VADÉLivre Rare Book
304 resultados
1786ref. 8428Relié avec : Nicaise; Les raccoleurs; La veuve indécise; La canadienne. 1/2 basane d'époque Bon Petite Bibliothèque des Théâtres Paris 1786 1 volume in-16
ref. ne236Boulord H. Broché In-12 (18.5x12 cm), dos broché, 58 pages ; couverture abîmée, rousseurs, état correct. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1911ref. 239881911. Midwestern theatrical photograph album circa 1912 to 1918 centered on a striking group of large photographs documenting professional popular entertainment during the height of American vaudeville and variety theater. The theatrical images encompass blackface minstrelsy musical and comic performance costumed spectacle and patriotic staging while the remainder of the album records the dances music Great Lakes excursions and social life of the young Midwestern circle that assembled it. Additional material includes the Demon Dozen's 1912 Leap Year Dance a portrait identified as Metropolitan Opera soprano Mabel Garrison and contemporary theatrical ephemera. Photo album containing 101 photographs silver gelatin prints including large full-page photographs and smaller photographs ranging from approximately 4 by 2.5 to 7.5 by 5 inches Midwestern United States and Great Lakes locations circa 1912 to 1918. The large photographs form the album's most substantial theatrical component and appear to depict professional or organized stage performers. A particularly striking photograph shows a large blackface minstrel company with rows of male performers in stage makeup white shirts and bow ties posed before a painted architectural backdrop accompanied by musicians and a pianist. Other photographs show costumed performers in white sailor outfits carrying tambourines and parasols; a company posed with rifles around an American flag; musicians with mandolins; and performers arranged in exaggerated comic tableaux. Collectively the photographs document several forms central to early twentieth-century American popular entertainment: minstrelsy musical performance patriotic spectacle costume acts and broad stage comedy. The smaller photographs place this theatrical material within a broader world of Midwestern leisure. Young men and women appear aboard Great Lakes vessels on beaches and rural outings making music posing for informal portraits and gathering socially. Inscriptions identify individuals and groups including "Doc Merz" "Merz & Curtiss" "Tubby" "Judge" and successive "G.H.C." groups. One photograph is captioned "U.S.S. Essex" while another shows a company posed aboard a vessel. Also retained is substantial material from the Demon Dozen's 1912 Leap Year Dance at Odd Fellows Hall including a printed dance program with partners handwritten beside waltzes two-steps schottisches a rye waltz and a Cubanola. Newspaper accounts describe the grand march German favors decorations and supper providing unusually specific evidence of organized social dancing during the period. The album's connection to contemporary professional entertainment is reinforced by an advertisement for Harry Lauder's farewell American tour and Irving Berlin's Stop! Look! Listen! Berton Braley's anti-Kaiser poem "The Limit" and a portrait identified in manuscript as "Mabel Garrison opera singer." Also a Great Lakes vessel photograph is identified as the Eastland the Chicago excursion steamer whose 1915 capsizing killed more than 800 people. The album provides a visually rich record of popular entertainment and leisure in the prewar and wartime Midwest with its large theatrical photographs providing its strongest documentary content and the surrounding images of dancing music excursions and social life showing the cultural world in which such entertainment circulated. Album leaves and mounts show moderate handling and edge wear; some photographs cut and unbound. Clippings show chipping and photographs show scattered fading surface wear and occasional creasing. Overall in good to near fine condition. unknown books
1911ref. 239881911. Midwestern theatrical photograph album circa 1912 to 1918 centered on a striking group of large photographs documenting professional popular entertainment during the height of American vaudeville and variety theater. The theatrical images encompass blackface minstrelsy musical and comic performance costumed spectacle and patriotic staging while the remainder of the album records the dances music Great Lakes excursions and social life of the young Midwestern circle that assembled it. Additional material includes the Demon Dozen's 1912 Leap Year Dance a portrait identified as Metropolitan Opera soprano Mabel Garrison and contemporary theatrical ephemera. Photo album containing 101 photographs silver gelatin prints including large full-page photographs and smaller photographs ranging from approximately 4 by 2.5 to 7.5 by 5 inches Midwestern United States and Great Lakes locations circa 1912 to 1918. The large photographs form the album's most substantial theatrical component and appear to depict professional or organized stage performers. A particularly striking photograph shows a large blackface minstrel company with rows of male performers in stage makeup white shirts and bow ties posed before a painted architectural backdrop accompanied by musicians and a pianist. Other photographs show costumed performers in white sailor outfits carrying tambourines and parasols; a company posed with rifles around an American flag; musicians with mandolins; and performers arranged in exaggerated comic tableaux. Collectively the photographs document several forms central to early twentieth-century American popular entertainment: minstrelsy musical performance patriotic spectacle costume acts and broad stage comedy. The smaller photographs place this theatrical material within a broader world of Midwestern leisure. Young men and women appear aboard Great Lakes vessels on beaches and rural outings making music posing for informal portraits and gathering socially. Inscriptions identify individuals and groups including "Doc Merz" "Merz & Curtiss" "Tubby" "Judge" and successive "G.H.C." groups. One photograph is captioned "U.S.S. Essex" while another shows a company posed aboard a vessel. Also retained is substantial material from the Demon Dozen's 1912 Leap Year Dance at Odd Fellows Hall including a printed dance program with partners handwritten beside waltzes two-steps schottisches a rye waltz and a Cubanola. Newspaper accounts describe the grand march German favors decorations and supper providing unusually specific evidence of organized social dancing during the period. The album's connection to contemporary professional entertainment is reinforced by an advertisement for Harry Lauder's farewell American tour and Irving Berlin's Stop! Look! Listen! Berton Braley's anti-Kaiser poem "The Limit" and a portrait identified in manuscript as "Mabel Garrison opera singer." Also a Great Lakes vessel photograph is identified as the Eastland the Chicago excursion steamer whose 1915 capsizing killed more than 800 people. The album provides a visually rich record of popular entertainment and leisure in the prewar and wartime Midwest with its large theatrical photographs providing its strongest documentary content and the surrounding images of dancing music excursions and social life showing the cultural world in which such entertainment circulated. Album leaves and mounts show moderate handling and edge wear; some photographs cut and unbound. Clippings show chipping and photographs show scattered fading surface wear and occasional creasing. Overall in good to near fine condition. unknown
190383p. Numerous explanatory illustrations. Small 8vo. Original printed wraps with some wear and soiling. Old Reliable Chicago Magic Co.'s publishers ads on the rear wrap for: 'The Mystery of Love Making'; Aunt Sally's Policy Players' Dream book (with a picture of a black 'mammy'); and a book on the Art of Boxing. . From the working magic library of Bill Lieberman (Master of Magic) MAG 3 / 3
1901ref. RO80123540L'ILLUSTRATION. 1901. In-16. Broché. Très bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. Programme de 12 pages, illustré en noir et blanc, dans le texte.. . . . Classification Dewey : 792-Théâtre
1909ref. RO80123742LE THEATRE. 1909. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. Programme de 8 pages. Quelques photos en noir et blanc, dans le texte. Quelques encarts publicitaires, illustrés en noir et blanc.. . . . Classification Dewey : 792-Théâtre
19664 pages. Nice photo of Geoff Stephen's New Vaudeville Band on cover. Moderate wear. Chords written inside first page. A sound copy. Sheet music
Paris, E. Dentu, 1863, in-16, br. edit., pp. 43, (1). Al verso del frontespizio nota manoscritta che fa riferimento a rappresentazione avvenuta nel 1885. Prima edizione.
ref. 19506Les Productions de Paris, 1964. 18 x 21, 416 pp., nombreuses illustrations en N/B et dessins en rose, cartonnage d'édition illustré, très bon état.
1952pp. 98; 33 plates, Numerous drawings by Reginald Woolley. Small 4to. Original publisher's white cloth binding. Bright colored dust jacket. First edition. Fine copy of a wonderful study of British Vaud eville, Burlesque, and Theater. This would make a great gift for any fan of the English stage or music hall. W141
1828ref. 3732xbvkDupon, Bruxelles 1828. 68 p. Brochure orig. avec titre (dos frotté); 12mo.
1887ref. 17215Velhagen & Klasing, Bielefeld 1887 (Sammlung französischer u. englischer Schriftsteller. Neue Schulausgaben. Theatre francais, XVI. Folge, 8. Lfg.). 163 S., 18 S. beigelegtes Wörterbuch. Kl.-8°. Halbleinen u. Brosch. Gebrsp. Etwas berieben u. bestoßen. Stempel auf Einband. Mehrere Anmerkungen u. Anstreichungen. - Beilage: Bree, A.: Les soirées de famille. Histoires
Mancando il frontespizio non siamo in grado di precisare luogo e data di edizione. (Probabilmente: Parigi, fine sec. XIX). In-24, copertina fittizia, pp. 84.
Paris, Pollet-Houdaille et Veniger- Barba, 1830, in-24, br. edit., pp. 126, (2). Minime mancanze marginali alla coperta, dorso rinforzato con velina. "Répertoire du Théatre de Madame", 3 ème livraison.
Mancando il frontespizio non siamo in grado di precisare di quale edizione si tratti (: Parigi, sec. XIX), in-24, copertina fittizia, pp. 75, (1).
(Napoli, G. Martin, 1832), in-24, copertina fittizia, pp. 108. Fa parte della raccolta di: "Comédies vaudevilles.
(Napoli, G. Martin, 1832), in-24, copertina fittizia, pp. 76. Fa parte della raccolta "Comédies et vaudevilles".
(Napoli, G. Martin, 1832) in-24, coperina fittizia, pp. 62, (2). Fa parte della raccolta "Comédies et vaudevilles".
Milano, C, Barbini, 1879, in-24, br. edit. gialla, pp. 96. "Biblioteca ebdomadaria teatrale", Fasc. 353.
Bielefeld, Velhagen & Klasing, 1863, in-24, br. editoriale, pp. 71. Bruniture diffuse. (Théatre français publié par C. Schütz: 8ème série - I. Livraison ).
ref. 27779Vaudeville épisodique en un acte. Pollet, Paris 1829. In-8 (22x14). 58 pages. Broché, couverture bleue imprimée.
ref. 97626 volumes in 16 broché. 1) SCRIBE La loge du portier faux-titre, titre, 78 pages. POLLET, HOUDAILLE et BARBA 1830.2) SRIBE et MAZERES. Le charlatanisme faux-titre, titre, 96 pages BAUDOIN Frères, POLLET & BARBA 1828. 3) SCRIBE et MELESVILLE. Rodolphe ou Frère et sœur. Faux-titre, titre, 74 pages, 1828. 4) SCRIBE-DUPIN et VARNIER Le château de la Poularde faux-titre, titre, 75 pages 1828. 5) SCRIBE-DUPIN et VARNIER Le château de la Poularde faux-titre, titre, 75 pages 1828 6) SCRIBE et MELESVILLE. Monsieur TARDIFF. Faux-titre, titre 76 pages 1829 on joint Répertoire du Théâtre du Vaudeville DUPENTY, de VILLENEUVE et SAINT HILAIRE .Léonide ou la vieille de Suresnes. Faux-titre, titre 166pages, FOLLET éditeur 1830
1953ref. va1377Gallimard Broché 1953 In-12 (12 x 18,8 cm), broché, 186 pages, édition originale, 1 de 1325 exemplaires sur Alfama, bandeau d'édition ; rousseurs sur la première garde, petites traces au quatrième plat, par ailleurs bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
