Megane DelacroixBiblio.com
1958 risultati
rif. 1836876319.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1922rif. 45031922; R. Piper & Co; München 2. Auflage (3.-4. Tsd.); Original-Halbleinen, 4°, 257 S.; mit 162 Abb., 1 Titelporträt u. 2 Faksimiles.
rif. 20648München: Piper, um 1913.,IN4 reliure pleine toile decorée editeur,plat illustré,envoi autographe auteur,274 S., mit zahlreichenm Abbildungen im Text und, montioert, auf Tafeln, illustr. Or.Pbd. 4°. Mit illustriertem Interimsumschlag, nicht beschnitten. Erstausgabe. (Umschlag etwas berieben, am Rand etwas bestossen, Einbandrücken erneuert)
rif. 26545Written between May 1815 and October 1822. Addressed to Messrs Henri Pierre Delacroix et Fils of Elbeuf Normandy from various French locations principally Paris. 105 items of correspondence in French in various formats mainly 8vo. In good condition on lightly-aged paper. Each text clear and complete. The whole contained in a grey paper folder with 'Juillet 1818' on the front wrap. Each item unobtrusively numbered in neat red pencil. Featuring a wide range of the correspondents as few write more than once. Occasional letters docketed. Accompanied by a modern abstract by a French-speaker reflecting the difficulty of the various hands contained in the collection. Beginning on the eve of Napoleon's defeat at the Battle of Waterloo this substantial correspondence provides a mass of valuable information about social history and textile industry in France in the early nineteenth-century. Textile mills began to appear at Elbeuf at the beginning of the sixteenth century; by 1802 the industry was deemed of sufficient importance for the Emperor Napoleon to pay a visit. For more on the subject see 'La draperie d'Elbeuf des origines à 1870' by Alain Becchia Université de Rouen 2000. Included are several accounts including one for the whole of 1816 from Bertrand et Fils for dying textiles with the various colours given including 'bleu carbeau' and 'vert dragon'. This account is followed by a bill to the younger Delacroix from his vintner Boules and a long statement of account by 'Barbier Sellier Caroissier a Rouen'. Also present is an itemised bill by another 'sellier' named Le Roi followed by a long itemised bill by a 'chaudronnier' named Morchaud. Although the first letter in the collection from Welz et Cie of Rouen 4 May 1815 together with another from the same firm four days later sets the general tone giving detailed instructions regarding business about an 'envoy de laine' by a third party L. F. Ehrmann of Strasbourg the early correspondence also reflects the political anxieties of the period. On 15 May 1815 a correspondent writes anxiously from Paris of 'les morts et blessés la perspective de veuves et enfants de créancier et ouvriers'. On 21 May Duruflé of Paris comments with equal anxiety: 'il faut attendre le resulta du chant de mai. On a lespoir - s'il ya Delusion - que sa poura detourner les ennemis du projet qu'ils ont d'<arracher> notre territoire. S'il en est autrement il parait que nous avons des forces considerable sur toute la Ligne de nos frontieres et bien disposée'. On 12 July one Boulé writes from Paris that 'depuis la fin du Courant je n'ai pas recu un Soli et je n'avait presque rien recu de ce que je devait recevoir obligé de recevoir des Troupes étranger et de les faire nourire il faut de l'argent'. Duruflé writes again on 20 July that 'les moments de crise qui vienne de se passé in ne nous est heureusement rien arrivé. Madame Duruflé en a été quitté come bien d'autres pour <>'. Shortly afterwards one Choberl compliments the firm on not sending cloth to Angers. A. J. Curet on 30 July 1815 states that 'nous jouissons de la paix et de la tranquilité'. Among the orders contained in the correspondence is a request for cloth 'pour manteau capotte' for the 'habillement du 11e. Regiment. de Dragons'. Reflecting the state of affairs after Napoleon one Boucher writes from Paris in September of 1815 that the movement of troops in Paris is 'toujours considerables et nocturnes'. Of interest is a letter in French from the English inventor Samuel Pugh writing that he has not received a bill. A small swatch of green cloth is attached to a letter from Lamargne of Toulouse. With inadvertently poetic utterance a correspondence writes on 14 October that 'la couleur feuille morte n'est pas ma nuance'. Commenting on financial impropriety G. Jammon writes 18 October 1822 about 'des chevaliers d'industrie' who with 'aucun Domicile fixe' can have goods delivered and then disappear. One of the last letters contains a handwritten cheque by Henry Delacroix made out to 'Monsieur Charles Michel'. This is followed 24 October 1822 by an offer of the 'Sistemes sic de Tisseranderie Continue'. Written between May 1815 and October 1822. Addressed to Messrs Henri Pierre Delacroix et Fils of Elbeuf, Normandy, from various hardcover
rif. 38142Paris : Armand Colin, 1896 - in-12 demi-chagrin à faux nerfs avec fleurons, titre et auteur dorés, 297 pages - première édition - ex-libris gravé sur le contre-plat - bon état -
rif. DADAX0941393054New unknown
rif. 74804Michel Delacroix A La Manille Original lithograph Hand signed in pencil lower right Edition EA lower left Image size: 48 x 57 cm Sheet size: 56 x 76 cm A La Manille is a very early lithograph from 1979. It depicts the everyday life of one of Paris' residential neighborhoods with laundry hanging out of windows and old storefronts selling groceries and everyday goods.
rif. 74813Michel Delacroix Paris - Chez Riton Original lithograph Hand signed in pencil lower right Edition EA lower left Image size: 48 x 57.5 cm Sheet size: 56 x 75.5 cm classic paris street scene with bicycle cafes and shops. Michel Delacroix master of the Naïf Folk Art or Naive the most popular and successful artists in the world today. A self-styled "painter of dreams and of the poetic past" Delacroix has devoted five decades to painting a city he calls "the Paris of then" the magical place where he was born where he spent his boyhood and where he continues to live to this day. But the Paris Delacroix paints is not the urban metropolis of the present. It is the dream-like place the city became in the 1940's during the Occupation when "we suddenly jumped fifty years into the past. No more cars in the streets very few lights. Paris suddenly became very quiet very dark and though people were afraid there was a brotherhood and spirit that was very delightful." For Delacroix who was then a child of seven and spared by his age from understanding "the cruelties and absurdities" of war it was "the one great adventure of my life." And it is to this special Paris - the Paris of by-gone years and innocent splendors - that Delacroix has returned to over and over again in his gentle works. Theses works renowned for their graceful balance of "the earthy and the urban the cosmic and the ordinary" have captivated private collectors museums and ordinary people alike throughout the world earning the artist both universal acclaim and numerous awards.
rif. 74814Michel Delacroix Arrivee du Tour de France sur le Champs Elysees 1990 Original lithograph Hand signed in pencil lower right Numbered XIX/CC lower left Sheet size: 78.5 x 91.5 cm Published by Axelle Fine Arts classic paris street scene with bicycle cafes and shops. Michel Delacroix master of the Naïf Folk Art or Naive the most popular and successful artists in the world today. A self-styled "painter of dreams and of the poetic past" Delacroix has devoted five decades to painting a city he calls "the Paris of then" the magical place where he was born where he spent his boyhood and where he continues to live to this day. But the Paris Delacroix paints is not the urban metropolis of the present. It is the dream-like place the city became in the 1940's during the Occupation when "we suddenly jumped fifty years into the past. No more cars in the streets very few lights. Paris suddenly became very quiet very dark and though people were afraid there was a brotherhood and spirit that was very delightful." For Delacroix who was then a child of seven and spared by his age from understanding "the cruelties and absurdities" of war it was "the one great adventure of my life." And it is to this special Paris - the Paris of by-gone years and innocent splendors - that Delacroix has returned to over and over again in his gentle works. Theses works renowned for their graceful balance of "the earthy and the urban the cosmic and the ordinary" have captivated private collectors museums and ordinary people alike throughout the world earning the artist both universal acclaim and numerous awards.
rif. ANAIS-0941393054LITTLE BROWN US. paperback. Good. 1.8x09x2.1. Buy with confidence. Excellent Customer Service & Return policy. LITTLE BROWN US paperback
1999rif. 043737LITTLE BROWN US 1999. 1st Edition . Hardcover. Fine/Very Good. Signed by the artist with "Best wishes." Clean pages in bright newlooking covers. The book is nearly all full page artwork in color with minimal text. PAges show light fading to borders. Glossy jacket with fading along spine and spine ends rubbed. Oversize and heavy. First Edition. LITTLE BROWN US hardcover
1990rif. 1-0940577011Chalk Vermilion 1990. Hardcover. New. 13.60x11.60x1.10 inches. Chalk Vermilion hardcover
2012rif. 1257Axelle Fine Arts 2012. 2012 First Edition. Oblong 8vo. 120 pp. Red cloth. Jacket rubbed shelf wear. Fine in Near Fine dust jacket. 1st Edition. Hardcover. Fine/Near Fine. Axelle Fine Arts, 2012. hardcover
1990rif. 2083002115803754THE INTERNATIONAL ARCHIVE OF ART 1990. Soft Cover. Fine. Volume: 1 THE INTERNATIONAL ARCHIVE OF ART paperback
1987rif. G0941393054I4N00Lublin Graphics Incorporated 1987. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Lublin Graphics, Incorporated paperback
1987rif. G0941393054I3N00Lublin Graphics Incorporated 1987. Hardcover. Good. Disclaimer:A copy that has been read but remains in clean condition. All pages are intact and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting and the copy can include previous owner inscriptions. At ThriftBooks our motto is: Read More Spend Less.Dust jacket quality is not guaranteed. Lublin Graphics, Incorporated hardcover
rif. 74783Michel Delacroix Rendez Vous de Macons 1984 Original lithograph Hand signed in pencil lower right Edition E.A. lower left Published by Lublin Graphics A lovely street scene view of the colorful bustling daily activity of wartime Delacroix's 1940's Childhood Paris. Michel Delacroix master of the Naïf Folk Art or Naive the most popular and successful artists in the world today. A self-styled "painter of dreams and of the poetic past" Delacroix has devoted five decades to painting a city he calls "the Paris of then" the magical place where he was born where he spent his boyhood and where he continues to live to this day. But the Paris Delacroix paints is not the urban metropolis of the present. It is the dream-like place the city became in the 1940's during the Occupation when "we suddenly jumped fifty years into the past. No more cars in the streets very few lights. Paris suddenly became very quiet very dark and though people were afraid there was a brotherhood and spirit that was very delightful." For Delacroix who was then a child of seven and spared by his age from understanding "the cruelties and absurdities" of war it was "the one great adventure of my life." And it is to this special Paris - the Paris of by-gone years and innocent splendors - that Delacroix has returned to over and over again in his gentle works. Theses works renowned for their graceful balance of "the earthy and the urban the cosmic and the ordinary" have captivated private collectors museums and ordinary people alike throughout the world earning the artist both universal acclaim and numerous awards.
rif. 74819Michel Delacroix Roofs in Paris in the Snow 1991 Original lithograph Hand signed in pencil lower right Numbered 134/200 lower left Published by Axelle Fine Arts classic paris street scene with bicycle cafes and shops. Michel Delacroix master of the Naïf Folk Art or Naive the most popular and successful artists in the world today. A self-styled "painter of dreams and of the poetic past" Delacroix has devoted five decades to painting a city he calls "the Paris of then" the magical place where he was born where he spent his boyhood and where he continues to live to this day. But the Paris Delacroix paints is not the urban metropolis of the present. It is the dream-like place the city became in the 1940's during the Occupation when "we suddenly jumped fifty years into the past. No more cars in the streets very few lights. Paris suddenly became very quiet very dark and though people were afraid there was a brotherhood and spirit that was very delightful." For Delacroix who was then a child of seven and spared by his age from understanding "the cruelties and absurdities" of war it was "the one great adventure of my life." And it is to this special Paris - the Paris of by-gone years and innocent splendors - that Delacroix has returned to over and over again in his gentle works. Theses works renowned for their graceful balance of "the earthy and the urban the cosmic and the ordinary" have captivated private collectors museums and ordinary people alike throughout the world earning the artist both universal acclaim and numerous awards.
1947rif. V18706Paris (Le Musée des Chefs-Oeuvre) 1947 (= Erste Ausgabe). 4°, Originalbroschur mit illustriertem Originalumschlag (Paperback), 12 unpaginierte Blatt, 2 farbige und zahlreiche schwarz-weiße Abbildungen, 1
in-12°, 299 pages, reliure demi-percale, plats richement ornes, titre et filets estampes, couverture conservee Tres bel exemplaire, tres frais. [TX-17]
2010rif. BN580199Belin 2010. 2010. Softcover. La France du temps présent 1945-2005 La France du temps présent 1945-2005 Michelle Zancarini-Fournel Christian Delacroix Joël Cornette et Henry Rousso Belin paperback
rif. 10097Troisième édition. Paris Librairie des contemporains. Réunion de 63 Volumes in 12 brochés, couverture imprimée. Une page de faux-titre, un portrait en frontispice, une page de titre. Bon état à très bon état sauf avis contraire. 1) n°4 Le père Félix 72 pages, 1869 2) n°7 Odilon BARRET 60 pages non coupé, 1869 3) n°10 Le bibliophile JACOB 63 pages, 1869 4) n°13 Emile de GIRARDIN 72 pages, 1869 5) n°16 Timothée TRIMM (Léo LESPES) 72 pages 1869 6) n°17 Gérard de NERVAL –Eugène GUINOT 72 pages, 1869 7) n°31 Charles MONSELET 72pages 1869 8) n°32 PONSARD 63 pages 1869 9) n°38 Alphonse KARR 71 pages 1869 10) n°40 CANROBERT 64 pages 1869 11) n°42 Armand MARRAST 72 pages 1869 12) n°43 HAVIN 72 pages 1869 13) n°45 Victor COUSIN 71 pages, 1869 14) n°47 Elie BERTHET-Etienne ARAGO 53 pages 1869 15) n°48 ARNAL-Adolphe ADAM 63 pages 1869 16) n°49 CORMENIN 72 pages 1869 17) n°51 Pie XI 72 pages 8 pages de catalogue 1869 18) n°53 Prosper MERIMEE 64 pages, 8 pages de catalogue 1869 19) n°55 Henry MONNIER 63 pages, 8 pages de catalogue 1869 20) n°56 Félicien DAVID 63 pages non coupé 4 page de catalogue 1869 21) n°58 Pierre LEROUX 64 pages, 8 pages de catalogue 1869 22) n°60 RICORD 52 pages, 8 pages de catalogue 1869 23) n°64 Edmond ABOUT-CARNOT-CHANGARNIER 64 pages, 6 pages de catalogue 1869 24) n°65 VILLEMAIN 63 pages, 8 pages de catalogue 1869 25) n°66 BEAUVALLET 63 pages 4 pages de catalogue 1869 26) n°68 DUPIN 63 pages 6 pages de catalogue 1869 27) n°70 Gustave PLANCHE 64 pages 1869 28) n°71 MONTALEMBERT 64 pages 1869 (un grignotage de rongeur au dernier plat de couverture) 29) n°72 FALLOUX 63 pages 1869 31) n°78 CLAIRVILLE –Eugène LABICHE 63 pages 1869 32) n°81 Louise COLET 63 pages 1869 33) n°82 GARNIER PAGES-Le Père ENFANTIN-CABET 52 pages, 12 pages de catalogue 1869 34) n°83 Le Baron TAYLOR 64 pages 1869 35) n°84 SAINT MARC GIRARDIN 64 pages 1869 36) n°87 MIRES 63 pages 1869 37) n°88 Emile DESCHAMPS 62 pages 1869 38) n°89 Arsène HOUSSAYE 63 pages 1870 39) n° 91 CHAMPFLEURY-G. COURBET- 63 pages 1870 40) n°92 Emile AUGIER-Théodore BARRIERE-Anicet BOURGEOIS 56 pages, 8 pages de catalogue 1870 41) n°95 Mgr MERMILLOD 63 pages 1870 42) n°98 ANTONELLY –Mgr DARBOY 64 pages 1870 43) n°99 SALVANDY 61 pages non coupé. 44) n°100 Alfred de VIGNY 64 pages 1870 45) n°101 Horace VERNET 63 pages 1870 46) n°104 Roger de BEAUVOIR-Théodore de BANVILLE-BARTHELEMY 63 pages 1870 47)n°106 ROSSINI 61 pages 1870 48) n°107 Le père de RAVIGNAN 61 pages 1870 49) n°109 VIENNET –M de BARANTE 63 pages 1871 50) n°111 LOLA MONTES 62 pages 1871 51) n°112 Eugène DELACROIX 61 pages 1870 52) n°113 Anaïs SEGALAS 54 pages, 8 pages de catalogue 1871 53) n°114 Emmanuel GONZALES GONDRECOURT51 pages, 12 pages de catalogue non coupe, 1871. 54) n°115 Julia GRISI –Clémence ROBERT 62 pages 1871 55) n°118 GUILLAUME 1er Roi de Prusse 62 pages 1870 56) n°119 DELAROCHE-DECAMPS 64 pages, 1871 57) n°122 GERARD la tueur de lions 61 pages, 3 pages de catalogue 1870 58) n°123 Octave FEUILLET-Léon GOZLAN 62 pages 1871 59) n°130 Octave FERE-LACHAMBEAUDIE 64 pages 1871 60) n°134 Henri HEINE 63 pages 1871 61) n°139 LAMORICIERE 55 pages, 8 pages de catalogue non coupé. 1871. chaque volume:
rif. 7687Gustave Havard, Editeur, collection "Les Contemporains", deuxième série, 58, Paris, 1856. In-12, broché, 95 pp. Lettre à Jules Janin, par Eugène de Mirecourt - Eugène Delacroix.
1956rif. R240016512LIBRAIRIE GRUND. 1956. In-8. Cartonnage d'éditeurs. Bon état, Couv. convenable, Dos fané, Intérieur frais. 365+421+446 pages. Nombreuses illustrations, en couleur et en noir et blanc, dans le texte et hors texte. Numéro de classement sur le dos.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
