104.592 resultados
1950ref. 62698Buenos Aires 1950. Paperback. Good. Original wrappers. 29cm. Some cover soiling. Lower right corners curling. Contents of almost all issues browned. Spanish text. paperback books
1814ref. 23191London: Printed by E. Macleish 1814. 1 vols. ca.7 x 12 1/2 inches. Some light offsetting and discoloration line of forthcoming productions cropped else a very good copy. 1 vols. ca.7 x 12 1/2 inches. The cast of the first including Charles Kemble Charles Macready Mr. Abbott Daniel Egerton and Maria Foote later Countess of Harrington. The "Cinderella" case included Mr. Ellar Mr. Barnes Miss Green and Miss J. Scott. "Virginius" had opened for the first time the 17th of May and became an instant success. Forthcoming productions are noted below. Charles Macready is also noted for his friendships with Forster Dickens and Maclise. Printed by E. Macleish unknown books
2017ref. 87733Leuven: Peeters 2017. First Edition. First Impression. Thick octavo 24.5cm; original pictorial card wrappers; xxxvi34-940pp; illus.; text is entirely in French. A Fine copy of this substantial monograph on Tibetan ache lhamo theatre as it was performed in the pre-modern era before 1950 and as it is still performed today in the Tibet Autonomous Region and within the Tibetan diaspora in India and Nepal. 87733. Peeters unknown books
1933ref. 86187Leningrad: TRAM Theater for Working Youth 1933. Original program for the Leningrad State Theater for Working Youth during their 1933 national tour. Single sheet 25cm x 69cm printed both sides folded to form eight panels. Printed in black and white on newsprint with halftone reproductions of production photographs to each panel. Minor toning; panels slightly mis-folded; Very Good. TRAM under the direction of Mikhail Sokolovsky was a working theater for proletarian youth focused on producing plays of working-class life promoting Marxist ideology. This program issued for the group's 1933 tour of the Soviet Union promotes the season's two offerings Alexei Tolstoy and Aleksandr Starchakov's "The Right to Live"; and Sokolovsky's adaptation of Denis Fonvizin's 18th-c. comedy "The Minor." Also illustrated are scenes from past productions - A.I. Piotrovsky's "Rule Britannia;" a performance by Ivan Dzerzhinsky's music and dance ensemble "Green Workshop" and two others. A rare program; very little primary material relating to TRAM has appeared in the marketplace and the current program does not appear to be held by any OCLC member institution. TRAM (Theater for Working Youth) unknown books
1928ref. 82025Moscow: Russian Theater Society N.d. 1928. Octavo 23cm. Bifolium with cover portrait and 2pp text within a black border; final page blank but for imprint. Slightly toned; trivial wear at corners; Very Good or better. Text entirely in Russian cyrillic. A memorial tribute to the legendary Russian actor Maria Yermolova likely from context printed to be handed out at her funeral. The text within a black mourning border states: ".The lamp that long and brightly illuminated and warmed the lives of entire generations has gone out and today what contained this dazzling light will be buried in the ground. May this land be a comfort for the one who devoted all her great soul her incomparable art to the service of her people." translation ours with assistance from Goole Translate. Signed in type below text by V.I. Gradov as secretary of the Russian Theatre Society. Yermolova 1853-1928 is considered one of the greatest performers in the history of the Russian stage. In 1921 she became the first performing artist to be named "People's Artist of the Republic" the USSR's highest honor for artistic achievement. Not separately catalogued under subject or title in OCLC. Russian Theater Society unknown books
1948ref. 80631New York: Chappell & Co. Inc 1948. First Edition. First printing. Inscribed on title page: "For Joe Littau a merry Christmas and thanks for a beautiful job!" signed "Kurt Weill" undated but annotated in pencil presumably by Littau: "Xmas 1948." Quarto 30cm. Original buff wrappers printed in red on front cover; 274pp. Professional paper repairs at spine ends; expected tanning to exterior and text; still a superlative copy overall and quite uncommon. Housed in a custom-made cloth clamshell box. A terrific association copy of this acclaimed late work by Weill for which he won the inaugural Tony Award for Best Original Score in 1947. Street Scene is perhaps the apotheosis of Weill's socially-engaged musical theater a blend of operatic and theatrical elements with which he first experimented in his collaborations with Bertolt Brecht of the Thirties including Three Penny Opera and The Rise and Fall of the City of Mahagonny. Street Scene based on Elmer Rice's naturalistic working-class drama of the same name was especially noteworthy for including lyrics by the African-American poet Langston Hughes whom Weill sought out specifically to "lift the everyday language of the people into a simple unsophisticated poetry" quoted by Jane Vial Jaffe in her program notes to a 2008 production. This was Hughes' first experience writing for musical theater. Street Scene premiered at the Adelphi Theater in New York in January 1947 and met with critical success though its high production costs forced the production to close in April. The show has never been revived on Broadway but it has been staged regularly by operatic companies including revivals by the New York City Opera in 1959 1979 and 1990. Inscriptions by Weill are uncommon; it's an honor he appears to have bestowed only on very close friends and collaborators. In this case the presentation is to Joe Littau the well-known pit conductor who was at this time the Musical Director for Weill's 1948 musical "Love Life" which ran on Broadway from October 1948 to May 1949. Chappell & Co., Inc unknown books
ref. 61859New York: Morris Guest 1924. First edition. Quarto 31cm. Pictorial thick paper wrappers; 40pp; illus. Some trivial dusting to wrappers still a Fine copy free of markings or notable wear. Lavish souvenir program for the New York premier of Reinhardt's renowned adaptation of Vollmöller's wordless play illustrated throughout with color reproductions of Bel Geddes' costume and set designs. "The Miracle" was originally produced in 1911 at London's Olympia Theatre; the show traveled throughout the Continent until 1914 when it was closed due to the onset of the Great War. The 1924 American revival began as a traveling show playing in Detroit and Milwaukee before its spectacular grand opening on at the Century Theatre on January 16th. An uncommon program beautifully produced. unknown books
1855ref. 24813Paris: Martinet 1855. 192 x 128 mm. Printed on wove paper. Signed in the plate with the initials "A.L." Slightly foxed. Published as plate no. 651 in the series entitled "Galerie Dramatique." Performed at the Théatre de L'Ambigu Comique. Martinet unknown books
ref. 21321Le Kain is depicted in the role of Orosmane in Voltaire's "Zaire." 420 x 282 mm. No place no date but Paris ca. 1775. Slightly browned and foxed. Proof before text. Hall III p. 32. Le Kain was a noted French actor who performed with the Comédie Française. unknown books
1796ref. 21336Paris 1796. 390 x 290 mm. Some foxing and minor wear. Hall III p. 385 2. Raucourt a popular and controversial French actress made her debut at the Comédie Française in 1772 as Dido going on to play all the classical tragédienne roles. "Her beauty and talent had made her famous but her not so secret love affairs with other women made her notorious. . Raucourt led the Sect of Anadrynes a society of lesbians in Paris. . At the outbreak of the Revolution she was imprisoned for six months with other royalist members of the Comédie Française and she did not reappear upon that stage until the close of 1793 and then only for a short time. She deserted with a dozen of the best actors in the company to found a rival colony but a summons from the Directory brought her back in 1797. . Her funeral was the occasion of a riot. The clergy of her parish having refused to receive the body the crowd broke in the church doors and were only restrained from further violence by the arrival of an almoner sent posthaste by Louis XVIII." Wikipedia. unknown books
1908ref. 33033Brooklyn NY: Green Wood Arcade Theatre 1908. Very Good. Brooklyn NY: Green Wood Arcade Theatre n.d. but 1908. Two promotional broadside flyers 30.5x16 & 24.5x15cm the larger printed on purple newsprint the smaller on cream newsprint. Light toning and minor wear and wrinkling from handling small closed tear at top edge of smaller flyer else a Very Good pair overall. The larger of the two broadsides printed bilingual in English and Italian. Two promotional flyers issued by the Brooklyn-based Italian-American Arcade featuring their new Chinematograph sic an early term for a film projector. Both flyers make reference to "a big rappresentation sic of the first truth and unique stages of the Earthquake in Calabria and Sicily just arrived and presented to the public." The footage referred to would have been taken shortly after the devastating earthquake in Sicily and Calabria which killed nearly 80000. Between film projections the audience could enjoy the music of Madames Mildred Ward and Horowitz as well as tenor Gaetano Maresca. Neither example separately catalogued in OCLC as of May 2025. Green Wood Arcade Theatre unknown books
1869ref. List3680Boston: Koppitz Prüfer & Co. 30 West St. cor. Mason Street; New York: Wm. A. Pond & Co 1869. Folio lithographed cover with hand-coloring. Stitching removed at margins suggesting this was bound in a larger volume else about fine. Signed by Holt next to the illustration. Near Fine. A finely executed example of post–Civil War American sheet music lithography depicting stage performer Elise Holt in masculine costume top hat and cigar in a style typical of Boston commercial lithographic production of the period. The imagery situates Holt within the established nineteenth-century tradition of theatrical male impersonation or “breeches roles” in which female performers adopted masculine dress and gesture as part of fashionable stage personas. Archival records identify Holt as a ballet dancer who later appeared as a burlesque performer and died while touring in 1873 after contracting typhoid fever.1 She led the Elyse Holt Burlesque Troupe. Photographic evidence held by Digital Commonwealth likewise shows Holt posed in masculine stage attire indicating that male impersonation formed part of her professional repertoire. The song sometimes seen as “Tassels on her Boots” extolls the virtues of women’s clothing. Overall a nice lithographic example of women performing in men’s roles showing a fairly obscure but widely touring performer whose career was tragically cut short by illness. We find two copies of this sheet at BYU and Baylor. 1 “Elise Holt ballet dancer turned burlesque star” Kentucky Historical Society Nicola Marschall Collection https://www.kyhistory.com/digital/collection/PH/id/2477/. unknown books
1976ref. 47395Salt Lake City: Litmus 1976. First edition. 85 pp. Fine in illustrated wrappers. Dramatic works with a history of the group. Salt Lake City: Litmus unknown books
ref. 412724to. 1 page approximately 125 words. Folded as for mailing now matted with a typed transcription and title "Theatrical Letter of John T. Ford / Owner of Ford's Theater sic / Where President Abraham Lincoln Was Shot". Glazed and framed. A hastily written undated letter to an associate discussing the engagement of several actors and actresses and possible salaries and terms of service for them. Ford a native of Baltimore was an active manager of theatres on the east coast for 40 years controlling the Holliday Street Theatre in his home town 1854-1879 and theatres in Washington D.C. Alexandria Philadelphia and Richmond simultaneously and subsequently; "he also managed a great number of travelling as well as resident companies which included the greatest stars and actors of his generation" DAB. unknown books
1934ref. 23906Chicago: Fold-A-Way Products 1934. Stiff card. Near fine. Large publisher printed folding portfolio 11 by 17 inches containing the toy theatre wings backdrops curtain and characters for three plays: Red Riding Hood 4 figures Cinderella 7 figures and Little Black Sambo 12 figures plus two entr'act figures Little Pavlova and Little Oleo and changes of clothing for Cinderella Sambo and the three Tigers. The three scripts are present as well as cardboard slats to move the figures about the stage. Light wear to the outer case a few reinforcements to the hinges of the theatre else this a near fine set with all of the character pieces in nice condition. . Fold-A-Way Products unknown books
1879ref. 39629New York: A.S. Seer Theatrical Printer 26 Union Square 1879. Broadside 7-1/4" x 11." Printed on pink silk within a decorative border. Light old crease spot at lower right corner. Very Good. The play opened at the Union Square Theatre on 30 November 1878 and closed on 16 April 1879 after 137 performances internet Broadway database on line. A.M. Palmer was the manager and lessee of the theatre. The broadside lists the cast the synopsis of scenery musical selections and the names of the stage and theatre crew. A.S. Seer, Theatrical Printer, 26 Union Square unknown books
1951ref. 41140New York: The Living Theatre 1951. Very Good. New York: The Living Theatre 1951. Program 24cm; 16pp. Publisher's illustrated wraps with black text; staple-bound. Dust jacket lightly bumped and toned; damstaining at bottom left corner. Binding sound. Textblock endsheets and interior pages toned. Very Good. A scarce piece of Living Theatre ephemera. Includes text by Paul Goodman Alfred Kreymborg and Carl Van Vechten. Original program for Gertrude Stein's Doctor Faustus Lights the Lights which opened at the Cherry Lane Theatre on December 2nd 1951. The Living Theatre unknown books
1960ref. 41651New York: Living Theatre 1960. Very Good. New York: The Living Theatre 1960. Event program. Quarto 28cm; two single-sided sheets stapled in top left corner. Pages lightly bumped and toned; small stain in bottom left corner of first sheet. A Very Good piece of Living Theatre ephemera. Event program for three one act plays: "Love's Labor" Frank O'Hara; "A Theory of Comedy" Paul Goodman; and "Bertha" Kenneth Koch. Living Theatre unknown books
1935ref. 5126Waterbury CT: NEW GARDEN THEATRE 1935. Staplebound. Yellow illustrated wraps. Good. Unpaginated. 24 x 16 cm. Recipes and black & white photos of Hollywood stars of the time. Featured: Joan Crawford Joan Blondell Mae West Marlene Dietrich Al Jolson Greta Garbo Jimmy Durante Clark Gable Katharine Hepburn and many more. Also featuring the diet of the time: Hollywood 18-Day Diet. Local advertising at the front and back of the copy. Lightly stained on second page otherwise clean. Covers rubbed and toned. NEW GARDEN THEATRE paperback books
1972ref. 24553North Hollywood CA: American National Theatre and Academy. Near Fine with no dj. First Edition. Softcover. illustrated oversize wraps minor surface wear to covers slight dog-earing to bottom right corner of front cover; spine is faded and a previous owner has written "The Lunts" on it with a sharpie. B&W photographs Souvenir program book from ANTA's tribute to Lunt and Fontanne held on June 11 1972 at the Beverly Hilton Hotel. Approximately 120 pages illustrated with numerous photographs from their careers and including numerous congratulatory ads that such publications invariably contains plus a comprehensive chronology of the Lunts' respective and joint careers by Alan Hewitt covering their theatre performances as well as their radio film and TV appearances. Other features: a reprint of a 1929 poem by Ring Lardner "Rhyme Without Treason"; an article "The Movie That Changed a Life" by Robert Downing about how their 1931 film THE GUARDSMAN inspired him to pursue a career in the theatre; a reiminscence "Working With the Lunts" by Cecil Beaton about the 1952 production of Noel Coward's "Quadrille". . 1972. American National Theatre and Academy paperback books
1960ref. 32397Mexico City: s.i. 1960. Very Good. Mexico City: s.i. ca. 1960s. Collection of three pictorial broadside flyers 21.5x33.5cm or the inverse one printed in blue the other two in blue ombré-ing into red. Previous folds one flyer with a few closed tears affecting text and image without loss of meaning stock uniformly toned else Very Good. Three busy flyers promoting the busy theater founded in 1960 by Mexican actress and exotic dancer Margo Su one of several venues she opened during her long career. The theater was one of the most popular in the city and the broadsides in this collection each crammed with portraits and names of the performers is testament to that--all three examples list at least fifteen or twenty acts including singers like Imelda Miller and Carmen Salinas comedians Pompin y Nacho actor El Loco Valdes and the early pop group Los Xochimilcas. s.i. unknown books
1920ref. List330New York: Arnold Genthe 1920. Silver gelatin print 6 ¾ x 9 ¼ inches on larger mount. Signed by Genthe on the mount inscribed by Marlowe as Marlowe Sothern on the mount as follows: "To Jean: our little comrade on our walks in Beautiful Stockbridge. In remembrance also of 'Sun Yat Sen' and Choo-Chio Chow. September. 1940. Julia Marlowe Sothern. Very Good. An uncommon image of the actress feminist and suffrage advocate Julia Marlowe who adopted the name - though never legally - Julia Marlowe Sothern after working with the Shakespearean actor E.H. Sothern. Ill health led Marlowe to retire from the stage in 1924 and she was seldom seen in public. This photograph inscribed later in her life is an uncommon relic from her reclusive later years. We can find no record of a Jean or the names mentioned. Arnold Genthe who famously photographed the San Francisco Earthquake of 1906 from the site of his destroyed studio moved to New York in 1911 where he became a portrait photographer. He most likely took this picture in his stint on the east coast. We find no other record of this specific portrait of Marlowe. Some silvering at margins otherwise excellent with some light normal tanning to mount. Arnold Genthe unknown books
1965ref. 38729New York: Living Theatre 1965. Very Good . New York: Living Theatre 1965. First Edition. Quarto; publisher's buttery tan printed staplebound wrappers; 26ll. printed mimeograph from typescript including two full-page illustrations. Light wear brief oxidation to staples tiny ink note at top right-hand corner of upper cover else Very Good to Near Fine. Scarce anthology of poems by various members of the Living Theatre troupe including Judith Malina Julian Beck NONA Peter Hartman and many others. Another much more common anthology was issued in 1968. Three copies only in OCLC as of July 2026 at SUNY Buffalo Northwestern and UVA. Living Theatre unknown books
1962ref. 39293New York: Living Theatre 1962. Near Fine. New York: The Living Theatre n.d. but 1962. Pictorial flyer printed offset lithograph on white stock. Light toning to margins else a Near Fine example. Date of publication based on the alignment of weekdays and dates which conform with the dates of 1962. Possibly a precursor to the Bread and Puppet Theater which was formed by Peter and Elka Schneeman in New York in 1963. The flyer announces a series of midnight shows as well as a performance of The Christmas Story for children on Thursday and Friday the 20th and 21st. Not separately catalogued in OCLC as of July 2026. Living Theatre unknown books
1963ref. 39603New York: Living Theatre 1963. Very Good . New York: The Living Theatre 1963. First Edition. Two pieces relating to the production including: a Program: Octavo; publisher's pictorial wrappers disbound as issued; 8pp.; illus. Brief wear and toning to margins else Very Good. b Cast list: Mimeographed broadside. Light toning to stock else a fresh and Fine example free of creases or wrinkling. Program and cast sheet to accompany Kenneth Brown's piece "The Brig" set aboard the brig of the US Marine corps at Camp Fuji in Japan. The play was directed by Judith Malina and designed by Julian Beck. The play received three Obie Awards for best production best design and best directing. Living Theatre unknown books