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1920ref. 59766Portland OR New York & Hollywood & Los Angeles CA: Earl Mossman Revue and Productions ACME Commercial Studio Allara Blixt Braun Bruno Allen J. De Lay Photo-Art Commercial Studio et al ca. 1920-1976. Three vols. Thick 4to. 179; 124; 117 leaves unnumbered. all archival mylar sleeves some 2-pocket for 5 x 7 in. material most for holding 8 x 10 in. images. With 425 photographs sized from 4 x 4 in. up to 8 x 10 in. over 90% are 8 x 10 in. most images w/ photographer’s imprints on versos many w/ pencil annotations editing notes camera-ready copy several are negative contact print sheets a few colour images many are signed some have minor tears or creasing a few show remnants of old scrapbook leaves together with several newspaper and magazine clippings printed promotions holiday leaflets. All preserved in three black cloth 3-ring clamshell binders an excellent archive. This unequaled archive of photographs chronicling the successful and colourful Vaudeville and entertainment career of Earl Mossman reveals wealth of musical and theatrical history from the Pacific Northwest during first album in this archive is largely devoted to Earl Mossman’s contributions and managing of his the first half of the 20th Century as well as impact on historic events. The chorus-line all-girl revue shows at the Frontier Village during the 100 day run of the Oregon Centennial Exposition. This re-created town from the 1870’s Old West featured the Golden Nugget dance hall & saloon as well as livery stable church post office and hotel and proved to be the most successful attraction. Mossman’s Can-Can girls put on daily shows and held dances where the daringly dressed women would dance with visitors and hired actors. The 1859-1959 Centennial Exposition lasted from June 10 to Sept. 17 on 65 acres along the Columbia River formerly Vanport wiped away in the tragic 1948 flood and also featured a Gayway Amusement Park Garden of Tomorrow & Adventureland. The photos depict not only Mossman’s Can-Can girl revue but also steam locomotives Modernist sculptures and murals by Louis Bunce and other Oregon artists as well as photos of the Mid-Century Modern Lumber Industry Pavilion and the striking Hall of Religious History in the Garden of Tomorrow which featured murals of Carl Morris. Also shown are neon sculptures the filled arena showing the opening ceremonies which featured actor Raymond Burr as master of ceremonies the Nelson Picket Dancers the Golden Nugget and Frontier Trading Post from the air and more. The second album includes as well more images from the Centennial as well as many from Earl Mossman’s “Productions” talent agency and entertainment group who supplied vaudeville dance and music acts such as Beverly Short Eleanor Malcolm Gary Marvin Ginger McClane Gwen Gibson Jerry Brown Freddie Keller’s Orchestra and Maury Meriweather’s Band to Portland OR and surrounding Pacific Northwest clubs and venues. Photos included here depict as well the Nelson Pickett Dancers The Glenns “originating new tricks in a dancing mood;” The Carsony Brothers; the Earl Mossman Girls featuring models from the Gloria LaVonne modeling agency; along with Walter Blacke Jacqueline Clark Earl Mossman’s Dolls for “Delta Dome” and more. Other notable names include Billy Daniels d. 1988 with photos of his ‘The Masculine Touch” recorded live at the Mocambo on the Sunset Strip well-known African-American singer form the mid-1930’s to 1986 who launched his career in the Harlem Renaissance; along with Jeanne Gayle who sang with Bob Crosby and starred in the Great Gildersleeve 1954 Jack Nagel and even Shirley of the Hoti PocaDot Bikini Contest.The many photos also depict Mossman meeting and greeting celebrities rolling into Portland running for mayor of Portland OR he never won: touting and promoting the “Straw hat day May 15” by not only wearing straw hats himself but inducing his all-girl revues to wear as well along with leading parades including the 1972 Merrykhana Parade where he was appointed “King of the Parade.” Many of the images show him with many different canes drawn from his large collection signing contracts for the American Legion seated in limousines and Porsches and even attending dinners. One photo includes dinner guests of Miracle Oxygen which featured the editor of The Oregonian Dick Nokes Paul Hauron stage feature writer the Todds and others. Of additional interest are the photos of Mossman showing off his scrapbook filled with images from his long career as well as images while convalescing with his bevy of beauties in the Shriner’s Hospital in Portland OR. Mossman 1894-1976 was an Oregon native and grandson of Isaac Mossman who had fought in the 1855-1856 Indian Wars rode with the Washington Territory’s Pony Express out of Walla Walla and was the first Washington Territorial librarian in 1870. Earl Mossman began running away from home as a young boy to perform in taverns and saloons in downtown Portland later worked for Pacific Power & Light Co. as an office boy and in 1913 after marrying his childhood sweetheart Catherine Groos launched his career on the Vaudeville Circuit. He initially played with the Basco Comedy Co. and later with Connie & Mack’s and the Bert Levy Circuit. Walter Winchell coined him as the “Beau Brummel of Broadway” during the 1920’s and by the 1930’s was performing with Norma Lawton in Broadway productions such as “The Dancing Producer” and performed with his partner Ray Vance at the Lotus Isle Amusement Park and the Peacock Ballroom. He would marry five different times performed at civic activities Rose Festivals and beauty pageants across the Pacific Northwest.Over half the photographs in this collection were shot by Allen J. De Lay photographer with The Oregonian from 1947 until the newspaper strike of 1960 who was not only an extraordinary photographer but also musician and competitive swimmer. He is perhaps best remembered for his photographs of the darker seamier side of Portland in the post-World War II era. Other Oregon photographers represented include Maxwell Allara Paul Blixt Kirk Braun Bill Gray Hodge Kennell-Ellis Verne Lewis Alfred Monner Dick Slater Don Thompson Donald Wilson and others. Of particular interest are noted theatrical photographers such as Bruno in Hollywood and James J. Kriegsmann 1909-1994 celebrity & theatrical photographer from 1929 to the 1980’s. We could find no similar archive of Mossman related photos in any institutional holdings except for a few images. See: Ellis Lucia Earl Mossman Oral History Recording pacific University Archives 1914-1918 Washington County Oral Histories; Walkathons - Dance Marathons Al Painter’s Lotus Isle Walkathon Organization PDX History 2022; David Kludas Centennial Exposition of 1959 Oregon Encyclopedia 2022. Earl Mossman Revue, and Productions, ACME Commercial Studio, Allara, Blixt, Braun, Bruno, Allen J. De Lay, Photo-Art Commercial hardcover
1915ref. 59794Chicago IL & Santa Monica CA: Streeter-Bryan Stock Co. Blance Bryan & Morrill Streeter ca. 1915. One silver gelatin real photo postcard sepia-tinted AZO stamp box on verso bearing four triangles at corners point upwards carefully trimmed to 3.5 x 4.5 in. as advertising trade card slightly over-exposed minor dustsoiling still very bright image from the collection of Blanche Bryan Streeter. This promotional sample RPPC advertising the talents of the Streeter-Bryan Stock Co. prima donna with miniature “head-shot” photos tracing her career from Vaudeville ingenue to successful singer along the circuit. Bryan 1879-1976 starred and promoted with her husband Morrill Streeter 1866-1948 playing in productions across the Midwest Oklahoma and Southwest. She starred in three silent movies in 1915 including The Man in the Attic The Sons of Satan and His Vindication. Their “Land of Joy Girls” ran in 1917 for months and were noted for their magnificent costumes & scenery from the Rose Company of Chicago. The pair were also well known at the time for their 1923 automobile vaudeville tour “Plugging Expedition” through Illinois Missouri Colorado Texas New Mexico and California featuring well-appointed automobile and trailer with camping equipment and supplies. Streeter-Bryan Stock Co., Blance Bryan & Morrill Streeter, unknown
1925ref. 55679Kokomo IN & Lewiston ID: Lylburn B. Johnson 514 S. Webster ca. 1925-1933. Seven pieces. 1st - Folio. 11 x 14 in. Photo-illustrated broadside printed on thick card stock minor soiling very small and slight oil stain at upper fore-edge still VG; 2nd -- 8vo. 4 x 8 in. Four pieces printed on colour-tinted newsprint stock 1 w/ additional stamping minor toning edgewear; 3rd. - 16mo. 2.5 x 3.5 in. Photo-illust. on playing card by T.L. DeLand design on verso rounded corners NF; 4to. 2 x 4 in. photo-printed business card w/ lettering & address on recto illustration on verso NF. Fascinating small collection of exceedingly scarce promotional advertising for the Kokomo IN illusionist and magician Lylburn Johnson b. 1904. He performed with the Chautauqua Circuit between 1925 and 1929 and later on the vaudeville circuit throughout the Midwest and West for private clubs fundraisers vaudeville theaters and more. His act illustrated as illustrated on these pieces incorporated his double death defying feat of begin handcuffed and locked in a barrel full of water escaping from ropes tied to a chair as well as the Mysterious Mail Bag Escape in which he had been locked. In addition he would drive a car blindfolded perform illusions such as the floating woman floating ball and skull the burning cone of water and perform mind reading and spiritualist portions as well. One of the playbills specifically cites performing at the Legion Club House for a P.T.A. Benefit in Lewiston ID Friday Nov. 10 1933. Johnson was the only child of the noted Kokomo IN physician Dr. Oliver Johnson 1878-1927 and although continuing to list the family home as his place of residence and business on the advertising cards included here appears in no street directories trade directories or census records after 1910. No copies in Worldcat; See: Lylburn B. Johnson The Great Johnson with His Mysteries Brochures and Promotional Materials Redpath Chautauqua Collection Univ. of Iowa Special Collections No. MSC0150. Lylburn B. Johnson, 514 S. Webster, unknown
ref. 41868744-nnew. unknown
ref. DADAX0801887488New unknown
ref. 41868744like new. unknown
ref. SONG160693385XUsed: Good unknown
ref. DADAX0231078552New unknown
ref. DADAX0521136989New unknown
1900ref. BK0117Cincinnati Ohio: Hennegan & Co 1900. Illustrated advertising circular 4 pp. measuring 10 ½ x 14 inches on a single folded sheet. Printed in black with large paired portrait illustration on the front and an interior illustration of the company onstage. Local performance overprint announcing an appearance at the Opera House Brookville Saturday January 8; year not stated. Toning extensive marginal chipping and tears and separations along folds several extending into the text and illustrations; fair condition with the printing substantially preserved. An illustrated circular advertising the Guy Brothers' touring minstrel company with blackface comedy vaudeville specialties electrical stage effects and a dissolving-picture attraction. The company originated in a family entertainment enterprise that included George Guy his wife daughter and six sons. Edward Le Roy Rice's Monarchs of Minstrelsy dates its permanent organization to about 1874 and records its subsequent continuation under George R. Guy identified on the present circular as proprietor and manager.1 The interior provides an extensive roster of performers and musicians including Albert Guy as interlocutor the Mantell Brothers as "A Pair of German Athletes" Harvey Dunn performing a gymnasium specialty with bag punching musical entertainers Adams & Mutt and Louis LeBrun an "Expert Electrician and His Wonderful Machine." One announcement advertises George R. Guy's return to his former position as an end man after an absence of ten years. The orchestra and silver band are separately listed with an invitation to attend the company's street parade and daytime concerts: "Everybody be on the Main Street and See the Parade and Hear Our Band." A large interior illustration depicts the company arranged beneath an elaborate shell-shaped backdrop for its opening production The Palace of Enchantment. The accompanying description emphasizes the combination of electrical spectacle music and racial caricature: "Another Grand Spectacular First Part Produced by GEO. R. GUY with Elegant Special Scenery and Electrical Effects Entitled THE PALACE OF ENCHANTMENT. Illuminated with hundreds of different colored electric lights etc. This part of the Entertainment will be participated in by the Entire Company in elegant costumes who will introduce the Latest Ballads Songs and Beautiful Music of the day. The Six Funny Black Men will make you crack your face laughing at their Antics and Funny Remarks." The rear page gives particular prominence to "Schaefer's Dissolvicanna" advertised as "the Finest Dissolving Picture Machine on Earth" with the assurance that "This is Worth the Admission Alone." The circular does not describe the apparatus further. Other attractions include the one-act comedy School Days billed as "The Funniest Negro Comedy" an old log cabin with "Phantom Doors and Windows" a Zouave drill and ten vaudeville acts. 1 Edw. Le Roy Rice Monarchs of Minstrelsy from "Daddy" Rice to Date Kenny Publishing Company 1911 digitized by Project Gutenberg accessed October 5 2026 https://www.gutenberg.org/cache/epub/69826/pg69826-images.html. . Hennegan & Co unknown
1419ref. 219549奉天. Mukden.: 滿鐵鐵道總局營業局旅客課. Mantetsutetsudōsōkyokueigyōkyokuryokakuka Hōten. Showa 14 1939. Black and white photographic illustrations 33pp 18.7 x 12.7cm original wrappers upper cover pictorial. Minor wear and light browning. Good copy. This charming tourist booklet with its delightful pictorial cover offers a comprehensive introduction to Peking Opera and Chinese vaudeville. It outlines the rules governing movement and costume in opera and describes the range of story types and productions a visitor might expect to see. The vaudeville section explains the various forms of oral entertainment performed for audiences together with the customs and rules observed in the theatre. Published in Mukden the booklet provides an accessible and informative overview of the region’s popular entertainments. . 滿鐵鐵道總局營業局旅客課. [Mantetsutetsudōsō unknown
1938ref. 000012475n.p.: n.p. 1938. Photograph. Very Good. 61 cm x 48 cm. Glossy black and white photograph. The photograph depicts from left to right: Chico Harpo and Groucho Marx all gathered around a harp with cheeky expressions on their faces. The harp that is pictured is the one that was used in their 1939 film At the Circus. The Marx Brothers got their start in Vaudeville but would go on to make several motion pictures in the first days of the Silver Screen. Thirteen of their films have been rated in the AFI's top 100 comedic motion pictures: their impact on cinema cannot be overstated. The brothers were sons of German-Jewish immigrants and their mother Minnie acted as their manager until her passing in 1929. In this photograph going left to right the three oldest Marx brothers are shown Chico or Leonard Marx Adolph or Harpo and the youngest of the three Julius or Groucho Marx. A few pinholes and light wear to the corners of the photograph. n.p. unknown
ref. B9781015353343Paperback / softback. New. paperback
1969ref. 446388Paris : Ecole francaise d'Extreme-Orient 1969. First Edition. Softcover. Near fine paperback copy; edges very slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight bright and clean. Physical description; 170 pages ; 29 cm. Notes; Includes bibliographical references pages 79-87 and index. Includes text of the Haripatha in Marathi with French translation. Subjects; Jnanadeva active 1290 Haripatha. Jñnadeva active 1290 Hariptha pravea. Jnanadeva fl. 1290 Haripaha pravesa. Jnanadeva fl. 1290 Haripatha. Jnanadeva active 1290 Haripatha pravesa. Marathi language ; Texts. Marathi poetry History and criticism. Bhakti. Religion in literature. Marathi literature 13th century. Paris : E?cole franc?aise d'Extre?me-Orient paperback
1910ref. List3655New York / Chicago / London: M. Witmark & Sons 1910. Folio sheet music 13 ½ x 10 ½ inches. Color pictorial cover. Light wear and minor creasing to edges; very good overall. A lively Irish-themed novelty song promoted as "Emma Carus' Great Irish Song Hit" issued by the major popular music publisher M. Witmark & Sons. The cover illustration shows Carus dancing before a marching crowd carrying a banner reading "Home Rule" evoking the Irish nationalist movement then a prominent political issue both in Ireland and among Irish-American communities. Emma Carus 1879-1927 was a well-known American vaudeville performer and comic singer who appeared widely in theaters and variety shows during the early twentieth century. Born in New York she became a popular stage personality through novelty songs and character performances often introducing new numbers that were quickly issued in sheet music by publishers such as Witmark. The present piece with lyrics by Bob Harty and music by Ernest Breuer reflects the continuing popularity of Irish-themed songs in American vaudeville and popular music during the period when political themes such as Irish Home Rule frequently appeared in theatrical songs and stage sketches aimed at Irish-American audiences. We find a copy with a variant cover in commerce but not this design. M. Witmark & Sons unknown
ref. 100-26080Southern. Sheet Music. Good. Good condition with wear and markings. Southern unknown
1986ref. Q-8120801857Motilal Banarsidass 1986-10-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Motilal Banarsidass hardcover
ref. 0265013984.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 1527714322.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 0265015537.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 0265020867.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. MA07C-04272Vaudeville Managers Protective Association. Collectible - Acceptable. Vaudeville Managers Protective Association 1924. 1st edition. 4to Hardcover. Unpaginated. B/W sepia and color photos. Fair book. Backstrip starting to detach. Hinges cracked. Slightly dampstained. theater history vaudeville Inquire if you need further information. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. Vaudeville Managers Protective Association hardcover
ref. 0260630349.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 0266100767.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 0260670804.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover