15 251 résultats
1994réf. 010130NY: Abradale Press/Harry N. Abrams Inc. And The Studio Museum In Harlem. First edition. Hard cover in dust jacket. Published NY: Abradale Press/Harry N. Abrams Inc. And The Studio Museum In Harlem 1994. 4to. 9" x 11 3/4" 200pp. 140 illustrations - 55 plates in full color. Brown cloth with burgundy titles pictorial endpapers. "Presents the work of painters and sculptors Meta Warrick Fuller Aaron Douglas Palmer Hayden and William H. Johnson." Fine in fine dust jacket. . Fine. Hard. 1st. 1994. Abradale Press/Harry N. Abrams, Inc. And The Studio Museum In Harlem unknown
1998réf. 705349Münster: Regensberg. 1998. 176 Seiten. 21cm. Zustand: Sehr Gut, eher ungelesen; Schutzumschlag fehlt, oder es gibt keinen; Ppbd.
2001réf. 33779Chicago: Triumph Books. Fine in Fine dust jacket. 2001. Hardcover. 1892049260 . First edition. INSCRIBED by the author to no one in particular in the year of publication. Fine in a fine dust jacket. . Triumph Books hardcover books
2018Born in Bern, Switzerland, in 1933, Harald Szeemann was a crucial force in identifying, exhibiting, and writing about the important new movements in postwar contemporary art. This collection of seventy-four texts from the curator’s vast body of written work—which includes essays, lectures, studio notes, reviews, interviews, correspondence, and transcripts—introduces the depth of his method, insight, and inclusive artistic interests. The pieces have been translated from German and French and collected in an informed, authoritative edition, making this the first time Szeemann’s work is accessible in English. The first two sections of this volume republish Szeemann’s anthologies Museum der Obsessionen (1981) and Individuelle Mythologien (1985). The final part assembles important writings from 1986 until his death in 2005 to represent the later years of his career and round out a record of his contribution to and dialogue with later twentieth- century art and artists. The book’s publication coincides with the opening of the Getty Research Institute’s exhibition Harald Szeemann: Museum of Obsessions and complements its catalogue, as well as a contemporaneous satellite show at the Institute of Contemporary Art, Los Angeles, that focuses on Szeemann’s Grandfather exhibition (1974). — Testi: Szeemann Harald, Rigolo Pietro et al. F.to: 17x23,5; pagg. 424; 32 COL e 69 BN; rileg. brossura. Editore: Getty Trust Publications, Los Angeles, 2018.
2009réf. 23054M6 editions 2009 445 pages in8. 2009. Broché. 445 pages.
2012réf. 046504Moose Jaw Saskatchewan: Moose Jaw Museum and Art Gallery 2012. 1st Edition 1st Printing. Cloth. As New/As New. Folio - over 12 - 15" tall. 200pp. Illustrated throughout w colour and bw photographs. Black endpapers. Brick red cloth w blindstamp on cover fine black lettering on spine. No wear to covers or spine. Colour photo illustrated DJ is clean and without wear. Folio: 365 x 290mm. Book is unopened in original shrinkwrap. Over 70 colour images of the work of Hansen and Ross as well as 87 archival images and illustrations are accompanied by three essays which explore the breadth and beauty of their work. Moose Jaw Museum and Art Gallery hardcover
réf. 121047Moose Jaw: Moose Jaw Museum & Art Gallery 978-1-927516-01-0 978-1-927516-01-0 2012 1st edition 1st printing. hardcover 200pp. As new in as new dust jacket. Folio. Rust cloth boards lettering in black to spine artist's monogram blindstamped to top board. Replete with colour photos throughout. Entirely unblemished. As new. Saskatchewan Book Award winner. Moose Jaw Museum & Art Gallery 978-1-927516-01-0 Hardcover
1987réf. 101798München, Prestel-Verlag, 1987. 376 S. 4° Quart, Softcover/Paperback
2014réf. 54521Farnham Surrey UK: Lund Humphries 2014. First edition. Hardcover. Near fine to fine condition. Small Folio. 225 520 528pp. Original blue cloth with color plate laid to covers and white lettering on covers and spines; housed in matching slipcase with color plates and pull lever with white lettering on spine. Blue endpapers. Frontispiece photographs. Vol. I: Essays and References. Vol. II: Catalogue Entries P1-P846 1901-1951. Vol. III: Catalogue Entries P847-PW89 1952-1965. With contributions by Juliana D. Kreinik Paul Moorhouse Peter Morrin Marcelle Polednik and Karen Wilkin. Beautifully illustrated with color photographs of Hofmann's works. Vol. I contains chronology notes exhibition history bibliography list of titles public collections general index and photography credits. Slipcase with very light wear. "We revere Hofmann as Pollock did and Rauschenberg does for proving that the straightforward manipulation of pigment can create exalted art. To put it simply Hofmann's ability to handle paint to fuse the action of painting and drawing into a single immediate gesture carried colored pigment into the viewer's presence with the force of a bomb. The power of this visual explosion catalyzed the bond of European and American art cementing the first half of twentieth-century art inseparably to the second half. Hofmann's paintings of the '50s and '60s. were magnificent. They were without precedent except in Hofmann's own work. More amazingly they were without equal when they were painted and are without equal in quality since they were painted." that's Frank Stella 1999. Lund Humphries hardcover books
réf. 14195ARTNew York: Harry N. Abrams Inc. 227 pp. Original tan cloth covers very bright and clean. Previous owner's bookplate on front paste-down. Light foxing to endpapers. DJ has mild wear to edges. Spine sunned. Illust. w/ 168 color and b/w plates. Contents very nice. Second Edition. Hard Cover. Near Fine/Very Good. Harry N. Abrams, Inc. Hardcover
2014réf. 54521Farnham Surrey UK: Lund Humphries 2014. First edition. Hardcover. Near fine to fine condition. Small Folio. 225 520 528pp. Original blue cloth with color plate laid to covers and white lettering on covers and spines; housed in matching slipcase with color plates and pull lever with white lettering on spine. Blue endpapers. Frontispiece photographs. Vol. I: Essays and References. Vol. II: Catalogue Entries P1-P846 1901-1951. Vol. III: Catalogue Entries P847-PW89 1952-1965. With contributions by Juliana D. Kreinik Paul Moorhouse Peter Morrin Marcelle Polednik and Karen Wilkin. Beautifully illustrated with color photographs of Hofmann's works. Vol. I contains chronology notes exhibition history bibliography list of titles public collections general index and photography credits. Slipcase with very light wear. "We revere Hofmann as Pollock did and Rauschenberg does for proving that the straightforward manipulation of pigment can create exalted art. To put it simply Hofmann's ability to handle paint to fuse the action of painting and drawing into a single immediate gesture carried colored pigment into the viewer's presence with the force of a bomb. The power of this visual explosion catalyzed the bond of European and American art cementing the first half of twentieth-century art inseparably to the second half. Hofmann's paintings of the '50s and '60s. were magnificent. They were without precedent except in Hofmann's own work. More amazingly they were without equal when they were painted and are without equal in quality since they were painted." that's Frank Stella 1999. Lund Humphries hardcover
1908réf. 323242Berlin: Paetel. 1908. 1 Porträt, 255 S. 22x14 cm. (III : Einband gebräunt und mit Randeinrissen, Buchrücken - genauer, Papierbezug über dem Buchrücken - mit größeren Einrissen, innen gelegentlich leicht gebräunt, aber überwiegend sehr sauber, sogenannte Interims-Fadenheftung, d.h. lockere Bindung, denn derartige Bücher wurden vom Käufer erst noch dem Buchbinder übergeben, insgesamt akzeptables Exemplar) - ZUSTAND : Betrifft nur die Bücher mit der Nummer 300000 bis 330000 (III) Exemplar mit deutlichen Gebrauchs- bzw. Altersspuren. Die wesentlichen Mängel werden angegeben OBr, unbeschnitten
1977réf. TK251143Art Gallery of South Australia Adelaide 1977. 1st Edition. SOFTCOVER. 4to in colour printed stiff glossy card covers 128pp on thick paper colour plates b/w illustrations in text etc __CONDITION : A well preserved near FINE very clean and tight unmarked copy few spots of slight shelf rub to cover edges. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Art Gallery of South Australia, Adelaide paperback
2018réf. TH251958Simon Lee Galleery London 2018. 1st Edition. HARDCOVER. Large very heavy 4to in colour printed textured thick boards 223pp on thick art paper colour plates etc __CONDITION : NEW unread and unmarked copy. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Simon Lee Galleery, London hardcover
1987réf. 17665New York / Cambridge MA: The New Museum of Contemporary Art / MIT Press 1987. First edition / First printing. Gray cloth. Fine in a fine dust jacket. Rare in hardcover. The New Museum of Contemporary Art / MIT Press, hardcover
réf. 101266Hannover, Verlag von Heinr. Fresche, o. J. 88 S. Gr.-8° Groß-Oktav, Halbleinen
2019réf. T1905894Sotheby's London 2019. 1st Edition. SOFTCOVER. 4to in colour printed stiff card covers 155pp on thick art paper colour plates etc __CONDITION : NEW unread and unmarked copy. . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Sotheby's, London paperback
réf. 30077676Contemporary Arts Museum Houston 2010 . 24.0 x 17.0cms 128pp colour illustts very good paperback & cover The participating artists are: B team; Conrad Bakker; Nick Cave; Cat Chow; Sonya Clark; Gabriel Craig; Theaster Gates; Cynthia Giachetti; Ryan Gothrup; Sabrina Gschwandtner; Lauren Kalman; Christy Matson: James melchert; Yuka Otani; Sheila pepep; Michael Rea; Anne Wilson: Saya Woolfalk; Bohyun Yoon. Contemporary Arts Museum Houston 2010 paperback
1984255X180 mm. 899 pages. Hardcover. Gilt cover and spine. Cover slightly bumped on corners. Dedication on first page. Else, in very good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
Lingua italiana, nota critica di Carla Locatelli, DEDOCA autografa dell'autore, un disegno di Toti Scialoja, Verona, Anterem Edizioni, 1991, 47 pp., brossura editore, copertina annerita con qualche macchia, condizioni abbastanza buone.
Paris, Seuil, "Pierres vives", 1953. in-8, broché, 187 pp. Edition originale. Exemplaire du S. P. Enrichi d'un envoi autographe de l'auteur à André Alter.
Seuil, Change, 1971, Envoi autographe de l'auteur, 157 pp., broché, couverture empoussiérée, rousseurs sur les tranches, état correct.
1928réf. 103929o. O., o. V., 1928. 116 S. 4° Quart, Softcover/Paperback
réf. 14473Paris, Seuil, "Pierres vives", 1953. in-8, broché, 187 pp.
réf. 21398Seuil, Change, 1971, Envoi autographe de l'auteur, 157 pp., broché, couverture empoussiérée, rousseurs sur les tranches, état correct.
