333 resultados
1804ref. 148061804 demi-basane havane. 2 vol. in-8, Paris. 1804-1836
ref. 1380paris 1959 in 8 broché
1923ref. 63201New York: George H. Doran 1923. 8vo. xiv 337 1 pp. Frontisp. numerous illustrations plates photos. Gray publisher’s cloth red lettering minor dustsoiling & slight foxing to fore-edges of textblock w/ d.j. cover art by James Montgomery Flagg minor dustsoiling rubbing faint stain soiling to spine still VG-/G- copy. First edition of this thrilling and inspirational story of the famed pioneering journalist publicist for P.T. Barnum Circus the Olympic Music Hall agent for the Orpheum vaudeville circuit and more. She represented Al Jolson Will Rogers Lillian Russell and many others. In 1919 she lost her life savings to a bad investment and was confined to a hospital for 5 years in cast and braces because of a paralyzing back injury. This inspirational story was written with one hand holding a pencil and moving over a pad of paper while flat on her back. Illustrations were contributed to this memoir by Rube Goldberg James Montgomery Flagg Tony Sarg Thornton Fisher Ed Hughes and others. Scarce in dustjacket. George H. Doran, hardcover
ref. 0364711299.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 97626 volumes in 16 broché. 1) SCRIBE La loge du portier faux-titre, titre, 78 pages. POLLET, HOUDAILLE et BARBA 1830.2) SRIBE et MAZERES. Le charlatanisme faux-titre, titre, 96 pages BAUDOIN Frères, POLLET & BARBA 1828. 3) SCRIBE et MELESVILLE. Rodolphe ou Frère et sœur. Faux-titre, titre, 74 pages, 1828. 4) SCRIBE-DUPIN et VARNIER Le château de la Poularde faux-titre, titre, 75 pages 1828. 5) SCRIBE-DUPIN et VARNIER Le château de la Poularde faux-titre, titre, 75 pages 1828 6) SCRIBE et MELESVILLE. Monsieur TARDIFF. Faux-titre, titre 76 pages 1829 on joint Répertoire du Théâtre du Vaudeville DUPENTY, de VILLENEUVE et SAINT HILAIRE .Léonide ou la vieille de Suresnes. Faux-titre, titre 166pages, FOLLET éditeur 1830
ref. 13015Scènes comiques chansonnettes et romances, chantées sur tous les théâtres in 12 demi cuir fauve, fer en long, titre, dorés. 240 pages, Première livraison Une entrée au paradis, la Normande, la chaleur, le saute ruisseau, tire la ficelle, Alcindor à la chaumière L’vi à 4 sous, le chant du Peuple, Jean Glissard, le joli frotteur etc. (il manque les pages 117/118. Paris chez l’éditeur 1840. Couverture conservée.
1915ref. 2788431915. unbound. very good. Signed 1915 Columbia Records release #A - 1855 one of the earliest comedy releases ever put on phonograph discs featuring a skit titled "Trust Scene" boldly etched into the dead wax and partly on the record labels: "Joe Weber - Lew Fields." The B side of this record has mechanically etched signatures of the performers. Very good condition. Immensely popular Polish-Jewish comedy team who at the height of their stage success opened up their own Broadway venue in 1896 and booked some of the greatest talent of the early 20th century. Included in this roster are Gallagher and Sheen The Marx Brothers Ted Healy and his Three Stooges Jimmy Durante and W.C. Fields. They are also credited with recording some of the earliest known comedy phonograph records between 1912 and 1915. unknown
1915ref. 2788431915. unbound. very good. Signed 1915 Columbia Records release #A - 1855 one of the earliest comedy releases ever put on phonograph discs featuring a skit titled "Trust Scene" boldly etched into the dead wax and partly on the record labels: "Joe Weber - Lew Fields." The B side of this record has mechanically etched signatures of the performers. Very good condition. Immensely popular Polish-Jewish comedy team who at the height of their stage success opened up their own Broadway venue in 1896 and booked some of the greatest talent of the early 20th century. Included in this roster are Gallagher and Sheen The Marx Brothers Ted Healy and his Three Stooges Jimmy Durante and W.C. Fields. They are also credited with recording some of the earliest known comedy phonograph records between 1912 and 1915. unknown books
1762ref. 4516Chez Duchesne 14,5 x 22 Paris Edition Originale 1762 Plaquette in-8, reliure demi-vélin de l'époque, plats cartonnés papier caillouté, dos lisse, titre noir, gravure de Soliman II en frontispice signée Gravelot - Lemire, [4]-102 pp., suivies de deux pages de privilège et de deux pages de "Catalogues des pièces des comédies française et italienne, parodies et opéra comiques qui se vendent détachées". Bandeau gravé en tête de l'épitre dédicatoire au Maréchal de Richelieu. Edition originale de cette célèbre pièce de Favart (Paris 1710 - Belleville 1792) "représentée pour la première fois par les comédiens italiens ordinaires du roi le 9 avril 1761 et remise au théatre le 19 décembre de la même année" où Mme Favart sa femme joue le rôle de Roxelane, et et qui fut représentée sous le titre des "Trois sultanes". Petite salissure à l'angle extérieur du frontispice, bon intérieur. (EvC143) PHOTOS NUMERIQUES DISPONIBLES PAR EMAIL SUR SIMPLE DEMANDE-DIGITAL PHOTOGRAPS MAY BE AVAILABLE ON REQUEST. Livre
1762ref. 4516Chez Duchesne 14,5 x 22 Paris Edition Originale 1762 Plaquette in-8, reliure demi-vélin de l'époque, plats cartonnés papier caillouté, dos lisse, titre noir, gravure de Soliman II en frontispice signée Gravelot - Lemire, [4]-102 pp., suivies de deux pages de privilège et de deux pages de "Catalogues des pièces des comédies française et italienne, parodies et opéra comiques qui se vendent détachées". Bandeau gravé en tête de l'épitre dédicatoire au Maréchal de Richelieu. Edition originale de cette célèbre pièce de Favart (Paris 1710 - Belleville 1792) "représentée pour la première fois par les comédiens italiens ordinaires du roi le 9 avril 1761 et remise au théatre le 19 décembre de la même année" où Mme Favart sa femme joue le rôle de Roxelane, et et qui fut représentée sous le titre des "Trois sultanes". Petite salissure à l'angle extérieur du frontispice, bon intérieur. (EvC143) PHOTOS NUMERIQUES DISPONIBLES PAR EMAIL SUR SIMPLE DEMANDE-DIGITAL PHOTOGRAPS MAY BE AVAILABLE ON REQUEST. Livre
1964Mm 155x210 Due volumi di agine rispettivamente XIV-631+713, fioriture ad un paio di carte del primo volume, astuccio editoriale. Opera in ottime condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
ref. 18981comédie-vaudeville improvisée en un acte, composée en cinq heures, dans la grande salle de l'hôtel de ville de Toulon, sur un sujet fourni par le public. Toulon. Aurel. 1829. In-8 (22x13). 24 pages. Demi-basane modeste de l'époque.
1970Mm 125x210 Collana "Numero Rossi"- Testo a cura di Sandro Bajini. Due volumi in copertina rigida, sovraccoperta originale, 673 + 651 pagine con tavole in nero in apertura di entrambi i volumi. Copia in ottime condizioni; spedizione in 24 ore dalla conferma dell'ordine.
2001ref. 51983Archeophone, 2001. ARCH 9004 CD CD
ref. 1527714322.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 1330660358.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1937ref. 221321937. African AmericanTheaterLiterature Payton Lew. Did Adam Sin Also Stories of Negro Life in Comedy Drama and Sketches. Los Angeles: Lew Payton 1937. First edition. 132 pages. Original yellow wrappers printed in red and brown featuring an abstract graphic of a seated classical figure and a prominent red question mark in the background. A scarce self-published collection of dramatic sketches. Did Adam Sin represents a significant contribution to African American theatrical literature during the Harlem Renaissance's waning years. Written by actor playwright and vaudeville veteran Lew Payton the book offers seven stage-ready works that explore the lives struggles and humor of Black Americans in the early 20th century. Titles include A Bitter Pill Two Sons of Ham and Who Is De Boss blending satire pathos and social commentary with vernacular expression and period-specific concerns. Lew Payton began performing as a child in West Virginia and came of age as an entertainer during the height of Black vaudeville. Here Payton archives both the legacy of African American popular performance and his personal experience in street parades cakewalk acts and Hollywood film roles. The introduction recounts Payton's early experiences with minstrel circuits and his Los Angeles school for Black stage actors. This context situates the collection not only as literature but as pedagogical tool and cultural preservation. The plays foreground the racial dynamics resilience and humor of Black life offering roles that resist the demeaning stereotypes endemic to Hollywood and white theater. Contemporary scholarship increasingly cites Did Adam Sin for its historical value and its intervention into the politics of representation in American drama. Minor edge wear and light toning to wrappers; interior clean and bright; spine uncreased. Overall very good condition. A scarce and important work in the canon of African American theater notable for its authorship self-publication and its insight into Black performance culture during the interwar period. unknown
1937ref. 221321937. African AmericanTheaterLiterature Payton Lew. Did Adam Sin Also Stories of Negro Life in Comedy Drama and Sketches. Los Angeles: Lew Payton 1937. First edition. 132 pages. Original yellow wrappers printed in red and brown featuring an abstract graphic of a seated classical figure and a prominent red question mark in the background. A scarce self-published collection of dramatic sketches. Did Adam Sin represents a significant contribution to African American theatrical literature during the Harlem Renaissance's waning years. Written by actor playwright and vaudeville veteran Lew Payton the book offers seven stage-ready works that explore the lives struggles and humor of Black Americans in the early 20th century. Titles include A Bitter Pill Two Sons of Ham and Who Is De Boss blending satire pathos and social commentary with vernacular expression and period-specific concerns. Lew Payton began performing as a child in West Virginia and came of age as an entertainer during the height of Black vaudeville. Here Payton archives both the legacy of African American popular performance and his personal experience in street parades cakewalk acts and Hollywood film roles. The introduction recounts Payton's early experiences with minstrel circuits and his Los Angeles school for Black stage actors. This context situates the collection not only as literature but as pedagogical tool and cultural preservation. The plays foreground the racial dynamics resilience and humor of Black life offering roles that resist the demeaning stereotypes endemic to Hollywood and white theater. Contemporary scholarship increasingly cites Did Adam Sin for its historical value and its intervention into the politics of representation in American drama. Minor edge wear and light toning to wrappers; interior clean and bright; spine uncreased. Overall very good condition. A scarce and important work in the canon of African American theater notable for its authorship self-publication and its insight into Black performance culture during the interwar period. unknown books
1877ref. 112589Paris, G. Charpentier, éditeur 1877 La couverture porte le titre : Théâtre. 6 volumes. In-12 demi chagrin rouge, dos à 4 faux- nerfs soulignés pointillés dorés. Encadrés de caissons ornés de motifs dorés. 18,5 cm sur 12. Deux portraits en frontispice+441+table-445-table-473-table-453-table-449-table-XXVIII-413pp-table. Rousseurs importantes sur la majorité des volumes. Tome 2 ouvrage touché par l’eau. Coins de la reliure émoussés, Sinon Bon état d’occasion.
1936ref. 1196751936 A Paris, Guillemot et De Lamothe - 1936 - Editions limitée à 1200 exemplaires nominatifs, n° 468 imprimé à l'attention de Mme Marcelle Crouet - 3 volume petit in-8 (environ 19 x 12 cm), demi basane bleu nuit; dos à 3 nerfs sautés avec titre, nom de l'auteur, tomaison ainsi que caissons et fleurons dorés - 315 p. + 268 p. + 316 p.
1858ref. 37453Auxerre Typographie Ch. Gallot s.d. [1858] prospectus in-8 en feuille
1859ref. 37638Auxerre Typographie Ch. Gallot s.d. [1859] prospectus in-8 en feuille
1857ref. 37444Auxerre Imprimerie, librairie et lithographie Ch. Gallot s.d. [1857] prospectus in-8 en feuille
ref. 3025La Haye, chez P.F. Gueffier, 1768 - in-8, 487 pp., Vol 2. - rel. bas. brune, airs notés pour les opéras comiques (qqs trous de vers sans atteinte au texte, dos cassé)
1904ref. 98971904 Paris, Librairie Théatrale, 1904; in-8°, demi-chagrin rouge de l'époque, dos à nerfs, titre doré; 160pp.
