Delacroix Eugene By M Philippe BurtyBiblio.com
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1878Best.-Nr. 30347Paris: A. Quantin 1878. Original wrappers paperback xx394 pp.: portr. 2x facs. fold-out lithograph plate in color; 26x17 cm. Uncut unopened. "Bibliothèque de l'Art et de la Curiosité" Text in French spine slightly folded some minor spots protection paper of lithograph plate bit damaged because because he was stuck to the plate Although in very good original condition see picture. Limited edition: '50 exemplaires sur papier de Hollande numérotés. Exemplaire No 30' A. Quantin paperback
Best.-Nr. 1020148349.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 2012581641.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 0266025722.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1978Best.-Nr. 080589Paris: A Quantin 1978. Hardcover. Good/No Jacket as Issued. Robust unmakred copy. Bound in pale cloth boards which have darkened. Corners bumped. Small amount of wear and tear to head and foot of spine. Significant 5cm tear down front edge of head of spine with 1cm tear across the spine at thec foot of the vertical tear. A Quantin hardcover
Best.-Nr. 75-1278Paris FR: A. Quantin 1878. 4to. 391pp. Good. Softcover. Pages uncut. Tear to bottom of spine. Wrapped in wax paper covering. Advertisement for book laid in. En Francais. Paris, FR: A. Quantin, 1878 paperback
Best.-Nr. 0260607053.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 0265027489.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 0260603481.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1878Best.-Nr. 28585Paris: Quantin 1878. Quantin unknown
Best.-Nr. 229102Paris, Charpentier, 1880 2 vol. in-12, XXIX-348 pp. et XXVII-355 pp., demi-basane caramel, dos lisse orné (reliure de l'époque). Dos un peu frotté.
1878Best.-Nr. 6851878 reliure éditeur - pleine toile grise in-quarto, illustrations : portrait en frontispice de Delacroix gravé par Villot - 7 fac-similés de lettres publiées par Philippe Burty et de 2 palettes sur double page couleur, 391 pages, 1878 à Paris A. Quantin Imprimeur Editeur,
Best.-Nr. 952151L Echoppe Caen 1985 In-12 carré ( 150 X 110 mm ) broché sous couverture imprimée rempliée. Parfait état.
Best.-Nr. 69006L'échoppe, 1985, 16 pp., broché, bon état. bon état.
Best.-Nr. 23552S.l., [vers 1827 ou 1828]. In-4, 1 p. (quelques petites rousseurs, marges renforcées).
1852Best.-Nr. 713631852. Fine. 13 septembre 1852 12.20 x 19 cm une feuille Long autograph letter signed by the archaeologist and curator of antiquities at the Louvre Museum Adrien de Longpérier to a journalist 4 pages on a folded sheet. In this fascinating letter about Eugène Delacroix the curator of Egyptian antiquities Longpérier castigates a journalist author of a harsh critique of the painter's ceiling at the Galerie d'Apollon in the Louvre: ""mais quand il s'agit seulement d'un plafond fait pour une galerie roccoco quand du reste j'ai reconnu que cet ouvrage produit un excellent effet décoratif que le ton général est parfaitement adapté à la place et qu'outre cela le tableau contient un certain noombre de détails traités avec un véritable talent je ne vois pas la nécessité d'aller attaquer très vivement très rudement non seulement l'oeuvre mais encore la personne de l'artiste"" ""but when it concerns merely a ceiling made for a rococo gallery when moreover I have recognized that this work produces an excellent decorative effect that the general tone is perfectly adapted to the place and that besides this the painting contains a certain number of details treated with real talent I do not see the necessity of going to attack very vigorously very harshly not only the work but also the person of the artist"". Delacroix had created a composition entitled Apollon terrassant Python for the gallery built under Louis XIV and newly restored under the Second Republic. In the midst of the Romantics' quarrel Longpérier also mentions Jean-Auguste Dominique Ingres himself the author of a ceiling at the Louvre L'apothéose d'Homère: ""Comme vous avez l'imprudence de mettre le plafond d'Homère en parallèle avec celui d'Apollon vous n'eussiez pas pu empêcher que dans la discussion on ne s'en prit à votre vénérable ami. Croyez vous que si Ingres qui aime si peu la discussion vous eu su un bien grand gré de ces horizons que vous lui eussiez procurés . Imaginez-vous que vous ayez fait le sacrifice d'une somme assez considérable pour fonder un journal et que je vous apporte un article violent contre M. Ingres Je dis : imaginez car je suis moi un admirateur de M. Ingres et n'ai en aucune manière envie de le critiquer . Iriez-vous donner aide à celui qui voudrait le combattre "" ""Since you have the imprudence to put Homer's ceiling in parallel with that of Apollo you could not have prevented that in the discussion people would attack your venerable friend. Do you believe that if Ingres who so dislikes discussion would have been very grateful to you for these horizons that you would have provided him . Imagine that you had made the sacrifice of a considerable sum to found a journal and that I bring you a violent article against M. Ingres I say: imagine for I am myself an admirer of M. Ingres and have no desire whatsoever to criticize him . Would you go to aid the one who would want to fight him"". Ingres the painter representing the classical school had his preference unlike Delacroix the Romantic whose style he did not appreciate but whose human qualities he nevertheless recognized: ""J'ai reconnu que c'est un homme très doux très poli fort instruit et fort modeste . Je parle de l'homme ; quant à ses oeuvres elles sont plus ou moins bonnes. Il y en a même de fort mauvaises"" ""I have recognized that he is a very gentle man very polite well educated and very modest . I speak of the man; as for his works they are more or less good. There are even some very bad ones"". Longpérier speaks at length about the restoration work at the Louvre led by the architect Félix Duban who supervised the renovation of the Galerie d'Apollon and other major projects: ""Je verrais avec grand plaisir que vous fissiez sentir le mérite de la restauration de la galerie d'Apollon de la façade du jardin de l'infante de la façade d'Henri IV sur le quai et du plafond de la Salle des sept cheminées décoré avec tout de goût de f unknown
Best.-Nr. Z7828PLWPEARSON (France) Broché très bon état. Contenu propre . 2005. 201 pages . PHOTOS SUR DEMANDE
Best.-Nr. Z9538PLWPEARSON (France) Broché bon état. Contenu propre . 2005. 201 pages . PHOTOS SUR DEMANDE
Best.-Nr. lc_109964Delcourt
Best.-Nr. 1836877641.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 49926319-nnew. unknown
Best.-Nr. 49926319like new. unknown
Best.-Nr. 63-0187Geneve Switzerland: Skira 1946. Folio. 4 pp. 6 leaves of color plates Light Glassine-Covered Boards Unbound Leaves Glassine Good with tears losses minor staining & creasing else VG. Eight Color Plates some mounted. Swiss edition of multi-volume set originally published 1939 in Paris. Text in French. Geneve, Switzerland: Skira, [1946]. hardcover
1939Best.-Nr. 21994Paris, Librairie Félix Acan, 1939. Un vol. au format in-8 (253 x 168 mm) de [200] pp., broché.
Best.-Nr. R200117497Belin et fils. Non daté. In-12. Broché. Etat d'usage, Couv. convenable, Dos fané, Quelques rousseurs. 412 pages. Etiquette + annotations sur la page de faux titre.. . . . Classification Dewey : 442-Etymologie du français
