FABUREAU HubertLivre Rare Book
14 561 résultats
réf. 67415Nouvelle revue critique (ancien Carnet critique), 1935, 96 pp., broché, coiffes fendillée avec petits manques, passages signalés au crayon, couverture empoussiérée, état correct.
Paris, Robert Laffont, 1946. In-12, broché, bande annonce conservée, 181 pp. Premier tirage. Envoi autographe de l'auteur à l'écrivain Richard Borel.
réf. 8836Paris, Robert Laffont, 1946. In-12, broché, bande annonce conservée, 181 pp.
Paris, Editions Baudinière, 1944. In-8, broché, grandes marges conservées, 187 pp. Édition originale. Un des 200 exemplaires numérotés sur papier d'Alfa. En parfait état.
réf. 3779Paris, Editions Baudinière, 1944. In-8, broché, grandes marges conservées, 187 pp.
2005réf. 50454U. Washington Press Distribution . New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine pages tight to spine- 232 pages. Book Description: "Max Liebermann 1847-1935 the leading artist in Germany from the early 1890s until the Nazi takeover in 1933 was known later in his career for his singular approach to Impressionism. Initially a realist painter his work at times moved into the more abstract realm of 'pure painting ' which earned him the moniker 'Manet of the Germans. ' " Liebermann a self-assured cultural leader and the descendent of a successful German-Jewish family was a celebrity in his own day. He was president of the Berlin Secession from 1898 until 1910 and during the Weimar Republic served as president of the Prussian Academy of Art from 1920 until 1932. This first English-language publication on Liebermann looks beyond the factual details of his life and work to explore the virtuosity of his art and the personal attributes on which it oftentimes was based. Essays by German and American scholars provide creative new ways of understanding andinterpreting Max Liebermann and the times in which he lived. -- with a bonus offer-- . 2005. 0970429568 . U. Washington Press (Distribution) paperback
réf. 68395Editions Universitaires de Dijon, EUD, 2011, 269 pp., broché, bon état.
1944255 pp. Introduction et notes par Jean MISTLER
1978réf. TN252978Southampton Art Gallery Southampton 1978. 1st Edition. SOFTCOVER. Tall 4to. in photo illustrated stiff glossy card covers unpaginated approx. 56pp on stiff art paper plates in colour and mainly b/w etc __CONDITION : A well preserved FINE very clean and tight unmarked copy rear cover very slightly tanned. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Southampton Art Gallery, Southampton paperback
2006réf. 15515-1Seattle / New Haven: Henry Art Gallery / Yale 2006 Signed on the title page by Maya Lin and dated 2006. Additionally signed by Lawrence Weschler who contributed the Foreword. First edition / First printing. Off White cloth. Very fine in very fine dust jacket. The catalogue of Maya Lin's 2006 exhibition at the Henry Art Gallery. An attractive production. The cover is embossed with the artist's "Waterline. Henry Art Gallery / Yale, hardcover
2006réf. 14642Seattle / New Haven: Henry Art Gallery / Yale 2006. Signed on the title page by Maya Lin and dated 2006. Also signed by Henry Art Gallery Director and essayist Richard Andrews and Lawrence Weschler who contributed the Foreword. Weschler's signature has spattered a bit. First edition / First printing. Off White cloth. Very fine in very fine dust jacket. The catalogue of Maya Lin's 2006 exhibition at the Henry Art Gallery. An attractive production. The cover is embossed with the artist's "Waterline. Henry Art Gallery / Yale, hardcover
2006réf. 103851Seattle Wash: Henry Art Gallery University of Washington 2006. Hardbound. VG Label & few marks from previous gallery owner; pages & edges are sharp and clear. Stamped gray cloth with black & color illus. dust jacket. 112 pp. 108 color illus. 4 BW illus. Issued in conjunction with a 2006 exhibition of "systematic landscapes" created by American artist Maya Lin b. 1959. Lin is best known for designed the Vietnam Veterans Memorial. This presentation "traces her continued fascination with geologic phenomena and topography intergrating natural contours and materials into evocative environmental artworks." dj With essays by Larence Weschler Richard Andrews and John Beardsley. Henry Art Gallery, University of Washington hardcover books
1984réf. 2022103Tucson AZ: The University of Arizona Museum of Art. ExCat. From the Collection of the University of Arizona Museum of Art. Preface by Peter Bermingham. Paper 60 p 9 pp text selected bib and chronology lists describes and illustrates in b&w 42 wks 4 b&w illus . Very Good. Soft cover. 1984. The University of Arizona Museum of Art paperback
1952réf. 0126Paris, Gallimard, 1952. NRF, coll. "La croix du sud". Édition originale de la traduction française. Fort in-8 de 210 x 150 mm, 551 pp. Envoi autographe de l'auteur dédicacé à un certain Odilon. Relié en cuir artificiel vert bouteille, dos à faux-nerfs, nom de l'auteur et titre en doré, année en dorée en queue, avec plats verts et blancs. Reliure cousue. Pages de garde blanches. Couverture originale conservée. Résumé de l'éditeur : "Au Brésil, les relations entre Blancs et populations de couleur, à partir de la première moitié du XVIe siècle, ont été influencées d'une part par le système de production économique et, de l'autre, par le manque de femmes blanches chez les conquérants. Le sucre n'a pas seulement étouffé les autres industries ; il a encore stérilisé la terre. Il a surtout exigé une masse d'esclaves. Maîtres et esclaves est une étude approfondie des rapports extrêmement complexes qui se sont noués entre trois grands groupes humains : les Blancs, les Noirs et les Cuivrés, de leur fusion progressive, de leur intime mélange. De ce creuset est sorti le Brésilien, qui, même Blanc, constitue un chef-d'œuvre de complication ethnique et mentale épanoui sous les Tropiques. Rien d'abstrait dans cette histoire imprégnée d'une réalité effervescente et riche de sensualité, qu'il s'agisse des mœurs sexuelles du Brésil ancien, de ses pratiques médicales, de ses superstitions, de son folklore ou de sa cuisine. Sous la plume de Gilberto Freyre, ce Brésil en fusion devient plus qu'une entité historique et culturelle : une province de notre sensibilité."
2005Very good condition: shelf wear to cover only. Contents clean, sound, bright throughout. Used
2000réf. 71940München, Wilhelm Fink Verlag, 2000. 228 S. Gr.-8° Groß-Oktav, Softcover/Paperback
1974réf. 104582Durham: Duke University Press 1974. XII, 175 Seiten. Gr. 8° (22,5-25 cm). Orig.-Leinenband mit Orig.-Schutzumschlag. [Hardcover / fest gebunden].
199929x23cm. XXVIII+306 pages. Hardcover with dust jacket. Spine edges slightly bumped. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
Madrid, Cía Ibero-Americana de Publicaciones, 1931, 19 x 12 cm., cartulina editorial, 4 hojas + 304 págs. + 4 retratos.
1868réf. 34251868 3 volumes, reliure demi-velin (binding half calfskin) blond grand in-octavo, dos long (spine without raised band) décoration or et mate (gilt and matt decoration) et à froid (blind-stamping decoration) pièce de titre et pièce de tomaison sur fond noir (label of title and label of volume numbering) - filets et filets perlés (gilt line and gilt beaded line), papier marbré aux plats (cover with marbled paper), tranches jaspées (marbled edges), sans illustration (no illustration), second volume : légères rousseurs (rares and lights redness marks) sur quelques pages et léger jaunissement du papier - sans conséquence sur le texte pour la compréhension du texte (lightly yellowing of paper - no consequence for the understanding of the text), XXVIII+384 - XIV+376 et XCVII+294 pages, 1864-66 et 68 à Paris Michel Lévy Frères Libraires Editeurs - à la Librairie Nouvelle,
201820.5x14.5 cm. 290 pages. Soft cover. Small wrinkle on back cover. Cover slightly scratched. Else in good condition.
1995réf. 127103New York: Aperture Foundation Inc 1995. First. Softbound. VG. Slight edge wear. One copy has inscriptionon half-title page. BW-illustrated wraps; black spine with cream lettering. 111 pp. 75 monotone photographs. Exhibition catalogue; two separate essays. Mostly annotated works by the artist. Aperture Foundation, Inc paperback books
Mérida, Patronato del Festival de Teatro Clásico, 1988, 24 x 17 cm., cartulina editorial, numerosas ilustraciones intercaladas, 263 págs.
réf. 66662Medium, communication surréaliste, n° 3, mai 1954, 64 pp., illustrations, broché, légères traces d'usage, bon état.
2009réf. TH222095Kukje Gallery Seoul 2009. 1st Edition. HARDCOVER. Thick heavy 4to. in black cloth covered boards with colour photo to front cover 267pp on thick art paper colour plates etc __CONDITION : A well preserved AS NEW unmarked copy. . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Kukje Gallery, Seoul hardcover
