319 resultados
(Napoli, G. Martin, 1832), in-24, copertina fittizia, pp. 76. Fa parte della raccolta "Comédies et vaudevilles".
ref. 1390585190.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1899ref. vh1640Librairie Théâtrale Brochure 1899 In-12 (12 x 19 cm), brochure, 39 pages ; volume bruni, deux petites déchirures sur les bords du premier plat, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1780ref. 18535en grèce 1780 in-8 plein-veau deux parties en un volume, reliure plein veau raçiné havane in-octavo (11 x 17,5 cm), dos à nerfs, décoré or, titre frappés or, pièce de titre sur fond marron clair avec double filets or, entre-nerfs à Fleurons dans un encadrement à filet or avec fleurons aux angles (dos frotté avec manques de dorure), coiffe de tête manquante, charnière fendue sur 2 cm en bas du premier plat, coins écornés, toutes tranches lisses jaspées bleues, sans illustrations (no illustration), 280 + 248 pages, 1780 "en Grèce"Chez Couret de Villeneuve (Imprimeur du Roi à Orléans), Se trouve à Paris, chez Nyon aîné, libraire, rue St.-Jean-de-Beauvais. Debure, freres, quay des Augustins. Moutard, Barbou, imprimeurs-libraires, rue des Mathurins. Esprit, libraire au Palais royal. Bastien, libraire, rue du Petit-Lion, fauxbourg St. Germain Editeurs,
ref. 1390466841.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1974ref. 21966Oxford: Oxford University Press 1974. First edition. Hardcover. Very good/very good. Octavo standard sized . Slight wear to edges and corners of boards and dust jacket. Volume 1 only. Spine of dj faded but legible. xiv 340 p. w/footnotes concordances appendix bibliography. V1 of a 2 volume work on Kabir's biography and critical translation of his poetry. Kabir is known as the revered father of Hindi poetry and respected mystic of the 15th century. c.e. section B Oxford University Press hardcover
1786ref. 8428Relié avec : Nicaise; Les raccoleurs; La veuve indécise; La canadienne. 1/2 basane d'époque Bon Petite Bibliothèque des Théâtres Paris 1786 1 volume in-16
1941ref. 10643Detmold, E. Hammann, (1941). 62 S. Mit Abb. (= Hammanns lustige Bücher, 2). Farb. illustr. OBrosch.
1969ref. I7004Paris: White Lotus Press 1969. Paperback. Good/no dj. 0.50. Invocation-Le Haripath de Dnyandev Vol. LXXIII L' White Lotus Press paperback
1910ref. List3655New York / Chicago / London: M. Witmark & Sons 1910. Folio sheet music 13 ½ x 10 ½ inches. Color pictorial cover. Light wear and minor creasing to edges; very good overall. A lively Irish-themed novelty song promoted as "Emma Carus' Great Irish Song Hit" issued by the major popular music publisher M. Witmark & Sons. The cover illustration shows Carus dancing before a marching crowd carrying a banner reading "Home Rule" evoking the Irish nationalist movement then a prominent political issue both in Ireland and among Irish-American communities. Emma Carus 1879-1927 was a well-known American vaudeville performer and comic singer who appeared widely in theaters and variety shows during the early twentieth century. Born in New York she became a popular stage personality through novelty songs and character performances often introducing new numbers that were quickly issued in sheet music by publishers such as Witmark. The present piece with lyrics by Bob Harty and music by Ernest Breuer reflects the continuing popularity of Irish-themed songs in American vaudeville and popular music during the period when political themes such as Irish Home Rule frequently appeared in theatrical songs and stage sketches aimed at Irish-American audiences. We find a copy with a variant cover in commerce but not this design. M. Witmark & Sons unknown books
1910ref. List3655New York / Chicago / London: M. Witmark & Sons 1910. Folio sheet music 13 ½ x 10 ½ inches. Color pictorial cover. Light wear and minor creasing to edges; very good overall. A lively Irish-themed novelty song promoted as "Emma Carus' Great Irish Song Hit" issued by the major popular music publisher M. Witmark & Sons. The cover illustration shows Carus dancing before a marching crowd carrying a banner reading "Home Rule" evoking the Irish nationalist movement then a prominent political issue both in Ireland and among Irish-American communities. Emma Carus 1879-1927 was a well-known American vaudeville performer and comic singer who appeared widely in theaters and variety shows during the early twentieth century. Born in New York she became a popular stage personality through novelty songs and character performances often introducing new numbers that were quickly issued in sheet music by publishers such as Witmark. The present piece with lyrics by Bob Harty and music by Ernest Breuer reflects the continuing popularity of Irish-themed songs in American vaudeville and popular music during the period when political themes such as Irish Home Rule frequently appeared in theatrical songs and stage sketches aimed at Irish-American audiences. We find a copy with a variant cover in commerce but not this design. M. Witmark & Sons unknown
ref. 1332217389.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Milano, Placido Maria Visaj, 1832, in-24, copertina fittizia, pp. 94.
1980Mm 140x210 Brossura editoriale con alette, pp. 102. A cura di Giuseppe Liotta. Opera in buone condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
1914Fascicolo di cm. 15,5x8,7; pp. 75-(5), Nuova coll. drammatica femminile n. 24. Ottimo.
1962Mm 170x240 Catalogo della mostra tenuta al Museo Civico di Bologna, 22 dicembre 1962 - 22 gennaio 1963 - Brossura editoriale di 75 pagine con 5 disegni dell'autore a tema circense e le riproduzioni del materiale esposto in mostra. Esemplare in ottime condizioni complessive. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Milano, C, Barbini, 1879, in-24, br. edit. gialla, pp. 96. "Biblioteca ebdomadaria teatrale", Fasc. 353.
19108vo; pp. 294; brossura editoriale figurata; cucito. Legatura leggermente lenta; fioriture alla copertina (consuete in questa edizione); per il resto in buono stato. Prima edizione?
190383p. Numerous explanatory illustrations. Small 8vo. Original printed wraps with some wear and soiling. Old Reliable Chicago Magic Co.'s publishers ads on the rear wrap for: 'The Mystery of Love Making'; Aunt Sally's Policy Players' Dream book (with a picture of a black 'mammy'); and a book on the Art of Boxing. . From the working magic library of Bill Lieberman (Master of Magic) MAG 3 / 3
ref. 2080702109502637Yachiyo shoin N.A. Soft Cover. Fine. Number of pages: 198 Yachiyo shoin paperback
1968ref. 207711968. Baker Roger. Drag: A History of Female Impersonation on the Stage 1968 surveys the historical development of drag performance across theatrical traditions and situates gender impersonation within global performance culture. The study traces practices from early stage conventions in Asia and Europe through modern entertainment circuits distinguishing between drag as theatrical performance and cross dressing as personal identity expression. By documenting performers venues and performance styles Baker provides a consolidated account of drag within stage history offering material for the study of gender representation theatrical convention and LGBTQ cultural expression in the mid twentieth century. Baker Roger. Drag: A History of Female Impersonation on the Stage. London: Triton Books 1968. Signed by the author on the title page "Roger Baker April 1969." First edition. One volume. 256 pages. Illustrated with 92 black and white photographs and illustrations depicting performers productions and historical figures. Original brown cloth binding with titled spine; original dust jacket featuring drag performer imagery. Also included are two loose signed black and white photographs of performer Gary Webb one in drag and one out of costume whose career is referenced within the text. The volume includes discussion of figures such as Chevalier d'Éon Vesta Tilley Marlene Dietrich and Julian Eltinge alongside analysis of performance traditions in Elizabethan theatre pantomime Kabuki vaudeville and opera. Published during a period of expanding visibility for gender nonconforming performance and emerging queer cultural discourse the work consolidates earlier theatrical traditions into a single historical narrative accessible to contemporary audiences. Its combination of textual analysis and photographic documentation supports research into performance studies gender history and the evolution of drag as both entertainment and cultural practice. Dust jacket shows edge wear and is price clipped; volume otherwise clean and intact; overall very good condition. unknown books
1968ref. 207711968. Baker Roger. Drag: A History of Female Impersonation on the Stage 1968 surveys the historical development of drag performance across theatrical traditions and situates gender impersonation within global performance culture. The study traces practices from early stage conventions in Asia and Europe through modern entertainment circuits distinguishing between drag as theatrical performance and cross dressing as personal identity expression. By documenting performers venues and performance styles Baker provides a consolidated account of drag within stage history offering material for the study of gender representation theatrical convention and LGBTQ cultural expression in the mid twentieth century. Baker Roger. Drag: A History of Female Impersonation on the Stage. London: Triton Books 1968. Signed by the author on the title page "Roger Baker April 1969." First edition. One volume. 256 pages. Illustrated with 92 black and white photographs and illustrations depicting performers productions and historical figures. Original brown cloth binding with titled spine; original dust jacket featuring drag performer imagery. Also included are two loose signed black and white photographs of performer Gary Webb one in drag and one out of costume whose career is referenced within the text. The volume includes discussion of figures such as Chevalier d'Éon Vesta Tilley Marlene Dietrich and Julian Eltinge alongside analysis of performance traditions in Elizabethan theatre pantomime Kabuki vaudeville and opera. Published during a period of expanding visibility for gender nonconforming performance and emerging queer cultural discourse the work consolidates earlier theatrical traditions into a single historical narrative accessible to contemporary audiences. Its combination of textual analysis and photographic documentation supports research into performance studies gender history and the evolution of drag as both entertainment and cultural practice. Dust jacket shows edge wear and is price clipped; volume otherwise clean and intact; overall very good condition. unknown
196095pp.+ 3 platen buiten tekst, gesigneerd met opdracht door auteur, 25cm., gebroch., overdruk uit "De Fonteine", goede staat, T95481
1960ref. T95481Gent, Koninklijke Soevereine Hoofdkamer van Rhetorica "De Fonteine" 1960 95pp.+ 3 platen buiten tekst, gesigneerd met opdracht door auteur, 25cm., gebroch., overdruk uit "De Fonteine", goede staat, T95481
ref. 17424Lauder undated; Logan Stonehaven 1987. Page detached from an autograph album 17.5 x 11cm good condition. On the recto the autograph signature of Harry Lauder with the trademark sketch of himself with bonnet and pipe. On the verso the following by Logan "To Archie Many Happy memories of Lauder and Jimmy Logan his signature Stonehaven 1987." Note: Logan "His one-man musical based on the life of Scottish entertainer Sir Harry Lauder was called Lauder 1976.5 Logan collected Lauder memorabilia which is now housed in the Scottish Theatre Archive at the University of Glasgow.". Lauder undated; Logan, Stonehaven 1987. unknown