326 resultados
(Napoli, G. Martin, 1832), in-24, copertina fittizia, pp. 76. Fa parte della raccolta "Comédies et vaudevilles".
(Napoli, G. Martin, 1832) in-24, coperina fittizia, pp. 62, (2). Fa parte della raccolta "Comédies et vaudevilles".
Milano, C, Barbini, 1879, in-24, br. edit. gialla, pp. 96. "Biblioteca ebdomadaria teatrale", Fasc. 353.
Bielefeld, Velhagen & Klasing, 1863, in-24, br. editoriale, pp. 71. Bruniture diffuse. (Théatre français publié par C. Schütz: 8ème série - I. Livraison ).
ref. 27779Vaudeville épisodique en un acte. Pollet, Paris 1829. In-8 (22x14). 58 pages. Broché, couverture bleue imprimée.
ref. 97626 volumes in 16 broché. 1) SCRIBE La loge du portier faux-titre, titre, 78 pages. POLLET, HOUDAILLE et BARBA 1830.2) SRIBE et MAZERES. Le charlatanisme faux-titre, titre, 96 pages BAUDOIN Frères, POLLET & BARBA 1828. 3) SCRIBE et MELESVILLE. Rodolphe ou Frère et sœur. Faux-titre, titre, 74 pages, 1828. 4) SCRIBE-DUPIN et VARNIER Le château de la Poularde faux-titre, titre, 75 pages 1828. 5) SCRIBE-DUPIN et VARNIER Le château de la Poularde faux-titre, titre, 75 pages 1828 6) SCRIBE et MELESVILLE. Monsieur TARDIFF. Faux-titre, titre 76 pages 1829 on joint Répertoire du Théâtre du Vaudeville DUPENTY, de VILLENEUVE et SAINT HILAIRE .Léonide ou la vieille de Suresnes. Faux-titre, titre 166pages, FOLLET éditeur 1830
1903ref. 8816151, rue des Ecoles, Paris, Charles Schmid 1903 In-folio demi basane bleue, dos à à nerfs encadrés de double filets dorés. Illustrations de 33 planches Hors-texte gravures et caricatures contrecollées.212+ Supplément à l’art du théâtre CXIIpp.. Bon état d’occasion.
1901ref. 8816351, rue des Ecoles, Paris, Charles Schmid 1901 In-folio demi basane bleue, légèrement insolée revues illustrées de 44 planches hors-texte 308 pages. pales rousseurs. Bon état d’occasion.
1953ref. va1377Gallimard Broché 1953 In-12 (12 x 18,8 cm), broché, 186 pages, édition originale, 1 de 1325 exemplaires sur Alfama, bandeau d'édition ; rousseurs sur la première garde, petites traces au quatrième plat, par ailleurs bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1968ref. 207741968. LGBTQ Baker Roger. Drag: A History of Female Impersonation on the Stage. London: Triton Books 1968. First edition. 256 pages. Original brown cloth binding with author title and publisher stamped on spine. Original dustjacket with black and white image of English drag performer Chris Shaw in a black sequined dress and full glam makeup and title spelled out in red sequins. Includes 92 black and white photographs and illustrations of cross-dressing performers artists and stage productions. This book by British scholar Roger Baker examines the history of drag performance dating back to ancient China Japan and Greece through the punk scene of the 1960s. Baker touches on the difference between drag as a performance art and transvestism a personal practice before delving in to the historical uses of drag by actors and impersonators. Chapters touch on famous cross-dressers including the Chevalier D'Eon Vesta Tilley Marlene Dietrichand Julian Eltinge and cross-dressing traditions on the Elizabethan stage in pantomime Kabuki vaudeville and opera among others. Wear to edges of dustjacket price clipped. Overall very good condition. A detailed history on the uses of drag in performance and entertainment across the world. unknown books
1968ref. 207711968. Baker Roger. Drag: A History of Female Impersonation on the Stage 1968 surveys the historical development of drag performance across theatrical traditions and situates gender impersonation within global performance culture. The study traces practices from early stage conventions in Asia and Europe through modern entertainment circuits distinguishing between drag as theatrical performance and cross dressing as personal identity expression. By documenting performers venues and performance styles Baker provides a consolidated account of drag within stage history offering material for the study of gender representation theatrical convention and LGBTQ cultural expression in the mid twentieth century. Baker Roger. Drag: A History of Female Impersonation on the Stage. London: Triton Books 1968. Signed by the author on the title page "Roger Baker April 1969." First edition. One volume. 256 pages. Illustrated with 92 black and white photographs and illustrations depicting performers productions and historical figures. Original brown cloth binding with titled spine; original dust jacket featuring drag performer imagery. Also included are two loose signed black and white photographs of performer Gary Webb one in drag and one out of costume whose career is referenced within the text. The volume includes discussion of figures such as Chevalier d'Éon Vesta Tilley Marlene Dietrich and Julian Eltinge alongside analysis of performance traditions in Elizabethan theatre pantomime Kabuki vaudeville and opera. Published during a period of expanding visibility for gender nonconforming performance and emerging queer cultural discourse the work consolidates earlier theatrical traditions into a single historical narrative accessible to contemporary audiences. Its combination of textual analysis and photographic documentation supports research into performance studies gender history and the evolution of drag as both entertainment and cultural practice. Dust jacket shows edge wear and is price clipped; volume otherwise clean and intact; overall very good condition. unknown books
1968ref. 207741968. LGBTQ Baker Roger. Drag: A History of Female Impersonation on the Stage. London: Triton Books 1968. First edition. 256 pages. Original brown cloth binding with author title and publisher stamped on spine. Original dustjacket with black and white image of English drag performer Chris Shaw in a black sequined dress and full glam makeup and title spelled out in red sequins. Includes 92 black and white photographs and illustrations of cross-dressing performers artists and stage productions. This book by British scholar Roger Baker examines the history of drag performance dating back to ancient China Japan and Greece through the punk scene of the 1960s. Baker touches on the difference between drag as a performance art and transvestism a personal practice before delving in to the historical uses of drag by actors and impersonators. Chapters touch on famous cross-dressers including the Chevalier D'Eon Vesta Tilley Marlene Dietrichand Julian Eltinge and cross-dressing traditions on the Elizabethan stage in pantomime Kabuki vaudeville and opera among others. Wear to edges of dustjacket price clipped. Overall very good condition. A detailed history on the uses of drag in performance and entertainment across the world. unknown
1968ref. 207711968. Baker Roger. Drag: A History of Female Impersonation on the Stage 1968 surveys the historical development of drag performance across theatrical traditions and situates gender impersonation within global performance culture. The study traces practices from early stage conventions in Asia and Europe through modern entertainment circuits distinguishing between drag as theatrical performance and cross dressing as personal identity expression. By documenting performers venues and performance styles Baker provides a consolidated account of drag within stage history offering material for the study of gender representation theatrical convention and LGBTQ cultural expression in the mid twentieth century. Baker Roger. Drag: A History of Female Impersonation on the Stage. London: Triton Books 1968. Signed by the author on the title page "Roger Baker April 1969." First edition. One volume. 256 pages. Illustrated with 92 black and white photographs and illustrations depicting performers productions and historical figures. Original brown cloth binding with titled spine; original dust jacket featuring drag performer imagery. Also included are two loose signed black and white photographs of performer Gary Webb one in drag and one out of costume whose career is referenced within the text. The volume includes discussion of figures such as Chevalier d'Éon Vesta Tilley Marlene Dietrich and Julian Eltinge alongside analysis of performance traditions in Elizabethan theatre pantomime Kabuki vaudeville and opera. Published during a period of expanding visibility for gender nonconforming performance and emerging queer cultural discourse the work consolidates earlier theatrical traditions into a single historical narrative accessible to contemporary audiences. Its combination of textual analysis and photographic documentation supports research into performance studies gender history and the evolution of drag as both entertainment and cultural practice. Dust jacket shows edge wear and is price clipped; volume otherwise clean and intact; overall very good condition. unknown
ref. 106604Voltaire Foundation, University of Oxford, Studies on Voltaire and the Eighteenth Century (SVEC, volume 2000:01), 2000, 526 pages, broché, légers plis et marques sur les bords inférieurs de la couverture et sur la tranche inférieure sinon bon état. Contient le feuillet volant d'errata.
ref. 14493Chansonnier historique du XVIIIème siècle. Recueil CLAIRAMBAULT-MAUREPAS publié avec introduction, commentaires, notes et inde par Emile RAUNIE archiviste paléologue. 10 tomes en 10 volumes in 12 brochés, grand papier non justifié. 190x1255mm, Paris Quantin imprimeur éditeur 1879-1884. Recueil de chansons, vaudeville, sonnets, épigrammes, épitaphe et autres vers satiriques et historiques formé avec la collection de Clairambault de Maurepas et autres manuscrits inédits. Pour chaque volume, faux titre, titre. Tome 1 : CX, 156 pages, 5 portraits hors texte, gravés par ROUSSELLE, sous serpente plus table des portraits ; Tome 2 :4 portraits hors texte sous serpente ; 328 pages, plus table des portraits.1879 Tome 3 : portraits hors texte gravés par ROUSSELLE, sous serpente ; 328 pages, plus table des portraits1880. Tome 4 : 5 portraits hors texte gravés par ROUSSELLE, sous serpente ; 302 pages, plus table des portraits 1880. Tome 5 : XXX, 5 portraits hors texte gravés par ROUSSELLE, sous serpente ; 305 pages, plus table des portraits 1881. Tome 6 : 5 portraits hors texte gravés par ROUSSELLE, sous serpente ; 368 pages, plus table des portraits 1882. Tome 7 : XX, 5 portraits hors texte gravés par ROUSSELLE, sous serpente ; 373 pages, plus table des portraits 1882. Tome 8 :XXV 5 portraits hors texte gravés par ROUSSELLE, sous serpente ; 339 pages, plus table des portraits 1883.Tome 9 :XXXIX, 5 portraits hors texte gravés par ROUSSELLE, sous serpente ; 268 pages, plus table des portraits 1884. Tome X : 5 portraits hors texte gravés par ROUSSELLE, sous serpente ; 328 pages, plus table des portraits 1884. Bel ensemble.
ref. 12427Monologues.In 12 demi-chagrin vert à nerfs, tire doré. Faux-titre, titre, 281 pages, 1 page de table, illustrations dans le texte de MOLOCH. Couverture illustrée en couleurs de MOLOCH conservée. Paris Librairie Flammarion, collection les auteurs gais, sans date. Bon exemplaire. Rare.
ref. 18981comédie-vaudeville improvisée en un acte, composée en cinq heures, dans la grande salle de l'hôtel de ville de Toulon, sur un sujet fourni par le public. Toulon. Aurel. 1829. In-8 (22x13). 24 pages. Demi-basane modeste de l'époque.
1904ref. 98971904 Paris, Librairie Théatrale, 1904; in-8°, demi-chagrin rouge de l'époque, dos à nerfs, titre doré; 160pp.
191664p. Text brown. 24mo. Original color cartoon printed wraps, one small tear. Needs pressing. Nice copy. Very scarce little pamphlet. HUMOR 6
ref. 4749petit in 4 broché,couverture rempliée illustrée en couleurs.Faux-titre,titre,348 pages,lithographies en couleurs dans le texte de Ferdinand FARGEOT,Les éditions d’Art H.Piazza 1929 exemplaire n° 90 sur japon impérial avec une suite des illustrations,dans un portefeuille cartonné,l’ensemble sous emboitage,très bon état
1989112 pages. Traces the theatre's colourful history from its early years as a vaudeville palace to its days as the Imperial, a popular motion picture house, to its final restoration and return to its 1920s grandeur. Explores the risks and challenges faced by Cineplex Odeon Corporation in ensuring the successful completion of the largest private restoration in North America. This beautiful record of a theatre's history and restoration will delight history, architecture and theatre buffs alike." - from dust jacket. Beautifully illustrated with photography, some of which is in colour. Moderate wear. Usual library markings. Nice bright copy. Book
ref. 13899Le bazar des récréations prime offerte aux abonnés du conseiller des enfants. Première série. In 12 broché à l’italienne, plats illustrés (lithographie) en noir. Titre illustré, 46 pages, 1 page de table des matières, texte sur 2 colonnes, 10 lithographies, hors-texte, plus la couverture, d’Henry EMY Paris- Bureaux Rue Montmartre 163 sans date. Quelques traces de manipulations, cependant bon état d’ensemble. La corde -le saute mouton-le colin Maillard- la marelle- les quatre coins- la paume, le volant, le bilboquet etc.
ref. cROU-1297Paris,Michel Lévy frères,1869 ; in-8°,demi-chagrin rouge,filet doré soulignant mors et coins,dos à nerfs très orné de caissons de doubles filets dorés et petits fers dorés,tête dorée,exemplaire non rogné sauf en tête (reliure vers 1890) ; 2ff.,68pp.;reliure très légèrement frottée aux mors et coins,quelques petites traces de poussière en marge de quelques feuillets,mais très bon exemplaire bien relié.Exemplaire sur grand papier non justifié.
1941ref. 10643Detmold, E. Hammann, (1941). 62 S. Mit Abb. (= Hammanns lustige Bücher, 2). Farb. illustr. OBrosch.
ref. 026069827X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
