1 985 résultats
1998réf. 70993H. M. Hauschild Gmbh; Et Al. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . 1998. H. M. Hauschild Gmbh; Et Al paperback
1990réf. C130015Chalk Vermilion. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT -Pristine-- with a bonus offer-- May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition Inquire for details- May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details; 13.6 X 11.6 X 1.1 inches . 1990. 0940577011 . Chalk Vermilion hardcover
1986réf. 58345Salander-O'reilly Galleries. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - 99 paintings drawings prints and watercolors all by Corot or Delacroix catalogued. Many illustrated in color or black and white. Includes biographical essays on both artists excerpted from the writings of Meier-Graefe and an introductory essay by S. Lane Faison Jr. -- with a bonus offer-- . 1986. 0839003714 . Salander-O'reilly Galleries paperback
2011réf. 104108Museum; Et Al. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 168 pages; illustrated with color and some black and white images. -- with a bonus offer-- . 2011. 2847421777 . Museum; Et Al paperback
réf. 111180Le Passage Paris-New York Editions. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in French. -- with a bonus offer-- . 0. 2847422471 . Le Passage Paris-New York Editions paperback
1998réf. 80192Ewing New Jersey U.S.A.: Princeton Univ Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - 335 pages; 231 color plates. -- with a bonus offer--; Jobert Barthelmy; Delacroix Eugene Delacroix DELACROIX EUGENE 1798 1863 ART Monograph Delacroix NINETEENTH CENTURY FRENCH ART 19TH CENTURY ART . 1998. 0691004188 . Princeton Univ Press hardcover
2009réf. 96239Le Passage. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 168 pp. ; 127 color illustrations. -- with a bonus offer-- . 2009. 2847421432 . Le Passage paperback
1998réf. 70367Philadelphia Pennsylvania U.S.A.: Museum. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - 406 pages. Book Description: "This year marks the bicentennial of the birth of Eugne Delacroix 1798-1863 the great French Romantic painter. A pivotal figure in the history of nineteenth-century art Delacroix stands both at the culmination of the great painterly tradition of Titian Veronese Rubens and Rembrandt and at the beginning of something quite new and modern as witnessed by the reverence given him by artists of following generations who were so profoundly influenced by his work: Renoir Czanne Picasso and Matisse. This publication accompanying an international exhibition that begins in Paris and travels to the Philadelphia Museum of Art presents in glorious color subjects ranging from saints and warriors to mythical goddesses from Arab hunting scenes and tigers to sumptuous bouquets of flowers. Delacroix's late work reveals a deepening spiritual intensity and has more to do with aesthetic reflection and recollection than with the expansive narrative that characterized his grand public commissions. Focusing on the artist's last works allows further insight into this most remarkable and protean figure in the history of art." -- with a bonus offer--; 041025; Philadelphia Museum of Art Staff; Delacroix Eugene; Serullaz Arlette; Galeries Nationales du Grand Palais France Staff Delacroix : The Late Work DELACROIX EUGENE 1798 1863 ART . 1998. 0876331231 . Museum paperback
1998réf. 83650Museum. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 408 pages 250 illus more than half of these in color ; 4to. -- with a bonus offer-- . 1998. 0876331223 . Museum hardcover
2018réf. 130188Gallery / Galerie. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . 2018. Gallery / Galerie paperback
1860réf. 71194Carjat et Cie | Paris s. d. [circa 1860] | 6 x 10.30 cm | une photographie
réf. 74819Michel Delacroix Roofs in Paris in the Snow 1991 Original lithograph Hand signed in pencil lower right Numbered 134/200 lower left Published by Axelle Fine Arts classic paris street scene with bicycle cafes and shops. Michel Delacroix master of the Naïf Folk Art or Naive the most popular and successful artists in the world today. A self-styled "painter of dreams and of the poetic past" Delacroix has devoted five decades to painting a city he calls "the Paris of then" the magical place where he was born where he spent his boyhood and where he continues to live to this day. But the Paris Delacroix paints is not the urban metropolis of the present. It is the dream-like place the city became in the 1940's during the Occupation when "we suddenly jumped fifty years into the past. No more cars in the streets very few lights. Paris suddenly became very quiet very dark and though people were afraid there was a brotherhood and spirit that was very delightful." For Delacroix who was then a child of seven and spared by his age from understanding "the cruelties and absurdities" of war it was "the one great adventure of my life." And it is to this special Paris - the Paris of by-gone years and innocent splendors - that Delacroix has returned to over and over again in his gentle works. Theses works renowned for their graceful balance of "the earthy and the urban the cosmic and the ordinary" have captivated private collectors museums and ordinary people alike throughout the world earning the artist both universal acclaim and numerous awards.
1858réf. 84082Paris: Pierre Petit 1858. Fine. Pierre Petit Paris 1858 6 x 10.40 cm une feuille An original albumen carte-de-visite photograph of Eugène Delacroix depicting the artist seated in a chair his most famous portrait. The session at Pierre Petits studio yielded multiple poses; variants of this print survive at the Musée dOrsay and the Metropolitan Museum of Art New York. Mounted on card with Pierre Petits signature in the lower margin and his studio advertisement on the verso. Pierre Petit unknown
1860réf. 78831Carjat et Cie | Paris s. d. [circa 1860] | 6 x 10.30 cm | une photographie
1860réf. 71194Paris: Carjat et Cie 1860. Fine. Carjat et Cie Paris s. d. circa 1860 6 x 10.30 cm une photographie Photographic portrait of Eugène Delacroix Carjat et Cie Paris n. d. circa 1860 6 x 10.3 cm photograph Original photograph on albumin paper in a visiting-card format laid down on card. Foxing. Very rare copy of this photograph only found at Carnavalet Louvre and Orsay museums. Carjat et Cie unknown
réf. 5969BELLE LETTRE DU PEINTRE ROMANTIQUE AU SUJET DE LACCROCHAGE DUNE DE SES TOILES UN SALON DE PEINTURE : ...Je vous remercie mille fois, mon cher Monsieur : jtais pass pour vous parler dune apprhension au sujet du tableau en question. Je desirerais vivement quil fut vu en bas et au cot gauche de la galerie o la lumire est meilleure...Remarquez que je ne demanderais cette faveur que pour un temps limit et la condition sil est ncessaire quon remonte mes autres tableaux. Une fois limpression premire produite dans une place convenable pour voir de prs la peinture, il pourra tre pris telle autre mesure quon voudra cet egard et je me trouverai trs reconnaissant...Alphonse de Cailleux fut directeur adjoint du muse du Louvre, directeur des muses royaux avant dtre nomm directeur gnral des Beaux-arts. Royaliste, il dmissionna de tous ses postes la chute de Louis-Philippe.
1863réf. Dela1DELACROIX Eugène 1798-1863 Autograph letter signed " E Delacroix " to an unknown recipientParis 6 rue de Fürstenberg 15 July 18631 page in-8 on double sheet.Fold marks some light stains. Moving letter from Delacroix one of his very last ones less than a month before his passing "Monsieur Je garde la chambre et suis dans l'impossibilité de sortir. Je désirerais que vous ayez la bonté de faire suivant l'usage un certificat de vie qui dans ces occasions demandent je crois votre intervention particulière. C'est une rente sur la national. Ayez monsieur les assurances de ma considération la plus distinguée. E Delacroix" Delacroix's health had considerably deteriorated at the beginning of July 1863 evidenced here by an unprecise writing. The following week he would confess to his long term friend George Sand "Writing is for me unbearable" . He would pass away on August 13th 1863. This letter is not published in the general correspondence by Joubin.
1865réf. 14621Paris: Published by A. Cadart et Luquet 79 rue de Richelieu 1865. Etching. Printed on watermarked aqua-fortistes laid paper. State i/iii before letters with artist's name and date engraved in the upper left corner of plate. Monogram in upper right corner of plate. Full sheet in excellent condition. Image size: 7 7/8 x 6 1/6 inches. This stunning image is a rich proof impression of Delacroix's famous print "Juive d'Alger." In early 1832 Delacroix visited North Africa. He accompanied his friend the Count de Mornay on his good-will mission to the Sultan of Morocco Abd-er-Rahman II. This experience had a drastic influence on his art introducing an edge of brilliant realism into his majestic paintings and bold engravings. He filled countless sketchbooks with drawings and observations of Arab life and gathered a wealth of ideas that served him for the rest of his life. This sumptuous etching is inspired by Delacroix's travels in North Africa and is considered one of his greatest prints. Assigned to the delegation as dragoman was Abraham-Ben-Chimol of Tangiers a Jew who introduced Delacroix to his wife Saada and daughter. Delacroix was greatly influenced by this encounter and he did a number of images depicting young Jewish women in simple interiors. This breathtaking image depicts a young Jewish woman in traditional dress seated in a simple room; she is accompanied by an Algerian woman who is seated on the floor beside her. The leader of the French Romantic movement Delacroix is widely considered to be one of the greatest French painters in history but he is also one the most hailed printmakers of the modern age. The simple lines and bold textures of this monumental print delineate Delacroix's genius and distinguish him as a true master of his art. This is an exceptional early impression of this important print executed before the published title and publication details were added. Included in one of the first collections of the Society de Aqua-Fortistes publications by Cadart this print is extremely rare in this early state. With its rich dark tones and fresh details this is a magnificent example of Delacroix's work and a true collector's item. Between 1862 and 1866 the Societe des Aqua-Fortistes produced a five-volume collection of artists' etchings entitled "Eaux-Fortes Modernes." Printed on laid paper made especially for the series this outstanding collection is one of the seminal publications to spring out of the etching revival in France. The Societe des Aqua-Fortistes was the French equivalent of the Etching Club in England and similarly it aimed to produce a collection of high quality etchings by the leading artists of the period. Like the Etching Club the Societe des Aqua-Fortistes sought to raise the prestige of the medium from a reproductive technique to a fine art. Although the etching revival began somewhat earlier in England the French movement exerted a far greater influence on the medium and included a wider range of prominent artists. The Barbizon painters were among the earliest French artists to participate in the etching revival and their superb prints helped raise the medium to new heights of genius. This unique publication which included works by Manet Corot and Delacroix is an outstanding example of fine art printing at its best Delteil Le Peintre-Gravure Illustre vol. III no. 18 i/iii; Beraldi Les Gravures du XIXe Siecle Guide de l'Amateur d'Estampes Modernes vol. V p. 158 i/ii. Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs; Biographical information has been taken from the website of the National Gallery in Washington and The Metropolitan Museum in New York. Published by A. Cadart et Luquet, 79, rue de Richelieu unknown
1865réf. 14621Paris: Published by A. Cadart et Luquet 79 rue de Richelieu 1865. Etching. Printed on watermarked aqua-fortistes laid paper. State i/iii before letters with artist's name and date engraved in the upper left corner of plate. Monogram in upper right corner of plate. Full sheet in excellent condition. Image size: 7 7/8 x 6 1/6 inches. This stunning image is a rich proof impression of Delacroix's famous print "Juive d'Alger." In early 1832 Delacroix visited North Africa. He accompanied his friend the Count de Mornay on his good-will mission to the Sultan of Morocco Abd-er-Rahman II. This experience had a drastic influence on his art introducing an edge of brilliant realism into his majestic paintings and bold engravings. He filled countless sketchbooks with drawings and observations of Arab life and gathered a wealth of ideas that served him for the rest of his life. This sumptuous etching is inspired by Delacroix's travels in North Africa and is considered one of his greatest prints. Assigned to the delegation as dragoman was Abraham-Ben-Chimol of Tangiers a Jew who introduced Delacroix to his wife Saada and daughter. Delacroix was greatly influenced by this encounter and he did a number of images depicting young Jewish women in simple interiors. This breathtaking image depicts a young Jewish woman in traditional dress seated in a simple room; she is accompanied by an Algerian woman who is seated on the floor beside her. The leader of the French Romantic movement Delacroix is widely considered to be one of the greatest French painters in history but he is also one the most hailed printmakers of the modern age. The simple lines and bold textures of this monumental print delineate Delacroix's genius and distinguish him as a true master of his art. This is an exceptional early impression of this important print executed before the published title and publication details were added. Included in one of the first collections of the Society de Aqua-Fortistes publications by Cadart this print is extremely rare in this early state. With its rich dark tones and fresh details this is a magnificent example of Delacroix's work and a true collector's item. Between 1862 and 1866 the Societe des Aqua-Fortistes produced a five-volume collection of artists' etchings entitled "Eaux-Fortes Modernes." Printed on laid paper made especially for the series this outstanding collection is one of the seminal publications to spring out of the etching revival in France. The Societe des Aqua-Fortistes was the French equivalent of the Etching Club in England and similarly it aimed to produce a collection of high quality etchings by the leading artists of the period. Like the Etching Club the Societe des Aqua-Fortistes sought to raise the prestige of the medium from a reproductive technique to a fine art. Although the etching revival began somewhat earlier in England the French movement exerted a far greater influence on the medium and included a wider range of prominent artists. The Barbizon painters were among the earliest French artists to participate in the etching revival and their superb prints helped raise the medium to new heights of genius. This unique publication which included works by Manet Corot and Delacroix is an outstanding example of fine art printing at its best Delteil Le Peintre-Gravure Illustre vol. III no. 18 i/iii; Beraldi Les Gravures du XIXe Siecle Guide de l'Amateur d'Estampes Modernes vol. V p. 158 i/ii. Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs; Biographical information has been taken from the website of the National Gallery in Washington and The Metropolitan Museum in New York. Published by A. Cadart et Luquet, 79, rue de Richelieu unknown books
1860réf. 78831Paris: Carjat et Cie 1860. Fine. Carjat et Cie Paris s. d. circa 1860 6 x 10.30 cm une photographie Photographic portrait of Eugène Delacroix Carjat et Cie Paris ca 1860 6 x 103 cm one photograph Original photograph on albumen paper in carte de visite format mounted on a board. Some small foxing. Rare copy of this photograph only found at Carnavalet Louvre and Orsay museums. Carjat et Cie unknown
réf. 16-5638Paris: André Marty 1909. 2 vol. in-8 13.5 x 19.5 cm. The edition was 150 copies but there were some hors commerce copies includng this one: "Exemplaire imprimé pour M. Roger-Marx.".2 vols on slipcase one bound in perclaine and the other in choclolate wraps. Fine condition. Very rare. Not in OCLC.Percaline chocolat sous emboitage non rogné; un de texte 194 p. et un vol. de 106 planches montées sur onglet. Introduction et description par Jean Guiffrey 1 de texte broché et l’album de dessins montés sur onglet sous cartonnage et emboitage. ".Eugène Delacroix 1798–1863 visited Morocco from January through June of 1832. He was part of the diplomatic mission of Charles-Henri-Edgar Comte de Mornay. He made drawings and annotations in seven sketchbooks during the trip. The Frick Art Reference Library has facsimiles of two of the sketchbooks. The facsimiles were made in 1909 Musée du Louvre album published by André Marty Paris and in 1913 Chateau de Chantilly album published by J. Terquem & Cie. Paris. Each facsimile is accompanied by an introductory volume with transcripts by the art historian Jean Guiffrey. Expertise by Alain Nicolas and Pierre Gheno Paris. Paris: André Marty 1909. paperback
1885réf. 4425Paris, Charavay frères, 1885. In-4 de LXII-538-[4] pages. Reliure en plein maroquin bleu d’eau, dos à nerfs orné de caissons décorés d’un bouquet de fleurs dorées; filets, roulettes encadrant les plats, décorés du même bouquet doré, oiseaux, fleurons dorés, filets sur les coupes, roulette et filets dorés intérieurs, tranches dorées. Parfaitement établi dans une reliure de Pagnant.
1856réf. 92346n. l. 1856. Fine. Delacroix Asks the Great Architect Hittorff to Support His Candidacy for the Académie n. l. 29 décembre 1856 13.2 x 20.6 cm Un bifeuillet Autograph letter signed by Eugène Delacroix with autograh date ""29 December 1856"" one and a half pages on a bifolium with usual folds. A precious letter by Delacroix to his celebrated colleague who laid out the squares avenues and gardens of the capital while the painter adorned its ceilings. Delacroix here addresses the architect responsible for the embellishment of the Champs-Élysées the Place de la Concorde and the Avenue de l'Étoile. As architect to the City of Paris and to the Government he who drew up the plans for the vast renovations in the Bois de Boulogne and its two lakes. He moved within the painter's circle his name appears in Delacroix's Journal and had been since 1853 a member of the Académie des Beaux-Arts: the very institution to which Delacroix had sought election seven times opposed each time by Ingres. Success came only days after this letter: Delacroix was elected to the most-coveted Institut on 10 January 1857 to the seat left vacant by painter Paul Delaroche. ""It is a month now since I have been suffering from a cold that has degenerated into an inflammation of the throat and for about twelve days I have been strictly confined indoors for fear of the outside cold. I deeply regret not having been able before this moment to come and speak with you regarding my candidacy. I hope however to be able to go out by the end of this week or the beginning of next: but in the meantime I take the liberty of commending myself to the kindness and obligingness you have so kindly shown me . E. Delacroix unknown
1850réf. 86760Champrosay s. d. [1840-1860] | 13.50 x 20.10 cm | une page sur un feuillet remplié
1850réf. 86760Champrosay 1850. Fine. I am madly in love with these innocent and beautiful trees while human nature on the other hand falls every day in my esteem. Champrosay s. d. 1840-1860 13.50 x 20.10 cm une page sur un feuillet remplié Autograph letter signed by the painter Eugène Delacroix to his friend Baron Félix Feuillet de Conches master of protocol at the Ministry of Foreign Affairs under Charles X and Louis-Philippe. One page in black ink on a folded sheet with the autograph address on the verso. Traces of seal and postal stamps dated October 7. The painter writes to his friend Feuillet de Conches a distinguished man of letters whose works were well received and who also amassed an elegant collection of art and autographs in his apartment on the rue Neuve-des-Mathurins the address of this very letter. A charming and witty missive in which Delacroix expresses his enchantment with country life far removed from the bustle of Paris. ""From the summer of 1844 Eugène Delacroix settled at Champrosay on the edge of the Sénart forest near Paris. There he recorded in his journal the impressions inspired by his regular walks through the countryside. He produced numerous sketches later reworked into his large compositions as well as more ambitious landscapes that reveal how in his mature and later years the observation of nature now contemplated for its own sake had become central to his art."" MuMa ""I reply to you late dear Feuillet but you will forgive me: I promise you a Gros very happy to add it to the collection. I pity you for living far from the fields. If we were still in the time of Ovids Metamorphoses I might believe myself in danger of one day being turned into a tree. I am mad about these innocent and beautiful trees while human nature on the other hand loses each day in my esteem. I except of course friends like you and the few who retain a little reason.I embrace you while awaiting this winterEug. Delacroix."" unknown