1 969 résultats
1990réf. 1-0940577011Chalk Vermilion 1990. Hardcover. New. 13.60x11.60x1.10 inches. Chalk Vermilion hardcover
1858réf. 84082Paris: Pierre Petit 1858. Fine. Pierre Petit Paris 1858 6 x 10.40 cm une feuille An original albumen carte-de-visite photograph of Eugène Delacroix depicting the artist seated in a chair his most famous portrait. The session at Pierre Petits studio yielded multiple poses; variants of this print survive at the Musée dOrsay and the Metropolitan Museum of Art New York. Mounted on card with Pierre Petits signature in the lower margin and his studio advertisement on the verso. Pierre Petit unknown
2009réf. 1-0810980487Harry N Abrams Inc 2009. Hardcover. New. 1st edition. 223 pages. 13.78x10.00x1.10 inches. Harry N Abrams Inc hardcover
1893réf. 052165Paris: Paul Chevallier Georges Petit 1893. First Edition . Stiff Wrappers. Very Good/Good Dustjacket. 36.7 Cm / 14.5" Tall. Plain Stiff Cardboard Wrappers Printed Dust Jacket. Descriptions Of 75 Works Of Art With Full-Page Rotogravures Of 21 Each Description Accompanied By The Price In Pencil. Spine Cracked Very Worn Chipped With Some Loss Of Paper Cover Along Spine. Dampstain To Front Cover At Bottom Not Affecting Interior. Paul Chevallier, Georges Petit unknown
1840réf. 77055Paris: Léon Curmer 1840. Fine. Léon Curmer Paris 1840-1842 18 x 26.50 cm 11 volumes reliés Les Français peints par eux-mêmes. Encyclopédie morale du dix-neuvième siècle Le Prisme with Les Anglais peints par eux-mêmes The French painted by themselves The English painted by themselves Léon Curmer Paris 1840-1842 18 x 265 cm 11 volumes in half morocco First edition one of the grand papier deluxe copies with two states of the illustrations for the 8 volumes of Les Français peints par eux-mêmes: one in black on tinted paper and one enhanced by hand using the so-called coloris gommé technique with watercolour and varnish on white paper. Les Anglais peints par eux-mêmes includes the engravings in black. No deluxe copies in colour have been made for this rare set of Les Français. Bound in half brown morocco spine in five compartments enhanced with stipple engraving and double gilt panels richly decorated with gilt floral motifs framing a mosaic medallion of green morocco with a gilt rose stamped in the center cartouches at the top decorated with a gilt garland framing the place and publication date some light minor rubbing on some compartments gilt fillets on the marbled paper boards comb-patterned endpapers top edges gilt. Elegant late nineteenth century bindings signed Durvand-Thiret. Complete with all engravings along with added engravings i.e. 930 engravings including 415 in colour. Title pages dated 1841 for all volumes of Les Français except for volume 5 of Les Parisiens and volume 3 of La Province dated 1842. Les Français peints par eux-mêmes has 415 engravings in black including that of Napoleon on horseback instead of the 405 announced and 415 in colour including a double page map of France in volume III of the Province. The English volume illustrated by Kenny Meadous is complete with 100 plates in black. This unique set contains in total almost a thousand black and coloured engravings and more than 1500 in-text illustrations. Famous gallery of woodcut portraits depicting the social classes of the 19th century by the greatest artists of the time: Gavarni Daumier Delacroix Grandville Johannot Bellangé Charlet Daubigny etc. The portraits are all accompanied by original texts from the most famous Romantic authors including: Balzac Nodier Gautier Nerval Gozlan Janin Karr etc. Scarce foxing affecting mainly the Prism and the Anglais. The texts and illustrations of the book paint a lively picture of inhabitants and their trade in metropolitan France and its colonies. It sets the tone for panoramic literature a new genre coined by Walter Benjamin in Charles Baudelaire. A lyric poet at the height of capitalism. In addition to these portraits of the Français the contribution of a whole areopagus of great and small authors and illustrators S. Le Men La 'littérature panoramique' dans la genèse de la Comédie Humaine: Balzac et Les Français peints par eux-mêmes L'Année balzacienne 2002/1 No. 3 CAIRN includes some of the most renowned authors and cartoonists of the time each of whom made an original creation for the project. This protean fresco was directed by editor Léon Curmer already known for the publishing success of Paul et Virginie between 1836 and 1838. Curmer is represented here by an article L'éditeur in volume IV written by Elias Regnault. The latter takes example in Louis-Sebastien Mercier's Tableau de Paris published in 1781 whose vision is even further extended by the representation of French provinces in Les Français. Thanks to Curmer the work finds an even deeper meaning: the editor has widened his frame and instead of letting a few fleeting portraits get lost in the immense daily whirlwind that engulfs all things he has sought to bring together the most salient physiognomies of that time. S. Le Men Ibid. Curmer selected the authors and illustrators closest to the ones they depict: It is therefore a question of calling upon authors and illustrators who are wel Léon Curmer hardcover
1860réf. 78831Paris: Carjat et Cie 1860. Fine. Carjat et Cie Paris s. d. circa 1860 6 x 10.30 cm une photographie Photographic portrait of Eugène Delacroix Carjat et Cie Paris ca 1860 6 x 103 cm one photograph Original photograph on albumen paper in carte de visite format mounted on a board. Some small foxing. Rare copy of this photograph only found at Carnavalet Louvre and Orsay museums. Carjat et Cie unknown
1823réf. 759401823. Fine. s. d. ca 1823 12 x 18.20 cm Six pages sur deux feuillets rempliés Almost entirely unpublished handwritten letter from the painter Eugène Delacroix to the love of his youth the mysterious Julie now identified as being Madame de Pron by her maiden name Louise du Bois des Cours de La Maisonfort wife of Louis-Jules Baron Rossignol de Pron and daughter of the Marquis de La Maisonfort Minister of France in Tuscany patron of Lamartine and friend of Chateaubriand. 90 lines 6 pages on two folded leaves. A few deletions and two bibliographical annotations in pencil on the upper part of the first page no114. This letter is one of the last to his lover in private ownership all of Delacroix's correspondence to Madame de Pron being kept at the Getty Research Institute Los Angeles. Only nine of the ninety lines of this unpublished letter were transcribed in the Burlington Magazine in September 2009 alongside the long article by Michèle Hanoosh Bertrand and Lorraine Servois whose research finally revealed the identity of the famous recipient. Sublime love letter from twenty-four-year-old Eugène Delacroix addressed to his lover Madame de Pron twelve years his senior who unleashed the liveliest passion in him. This episode of the painter's youth then considered the rising star of Romanticism for a long time remained a mystery in the biography of Delacroix who was careful to preserve the anonymity of his lover thanks to various pseudonyms: Cara the Lady of the Italians and even Julie as in this letter in reference to the famous epistolary novel Julie ou la Nouvelle Héloïse by Rousseau. For obvious reasons Delacroix did not sign his name on any of the letters in correspondence with the lady. A great figure of the legitimate aristocracy the recipient of this feverish letter is Madame de Pron daughter of the Marquis de La Maisonfort Minister of France in Tuscany patron of Lamartine friend of Chateaubriand. Her beauty was immortalized in 1818 by Élisabeth Vigée-Lebrun who painted her portrait in pastel with an oriental hairstyle. Delacroix and Madame de Pron met in April 1822 when the portrait of the latter's son Adrien was commissioned a pupil at the Lycée Impérial now Lycée Louis-le-Grand. Delacroix had been commissioned for the portrait by his close friend Charles Soulier Madame de Pron's lover who despite himself served as an intermediary for Delacroix. In the absence of Soulier who had gone to Italy the painter and the young women established an intense romantic relationship. The portrait commission became a pretext for their tender meetings in his studio on rue de Grès while no trace of the child's painting has been found to this day. Their adventure lasted a little over a year but it was one of the most intense passions of the artist's life. Our letter undoubtedly corresponds to the last throes of their relationship in the month of November 1823. After one of their visits at the end of a hiatus of several months Delacroix writes to her again under the influence of emotion: I come home with a shaken heart what a wonderful evening! . Sometimes I say to myself: why did I see her again In the calm sanctuary where I lived even in the middle of the invisible places that I had formed . I managed to silence my heart. Madame de Pron had indeed decided to bring an end to their intimate relationship see her letter from 10 November 1823: I want sweet friendship . I do not want to torment you Getty Research Institute. Losing all discernment and with blind devotion Delacroix attempts to revive their affair: Make me lie prove to me that your soul is indeed that of the Julie that I once knew since mine has regained its charming emotions and its worries. But the painter runs into Soulier and General de Coëtlosquet also lovers of Madame de Pron. Delacroix had narrowly avoided a final disagreement with Soulier who had almost seen a letter from Madame de Pron in h unknown
1852réf. 713631852. Fine. 13 septembre 1852 12.20 x 19 cm une feuille Long autograph letter signed by the archaeologist and curator of antiquities at the Louvre Museum Adrien de Longpérier to a journalist 4 pages on a folded sheet. In this fascinating letter about Eugène Delacroix the curator of Egyptian antiquities Longpérier castigates a journalist author of a harsh critique of the painter's ceiling at the Galerie d'Apollon in the Louvre: ""mais quand il s'agit seulement d'un plafond fait pour une galerie roccoco quand du reste j'ai reconnu que cet ouvrage produit un excellent effet décoratif que le ton général est parfaitement adapté à la place et qu'outre cela le tableau contient un certain noombre de détails traités avec un véritable talent je ne vois pas la nécessité d'aller attaquer très vivement très rudement non seulement l'oeuvre mais encore la personne de l'artiste"" ""but when it concerns merely a ceiling made for a rococo gallery when moreover I have recognized that this work produces an excellent decorative effect that the general tone is perfectly adapted to the place and that besides this the painting contains a certain number of details treated with real talent I do not see the necessity of going to attack very vigorously very harshly not only the work but also the person of the artist"". Delacroix had created a composition entitled Apollon terrassant Python for the gallery built under Louis XIV and newly restored under the Second Republic. In the midst of the Romantics' quarrel Longpérier also mentions Jean-Auguste Dominique Ingres himself the author of a ceiling at the Louvre L'apothéose d'Homère: ""Comme vous avez l'imprudence de mettre le plafond d'Homère en parallèle avec celui d'Apollon vous n'eussiez pas pu empêcher que dans la discussion on ne s'en prit à votre vénérable ami. Croyez vous que si Ingres qui aime si peu la discussion vous eu su un bien grand gré de ces horizons que vous lui eussiez procurés . Imaginez-vous que vous ayez fait le sacrifice d'une somme assez considérable pour fonder un journal et que je vous apporte un article violent contre M. Ingres Je dis : imaginez car je suis moi un admirateur de M. Ingres et n'ai en aucune manière envie de le critiquer . Iriez-vous donner aide à celui qui voudrait le combattre "" ""Since you have the imprudence to put Homer's ceiling in parallel with that of Apollo you could not have prevented that in the discussion people would attack your venerable friend. Do you believe that if Ingres who so dislikes discussion would have been very grateful to you for these horizons that you would have provided him . Imagine that you had made the sacrifice of a considerable sum to found a journal and that I bring you a violent article against M. Ingres I say: imagine for I am myself an admirer of M. Ingres and have no desire whatsoever to criticize him . Would you go to aid the one who would want to fight him"". Ingres the painter representing the classical school had his preference unlike Delacroix the Romantic whose style he did not appreciate but whose human qualities he nevertheless recognized: ""J'ai reconnu que c'est un homme très doux très poli fort instruit et fort modeste . Je parle de l'homme ; quant à ses oeuvres elles sont plus ou moins bonnes. Il y en a même de fort mauvaises"" ""I have recognized that he is a very gentle man very polite well educated and very modest . I speak of the man; as for his works they are more or less good. There are even some very bad ones"". Longpérier speaks at length about the restoration work at the Louvre led by the architect Félix Duban who supervised the renovation of the Galerie d'Apollon and other major projects: ""Je verrais avec grand plaisir que vous fissiez sentir le mérite de la restauration de la galerie d'Apollon de la façade du jardin de l'infante de la façade d'Henri IV sur le quai et du plafond de la Salle des sept cheminées décoré avec tout de goût de f unknown
2016réf. __3065208490Cornelsen Verlag Gmbh 2016. Paperback. New. German language. 11.89x8.82x1.10 inches. Cornelsen Verlag Gmbh paperback
2015réf. __3065201844Cornelsen Verlag Gmbh 2015. Paperback. New. German language. 11.57x8.27x0.63 inches. Cornelsen Verlag Gmbh paperback
réf. 8064Paris Poussielgue Rusand libraire 1844. In/8 broché couverture imprimée 166 pages. Rousseurs éparses. Célèbre jésuite et prédicateur français né à Bayonne en 1795; mort à Paris en 1858. Il débuta d'une manière brillante dans la magistrature devint substitut du procureur du roi en 182l puis renonçant tout à coup à une carrière qui lui promettait un avenir assuré il entra au séminaire en 1822 se fit ordonner prêtre chez les jésuites de Montrouge enseigna la théologie et commença à prêcher en Suisse et en Savoie où l'avait jeté la tempête révolutionnaire de 1830. P. Larousse. unknown
1936réf. 20594Paris: In Bulletin de la Sté de l'histoire de l'art français 1936. Fine. In Bulletin de la Sté de l'histoire de l'art français Paris 1936 14 x 23 cm agrafé First edition published in a small number of copies of this offprint. Autograph inscription by the author on the front cover. Covers slightly and marginally faded without significance otherwise a handsome copy. In Bulletin de la Sté de l'histoire de l'art français unknown
1854réf. 14648Paris: La Revue des deux mondes 1854. Fine. La Revue des deux mondes Paris 15 juillet 1854 15.50 x 25 cm broché First edition. Eugène Delacroix's articles would only be collected after his death in 1865 and printed in only 300 copies. In original wrappers. La Revue des deux mondes unknown
1943réf. 14984Fribourg Fribourg: Egloff 1943. Fine. Egloff Fribourg Fribourg 1943 12.50 x 17.50 cm broché First edition of this selection of texts established by P. Courthion. Autograph inscription by the latter. Handsome copy. Egloff unknown
1854réf. 14647Paris: La Revue des deux mondes 1854. Fine. La Revue des deux mondes Paris 15 juillet 1854 15.50 x 25 cm broché Published before the first edition. Softcover as issued. La Revue des deux mondes paperback
réf. 79051Paris Félix Alcan 1924. 602 s. Samt. skinnbd. . unknown
réf. 66176Diane de Selliers 1997. Hardcover Relié cloth originale de l'éditeur in slipcase 289 pages Texte en Francais Illustrations en couleurs en noir & blanc nombreuses illustrations dans et hors texte. 33.5 x 25 cm TRES BON ETAT. édition limitée numérotée à 300 exemplaires celle-ci est le numéro 216. ISBN 2903656223. Eugene Delacroix illustrator - TRES BON ETAT. édition limitée numérotée à 300 exemplaires celle-ci est le numéro 216. Diane de Selliers 1997 hardcover
1777réf. 93447Mérigo T l'aine Courtier fils Libraires 1777. hardcover. Bueno. París 1777. Mérigo T l'aine Courtier fils Libraires. Pasta española. Lomo con nervios y dorados. Cantos coloreados. 679796810 pp. 18x12. Contienen desplegables. Cinta punto de lectura. Cantos algo rozados. Texto en FRANCÉS. Mérigo T l'aine Courtier fils Libraires hardcover
réf. 64655Zürich Kunsthaus 1987. 128 x 90.5 cm Zustand B Faltspurig sonst tadell. Plakat zur Ausstellung vom 5. Juni bis 23. August 1987 im Rahmen der Junifestwoche. 400 Zürich, Kunsthaus, 1987 unknown
1926réf. 1211Paris 1926-29. 4to. Bound in 3 nice hmorocco. 296340 296 pp. a.numerous plts.a.textillustr. unknown
1936réf. 33269Paris Plon 1936 - 38. 8vo. 5 volumes in orig. wrappers all uncut. Backs w. some tears and scratches; a bit of overall soiling and wear and some tears. A few spots to front wrapper of volume four. Internally nice and clean. W. five frontispieces and five plates. 6 XV 1 453 3; 6 XI 1 427 1; 6 VI 431 3; 6 V 1 392 2; 6 II 280 pp. Volumes one and three in fourth 4e edition. Volumes two four and five 2nd thousand 2e mille. unknown
1999réf. DADAX0941393054Brand: Lublin Graphics Publishers Inc.U.S 1999-12-30. 1st Edition. paperback. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Lublin Graphics Publishers Inc.,U.S paperback
2005réf. SONG0786278412Brand: Thorndike Press 2005-08-02. hardcover. Used: Good. 5.75x1.00x8.50. Buy with confidence. Excellent Customer Service & Return policy. Brand: Thorndike Press hardcover
1999réf. SONG0941393054Brand: Lublin Graphics Publishers Inc.U.S 1999-12-30. 1st Edition. paperback. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Lublin Graphics Publishers Inc.,U.S paperback
1972réf. SONG0670003352Brand: Viking Compass 1972-05-10. First Edition. paperback. Used: Good. 7.00x1.00x5.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Viking Compass paperback