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1979réf. 105392Heidenheim, Südmarkverlag Frutsch KG, 1979. 42 S. Gr.-8° Groß-Oktav, Softcover/Paperback
1982réf. 105393Heidenheim, Südmarkverlag Frutsch KG, 1982. 42 S. Gr.-8° Groß-Oktav, Softcover/Paperback
réf. 97084Heidelberg, High Quality.Gmbh, o. J. 64 S. 4° Quart, Softcover/Paperback
1955réf. 97479München, o. V., 1955. 65 S. 2° Folio, Softcover/Paperback
1955réf. 97477München., o. V., 1955. 65 S. 2° Folio, Softcover/Paperback
1955réf. 97478München, o. V., 1955. 65 S. 2° Folio, Softcover/Paperback
1951réf. 97733München, o. V., 1951. 37 S. 2° Folio, Softcover/Paperback
1975"Nella grande crisi dei valori e delle istituzioni come gestiscono gli operatori estetici il loro lavoro? Questa è la prima indagine sociologica sull'avanguardia italiana dal 1970 ad oggi, dal momento in cui, qui da noi, si sono messe le carte in tavola e, per la prima volta, siamo usciti dei nostri confini mentali e geografici. Tuttavia le cosiddette ultime tendenze - dall'arte povera, concettuale, alla body art - spesso hanno frainteso il loro ruolo rivoluzionario: l'accaparramento dei nuovi mezzi o l'assimilazione delle teorie scientifiche ha prodotto ugualmente delle "opere d'arte" per la fruizione e la speculazione di sempre. Perché non è cambiato nulla? A questo interrogativo tenta di rispondere questo rapporto con una carrellata critica e un certo numero di sondaggi, mentre contemporaneamente traccia le linee essenziali per una futura collocazione di questi "documenti"." — Testi: Inga Pin Luciano, Vergine Lea et al. pagg. 174; rileg. brossura. Editore: La libera umanità editrice, Milano, 1975.
1996réf. 16681Düsseldorf IDW-Verlag, 1996. XXVIII + 1187 S. Gr. 8° Groß-Oktav Ln.
198624.5x18cm. 409 pages. Gilt hardcover. Rear cover slightly faded. Spine slightly faded. Spine edges slightly bumped. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
1971Immediatamente diponibile. € 50.00 — Testi: Ohff Heinz. F.to: 15x21; pagg. 320; BN; rileg. brossura. Editore: Bertelsmann Kunstverlag, Berlin, 1971.
réf. 500048461Sans date.
réf. 500304347Sans date. Impossible de déterminer le résumé du livre à partir des fragments fournis qui semblent être des extraits de définitions de saints et de lieux plutôt que du contenu de l'ouvrage lui-même
1928réf. 80332Dresden, Schriftenhauptstelle des Sächsischen Pestalozzi-Vereins, 1928. 82 S. 8° Oktav, Halbleinen
1989réf. 90158Kassel, Wissenschaftliches Zentrum II für Psychoanalyse, Psychotherapie und psychosoziale Forschung der Gesamthochschule Kassel, 1989. 210 S. Gr.-8° Groß-Oktav, Softcover/Paperback
1984réf. 100599o. O., Schwälmer Heimatbund, ca. 1984. 192 S. Gr.-8° Groß-Oktav, Softcover/Paperback
1976Testi: Pannaggi Ivo. pagg. 366; BN; rileg. brossura. Editore: La Nuova Foglio, Pollenza, 1976.
2011réf. 000946National Geographic 2011. Hardcover. Good/Acceptable. in-32°. National Geographic hardcover
2016Testi: Martinetti Sara, Coelewij Leontine. F.to: 17x24; pagg. 560; 417 COL; rileg. brossura. Editore: Buchhandlung Walther König, Köln, 2016.
1968Jean Cocteau once called the cinema 'that temple of sex with its goddesses, its guardians and its victims'. That remark forms the theme of this three-part study by the Evening Standard film-critic of the role of sex in the cinema. Alexander Walker's goddesses include Mary Pickford, Mae West, Marlene Dietrich, Greta Garbo, Marilyn Monroe and Elizabeth Taylor. 'Why', he asks, 'was each of these so successful in projecting her sex appeal on celluloid?' His answers involve psychology, ethics, biography, film history and finance...and, of course, the 'guardians'. His guardians are simply the censors, British and American, whether as creators of taste or watch-dogs on morals. In his final section, devoted to victims, the author cites the fates of Mastroianni and Rock Hudson as evidence of the steadily falling graph of male supremacy in Italian and Hollywood sex-comedies.
1965Testi: Gordon Mitchell. pagg. 448; rileg. brossura. Editore: Penguin Books, New York, 1965.
1960réf. 13643Lauf Rudolf Zitzmann Verlag, 1960. 131 S. 8° Oktav Tb
1956réf. 106450Berlin, Rütten & Loening, 1956. 170 S. Gr.-8° Groß-Oktav, Softcover/Paperback
2015Is art criticism losing ground to the Internet and its rapidly proliferating art blogs? Do people still consider the art critics employed by newspapers and magazines the most important arbitrators of what is worth seeing and reading? Much recent discussion about the changing landscape of art writing, often framed as a crisis in criticism, has revolved around the question, "what is art criticism?" Spaces for Criticism, edited by Pascal Gielen, asks instead, "where is art criticism?" The contributors to this volume explore new ways and new spaces where art critics might interact with works of art, artists, scholars and a varied, increasingly informed public. The authors argue that criticism has shifted to different places and different stages, experiencing both a displacement onto new media and into new geographic regions and new institutional structures. — Testi: Gielen Pascal, Sonderegger Ruth et al. pagg. ple; rileg. brossura. Editore: Valiz, Amsterdam, 2015.
1995Testi: Chambert Christian, Robins Corinne et al. F.to: 17x21; pagg. 408; BN; rileg. brossura. Editore: The Swedish Art Critics Association Press, Lund, 1995.
