Delacroix, GustaveBiblio.com
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Best.-Nr. 1160556334.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1160249938.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1889Best.-Nr. GIT00d2fForcalquier Imprimerie Brevetée Eugène Martin 1889. In-12 broché 4ff n ch 68pp.
1842Best.-Nr. Sand29DELACROIX SAND George 1804-1876 Two autograph letters signed " GS " to Eugène Delacroix Nohant 6 & 7 July 1842 3 p. in-8° in total in black ink Autograph addresses on verso Stamp marks previous trace of mounting Saddened by the departure of her "good little" Delacroix after the latter's stay in Nohant in the company of Chopin and the rest of the Sand family the writer found herself immersed in her reading of Les Mystères de Paris From the Marc Loliée library " Cher bon petit J'espère que vous êtes arrivé à bon port sans trop souffrir de la chaleur qui a été modérée le jour de votre départ. Vous avez oublié ici quelques effets dont Maurice a fait une caisse laquelle part aujourd'hui. Comme le port en est payé accusez-en réception afin qu'elle ne s'égare pas sans que nous la fassions réclamer. J'ai encore retrouvé dans mes mouchoirs un mouchoir à vous. Je vous le mets à part ainsi que ceux qui pourraient se retrouver au prochain blanchissage. Que Jenny la gouvernante de Delacroix ne nous accuse donc pas de vous avoir grinché vos zardes¹. – Je lis le Chourineur et je vous assure que malgré l'horreur du sujet et des détails² c'est jusqu'à présent fort intéressant et fabriqué avec beaucoup de talent. – Nous sommes restés tout tristes et tout déconfits de votre départ. Nous tâchons de jouer au billard mais je crois que vous avez emporté le carambouillage³ dans votre poche et que vous ne nous avez laissé que le manque de touche. J'attends avec impatience un petit mot de vous. Nous sommes encore trop chagrins pour vous en dire long aujourd'hui. Et puis l'heure me presse. À présent cher soyez bien portant. Si vous nous regrettez autant que nous vous regrettons faites un effort pour nous oublier jusqu'à notre retour Sand et Chopin rentreront à Paris le 31 juillet alors vous nous raimerez de nouveau. Adieu moi et tous vous embrassons et vous aimons. GS. " " Cher ami mon dadet sic de Thomas peut-être Thomas Aucante autrefois vacher a commencé le cours de bêtises auxquelles je dois m'attendre en ne payant pas le port de la caisse que je vous ai envoyée hier. Si bien qu'il faut que vous le sachiez afin de n'avoir pas de contestation avec l'administration. Accusez-moi réception car tout ceci a été fort mal fait malgré mes précautions. Nous nous portons bien. Nous vous aimons. J'ai rêvé de vous toute la nuit ; j'espère que c'est bon signe et que vous êtes bien portant. À vous GS. " In response to his friend's repeated invitations Delacroix spent nearly two weeks in Nohant in June 1842. He wanted above all to rest "vegetate" as he put it and enjoy the pleasures of the countryside. Back in Paris he replied on the 8th stating that he had received the crate and calling the person who had brought it to him a cheat and an imposter demanding postage. He asked his friend for a small purse left in Nohant a purse that Solange had given him and a small cord from Algiers. He concluded: "The weather is awful for the nerves. When you dreamed that you saw me did you dream that you were the Duchess of Berry I send you all my sincere embraces but I am very sad" Corr. gén. de Delacroix t. II p. 116. Using the slang present in Eugène Sue's work we understand that Sand is here in the middle of reading The Mysteries of Paris. The serial novel published in the Journal des débats from June 19 1842 to October 15 1843 inaugurated mass literature in the 19th century and earned its author immense fame in all social classes. Provenance: Bibliothèque Marc Loliée Bibliography: Correspondance t. V éd. G. Lubin Garnier n°2477 & 2478
Best.-Nr. ria9781836876311_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Les régimes à faible teneur en glucides sont à la mode en ce moment. Il existe certaines preuves qu'un régime pauvre en glucides peut aider les gens à perdre du poids à court terme. Cependant les effets à plus long terme sur la santé s hardcover
Best.-Nr. 49924616like new. unknown
Best.-Nr. 1836876319.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 036442740X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1778Best.-Nr. 47462Le Jay Cuir Paris (Amsterdam) 1778
Best.-Nr. 74819Michel Delacroix Roofs in Paris in the Snow 1991 Original lithograph Hand signed in pencil lower right Numbered 134/200 lower left Published by Axelle Fine Arts classic paris street scene with bicycle cafes and shops. Michel Delacroix master of the Naïf Folk Art or Naive the most popular and successful artists in the world today. A self-styled "painter of dreams and of the poetic past" Delacroix has devoted five decades to painting a city he calls "the Paris of then" the magical place where he was born where he spent his boyhood and where he continues to live to this day. But the Paris Delacroix paints is not the urban metropolis of the present. It is the dream-like place the city became in the 1940's during the Occupation when "we suddenly jumped fifty years into the past. No more cars in the streets very few lights. Paris suddenly became very quiet very dark and though people were afraid there was a brotherhood and spirit that was very delightful." For Delacroix who was then a child of seven and spared by his age from understanding "the cruelties and absurdities" of war it was "the one great adventure of my life." And it is to this special Paris - the Paris of by-gone years and innocent splendors - that Delacroix has returned to over and over again in his gentle works. Theses works renowned for their graceful balance of "the earthy and the urban the cosmic and the ordinary" have captivated private collectors museums and ordinary people alike throughout the world earning the artist both universal acclaim and numerous awards.
1995Mm 145x210 Collana "La coppa di Nestore". Brossura originale, 284 pagine. Ottima copia, spedizione in 24 ore dalla conferma dell'ordine.
1994Best.-Nr. Q-0373288506Harlequin Historical 1994-11-01. Mass Market Paperback. New. New. In shrink wrap. Looks like an interesting title! Harlequin Historical paperback
1957Best.-Nr. ABE-162195875839416 PAGES-30 CM X 43 CM-LA DEVALUATION EST FAITE-DESSIN DE LENO, K-LA POLITIQUE FRANCAISE ATTEINT LE POINT DE RUPTURE-LA RUINE DE L'AFRIQUE NOIRE FRANCAISE-LE PETIT DOIGT SUR LA COUTURE DU PANTALON, PAR P.A.COUSTEAU-JUIN: "MOI? CONTRE L'EUROPE? PAS DU TOUT!" INTERVIEW RECUEILLIE PAR ALBERT PARAZ, 1P, PHOTO-LES OCCIDENTAUX, EN SOUTENANT L'HERESIE "YOUGOSLAVE", ONT PERMIS LE MAINTIEN DE L'ESCLAVAGE DU PEUPLE SERBE, 2P PAR VITOMIR MARKOVITCH, 3 PHOTOS-LE REVOLUTIONNAIRE DELACROIX "COMME ON VIT PAISIBLEMENT SOUS LE CIMETERRE DES TYRANS!", 1P PAR DOMINIQUE ESPARIAT, ILL-JEUNESSE 1957-DE LA PORNOGRAPHIE CONSIDEREE COMME UN GAGNE PAIN, CECIL SAINT LAURENT-LE DANGER N'EST PAS A MOSCOU, IL EST A PARIS, 1P PAR PIERRE DOMINIQUE
Best.-Nr. RO30138906SEVER-CUESTA. NON DATE. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 47 pages - une annotation au crayon à papier sur le 1er plat. . . . Classification Dewey : 792-Théâtre
Best.-Nr. 1317011Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1822. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 1317009Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1822. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 1317010Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1822. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 1317008Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1822. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1829Best.-Nr. 345092 vol. in-8 reliure postérieure demi-basane à coins bleue, dos lissé orné, Everat Imprimeur de la Revue de Paris (Tome 1), Au Bureau de la Revue de Paris et chez Levavasseur (tome 2), Paris, Avril et Mai 1829, tome 1 : 2 ff. (1 f. portant la mention "Imprimerie d'Everat" et 1 f. de faux-titre), 256 pp. et 4 ff. n. ch. (partition de Rossini sur un texte de Casimir Delavigne) ; Tome 2 : 2 ff., 252 pp.
Best.-Nr. 16617Bruxelles, Demangeot et Goodman, 1829. In-16, 234 pages. Bradel, papier teinté, pièce de titre en cuir au dos.
1862Best.-Nr. 11171Paris Bureau de la Revue des Deux Mondes 1862 -in-8 demi-Maroquin un fort volume, reliure demi-maroquin cerise grand in-octavo à coins (binding half morocco with corners), reliure d'époque signée "PETIT" successeur de "SIMIER", dos 4 nerfs (spine with raised bands) décoré "or" et à froid (gilt and blind stamping decoration), titre et tomaison frappés "or" (gilt title and volume numbering) dans un encadrement d'un double filet fin "or", triple filets fins "or" en place des nerfs avec un filet à froid de part et d'autre des nerfs, plats décorés or (gilt decoration on the cover) avec 3 filets fins "or" aux mors et aux coins (joints and corners with three gilt line), papier marbré aux plats (cover with marbled paper), toutes tranches lisses (all edges smoothes) peignées (painting edges) rouge et bleu, sans illustrations (nop illustration), 1032 pages, 1862 Paris Bureau de la Revue des Deux Mondes Editeur,
Best.-Nr. 12747Paris,LAROUSSE 1930,in4 broché,couverture illustrée ,ill.in et ht,bon état. -
Best.-Nr. 74783Michel Delacroix Rendez Vous de Macons 1984 Original lithograph Hand signed in pencil lower right Edition E.A. lower left Published by Lublin Graphics A lovely street scene view of the colorful bustling daily activity of wartime Delacroix's 1940's Childhood Paris. Michel Delacroix master of the Naïf Folk Art or Naive the most popular and successful artists in the world today. A self-styled "painter of dreams and of the poetic past" Delacroix has devoted five decades to painting a city he calls "the Paris of then" the magical place where he was born where he spent his boyhood and where he continues to live to this day. But the Paris Delacroix paints is not the urban metropolis of the present. It is the dream-like place the city became in the 1940's during the Occupation when "we suddenly jumped fifty years into the past. No more cars in the streets very few lights. Paris suddenly became very quiet very dark and though people were afraid there was a brotherhood and spirit that was very delightful." For Delacroix who was then a child of seven and spared by his age from understanding "the cruelties and absurdities" of war it was "the one great adventure of my life." And it is to this special Paris - the Paris of by-gone years and innocent splendors - that Delacroix has returned to over and over again in his gentle works. Theses works renowned for their graceful balance of "the earthy and the urban the cosmic and the ordinary" have captivated private collectors museums and ordinary people alike throughout the world earning the artist both universal acclaim and numerous awards.
1926Best.-Nr. 2111902160601662Dobun-kan 1926. Soft Cover. Fine. The book is in fine condition. Dobun-kan paperback
