YINDE ZHANG, SHUANG XU, Noël DUTRAITMareMagnum
17 014 résultats
Actes du colloque international, Paris/Aix-en-Provence, 2016, 474 pp., broché, très bon état.
Editions YOU-FENG, 1998, 373 pp., broché, bon état.
2014réf. 172662Seoul South Korea: National Museum of Modern and Contemporary Art 2014. Softcover. VG. stiff white glued wraps with blue lettering on spine 208 1 pp profusely illustrated in color Text is in English. This publication accompanies a group exhibition organised by the National Museum of Contemporary Art Seoul held from December 2014 to March 2015 showcasing more than forty works of video art and media installations to tell a narrative of the development of new media art in Korea. Starting from works made by pioneering new media artist Nam June Paik the exhibition traces a history of how Korean artists have made use of new media art and new technology to project their imaginaries of future by various visual means. Organised in a chronological manner the exhibit is divided into four sections each detailing how technological advancement affects and interacts with the production of artworks. Includes biographies of participating artists. National Museum of Modern and Contemporary Art paperback books
2014réf. 172662Seoul South Korea: National Museum of Modern and Contemporary Art 2014. Softcover. VG. stiff white glued wraps with blue lettering on spine 208 1 pp profusely illustrated in color Text is in English. This publication accompanies a group exhibition organised by the National Museum of Contemporary Art Seoul held from December 2014 to March 2015 showcasing more than forty works of video art and media installations to tell a narrative of the development of new media art in Korea. Starting from works made by pioneering new media artist Nam June Paik the exhibition traces a history of how Korean artists have made use of new media art and new technology to project their imaginaries of future by various visual means. Organised in a chronological manner the exhibit is divided into four sections each detailing how technological advancement affects and interacts with the production of artworks. Includes biographies of participating artists. National Museum of Modern and Contemporary Art paperback
1975IN HEBREW WITH ENGLISH PREFACE AND SUMMARIES. Contains black and white plates. 23.5x15.5 cm. XXX+431 pages. Gilt hardcover in dust jacket. Pen inscription on first white page. Else in good condition.
1937IN HEBREW. 180x130 mm. 127 pages. Hard cover. Cover slightly stained. Cover corners slightly bumped. Spine yellowing. Pages slightly age stained. Pages slightly yellowing. Else in good condition.
1980IN HEBREW. Includes black and white plates. 15x21.5 cm. é+229+V pages. Gilt hardcover in dust jacket. Spine slightly faded. Small wrinkle on bottom of spine. Stamp on first and last white page. Pen writing on first white page. Else in good condition.
Presses Universitaires de Lille, 1985, 253 pp., broché, très bon état.
réf. DADAX0333390733New unknown
2000réf. TK232370Napa Valley Museum Yountville 2000. 1st Edition. SOFTCOVER. Large tall 4to. in colour printed stiff glossy card covers 96pp on stiff paper colour plates etc __CONDITION : An extremely well preserved almost AS NEW unmarked and unread copy slight creased bump to top edge of rear cover. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Napa Valley Museum, Yountville paperback
1994réf. R260130959FIXOT / LA TABLE RONDE. 1994. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 205 pages.. . . . Classification Dewey : 844-Essais
1969réf. 1651BWalker/Weatherhill New York & Tokyo 1969 Book. Good. Hardcover. 1st Edition. English text.; Hardcover with dust jacket; 23.5 x 31 cm.; 1.3 kg.;178 pages with black and white illustrations.; Used with signs of wear on the exterior and interior. The dust jacket shows edge wear scuffs and scratches on the front cover spine and back cover. The dust jacket is price clipped and has a tear at the bottom left of the back cover and is tapped from the rear only seem if the dust jacket is removed. The laminated part of the left side of the back cover is slightly peeling off. All edges are slightly chipped as well as the bottom of the front cover the left side of the front cover shows also signs of wear. Interior in very good condition with minor signs of wear.; "Naked young men their usually impassive faces contorted with wild fury struggle in a seething mass of straining bodies to rid themselves of worldly impurities by touching a human scapegoat a bewildered- looking villager barely able to stand in the human maelstrom that surrounds him. Then the central act of the ritual accomplished the celebrants turn to an orgy of drinking their skins flush red with the alcohol and in the torchlight their bodies stand out like living banners against the stark white of the snow that covers the holy precincts.". These words written just this year might seem to describe the rites of some primitive people remote from civilization but in fact they apply to one of the hadaka matsuri or naked festivals that take place now today in modern Japan one of the world's great industrial nations. They occur throughout each year not only in remoter villages but even in such metropolises as Tokyo and Osaka and Kyoto. The paradox and the dynamism of these survivals of agricultural and fertility rites as old as the remotest ancestors of this ancient race are the themes of this book a stunning photographic record of a year's cycle of Japan's naked festivals.The beauty and the power and the mystery of these festivals are here captured in photographs by Tamotsu Yato whose recent book Young Samurai showed the pain and triumph involved in modern Japan's cult of the body. Now he turns to the remnants of an ancient Japan and again proves to rank high in the younger generation of Japanese photographers who are expanding the horizons of the art. While the photographs are the heart of the book they are well supported by a brilliant team of writers. Yukio Mishima Japan's leading literary figure many of whose books have been translated into English provides an eloquent introduction in an essay entitled "On Nakedness and Shame." The highly regarded young poet Mutsuro Takahashi also writes evocatively in "The Japanese Loincloth" describing a prominent feature of Japanese festivals. To round out the picture with solid but pleasantly readable scholarship there is a background introduction to Japanese festivals in general by a leading authority on the subject Dr. Tatsuo Hagiwara Professor of Japanese History at Tokyo's Meiji University and a detailed description of the most important naked festivals by Kozo Yamaji an editor of Minzoku Geino the Japanese magazine of folk customs. There is also "A Short Guide to the Naked Festivals of Japan" including a calendar and a gazeteer which will prove invaluable for those who want to see these elusive ceremonies for themselves. And the photographic layout and physical format by Gan Hosoya a director of graphics in a well known Tokyo design and publicity studio make the book an outstanding visual achievement. Walker/Weatherhill, New York & Tokyo hardcover
réf. 185Softcover. Edizioni Monte Altissimo Parco de La Versiliana Marina di Pietrasanta 5 luglio - 31 agosto 2003 paperback with french flaps about 9½x12½" Near Fine 47 pages bilingual text English & Italian ART SCULPTURE; G1803 OVR48 . paperback
réf. 9786586280241-11-124868Oficina Raquel. New. Oficina Raquel unknown
1995réf. AOlSI; O30San Diego: Installation Gallery 1995. 1995. 4to. pp. 178. English & Spanish text. profusely illus. in colour & b/w. wrs. edges bumped. Exhibition Catalogue. Soft cover. Fine. [San Diego]: Installation Gallery, [1995]. Paperback
2010réf. 344077Milan: 5 Continents Editions 2010. Paperback. 439p. french-fold wraps profusely illus. very good exhibition catalog. 5 Continents Editions paperback books
2010réf. 962B5 Continents Editions Milan 2010 Book. Very Good. Hardcover. English text.; Hardcover with dust jacket; 25 x 31.5 cm.; 2.8 Kg.; 440 pages with colour illustrations throughout. Used with minor signs of wear on the exterior of the hardcover. Interior with minor signs of wear. Very good condition overall.; Catalogue from the exhibition held at Iris & B. Gerald Cantor Center for Visual Arts Stanford University California from February 17 to July 4 2010.; Tracing the Past Drawing the Future examines a crucial point in the development of Chinese ink painting represented by the beautiful and innovative work of four artists Wu Changshuo 1844-1927 Qi Baishi 1864-1957 Huang Binhong 1865-1955 and Pan Tianshou 1897-1971. With careers spanning more than a century of radical social and political change in China these artists were instrumental in driving the ancient tradition of Chinese ink painting into the modern era in the face of compelling Western influences. The lavish catalogue iluminates the context in which these artists worked describes their overall contribution on the history of Chinese art and highlights their individual ideas and achievements. Xiaoneng Yang defines the historical context in which modern Chinese painting developed while Richard Vinograd analyses the "alternative modernism" represented by these artists each of whom worked in the brush-an-ink idiom. All four artists engaged to a greater or lesser degree with Western styles and media and gave new life to cherished traditions through this engagement. Essays devoted to each artist are followed by individual entries discussing the works chosen to exemplify their achievements. Featuring more than one hundred works of painting and calligraphy by the four artists the book also includes several portraits by Ren Yi 1840-1895 appendices transcribing the works' inscriptions and seals a concordance and a detailed bibliography. . 5 Continents Editions, Milan hardcover
réf. 20938048Les Presses du Reel Paris 2009 . 23.0 x 17.0cms 302pp b/w & colour illusts very good hardback with decorated boards no dustwrapper as issued The essays are: re-viewing Kusama 1950-1975 biography of things: Kasama follows up a hallucination with the social reality; a picture biography; the '00s a ten year journey through Kusama's world; some questions to Lily van der Stokker and Stokker's answers; biography & exhibition history. Les Presses du Reel Paris 2009 hardcover
2010réf. R260199453Grasset. 2010. In-12. Broché. Très bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 134 pages.. . . . Classification Dewey : 844-Essais
1934Sm. 8vo., First Edition; cloth blocked in blind, gilt back, a near fine copy in unclipped dustwrapper. Collects twenty-eight of Lynd's thought-provoking essays, originally published as 'Y.Y' in the New Statesman. Extremely scarce in anything like this condition.
1992réf. R320031773GALLIMARD. 1992. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 390 pages augmentées de quelques figures en noir in texte + 1 coupure de presse.. . . . Classification Dewey : 844-Essais
M., 1973, 20 x 13'5 cm., 281 págs.
2024réf. RO20261838DNSEP DESIGN D'ESPACE / ENSBA LYON. 2024. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 47 pages, quelques ilustrations en couleur, dans le texte - jaquette dépliante en poster, illustrée en noir/blanc. . . . Classification Dewey : 844-Essais
1947204 p. Hardcover Good condition, boards lightly worn
200925x17.5 cm. 298+180 pages. Gilt hardcover with dust-jacket. As new.
