Eschstruth, Nataly vonAntiquariat.de
14 561 résultats
1887réf. 116165Dresden [u.a.]: Pierson. 1887. 147 Seiten. 15,5x9,5cm. Zustand: Gut gering gebräunt (Innen); Besitzerstempel; Kleiner Schrifteintrag vor dem Titelblatt; Einband (Außen) hat geringe bis leichte Gebrauchsspuren; Sauberes Archivex. ohne Klebestreifenrest (Außen); Halbleder
1970réf. 9145Berlin, Verlag "Die Spur" Herbert Dorbandt KG, 1970. 8°, 140 S. altersbedingte Bräunungen, sonst ger. Gebr.sp., kartoniert
1987310 pages. A wild and humor-filled sourcebook of new words and weird essays for wise women and wicked/wiccen websters. Few markings and light wear to book which has very minor damp stains to lower corner of last few leaves. Light wear and no tears to attractive dust jacket. Very nice copy. Book
1909réf. 13051New York: Charles Scribner's Sons 1909. First Edition. Hardcover. Very Good. 8vo 8" - 9" tall. xvi 368 pp with two maps one folding and many illustrations from photographs. Original red cloth boards stamped in gilt and black. Spine slant slight sunning to upper board previous owner's name on front free endpaper else clean and sound. Decima Moore 1871-1964 was a successful stage actress and singer in London before marrying Sir Frederick Gordon Guggisberg an officer in the Royal Engineers. He was appointed director of surveys in the Gold Coast in 1905 and upon returning from their travels three years later the couple recounted their experiences in alternating chapters. Charles Scribner's Sons hardcover
2004réf. 211467Los Angeles: UCLA Hammer Museum UCLA Dept. of Art Critical and Curatorial Studies 2004. 224 pages illustrations some colour; 23 cm. Tight clean copy. Another copy available. "The first 176 pages of this book are devoted to the presentation of a single artwork Stephen Prina's installation Galerie Max Hetzler made in 1991. In its installed form it consists of the following elements: 163 sepia-toned gelatin silver prints over-matted with ivory-colored rag board and finished with walnut-stained mahogany wood frames; 163 acrylic labels screenprinted with text; 9 architectural models made from ivory-colored rag board encased in acrylic and mounted on walnut-stained mahogany veneer plywood pedestals; and an enormous graphic painted in ivory latex on the wall floor to ceiling that reads 'We represent ourselves to the world.' Galerie Max Hetzler was created as a site-specific installation for the art gallery of its title located at that time in Cologne.1 It presents by way of photography and architectural models a history of the gallery's exhibitions and locations filtered through Prina's highly devised and analytical interpretative system. As an installation it has a specific physical existence one governed by the space it inhabits and the time the history it documents. This book allows yet another form of time and space for its 'installation': a re-presentation of the work for the page a location that allows a renewed consideration of its rich contents and ideas. This essay is structured around three themes as introduced by Prina's own words that are critical to the work: photography art in architecture and site-specificity. Finally the operation of Galerie Max Hetzler in a book as a site for 'installation' will be considered." - Publisher. . 1st. Paperback. Fine. 8vo. Collectible. UCLA Hammer Museum, UCLA, Dept. of Art, Critical and Curatorial Studies Paperback
2004réf. 220085Los Angeles: UCLA Hammer Museum UCLA Dept. of Art Critical and Curatorial Studies 2004. 224 pages illustrations some colour; 23 cm. PRESENTATION COPY. Signed by the artist Stephen Prina with a personalized inscription. A fine copy. "The first 176 pages of this book are devoted to the presentation of a single artwork Stephen Prina's installation Galerie Max Hetzler made in 1991. In its installed form it consists of the following elements: 163 sepia-toned gelatin silver prints over-matted with ivory-colored rag board and finished with walnut-stained mahogany wood frames; 163 acrylic labels screenprinted with text; 9 architectural models made from ivory-colored rag board encased in acrylic and mounted on walnut-stained mahogany veneer plywood pedestals; and an enormous graphic painted in ivory latex on the wall floor to ceiling that reads 'We represent ourselves to the world.' Galerie Max Hetzler was created as a site-specific installation for the art gallery of its title located at that time in Cologne.1 It presents by way of photography and architectural models a history of the gallery's exhibitions and locations filtered through Prina's highly devised and analytical interpretative system. As an installation it has a specific physical existence one governed by the space it inhabits and the time the history it documents. This book allows yet another form of time and space for its 'installation': a re-presentation of the work for the page a location that allows a renewed consideration of its rich contents and ideas. This essay is structured around three themes as introduced by Prina's own words that are critical to the work: photography art in architecture and site-specificity. Finally the operation of Galerie Max Hetzler in a book as a site for 'installation' will be considered." - Publisher. . SIGNED. 1st. Paperback. Fine. 8vo. Collectible. UCLA Hammer Museum, UCLA, Dept. of Art, Critical and Curatorial Studies paperback
2005réf. TN251473Gary Tatintsian Gallery Moscow 2005. 1st Edition. SOFTCOVER. Large 4to. in colour printed stiff card covers 55pp on glossy art paper colour plates etc. Dual text in Russian and English __CONDITION : A well preserved AS NEW unmarked copy faint hint of tanning to leaves. . __We always ship in PROTECTIVE CARD PARCELS Gary Tatintsian Gallery, Moscow paperback
1990A little rumpled but still sound. ...
1985226p. Written by broadcaster on Chicago radio station WGN. Hardcover Very good condition very good d.j. good
424 p. Hardcover Very good condition; spine faded, ends worn
1962Contains framed color plates. 30.5X32.5 cm. 39 pages. Gilt hardcover in dust jacket. Cover slightly stained. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
1992réf. 91417Washington DC: Elliott & Clark Publishing In Association with the Chesapeake Bay Foundation 1992. First Printing Stated. Hardcover. Very good/Very good. David W. Harp Photographer and Tim Fields autho. The format is approximately 10 inches by 10.125 inches. 132 pages. Signed by both author/essayist and photographer on the half title page. Illustrations most are color photographs. Tom Horton and David W. Harp are one of the most prolific and enduring creative partnerships dedicated to documenting the Chesapeake Bay. For over 40 years their combined essays and imagery have blended environmental science natural history and human storytelling. Tom Horton wrote for the Baltimore Sun on environmental issues from 1972 through 2006 with a five-year time out when he ran education trips on Smith Island and wrote Turning the Tide for the Chesapeake Bay Foundation. He is author of several books on the Chesapeake Bay including Water's Way Bay Country and Island Out of Time and numerous articles for publications that include National Geographic and the New York Times. He is a graduate of Johns Hopkins University. He teaches writing and environmental topics at Salisbury University. David Harp Photographer. Dave began his career as the staff photographer for the Hagerstown Morning Herald and was the photographer for The Baltimore Sun Magazine for nearly a decade before establishing his own photography business in 1990. His magazine credits include The New York Times Magazine Smithsonian Audubon Sierra Natural History Islands Travel Holiday and Coastal Living Magazine. His books include Swanfall; Water's Way: Life Along the Chesapeake; The Great Marsh: An Intimate Journey into a Chesapeake Wetland; and The Nanticoke: Portrait of a Chesapeake River. Those who know and love the Chesapeake will find the bay they treasure on the pages of Water's Way: Life along the Chesapeake. The story of one of North America's most fascinating regions unfolds through the sensitive photographs and prose of two men who have studied the Chesapeake all their lives. Photographer David W. Harp and writer Tom Horton vividly portray how as Horton writes "the edges where land and water meet charm us all from watermen to watercolorists and beachcombers to duck hunters." Water's Way will guide you to "those rare hidden nooks of the bay country where nature still appears as glorious and untrammeled as it did a thousand years ago." It will also take you to less hidden but equally intriguing sites within the Chesapeake's reach as Harp and Horton depict the worlds of both nature and humans. An intimate knowledge of and an unwavering reverence for the bay pervade Water's Way. Harp and Horton are as attuned to the romance that still clings to the Chesapeake as they are to the realities that inspire and threaten it. In a time when the region faces tremendous changes and challenges Water's Way is neither strident nor sentimental. Rather it is suffused with the fundamental respect for the bay which Harp and Horton see as key to its survival. Elliott & Clark Publishing, In Association with the Chesapeake Bay Foundation hardcover
1970réf. 007253Heidelberg, Stiehm, 1970. Orig-Broschur, 125 Seiten, Gr.-8°. Erste Auflage (1970). Reihe: Poesie und Wissenschaft XII. Schutzumschlag mit ganz kleinen Randläsuren. Sonst sauberes und sehr gut erhaltenes Exemplar.
1995réf. 582145New York u.a: Simon & Schuster. 1995. XXVIII, 792 S. 23,5 cm. Zustand: Gut bis Sehr Gut min. gebräunt (Innen); Kleiner Schrifteintrag vor u. auf dem Titelblatt; Einband (Außen) hat leichte Gebrauchsspuren; Vorderdeckel ist leicht gebogen; Schnitt oben leicht fleckig; Broschiert
1945réf. 104457Basel, Hess-Verlag, 1945. 216 S. Kl.-8° Klein-Oktav, Leinen
1991réf. 38740Hanser, München, 1991. 390 Seiten, 8° , 21 x 13 cm, Leinen mit Schutzumschlag
1981réf. 34774ABHalle-Leipzig, Mitteldeutscher Verlag, (1981). 158 S. Original-Paperback. 2. Aufl. Papierbedingt gebräunt, Kopfschnitt stärker u. teils braunfleckig. Umschlag nur teils leicht abgegriffen bzw. bestossen.
1998réf. 13288Frankfurt/M, Fischer Taschenbuchverlag 1998. Taschenbuch, 8°, 371 S., Reihe "Frau in der Gesellschaft", sechsundzwanzig Autorinnen haben zum Jubiläum der erfolgreichen Reihe Essays geschrieben: politisch und persönlich, sachlich und informativ, kritisch und engagiert. Sie zeigen: Zwanzig Jahre sind noch lange nicht genug.
1939réf. 460512Essen: Industriedruck Verlag. 1939. 238 Seiten. 20,5cm. Zustand: Gut bis Sehr Gut gering gebräunt (Innen); Kleiner Schrifteintrag vor dem Titelblatt; Einband (Außen) hat geringe Gebrauchsspuren; Schutzumschlag fehlt, oder es gibt keinen; Halbleinen
1992réf. Khe04293Stuttgart (Philipp Reclam jun.) 1992 (= 3. durchgesehene Auflage). kl-8°, Originalbroschur ( Paperback )302 S., ISBN 315008010x 3
2015réf. 116582MARIPOSA. 2015. 127 Seiten. 20cm. Zustand: Gut bis Sehr Gut min. gebräunt (Innen); Kleiner BL-Schrifteintrag vor dem Titelblatt; Einband (Außen) hat geringe Gebrauchsspuren; Vorderdeckel hat rechts unten in der Ecke einen Miniriß; Engl. Broschiert
réf. 18901Berlin Druckhaus Galrev, o. J. 264 Sp. 4° Quart Brosch.
1982réf. 14441New York Klett-Cotta, 1982. 266 S. 8° Oktav Ln.
2009réf. 20752Zürich : Diogenes, 2009. 408 S. ; 19 cm Leinen mit Umschlag / gebundene Ausgabe
réf. NTBING914NP005Department of English. trade paperback. good; used. Prompt shipment with tracking. we ship in CLEAN SECURE NEW boxes sm4to; 246 pages; good trade paperback; foxing stians; tips bumped; few slight nicks to cover edges; clean pages; prompt shipping with tracking Department of English paperback
