Jacques-Vincent DelacroixBiblio.com
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réf. 0259520446.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1951réf. KFZZQ100508Asahi Newspaper Company 1951. Soft Cover. Fine. KFZZQ100508 Asahi Newspaper Company paperback
1956réf. KFZZQ100764DEAGOSTINI 1956. Soft Cover. Fine. KFZZQ100764 DEAGOSTINI paperback
1865réf. 14621Paris: Published by A. Cadart et Luquet 79 rue de Richelieu 1865. Etching. Printed on watermarked aqua-fortistes laid paper. State i/iii before letters with artist's name and date engraved in the upper left corner of plate. Monogram in upper right corner of plate. Full sheet in excellent condition. Image size: 7 7/8 x 6 1/6 inches. This stunning image is a rich proof impression of Delacroix's famous print "Juive d'Alger." In early 1832 Delacroix visited North Africa. He accompanied his friend the Count de Mornay on his good-will mission to the Sultan of Morocco Abd-er-Rahman II. This experience had a drastic influence on his art introducing an edge of brilliant realism into his majestic paintings and bold engravings. He filled countless sketchbooks with drawings and observations of Arab life and gathered a wealth of ideas that served him for the rest of his life. This sumptuous etching is inspired by Delacroix's travels in North Africa and is considered one of his greatest prints. Assigned to the delegation as dragoman was Abraham-Ben-Chimol of Tangiers a Jew who introduced Delacroix to his wife Saada and daughter. Delacroix was greatly influenced by this encounter and he did a number of images depicting young Jewish women in simple interiors. This breathtaking image depicts a young Jewish woman in traditional dress seated in a simple room; she is accompanied by an Algerian woman who is seated on the floor beside her. The leader of the French Romantic movement Delacroix is widely considered to be one of the greatest French painters in history but he is also one the most hailed printmakers of the modern age. The simple lines and bold textures of this monumental print delineate Delacroix's genius and distinguish him as a true master of his art. This is an exceptional early impression of this important print executed before the published title and publication details were added. Included in one of the first collections of the Society de Aqua-Fortistes publications by Cadart this print is extremely rare in this early state. With its rich dark tones and fresh details this is a magnificent example of Delacroix's work and a true collector's item. Between 1862 and 1866 the Societe des Aqua-Fortistes produced a five-volume collection of artists' etchings entitled "Eaux-Fortes Modernes." Printed on laid paper made especially for the series this outstanding collection is one of the seminal publications to spring out of the etching revival in France. The Societe des Aqua-Fortistes was the French equivalent of the Etching Club in England and similarly it aimed to produce a collection of high quality etchings by the leading artists of the period. Like the Etching Club the Societe des Aqua-Fortistes sought to raise the prestige of the medium from a reproductive technique to a fine art. Although the etching revival began somewhat earlier in England the French movement exerted a far greater influence on the medium and included a wider range of prominent artists. The Barbizon painters were among the earliest French artists to participate in the etching revival and their superb prints helped raise the medium to new heights of genius. This unique publication which included works by Manet Corot and Delacroix is an outstanding example of fine art printing at its best Delteil Le Peintre-Gravure Illustre vol. III no. 18 i/iii; Beraldi Les Gravures du XIXe Siecle Guide de l'Amateur d'Estampes Modernes vol. V p. 158 i/ii. Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs; Biographical information has been taken from the website of the National Gallery in Washington and The Metropolitan Museum in New York. Published by A. Cadart et Luquet, 79, rue de Richelieu unknown
1989réf. mon0003945170Lublin Graphics Publishers Inc. 1989-02-16. Hardcover. Good. 0.6300 8.5000 7.9500. SIGNED by author on the first page! Some edge wear and light scuffing on the dust jacket. Otherwise book is in great condition clean pages and firm binding. Lublin Graphics Publishers Inc., hardcover
réf. 124669896X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1835501257.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1863réf. Dela1DELACROIX Eugène 1798-1863 Autograph letter signed " E Delacroix " to an unknown recipientParis 6 rue de Fürstenberg 15 July 18631 page in-8 on double sheet.Fold marks some light stains. Moving letter from Delacroix one of his very last ones less than a month before his passing "Monsieur Je garde la chambre et suis dans l'impossibilité de sortir. Je désirerais que vous ayez la bonté de faire suivant l'usage un certificat de vie qui dans ces occasions demandent je crois votre intervention particulière. C'est une rente sur la national. Ayez monsieur les assurances de ma considération la plus distinguée. E Delacroix" Delacroix's health had considerably deteriorated at the beginning of July 1863 evidenced here by an unprecise writing. The following week he would confess to his long term friend George Sand "Writing is for me unbearable" . He would pass away on August 13th 1863. This letter is not published in the general correspondence by Joubin.
réf. 109344Bonadona Editeur n.d. Hardcover. Good/No jacket. 14 loose pochoir plates out of 48. In a worn folder that is stained and faded. Lovely architectural renderings by Delacroix. No date but library records have it at 1935. As-Is. Bonadona Editeur hardcover
2018réf. 2-1982918861Independently published 2018. Paperback. New. 210 pages. 8.50x8.50x0.50 inches. Independently published paperback
réf. 199027983X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1796réf. 181154Paris.: Buisson. L'an 4 1796. Contemporary half speckled calf over mottled boards. Very good some worming to foot of spine not affecting text block contents near fine. 8vo. 20x12.5 cm. French text. Scarce. Buisson. hardcover
1841réf. Sand14DELACROIX SAND George 1804-1876 Autograph letter signed " G.S. " to Eugène Delacroix Paris Postal mark 23rd December 1841 1 p. 1/2 in-8° Autograph address on fourth folio wax seal : " Monsieur Delacroix rue des Marais Saint Germain 17 " Superb letter to her friend Delacroix about her desire to write "a few pages on painting" the Femmes d'Alger her contempt for the Ingresque school and other artistic news " Vous avez bien fait cher ami de ne pas venir à l'Opéra. C'était ennuyeux à crever malgré la beauté et la pompe du spectacle. J'espère que vos truffes vous auront donné de meilleures inspirations musicales que la reine de Chypre n'en a donné à Mr Halevy.1 Venez ce soir comme vous me l'avez promis. J'ai à vous parler sur des matières artistiques !!! le mot est entouré par Sand d'un triple trait de plume. Sans plaisanterie j'écris quelques pages sur la peinture et j'ai besoin de vous pour savoir si je ne déraisonne pas. 2 Bonjour et bonne nuit. Il est 6h du matin. Vous devriez venir dîner avec nous. Nous avons embelli notre existence d'un pot-au-feu quotidien et avec le dîner de l'anglais3 et du bon café c'est supportable. G.S. La Lélia4avec son moine et son mort me frappe et me plaît de plus en plus c'est ce qui m'a mise en veine d'écrire sur la couleur et ce qu'il faut entendre par la forme. Avec ça j'ai vu vos femmes d'Alger5 ce matin. Si vous m'encouragez je suis capable de faire le prochain salon dans notre revue La Revue indépendante et vous savez que je ne caponnerai pas ne se montrera pas lâche avec tout cette école silhouettiste6 qui se dit en possession du dessin ". 1 La Reine de Chypre an opera in five acts by Halévy to a libretto by St. George took place the day before December 22 1841. Unlike George Sand Richard Wagner who was also present at the premiere considered the music "noble moved and even new and exhilarating" although he criticized Halévy's failings in simple orchestration. 2 In Horace which George Sand was then writing she staged a rapin a pupil of Delacroix but there were no "few pages on painting". Is this an article intended for the Independent Review – which it has just created – but which it has renounced The word written in postscript confirms that it is an aesthetic reflection that focuses on "color" and "form". 3 Possible reference to an English restaurateur or caterer frequented by George Sand. 4 Lélia avec son moine et son mort is the third work offered by Delacroix to George Sand for the gifts of 1842. It is a pastel depicting Lélia kneeling near Stenio's corpse while the monk Magnus "in the shadows leaning stiffly against the wall of the cave darted on her his sparkling eyes". The subject was treated several times by Delacroix. 5 This is the Femmes d'Alger dans leur appartement a painting presented at the Salon of 1834 where it caused a sensation. A synthesis of orientalism and romanticism this painting expresses a deep "melancholy" for the poet and art critic Baudelaire. 6 George Sand refers to the school of Ingres as a "Silhouettist school". We know the adversity between the two painters that animated the artistic scene of the nineteenth century. The writer had resolutely taken Delacroix's side that of "form" and "color". Bibliography: George Sand – Correspondance t. V Lubin Garnier p. 529-531 lettre n°2369 Correspondance éd. Françoise Alexandre Les éditions de l'Amateur p. 117-118 n°50 Provenance: Achille Piron Delacroix's universal legatee Bibliothèque Marc Loliée
réf. 127570090X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2003réf. MASTER380931INew York: Cultural Global Publishing. VG/VG Signed By Delacroix FFEP. Faint Wear To DJ. Pages Clean Binding Tight. DJ In Mylar Wrap. Pages: 181. 2003. 1st Edition. Hardcover. Cultural Global Publishing hardcover
1987réf. PARSdelMDLublin Graphics Publishers 1987. First Edition. Hardcover. Very Good/Very Good. 12x10x1. Signed by Illustrator. Signed by Delacroix on the half-title page. The binding is tight bottom corners rubbed. Text and images unmarked. The dust jacket shows some very light handling in a mylar cover. Oblong 4to. 199pp. Lublin Graphics Publishers hardcover
réf. 3744715744.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1275697917.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1275695000.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 9788552723288SALAMANDRA. new. ��Todo ver�o eu passo uma semana na casa da Vov��. Tem um mih�o de coisas para fazer lǭ ent�o a gente acorda bem cedo. Depois chega a hora da soneca e a Vov�� fecha as janelas. Que aventuras esperando por mim qdunao elas forem abertas de novo SALAMANDRA unknown
réf. 74813Michel Delacroix Paris - Chez Riton Original lithograph Hand signed in pencil lower right Edition EA lower left Image size: 48 x 57.5 cm Sheet size: 56 x 75.5 cm classic paris street scene with bicycle cafes and shops. Michel Delacroix master of the Naïf Folk Art or Naive the most popular and successful artists in the world today. A self-styled "painter of dreams and of the poetic past" Delacroix has devoted five decades to painting a city he calls "the Paris of then" the magical place where he was born where he spent his boyhood and where he continues to live to this day. But the Paris Delacroix paints is not the urban metropolis of the present. It is the dream-like place the city became in the 1940's during the Occupation when "we suddenly jumped fifty years into the past. No more cars in the streets very few lights. Paris suddenly became very quiet very dark and though people were afraid there was a brotherhood and spirit that was very delightful." For Delacroix who was then a child of seven and spared by his age from understanding "the cruelties and absurdities" of war it was "the one great adventure of my life." And it is to this special Paris - the Paris of by-gone years and innocent splendors - that Delacroix has returned to over and over again in his gentle works. Theses works renowned for their graceful balance of "the earthy and the urban the cosmic and the ordinary" have captivated private collectors museums and ordinary people alike throughout the world earning the artist both universal acclaim and numerous awards.
1843réf. 11671843. Lithograph. L. Delteil 107 after the third state with letters in face. From the series of 16 illustrations for Hamlet. Image: 9 x 8. Margins: 21¾ x 14. Villain
1828réf. 11631828. Lithograph. L. Delteil 57 i or ii of iv. Image: 10 x 6½. Margins: 18½ x 12. Marginal flaws. From the set of 17 illustrations to Goethe's Faust published 1828.
1828réf. 11661828. Lithograph. L. Delteil 67 iv/vi after the address of Villain. Image: 10 x 7¼. Margins: 15½ x 11. Flaws in the margins. From the set of 17 illustrations to Goethe's Faust published 1828. Villain
réf. 74814Michel Delacroix Arrivee du Tour de France sur le Champs Elysees 1990 Original lithograph Hand signed in pencil lower right Numbered XIX/CC lower left Sheet size: 78.5 x 91.5 cm Published by Axelle Fine Arts classic paris street scene with bicycle cafes and shops. Michel Delacroix master of the Naïf Folk Art or Naive the most popular and successful artists in the world today. A self-styled "painter of dreams and of the poetic past" Delacroix has devoted five decades to painting a city he calls "the Paris of then" the magical place where he was born where he spent his boyhood and where he continues to live to this day. But the Paris Delacroix paints is not the urban metropolis of the present. It is the dream-like place the city became in the 1940's during the Occupation when "we suddenly jumped fifty years into the past. No more cars in the streets very few lights. Paris suddenly became very quiet very dark and though people were afraid there was a brotherhood and spirit that was very delightful." For Delacroix who was then a child of seven and spared by his age from understanding "the cruelties and absurdities" of war it was "the one great adventure of my life." And it is to this special Paris - the Paris of by-gone years and innocent splendors - that Delacroix has returned to over and over again in his gentle works. Theses works renowned for their graceful balance of "the earthy and the urban the cosmic and the ordinary" have captivated private collectors museums and ordinary people alike throughout the world earning the artist both universal acclaim and numerous awards.
