JOANNE AdolpheLivre Rare Book
1 807 résultats
réf. 5053In folio pleine toile éditeur,plaque avec titre dorés sur le premier plat,filets à froid en encadrement,titre doré au dos.Faux-titre,titre,394 pages,tranches dorées.Texte sur 3 colonnes,663 gravures dans le texte,et pleine page, par les meilleurs artistes.Gavarni,Delacroix Eugène K Girardet, Horace Vernet,Freeman,Bida,Jules Noël… Paris au Bureau de l’illustration,sans date.Ouvrage en 98 livraisons de 4 pages.Charnière et coins renforcés,dorure quelque peu ternie.Il manque la deuxième page de la table de matières Lettres A à M.Petites déchirures réparées pages de faux-titre,et de titre.Ensemble très correct.
2002réf. I2-30-01-25-003Wiley 2002-11-22. hardcover. Good. 6x0x9. Minor wear on edges and corners. Clean pages with no markings. The image in this listing is stock photo for reference. Actual item may differ. Any queries just ask for photos. Your satisfaction matters!Ships same day in most cases!Textbooks may not include supplemental items i.e. CDs access codes etc. Wiley hardcover
1864réf. 2167London: George Barrie 1864. Good. Etching with engraving on buff cream laid paper 12 x 6 inches 305 x 152 mm; sheet 16 1/2 x 10 3/4 inches 420 x 273 mm full margins. Scattered areas of discoloration and toning notation in pencil in the lower right sheet area beneath the platemark. Marino Faliero the 55th Doge of Venice was beheaded for treason on April 17 1355 at the top of the "del Piombo" staircase in the Doge's Palace. After his plot to overthrow the government was discovered he was sentenced to death executed and his portrait was replaced with a black veil. Here Faliero's body lies at the bottom of the steps while the executioner holds the sword used in the beheading high above his shoulder in one hand and Faliero's head mostly obscured by the balustrade in the other. George Barrie unknown
1880réf. 179399Paris: Chez l'Auteur 1880. Hardcover. Good pages are very brittle with beginning pages loose from binding age toning to pages as expected but pages are otherwise clear. Light shelfwear/staining to boards. Green cloth boards with gilt spine lettering 25 pages 1 folded leaf of plates bw illustrations. Text is in French. Text and designs by Alfred Robaut. A rare volume. Chez l'Auteur hardcover
1880réf. 179399Paris: Chez l'Auteur 1880. Hardcover. Good pages are very brittle with beginning pages loose from binding age toning to pages as expected but pages are otherwise clear. Light shelfwear/staining to boards. Green cloth boards with gilt spine lettering 25 pages 1 folded leaf of plates bw illustrations. Text is in French. Text and designs by Alfred Robaut. A rare volume. Chez l'Auteur hardcover books
1980réf. 13949Norwalk: Easton Press 1980. First Edition in this Format; Collector's Edition. Hardcover. Book condition is Very Good bound in full genuine leather with gilt accents 22kt gold page edges and a hubbed spine. Smyth sewn interior vaunts moire end papers acid-neutral paper won't yellow or become brittle over time and silk ribbon page marker. A few minor blemishes to page edges. Text is clean and unmarked. ; The 100 Greatest Books Ever Written Series; Small 4to 9" - 11" tall. Easton Press hardcover
2005réf. fol344cLondon: The Folio Society. VG: in very good condition with slipcase. 2005. First FS Edition. Fawn hardback cloth boards with maroon leather spine. 330mm x 150mm 13" x 6". xxi 380pp plates. 8 colour plates. Heavy book extra shipping needed for overseas. . The Folio Society hardcover
réf. 46044804like new. unknown
réf. ria9781841134550_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book offers a "genealogical" explanation of law's normativity. The term "genealogical" conveys a commitment to a non-metaphysical type of enquiry. While it explains how law as a normative phenomenon comes about it does not seek hardcover
réf. 2231Paris, A. Quantin, 1878 - gr. in-8 : xx, 394 pp., 6 fac-simile de lettres h.-t. - demi-veau bleu d'ép. avec un accroc, très beau portrait de Delacroix gravé en front.
Allard, Sébastien; Côme Fabre et al.: Delacroix. Exhibition: New York, Metropolitan Museum and Paris, Musée du Louvre, 2018. 352 pages, 275 colour illustrations. Hardback. 28x23cms. This monograph closely examines the full breadth of Delacroix's career. It follows his varied interests, ranging from his engagement with the art of the past to Lord Byron and the Greek War of Independence, and brings to life his relationships with his contemporary artists. Grand paintings and intimate drawings alike are explored in this comprehensive volume. This monograph closely examines the full breadth of Delacroix's career. It follows his varied interests, ranging from his engagement with the art of the past to Lord Byron and the Greek War of Independence, and brings to life his relationships with his contemporary artists. Grand paintings and intimate drawings alike are explored in this comprehensive volume.
1987réf. 10669Connecticut: Lublin Graphics Publishers 1987. 1st. Hardcover. Oblong 4to. 199 pp. Index of plates. Striking color plates. Many full-page illustrations. Fine in Fine dust jacket. Lublin Graphics Publishers hardcover
1998réf. 35590NY: Abbeville Press 1998. First Edition. Square 4to pp. 148. foreword by Silvie Delacroix-Peretout text by Sam Hunter. Illustrated with 146 full-color reproductions and several photographs. A nice copy in little chipped and scuffed at top of spine dj. Paintings depicting a Paris of the past and a few other places done in a charming somewhat primitive style. Abbeville Press unknown
1998réf. 35590NY: Abbeville Press 1998. First Edition. Square 4to pp. 148. foreword by Silvie Delacroix-Peretout text by Sam Hunter. Illustrated with 146 full-color reproductions and several photographs. A nice copy in little chipped and scuffed at top of spine dj. Paintings depicting a Paris of the past and a few other places done in a charming somewhat primitive style. Abbeville Press unknown books
1951réf. 329189London: Phaidon Press 1951. First Edition Thus; First Printing. Hardcover. Very Good in a Very Good dust jacket. Small open tears on spine crown and heel. Small closed tears on bottom front panel.; Phaidon Pocket Series. Phaidon Press hardcover
1825Paris et Leipzig, Bossange Frères, Editeurs, 1825, in-8, brossura editoriale, pp. (4), 463. Con una tav. in antiporta, realizzata espressamente da Eugène Delacroix ed incisa all'acquatinta da Hocquart jeune (che mostra il biografato in tenuta da "alpino") ed un facsimile. Modesto esemplare: volume sciolto, privo del dorso e con mancanza alla cop. post; angoli arricciati e foro di tarlo marginale che interessa la quasi totalità delle pagine, con minima perdita di testo. Edizione originale.
réf. 9260(P.), Gueffier le jeune, (1791?). In 8 de 20 pp.
réf. 21847Revue In-Folio - 1/2 Reliure toilée frottée - Très importante iconographie, près de 300 gravures, certaines PP, voir sur double-page - Pagination continue 416 pages - Propre
1849réf. ARC-113257Lithographie Le Charivari 29/03/1849 Scènes d’atelier Un français peint par lui-même Hazard & Delteil N° 2526 N° de pierre 1136
1794réf. G86716Paris, chez Buisson An 3 [1794] 416pp., 2e édition, 21cm., reliure cart. (dos en cuir avec titre doré), rousseurs (texte toujours lisible), bon état, G86716
réf. 229193Paris, Plon, 1932 3 vol. in-8, 6 pl., index, toile beige, couv. cons. (reliure postérieure).
réf. 229102Paris, Charpentier, 1880 2 vol. in-12, XXIX-348 pp. et XXVII-355 pp., demi-basane caramel, dos lisse orné (reliure de l'époque). Dos un peu frotté.
réf. 664902À Paris, Chez Buisson, an III (1795) in-8, XII-416 pp., broché sous couv. grise d'attente, étiquette (abîmée) au dos. Petit manque au dos, qqs rousseurs.
réf. 240074À Paris, Chez Buisson, an III (1795) in-8, XII-416 pp., basane fauve, dos lisse orné (reliure de l'époque). Coiffes usées, dos un peu sombre.
réf. 17346A Valence, chez Jacques Montal, 1817, 1 demi percaline bradel à coins, pièces de titre et datation au dos. in-8, faux-titre, titre, IX-493 pages, tableaux ;
