Delacroix, SophieBiblio.com
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Best.-Nr. 1835501257.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1863Best.-Nr. Dela1DELACROIX Eugène 1798-1863 Autograph letter signed " E Delacroix " to an unknown recipientParis 6 rue de Fürstenberg 15 July 18631 page in-8 on double sheet.Fold marks some light stains. Moving letter from Delacroix one of his very last ones less than a month before his passing "Monsieur Je garde la chambre et suis dans l'impossibilité de sortir. Je désirerais que vous ayez la bonté de faire suivant l'usage un certificat de vie qui dans ces occasions demandent je crois votre intervention particulière. C'est une rente sur la national. Ayez monsieur les assurances de ma considération la plus distinguée. E Delacroix" Delacroix's health had considerably deteriorated at the beginning of July 1863 evidenced here by an unprecise writing. The following week he would confess to his long term friend George Sand "Writing is for me unbearable" . He would pass away on August 13th 1863. This letter is not published in the general correspondence by Joubin.
Best.-Nr. 109344Bonadona Editeur n.d. Hardcover. Good/No jacket. 14 loose pochoir plates out of 48. In a worn folder that is stained and faded. Lovely architectural renderings by Delacroix. No date but library records have it at 1935. As-Is. Bonadona Editeur hardcover
2018Best.-Nr. 2-1982918861Independently published 2018. Paperback. New. 210 pages. 8.50x8.50x0.50 inches. Independently published paperback
Best.-Nr. 199027983X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1796Best.-Nr. 181154Paris.: Buisson. L'an 4 1796. Contemporary half speckled calf over mottled boards. Very good some worming to foot of spine not affecting text block contents near fine. 8vo. 20x12.5 cm. French text. Scarce. Buisson. hardcover
1841Best.-Nr. Sand14DELACROIX SAND George 1804-1876 Autograph letter signed " G.S. " to Eugène Delacroix Paris Postal mark 23rd December 1841 1 p. 1/2 in-8° Autograph address on fourth folio wax seal : " Monsieur Delacroix rue des Marais Saint Germain 17 " Superb letter to her friend Delacroix about her desire to write "a few pages on painting" the Femmes d'Alger her contempt for the Ingresque school and other artistic news " Vous avez bien fait cher ami de ne pas venir à l'Opéra. C'était ennuyeux à crever malgré la beauté et la pompe du spectacle. J'espère que vos truffes vous auront donné de meilleures inspirations musicales que la reine de Chypre n'en a donné à Mr Halevy.1 Venez ce soir comme vous me l'avez promis. J'ai à vous parler sur des matières artistiques !!! le mot est entouré par Sand d'un triple trait de plume. Sans plaisanterie j'écris quelques pages sur la peinture et j'ai besoin de vous pour savoir si je ne déraisonne pas. 2 Bonjour et bonne nuit. Il est 6h du matin. Vous devriez venir dîner avec nous. Nous avons embelli notre existence d'un pot-au-feu quotidien et avec le dîner de l'anglais3 et du bon café c'est supportable. G.S. La Lélia4avec son moine et son mort me frappe et me plaît de plus en plus c'est ce qui m'a mise en veine d'écrire sur la couleur et ce qu'il faut entendre par la forme. Avec ça j'ai vu vos femmes d'Alger5 ce matin. Si vous m'encouragez je suis capable de faire le prochain salon dans notre revue La Revue indépendante et vous savez que je ne caponnerai pas ne se montrera pas lâche avec tout cette école silhouettiste6 qui se dit en possession du dessin ". 1 La Reine de Chypre an opera in five acts by Halévy to a libretto by St. George took place the day before December 22 1841. Unlike George Sand Richard Wagner who was also present at the premiere considered the music "noble moved and even new and exhilarating" although he criticized Halévy's failings in simple orchestration. 2 In Horace which George Sand was then writing she staged a rapin a pupil of Delacroix but there were no "few pages on painting". Is this an article intended for the Independent Review – which it has just created – but which it has renounced The word written in postscript confirms that it is an aesthetic reflection that focuses on "color" and "form". 3 Possible reference to an English restaurateur or caterer frequented by George Sand. 4 Lélia avec son moine et son mort is the third work offered by Delacroix to George Sand for the gifts of 1842. It is a pastel depicting Lélia kneeling near Stenio's corpse while the monk Magnus "in the shadows leaning stiffly against the wall of the cave darted on her his sparkling eyes". The subject was treated several times by Delacroix. 5 This is the Femmes d'Alger dans leur appartement a painting presented at the Salon of 1834 where it caused a sensation. A synthesis of orientalism and romanticism this painting expresses a deep "melancholy" for the poet and art critic Baudelaire. 6 George Sand refers to the school of Ingres as a "Silhouettist school". We know the adversity between the two painters that animated the artistic scene of the nineteenth century. The writer had resolutely taken Delacroix's side that of "form" and "color". Bibliography: George Sand – Correspondance t. V Lubin Garnier p. 529-531 lettre n°2369 Correspondance éd. Françoise Alexandre Les éditions de l'Amateur p. 117-118 n°50 Provenance: Achille Piron Delacroix's universal legatee Bibliothèque Marc Loliée
Best.-Nr. 127570090X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2003Best.-Nr. MASTER380931INew York: Cultural Global Publishing. VG/VG Signed By Delacroix FFEP. Faint Wear To DJ. Pages Clean Binding Tight. DJ In Mylar Wrap. Pages: 181. 2003. 1st Edition. Hardcover. Cultural Global Publishing hardcover
1987Best.-Nr. PARSdelMDLublin Graphics Publishers 1987. First Edition. Hardcover. Very Good/Very Good. 12x10x1. Signed by Illustrator. Signed by Delacroix on the half-title page. The binding is tight bottom corners rubbed. Text and images unmarked. The dust jacket shows some very light handling in a mylar cover. Oblong 4to. 199pp. Lublin Graphics Publishers hardcover
Best.-Nr. 3744715744.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1275697917.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1275695000.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 9788552723288SALAMANDRA. new. ��Todo ver�o eu passo uma semana na casa da Vov��. Tem um mih�o de coisas para fazer lǭ ent�o a gente acorda bem cedo. Depois chega a hora da soneca e a Vov�� fecha as janelas. Que aventuras esperando por mim qdunao elas forem abertas de novo SALAMANDRA unknown
Best.-Nr. 74813Michel Delacroix Paris - Chez Riton Original lithograph Hand signed in pencil lower right Edition EA lower left Image size: 48 x 57.5 cm Sheet size: 56 x 75.5 cm classic paris street scene with bicycle cafes and shops. Michel Delacroix master of the Naïf Folk Art or Naive the most popular and successful artists in the world today. A self-styled "painter of dreams and of the poetic past" Delacroix has devoted five decades to painting a city he calls "the Paris of then" the magical place where he was born where he spent his boyhood and where he continues to live to this day. But the Paris Delacroix paints is not the urban metropolis of the present. It is the dream-like place the city became in the 1940's during the Occupation when "we suddenly jumped fifty years into the past. No more cars in the streets very few lights. Paris suddenly became very quiet very dark and though people were afraid there was a brotherhood and spirit that was very delightful." For Delacroix who was then a child of seven and spared by his age from understanding "the cruelties and absurdities" of war it was "the one great adventure of my life." And it is to this special Paris - the Paris of by-gone years and innocent splendors - that Delacroix has returned to over and over again in his gentle works. Theses works renowned for their graceful balance of "the earthy and the urban the cosmic and the ordinary" have captivated private collectors museums and ordinary people alike throughout the world earning the artist both universal acclaim and numerous awards.
1843Best.-Nr. 11671843. Lithograph. L. Delteil 107 after the third state with letters in face. From the series of 16 illustrations for Hamlet. Image: 9 x 8. Margins: 21¾ x 14. Villain
1828Best.-Nr. 11631828. Lithograph. L. Delteil 57 i or ii of iv. Image: 10 x 6½. Margins: 18½ x 12. Marginal flaws. From the set of 17 illustrations to Goethe's Faust published 1828.
1828Best.-Nr. 11661828. Lithograph. L. Delteil 67 iv/vi after the address of Villain. Image: 10 x 7¼. Margins: 15½ x 11. Flaws in the margins. From the set of 17 illustrations to Goethe's Faust published 1828. Villain
Best.-Nr. 74814Michel Delacroix Arrivee du Tour de France sur le Champs Elysees 1990 Original lithograph Hand signed in pencil lower right Numbered XIX/CC lower left Sheet size: 78.5 x 91.5 cm Published by Axelle Fine Arts classic paris street scene with bicycle cafes and shops. Michel Delacroix master of the Naïf Folk Art or Naive the most popular and successful artists in the world today. A self-styled "painter of dreams and of the poetic past" Delacroix has devoted five decades to painting a city he calls "the Paris of then" the magical place where he was born where he spent his boyhood and where he continues to live to this day. But the Paris Delacroix paints is not the urban metropolis of the present. It is the dream-like place the city became in the 1940's during the Occupation when "we suddenly jumped fifty years into the past. No more cars in the streets very few lights. Paris suddenly became very quiet very dark and though people were afraid there was a brotherhood and spirit that was very delightful." For Delacroix who was then a child of seven and spared by his age from understanding "the cruelties and absurdities" of war it was "the one great adventure of my life." And it is to this special Paris - the Paris of by-gone years and innocent splendors - that Delacroix has returned to over and over again in his gentle works. Theses works renowned for their graceful balance of "the earthy and the urban the cosmic and the ordinary" have captivated private collectors museums and ordinary people alike throughout the world earning the artist both universal acclaim and numerous awards.
Best.-Nr. 74819Michel Delacroix Roofs in Paris in the Snow 1991 Original lithograph Hand signed in pencil lower right Numbered 134/200 lower left Published by Axelle Fine Arts classic paris street scene with bicycle cafes and shops. Michel Delacroix master of the Naïf Folk Art or Naive the most popular and successful artists in the world today. A self-styled "painter of dreams and of the poetic past" Delacroix has devoted five decades to painting a city he calls "the Paris of then" the magical place where he was born where he spent his boyhood and where he continues to live to this day. But the Paris Delacroix paints is not the urban metropolis of the present. It is the dream-like place the city became in the 1940's during the Occupation when "we suddenly jumped fifty years into the past. No more cars in the streets very few lights. Paris suddenly became very quiet very dark and though people were afraid there was a brotherhood and spirit that was very delightful." For Delacroix who was then a child of seven and spared by his age from understanding "the cruelties and absurdities" of war it was "the one great adventure of my life." And it is to this special Paris - the Paris of by-gone years and innocent splendors - that Delacroix has returned to over and over again in his gentle works. Theses works renowned for their graceful balance of "the earthy and the urban the cosmic and the ordinary" have captivated private collectors museums and ordinary people alike throughout the world earning the artist both universal acclaim and numerous awards.
Best.-Nr. 74804Michel Delacroix A La Manille Original lithograph Hand signed in pencil lower right Edition EA lower left Image size: 48 x 57 cm Sheet size: 56 x 76 cm A La Manille is a very early lithograph from 1979. It depicts the everyday life of one of Paris' residential neighborhoods with laundry hanging out of windows and old storefronts selling groceries and everyday goods.
Best.-Nr. 74783Michel Delacroix Rendez Vous de Macons 1984 Original lithograph Hand signed in pencil lower right Edition E.A. lower left Published by Lublin Graphics A lovely street scene view of the colorful bustling daily activity of wartime Delacroix's 1940's Childhood Paris. Michel Delacroix master of the Naïf Folk Art or Naive the most popular and successful artists in the world today. A self-styled "painter of dreams and of the poetic past" Delacroix has devoted five decades to painting a city he calls "the Paris of then" the magical place where he was born where he spent his boyhood and where he continues to live to this day. But the Paris Delacroix paints is not the urban metropolis of the present. It is the dream-like place the city became in the 1940's during the Occupation when "we suddenly jumped fifty years into the past. No more cars in the streets very few lights. Paris suddenly became very quiet very dark and though people were afraid there was a brotherhood and spirit that was very delightful." For Delacroix who was then a child of seven and spared by his age from understanding "the cruelties and absurdities" of war it was "the one great adventure of my life." And it is to this special Paris - the Paris of by-gone years and innocent splendors - that Delacroix has returned to over and over again in his gentle works. Theses works renowned for their graceful balance of "the earthy and the urban the cosmic and the ordinary" have captivated private collectors museums and ordinary people alike throughout the world earning the artist both universal acclaim and numerous awards.
Best.-Nr. 1990879322.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1842Best.-Nr. Sand29DELACROIX SAND George 1804-1876 Two autograph letters signed " GS " to Eugène Delacroix Nohant 6 & 7 July 1842 3 p. in-8° in total in black ink Autograph addresses on verso Stamp marks previous trace of mounting Saddened by the departure of her "good little" Delacroix after the latter's stay in Nohant in the company of Chopin and the rest of the Sand family the writer found herself immersed in her reading of Les Mystères de Paris From the Marc Loliée library " Cher bon petit J'espère que vous êtes arrivé à bon port sans trop souffrir de la chaleur qui a été modérée le jour de votre départ. Vous avez oublié ici quelques effets dont Maurice a fait une caisse laquelle part aujourd'hui. Comme le port en est payé accusez-en réception afin qu'elle ne s'égare pas sans que nous la fassions réclamer. J'ai encore retrouvé dans mes mouchoirs un mouchoir à vous. Je vous le mets à part ainsi que ceux qui pourraient se retrouver au prochain blanchissage. Que Jenny la gouvernante de Delacroix ne nous accuse donc pas de vous avoir grinché vos zardes¹. – Je lis le Chourineur et je vous assure que malgré l'horreur du sujet et des détails² c'est jusqu'à présent fort intéressant et fabriqué avec beaucoup de talent. – Nous sommes restés tout tristes et tout déconfits de votre départ. Nous tâchons de jouer au billard mais je crois que vous avez emporté le carambouillage³ dans votre poche et que vous ne nous avez laissé que le manque de touche. J'attends avec impatience un petit mot de vous. Nous sommes encore trop chagrins pour vous en dire long aujourd'hui. Et puis l'heure me presse. À présent cher soyez bien portant. Si vous nous regrettez autant que nous vous regrettons faites un effort pour nous oublier jusqu'à notre retour Sand et Chopin rentreront à Paris le 31 juillet alors vous nous raimerez de nouveau. Adieu moi et tous vous embrassons et vous aimons. GS. " " Cher ami mon dadet sic de Thomas peut-être Thomas Aucante autrefois vacher a commencé le cours de bêtises auxquelles je dois m'attendre en ne payant pas le port de la caisse que je vous ai envoyée hier. Si bien qu'il faut que vous le sachiez afin de n'avoir pas de contestation avec l'administration. Accusez-moi réception car tout ceci a été fort mal fait malgré mes précautions. Nous nous portons bien. Nous vous aimons. J'ai rêvé de vous toute la nuit ; j'espère que c'est bon signe et que vous êtes bien portant. À vous GS. " In response to his friend's repeated invitations Delacroix spent nearly two weeks in Nohant in June 1842. He wanted above all to rest "vegetate" as he put it and enjoy the pleasures of the countryside. Back in Paris he replied on the 8th stating that he had received the crate and calling the person who had brought it to him a cheat and an imposter demanding postage. He asked his friend for a small purse left in Nohant a purse that Solange had given him and a small cord from Algiers. He concluded: "The weather is awful for the nerves. When you dreamed that you saw me did you dream that you were the Duchess of Berry I send you all my sincere embraces but I am very sad" Corr. gén. de Delacroix t. II p. 116. Using the slang present in Eugène Sue's work we understand that Sand is here in the middle of reading The Mysteries of Paris. The serial novel published in the Journal des débats from June 19 1842 to October 15 1843 inaugurated mass literature in the 19th century and earned its author immense fame in all social classes. Provenance: Bibliothèque Marc Loliée Bibliography: Correspondance t. V éd. G. Lubin Garnier n°2477 & 2478
1943Best.-Nr. 001774Geneve: La Palatine 1943. 3rd Edition . Soft cover. Very Good/No Jacket. 8vo - over 7¾ - 9¾" tall. Soft cover. 3rd Edition 1943. Abridged Edition. French language. Notes and foreword by Joubin. Four black and white plates. Light edge wear. Tanned spine with a few small stains. Solid binding uncreased. Rough text block edges. Pages are unopened uncut lightly tanned and unmarked. A very nice copy in Very Good condition. La Palatine paperback
