Antiquariat.de
14 527 résultats
1990réf. 94630München, Edition Text + Kritik GmbH, 1990. 167 S. Gr.-8° Groß-Oktav, Softcover/Paperback
1985réf. 77668Kassel, Johannes Stauda Verlag, 1985. 308 S. Gr.-8° Groß-Oktav, Hardcover/Pappeinband
1997Le livre d'artiste bénéficie du regain d'intérêt dont jouissent actuellement les avant-gardes des années soixante et soixante-dix. En lui-même, le livre d'artiste est devenu un genre spécifique et reconnu comme tel. Esthétique du livre d'artiste est une étude exhaustive des livres publiés par les artistes des avant-gardes des années soixante et soixante-dix : poésie concrète et visuelle, Fluxus, art minimal, art conceptuel... En rupture avec la tradition artisanale des " livres illustrés " de la bibliophilie, les livres d'artistes utilisent les techniques industrielles d'impression; ils ont matériellement l'aspect de publications ordinaires. À la différence des livres de bibliophilie, ils sont la création d'un artiste seul, sans la participation d'un écrivain. Plus de 300 artistes, de toutes nationalités, sont étudiés, parmi lesquels notamment Baldessari, Barry, Boltanski, Broothaers, Buren, Darboven, Filliou, Finlay, Fulton, Gerz, Gette, Kosuth, Le Gac, LeWitt, Long, Messager, Roth, Ruscha, Tremlett, Weiner. — Testi: Moeglin-Delcroix Anne. F.to: 24,5x30,5; pagg. 656; COL e BN; rileg. brossura. Editore: Jean Michel Place, Paris, 1997.
1932réf. 100208Kopenhagen, Westermanns Forlag, 1932. 255 S. Kl.-8° Klein-Oktav, Softcover/Paperback
1996IN HEBREW. 25x16cm. 244 pages. Hardcover. Spine edges slightly bumped. Else in good condition.
1970‘Today, when one speaks of cinema, one implies a metamorphosis in human perception,’ writes the author of this extraordinary book. ‘Just as the term ‘man’ is coming to mean man/plant/machine, so the definition of cinema must be expanded to unclude videotronics, computer science, and atomic light.’ In a brilliant and far-ranging study, Gene Youngblood traces the evolution of cinematic language to the end of fiction, drama, and realism. New technological extensions of the medium have become necessary. Thus he concentrates on the advanced image-making technologies of computer films, television experiments, laser movies, and multiple-projection environments. Outstanding works in each field are meticulously described, including interviews with artists and technologists. Expanded Cinema is filled with provocative post-McLuhan philosophical probes into ‘The Paleocybernetic Age,’ ‘the videosphere,’ and ‘the new nostalgia,’ all in the context of what the author calls ‘the global intermedia network.’ In ‘Image-Exchange and the Post-Mass Audience Age,’ Mr. Youngblood discusses the revolutionary implications of videotape cassettes and the cable television as educational tools. His observations are placed in comprehensive perspective by an inspiring introduction written by R. Buckminster Fuller. The text is richly illustrated by 284 photographs, including 60 in full colour. Vast in scope, both philosophical and technical, Expanded Cinema will be invaluable to all who are concerned with the audio-visual extensions of man, the technologies that are reshaping the nature of human communications. — Testi: Youngblood Gene, Buckminster Fuller R.. F.to: 14,5x20; pagg. 432; 60 COL e 224 BN; rileg. rigida con sovracoperta. Editore: Studio Vista, London, 1970.
1983réf. 85554Bad Homburg, Verlag Dr. Max Gehlen, 1983. 510 S. Gr.-8° Groß-Oktav, Hardcover/Pappeinband
1979280x215 mm. 309 pages. Gilt hardcover with dust-jacket. Jacket torn. Pages yellowing. Else in good condition.
1869réf. 15554München Verlag von Braun & Schneider, ca. 1869. 208 S. 4° Quart Hldr.
1980réf. 101423Frankfurt, Institut für Kulturanthropologie und europäische Ethnologie der Johann Wolfgang Goethe-Universität Frankfurt am Main, 1980. 191 S. 8° Oktav, Softcover/Paperback
1963206 p., frontis. With a bibliography of {DeVoto's] writings prepared by Julius P. Barclay with the collaboration of Elaine Helmer Parnie. [Also a short introduction by Wallace Stegner]. Hardcover Very good condition good
réf. 71815Kiel, Notruf für vergewaltigte Mädchen und Frauen.
réf. 76107Leipzig, Verlag A. Anton & Co., o. J. 238 S. Gr.-8° Groß-Oktav, Halbleinen
1894réf. 97881o. O., o. V., 1894. 207 S. 8° Oktav, Leinen
1898réf. 88924Leipzig, Verlag von Ernst Keil's Nachfolger, ca. 1898. 227 S. 8° Oktav, Leinen
1901réf. 86975Leipzig, Verlag von Ernst Keil's Nachfolger, 1901. 206 S. 8° Oktav, Leinen
1903réf. 86974Leipzig, Verlag von Ernst Keil's Nachfolger, 1903. 206 S. 8° Oktav, Leinen
1904réf. 86979Leipzig, Verlag von Ernst Keil's Nachfolger, 1904. 206 S. 8° Oktav, Leinen
1905réf. 86980Leipzig, Verlag von Ernst Keil's Nachfolger, 1905. 200 S. 8° Oktav, Leinen
1988réf. 22335München ; Berlin : Herbig, c 1988. 304 S. 8°. OPpbd. (Leinenstruktur) mit Rückengoldpräg. u. SU.
2011réf. 99364o. O., Fachhochschulverlag, 2011. 128 S. Gr.-8° Groß-Oktav, Softcover/Paperback
réf. 18919Düsseldorf Patmos Verlag, o. J. 111 S. 4° Quart Kart.
1981réf. 103639Stuttgart, Gustav Fischer Verlag, 1981. 484 S. Gr.-8° Groß-Oktav, Softcover/Paperback
1988réf. 83854München, Prestel-Verlag, 1988. 216 S. Gr.-8° Groß-Oktav, Leinen
1928réf. 103929o. O., o. V., 1928. 116 S. 4° Quart, Softcover/Paperback
