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1992réf. 82253Mailand, Edizioni CO. P. IN. A., 1992. 180 S. + NN. 4° Quart, Softcover/Paperback
1992réf. 82255Mailand, Edizioni CO. P. IN. A., 1992. 204 S. + NN. 4° Quart, Softcover/Paperback
2014Equated with notions of public interaction, the term "participation" is often used very loosely, especially within the contexts of new media and innovation research. Among a recent generation of artists and designers working in new media, there is an increasing need to work across disciplines and domains in ways that enable end users to contribute content, form and structure. These artists are currently developing new parameters in creative collaboration and participation in order to meet the specific working methods and processes required by new media. Participation Is Risky illustrates how interesting participative practices and results are typically characterized by the "risky" confrontation between the differences of disciplines and perspectives. While their work will have no fixed form, Participation Is Risky proposes that artists who engage in participative practices must take the risk of abandoning their traditional roles and evolve through participatory collaboration. — Testi: Storni Cristiano, Huybrechts Liesbeth et al. pagg. 344; rileg. brossura. Editore: Valiz, Amsterdam, 2014.
1979A provocative history of live art traces the precedents of contemporary multi-media events to Bauhaus experimentalism and surveys the Futurists' manifesto-like events, the Dadaists' cabarets, and later "happenings" and "spectacles." — Testi: Goldberg RoseLee. F.to: 20X28; pagg. 128; BN; rileg. brossura. Editore: Harry N. Abrams, New York, 1979.
1927réf. 89131Berlin, Verlag von Walter de Gruyter & Co., 1927. 485 S. 8° Oktav, Softcover/Paperback
1955réf. 98979Sinnig, Uta-Verlag, 1955. ca. 400 S. 8° Oktav, Softcover/Paperback
1976réf. 93175Bad Heilbrunn, Verlag Julius Klinkhardt, 1976. 190 S. 8° Oktav, Softcover/Paperback
1927réf. 15719Leipzig Verlag von Felix Meiner, 1927. 370 S. Gr. 8° Groß-Oktav Ln.
1929réf. 15717Leipzig Verlag von Felix Meiner, 1929. 370 S. Gr. 8° Groß-Oktav Ln.
réf. 90534Stuttgart, J. G. Cotta'sche Buchhandlung, o. J. Kl.-8° Klein-Oktav, Leinen
1974Testi: Erhard Ernst-Otto. F.to: 14x21; pagg. 94; rileg. brossura. Editore: Otto Maier Verlag, Ravensburg, 1974.
1997The Portikus is one of the most important alternative exhibition spaces in the world. This catalogue studies it's role in the art world, and the seminal exhibitions which have been held there. — Testi: König Kaspar, Cook Peter. F.to: 21,5x28; pagg. 336; COL e BN; rileg. rigida con sovracoperta. Editore: Portikus, Frankfurt am Main , 1997.
2012In this post-digital age, digital technology is no longer a revolutionary phenomenon but a normal part of everyday life. The mutation of music and film into bits and bytes, downloads and streams is now taken for granted. For the world of book and magazine publishing however, this transformation has only just begun. Still, the vision of this transformation is far from new. For more than century now, avant-garde artists, activists and technologists have been anticipating the development of networked and electronic publishing. Although in hindsight the reports of the death of paper were greatly exaggerated, electronic publishing has now certainly become a reality. How will the analog and the digital coexist in the post-digital age of publishing? How will they transition, mix and cross over? In this book, Alessandro Ludovico re-reads the history of the avant-garde arts as a prehistory of cutting through the so-called dichotomy between paper and electronics. Ludovico is the editor and publisher of Neural, a magazine for critical digital culture and media arts. For more than twenty years now, he has been working at the cutting edge (and the outer fringes) of both print publishing and politically engaged digital art. — Testi: Ludovico Alessandro, Cramer Florian . F.to: 9x25; pagg. 192; BN; rileg. brossura. Editore: Onomatopee, Eindhoven, 2012.
1972A revealing, profusely illustrated report on the problems of our penal systems, including a special section on the schocking Attica rebellion. — Testi: Leinwald Gerald. pagg. 256; BN; rileg. brossura. Editore: Pocket Books, New York, 1972.
réf. 23039Paris, Tierce 1980, 240x155mm, 96pages, broché.
1968réf. 80573Stuttgart, Ernst Klett Verlag, 1968. 271 S. Gr.-8° Groß-Oktav, Halbleinen
1983réf. 105394Heidenheim, Südmarkverlag Frutsch KG, 1983. 26 S. Gr.-8° Groß-Oktav, Softcover/Paperback
1984réf. 105395Heidenheim, Südmarkverlag Frutsch KG, 1984. 27 S. Gr.-8° Groß-Oktav, Softcover/Paperback
1986réf. 105397Heidenheim, Südmarkverlag Frutsch KG, 1986. 27 S. Gr.-8° Groß-Oktav, Softcover/Paperback
1987réf. 105398Heidenheim, Südmarkverlag Frutsch KG, 1987. 27 S. Gr.-8° Groß-Oktav, Softcover/Paperback
1987réf. 105399Heidenheim, Südmarkverlag Frutsch KG, 1987. 27 S. Gr.-8° Groß-Oktav, Softcover/Paperback
1989réf. 105400Heidenheim, Südmarkverlag Frutsch KG, 1989. 27 S. Gr.-8° Groß-Oktav, Softcover/Paperback
1990réf. 105401Heidenheim, Südmarkverlag Frutsch KG, 1990. 27 S. Gr.-8° Groß-Oktav, Softcover/Paperback
1991réf. 105402Heidenheim, Südmarkverlag Frutsch KG, 1991. 39 S. Gr.-8° Groß-Oktav, Softcover/Paperback
1993réf. 105403Heidenheim, Südmarkverlag Frutsch KG, 1993. 47 S. Gr.-8° Groß-Oktav, Softcover/Paperback
