural beauty. Counterpoint, unknown
réf. 359351Harry N Abrams Inc 1998. Lg quarto black cloth boards blue lettering to spine frontispiece 352pp illus/photos Near FINE sl tanning to page edges in d/w Near FINE in plastic protective cover- easily removed if desired sl fading to spine Harry N Abrams Inc 1998 hardcover
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réf. 347873Skira Editore 2012. Lg quarto illus light card wrappers with french flaps white lettering to spine 126pp illus/photos VG minor creasing & peeling to cover edges sl chafing to covers sl tanning & soiling to page edges Skira Editore 2012 unknown
1905réf. 24188London and New York: John Lane: The Bodley Head 1905. First Edition. Hardcover. Very good. 8.75" X 6" 303 pp extensively illustrated with 16 color plates and many b/w drawings in the text bound in original green pictorial cloth. Spine somewhat faded small spots of insect nibbling to cloth on front board some tanning and spotting to first and last few leaves bookplate of Roscoe & Hilda Gage on front pastedown. Text clean binding sound. John Lane: The Bodley Head hardcover
1936réf. 008698London: Jonathan Cape Ltd. 1936. First edition first printing. Hardcover. This jacketed first edition first printing is signed by American poet literary critic and educator Paul Engle at the head of his introductory essay. On page 23 just below his printed name Engle signed Paul Engle in blue ink. A handsome folding compliments card laid in features a gilt embossed crown device on the front cover the inside of the card printed With all best wishes and UNIVERSITY OF IOWA with Engles signature Paul Engle in between. Also laid in is a franked 1957 postcard posted from New York City featuring a printed announcement: The Poetry Society of America has the honor of presenting PAUL ENGLE in comments and readings from his published work on Thursday February 28 . Condition of this signed presentation copy is near fine in a very good dust jacket. The blue cloth binding is square clean bright and tight with sharp corners and only mild shelf wear to the bottom edges. The contents are clean with no spotting no soiling and only mild age toning. The blue-stained top edges retain even color the fore and untrimmed bottom edges are clean. The sole previous owner markings in the book in pencil on the upper front pastedown indicate that the ostensibly original owner paid $2.00 for this copy on Nov. 25 1936 and that it was Signed Mar. 7 1957 not long after the 28 February 1957 event advertised on the laid-in postcard. The white dust jacket printed in red and black is unclipped retaining the original lower front flap 5s. net price and substantially complete with fractional loss confined to the upper joints and upper flap fold corners. The jacket is unfaded with no color shift between the covers and spine but lightly soiled overall with a short closed tear at the upper front flap fold and a three-inch angled tear extending from the upper front joint down along the front face to the left of the printed title. The dust jacket is protected beneath a clear removable archival cover. The contributing author who signed Paul Engle 1908-1991 had intended to become a Methodist minister but decided instead to enter the University of Iowa and obtained an M.A. in 1932. His thesis consisted of an original book of poems Worn Earth which won the Yale Series of Younger Poets Prize. A sojourn in England followed via a Rhodes scholarship and study under the poet Edmund Blunden. This may help explain why Engle is the only American among the four contributors to this work. Engle took a post at the University of Iowa in 1937 where he spent the remainder of his academic career. By the end of his life he had published more than a dozen books of poetry and left an enduring mark on the institutionalization of creative writing. Frosts Selected Poems had first been published in 1923 with 43 poems from Frosts first three published collections. This 1936 new and expanded edition now with 62 poems was the first book of Frosts to contain material by others with introductory essays by W. H. Auden C. Day Lewis Paul Engle and Edwin Muir. It was published first and only in England where Frosts first book A Boys Will had been published in 1913 23 years before. It had been in England that this quintessential American poet had been first published and recognized. Now preeminent in America Frost was being reintroduced to England. As explained by the publishers note on the dust jacket flap: Mr. Robert Frost is by now recognized as the outstanding poet of his generation in America and to the few but still too few in England his work has long been known as unique in its kind it is a striking tribute to the appeal of his poetry that Mr. W. H. Auden Mr. Cecil Day Lewis Mr. Paul Engle and Mr. Edwin Muir should have contributed for this volume four specially written essays of critical appreciation uniting in their admiration of an artist older in years but unageing in his sensibility and performance. References: Crane A5 & A22; ANB; Parini Robert Frost: A Life Jonathan Cape Ltd. hardcover
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