1985 risultati
rif. 1504761863.GaudioCD. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
2001rif. 1-0440236371Dell Pub Co 2001. Mass Market Paperback. New. 371 pages. 7.00x4.00x1.25 inches. Dell Pub Co paperback
2005rif. SONG0786278412Brand: Thorndike Press 2005-08-02. hardcover. Used: Good. 5.75x1.00x8.50. Buy with confidence. Excellent Customer Service & Return policy. Brand: Thorndike Press hardcover
rif. 1990879322.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2001rif. Q-0440236371Dell 2001-01-09. Mass Market Paperback. New. In shrink wrap. Looks like an interesting title! Dell paperback
rif. 333326Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1846. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 333329Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1846. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 333328Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1846. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 333327Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1846. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 26545Written between May 1815 and October 1822. Addressed to Messrs Henri Pierre Delacroix et Fils of Elbeuf Normandy from various French locations principally Paris. 105 items of correspondence in French in various formats mainly 8vo. In good condition on lightly-aged paper. Each text clear and complete. The whole contained in a grey paper folder with 'Juillet 1818' on the front wrap. Each item unobtrusively numbered in neat red pencil. Featuring a wide range of the correspondents as few write more than once. Occasional letters docketed. Accompanied by a modern abstract by a French-speaker reflecting the difficulty of the various hands contained in the collection. Beginning on the eve of Napoleon's defeat at the Battle of Waterloo this substantial correspondence provides a mass of valuable information about social history and textile industry in France in the early nineteenth-century. Textile mills began to appear at Elbeuf at the beginning of the sixteenth century; by 1802 the industry was deemed of sufficient importance for the Emperor Napoleon to pay a visit. For more on the subject see 'La draperie d'Elbeuf des origines à 1870' by Alain Becchia Université de Rouen 2000. Included are several accounts including one for the whole of 1816 from Bertrand et Fils for dying textiles with the various colours given including 'bleu carbeau' and 'vert dragon'. This account is followed by a bill to the younger Delacroix from his vintner Boules and a long statement of account by 'Barbier Sellier Caroissier a Rouen'. Also present is an itemised bill by another 'sellier' named Le Roi followed by a long itemised bill by a 'chaudronnier' named Morchaud. Although the first letter in the collection from Welz et Cie of Rouen 4 May 1815 together with another from the same firm four days later sets the general tone giving detailed instructions regarding business about an 'envoy de laine' by a third party L. F. Ehrmann of Strasbourg the early correspondence also reflects the political anxieties of the period. On 15 May 1815 a correspondent writes anxiously from Paris of 'les morts et blessés la perspective de veuves et enfants de créancier et ouvriers'. On 21 May Duruflé of Paris comments with equal anxiety: 'il faut attendre le resulta du chant de mai. On a lespoir - s'il ya Delusion - que sa poura detourner les ennemis du projet qu'ils ont d'<arracher> notre territoire. S'il en est autrement il parait que nous avons des forces considerable sur toute la Ligne de nos frontieres et bien disposée'. On 12 July one Boulé writes from Paris that 'depuis la fin du Courant je n'ai pas recu un Soli et je n'avait presque rien recu de ce que je devait recevoir obligé de recevoir des Troupes étranger et de les faire nourire il faut de l'argent'. Duruflé writes again on 20 July that 'les moments de crise qui vienne de se passé in ne nous est heureusement rien arrivé. Madame Duruflé en a été quitté come bien d'autres pour <>'. Shortly afterwards one Choberl compliments the firm on not sending cloth to Angers. A. J. Curet on 30 July 1815 states that 'nous jouissons de la paix et de la tranquilité'. Among the orders contained in the correspondence is a request for cloth 'pour manteau capotte' for the 'habillement du 11e. Regiment. de Dragons'. Reflecting the state of affairs after Napoleon one Boucher writes from Paris in September of 1815 that the movement of troops in Paris is 'toujours considerables et nocturnes'. Of interest is a letter in French from the English inventor Samuel Pugh writing that he has not received a bill. A small swatch of green cloth is attached to a letter from Lamargne of Toulouse. With inadvertently poetic utterance a correspondence writes on 14 October that 'la couleur feuille morte n'est pas ma nuance'. Commenting on financial impropriety G. Jammon writes 18 October 1822 about 'des chevaliers d'industrie' who with 'aucun Domicile fixe' can have goods delivered and then disappear. One of the last letters contains a handwritten cheque by Henry Delacroix made out to 'Monsieur Charles Michel'. This is followed 24 October 1822 by an offer of the 'Sistemes sic de Tisseranderie Continue'. Written between May 1815 and October 1822. Addressed to Messrs Henri Pierre Delacroix et Fils of Elbeuf, Normandy, from various hardcover
rif. 107203Paris, Edité par A.N.C.R.E. 1997, 320x240mm, 93pages, broché. Sous cartable rigide en toile et avec jaquette. Très bel exemplaire.
rif. c2895Paris, Edité Ancre , 1997 ; pleine toile bleue de l 'éditeur formant portefeuille, titre en blanc au dos et 1er plat, jaquette illustrée en couleurs .Texte : fascicule broché de 93pp.,1f. Illustré de dessins et photographies en noir dans le texte . 21 grandes planches volantes se dépliant numérotées de 1à 21.
1997rif. 107203Paris : Edité par A.N.C.R.E. 1997. broché. DELACROIX Gerald. - BERTI Hubert.Tartane du roi. La Diligente 1738 - 1761 du constructeur Laurent Marchand. Collection Archéologie Navale Française. Paris Edité par A.N.C.R.E.1997 320x240mm 93 pages photos n/billustrations in et hors texte 21 planches n/b en feuilles échelles 1/36 1/48 1/72 collation: effectué broché. Sous cartable rigide en toile et avec jaquette. Très bel exemplaire. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Edité par A.N.C.R.E. unknown
rif. 117677Paris, Arthus Bertrand, 1814 3 vol. in-8, [4]-IV-VIII-480 pp., [4]-391 pp. et [4]-511-[1] pp., broché sous couv. d'attente rose de l'époque.
rif. 59790Séquences, 2000, 95 pp., broché, une tache sur la quatrième de couverture, bon état.
1841rif. Sand14DELACROIX SAND George 1804-1876 Autograph letter signed " G.S. " to Eugène Delacroix Paris Postal mark 23rd December 1841 1 p. 1/2 in-8° Autograph address on fourth folio wax seal : " Monsieur Delacroix rue des Marais Saint Germain 17 " Superb letter to her friend Delacroix about her desire to write "a few pages on painting" the Femmes d'Alger her contempt for the Ingresque school and other artistic news " Vous avez bien fait cher ami de ne pas venir à l'Opéra. C'était ennuyeux à crever malgré la beauté et la pompe du spectacle. J'espère que vos truffes vous auront donné de meilleures inspirations musicales que la reine de Chypre n'en a donné à Mr Halevy.1 Venez ce soir comme vous me l'avez promis. J'ai à vous parler sur des matières artistiques !!! le mot est entouré par Sand d'un triple trait de plume. Sans plaisanterie j'écris quelques pages sur la peinture et j'ai besoin de vous pour savoir si je ne déraisonne pas. 2 Bonjour et bonne nuit. Il est 6h du matin. Vous devriez venir dîner avec nous. Nous avons embelli notre existence d'un pot-au-feu quotidien et avec le dîner de l'anglais3 et du bon café c'est supportable. G.S. La Lélia4avec son moine et son mort me frappe et me plaît de plus en plus c'est ce qui m'a mise en veine d'écrire sur la couleur et ce qu'il faut entendre par la forme. Avec ça j'ai vu vos femmes d'Alger5 ce matin. Si vous m'encouragez je suis capable de faire le prochain salon dans notre revue La Revue indépendante et vous savez que je ne caponnerai pas ne se montrera pas lâche avec tout cette école silhouettiste6 qui se dit en possession du dessin ". 1 La Reine de Chypre an opera in five acts by Halévy to a libretto by St. George took place the day before December 22 1841. Unlike George Sand Richard Wagner who was also present at the premiere considered the music "noble moved and even new and exhilarating" although he criticized Halévy's failings in simple orchestration. 2 In Horace which George Sand was then writing she staged a rapin a pupil of Delacroix but there were no "few pages on painting". Is this an article intended for the Independent Review – which it has just created – but which it has renounced The word written in postscript confirms that it is an aesthetic reflection that focuses on "color" and "form". 3 Possible reference to an English restaurateur or caterer frequented by George Sand. 4 Lélia avec son moine et son mort is the third work offered by Delacroix to George Sand for the gifts of 1842. It is a pastel depicting Lélia kneeling near Stenio's corpse while the monk Magnus "in the shadows leaning stiffly against the wall of the cave darted on her his sparkling eyes". The subject was treated several times by Delacroix. 5 This is the Femmes d'Alger dans leur appartement a painting presented at the Salon of 1834 where it caused a sensation. A synthesis of orientalism and romanticism this painting expresses a deep "melancholy" for the poet and art critic Baudelaire. 6 George Sand refers to the school of Ingres as a "Silhouettist school". We know the adversity between the two painters that animated the artistic scene of the nineteenth century. The writer had resolutely taken Delacroix's side that of "form" and "color". Bibliography: George Sand – Correspondance t. V Lubin Garnier p. 529-531 lettre n°2369 Correspondance éd. Françoise Alexandre Les éditions de l'Amateur p. 117-118 n°50 Provenance: Achille Piron Delacroix's universal legatee Bibliothèque Marc Loliée
rif. 38867Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1833. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 38866Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1833. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 38864Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1833. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 38865Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1833. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 1695846Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1825. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 1695872Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1825. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 1695870Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1825. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 1695883Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1825. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
