336 resultados
Milano, Placido Maria Visaj, 1832, in-24, copertina fittizia, pp. 94.
1980Mm 140x210 Brossura editoriale con alette, pp. 102. A cura di Giuseppe Liotta. Opera in buone condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
1914Fascicolo di cm. 15,5x8,7; pp. 75-(5), Nuova coll. drammatica femminile n. 24. Ottimo.
1962Mm 170x240 Catalogo della mostra tenuta al Museo Civico di Bologna, 22 dicembre 1962 - 22 gennaio 1963 - Brossura editoriale di 75 pagine con 5 disegni dell'autore a tema circense e le riproduzioni del materiale esposto in mostra. Esemplare in ottime condizioni complessive. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Milano, C, Barbini, 1879, in-24, br. edit. gialla, pp. 96. "Biblioteca ebdomadaria teatrale", Fasc. 353.
19108vo; pp. 294; brossura editoriale figurata; cucito. Legatura leggermente lenta; fioriture alla copertina (consuete in questa edizione); per il resto in buono stato. Prima edizione?
190383p. Numerous explanatory illustrations. Small 8vo. Original printed wraps with some wear and soiling. Old Reliable Chicago Magic Co.'s publishers ads on the rear wrap for: 'The Mystery of Love Making'; Aunt Sally's Policy Players' Dream book (with a picture of a black 'mammy'); and a book on the Art of Boxing. . From the working magic library of Bill Lieberman (Master of Magic) MAG 3 / 3
ref. 2080702109502637Yachiyo shoin N.A. Soft Cover. Fine. Number of pages: 198 Yachiyo shoin paperback
1968ref. 207711968. Baker Roger. Drag: A History of Female Impersonation on the Stage 1968 surveys the historical development of drag performance across theatrical traditions and situates gender impersonation within global performance culture. The study traces practices from early stage conventions in Asia and Europe through modern entertainment circuits distinguishing between drag as theatrical performance and cross dressing as personal identity expression. By documenting performers venues and performance styles Baker provides a consolidated account of drag within stage history offering material for the study of gender representation theatrical convention and LGBTQ cultural expression in the mid twentieth century. Baker Roger. Drag: A History of Female Impersonation on the Stage. London: Triton Books 1968. Signed by the author on the title page "Roger Baker April 1969." First edition. One volume. 256 pages. Illustrated with 92 black and white photographs and illustrations depicting performers productions and historical figures. Original brown cloth binding with titled spine; original dust jacket featuring drag performer imagery. Also included are two loose signed black and white photographs of performer Gary Webb one in drag and one out of costume whose career is referenced within the text. The volume includes discussion of figures such as Chevalier d'Éon Vesta Tilley Marlene Dietrich and Julian Eltinge alongside analysis of performance traditions in Elizabethan theatre pantomime Kabuki vaudeville and opera. Published during a period of expanding visibility for gender nonconforming performance and emerging queer cultural discourse the work consolidates earlier theatrical traditions into a single historical narrative accessible to contemporary audiences. Its combination of textual analysis and photographic documentation supports research into performance studies gender history and the evolution of drag as both entertainment and cultural practice. Dust jacket shows edge wear and is price clipped; volume otherwise clean and intact; overall very good condition. unknown books
1968ref. 207711968. Baker Roger. Drag: A History of Female Impersonation on the Stage 1968 surveys the historical development of drag performance across theatrical traditions and situates gender impersonation within global performance culture. The study traces practices from early stage conventions in Asia and Europe through modern entertainment circuits distinguishing between drag as theatrical performance and cross dressing as personal identity expression. By documenting performers venues and performance styles Baker provides a consolidated account of drag within stage history offering material for the study of gender representation theatrical convention and LGBTQ cultural expression in the mid twentieth century. Baker Roger. Drag: A History of Female Impersonation on the Stage. London: Triton Books 1968. Signed by the author on the title page "Roger Baker April 1969." First edition. One volume. 256 pages. Illustrated with 92 black and white photographs and illustrations depicting performers productions and historical figures. Original brown cloth binding with titled spine; original dust jacket featuring drag performer imagery. Also included are two loose signed black and white photographs of performer Gary Webb one in drag and one out of costume whose career is referenced within the text. The volume includes discussion of figures such as Chevalier d'Éon Vesta Tilley Marlene Dietrich and Julian Eltinge alongside analysis of performance traditions in Elizabethan theatre pantomime Kabuki vaudeville and opera. Published during a period of expanding visibility for gender nonconforming performance and emerging queer cultural discourse the work consolidates earlier theatrical traditions into a single historical narrative accessible to contemporary audiences. Its combination of textual analysis and photographic documentation supports research into performance studies gender history and the evolution of drag as both entertainment and cultural practice. Dust jacket shows edge wear and is price clipped; volume otherwise clean and intact; overall very good condition. unknown
196095pp.+ 3 platen buiten tekst, gesigneerd met opdracht door auteur, 25cm., gebroch., overdruk uit "De Fonteine", goede staat, T95481
1960ref. T95481Gent, Koninklijke Soevereine Hoofdkamer van Rhetorica "De Fonteine" 1960 95pp.+ 3 platen buiten tekst, gesigneerd met opdracht door auteur, 25cm., gebroch., overdruk uit "De Fonteine", goede staat, T95481
ref. 17424Lauder undated; Logan Stonehaven 1987. Page detached from an autograph album 17.5 x 11cm good condition. On the recto the autograph signature of Harry Lauder with the trademark sketch of himself with bonnet and pipe. On the verso the following by Logan "To Archie Many Happy memories of Lauder and Jimmy Logan his signature Stonehaven 1987." Note: Logan "His one-man musical based on the life of Scottish entertainer Sir Harry Lauder was called Lauder 1976.5 Logan collected Lauder memorabilia which is now housed in the Scottish Theatre Archive at the University of Glasgow.". Lauder undated; Logan, Stonehaven 1987. unknown
ref. 13514GAUMONT PALACE réunion de trois programmes : 1) GUAMONT PALACE Hippodrome Programme saison 1912 1913 160x240mm. 16 pages illustrées sur papier couché. 2) GAUMONT PALACE CLEOPATRE 160x240mm.(1912) 3) les millions de la bonne GAUMONT PALACE les millions de la bonne vaudeville. 16 pages illustrées
ref. 12427Monologues.In 12 demi-chagrin vert à nerfs, tire doré. Faux-titre, titre, 281 pages, 1 page de table, illustrations dans le texte de MOLOCH. Couverture illustrée en couleurs de MOLOCH conservée. Paris Librairie Flammarion, collection les auteurs gais, sans date. Bon exemplaire. Rare.
français Sans date (circa 1835). Réunion de comédie, vaudeville, tragédie, et opéra comique en un volume in-8 ; demi-basane marron, dos lisse à faux-nerfs orné (reliure de l'époque). Contient : Un duel sous le Cardinal de Richelieu, par Lockroy et Edmond Badon. - Michel et Christine, par Scribe et Dupin. - Le mariage de raison, par Scribe et Varner. - Le budget d'un jeune ménage, par Scribe et Bayard. - Une faute, par Scribe. - La dame blanche, opéra comique, paroles de Scribe, musique de Boyeldieu. - La chanoinesse, Par Scribe et Francis Cornu. - Le philtre champenois, par Mélesville et Brazier. - Zoé, ou l'amant prêté, par Scribe et Mélesville. - Louis XI, par Casimir Delavigne. - Estelle ou le père et la fille, par Scribe. - Le pré-aux-clercs, parles de Planard, musique de Hérold. - La tour de Nesle, par Frédéric Gaillardet et Alexandre Dumas. - Fra-diavolo, ou l'hotellerie de Terracine, par Scribe. - Robert-le-diable, par Scribe et Delavigne. - Les projets de mariage, ou les deux officiers, par Alexandre Duval. - Un premier amour, par Bayard et Emile Vander-Burch. - Elle est folle, par Mélesville. - Catherine ou la croix d'or par Brazier et Mélesville. - Le diner de Madelon, ou le bourgeois du Marais, par Désaugiers. - Le Barbier de Séville, ou la précaution inutile, par Beaumarchais. - Marie, par Planard. - Don Juan d'Autriche, ou la vocation, par Casimir Delavigne. - Le chalet, par Scribe et Mélesville. - Fanchon la vieilleuse, par Bouilly et Pain. - Texte sur deux colonnes, quelques tâches, petit accroc au mors inférieur.
français Réunion de comédie, vaudeville, tragédie, et opéra comique en un volume in-8 ; demi-basane marron à coins, dos lisse à faux-nerfs orné (reliure de l'époque). Contient : Les huguenots, par Scribe. Chez Barba, 1837. Cinquième édition. - L'oraison de S. Julien, par St Amand et Villeran. Chez Marchant, Paris. - Turiaf-le-pendu, par Dumanoir et Mallian. Chez Marchant, 1834. - Le capitaine Roland, par Varin, Desvergers et Edouard. - Le commis et la grisette, par Paul de Kock et Charles Labie. Chez Marchant, 1834. - Une passion, par Varin, Desvergers. - Antony, par Alexandre Dumas. - Les enfans d'Edouard, par Casimir Delavigne. - Catherine Howard, par Alexandre Dumas. Imprimerie de Dondey-Dupré. - Être aimé ou mourir! Par Scribe et Dumanoir. - Le cheval de bronze, par Scribe. - Le père Goriot, par Théaulon, Decomberousse et Jaime. - La berline de l'émigré, par Mélesville et Hestienne. - Le pauvre Jacques, par Cogniard Frères. - Le gamin de Paris, par Bayard et Vanderbuch. - Chut! Par Scibe. - Une Saint-Barthelemy, ou les huguenots de Touraine, par Dumanoir et Cogniard Frères. - Le luthier de Venise, par Saint-Georges et de Leuven. - Kean, ou désordre et génie, par Alexandre Dumas. - Marie, ou trois époques, par Ancelot. - L'ambassadrice, par Scribe et de Saint-Georges. - Le matelot à terre, par Chabot de Bouin et Alboize. Chez Marchant, 1837. Texte sur deux colonnes, quelques tâches et légères rousseurs.
1971pp. xxiii, 163. Illustrated with photos from Field's movies, state acts, and vaudeville routines. Fist issued in 1940, a presidential year, and Fields at the height of his popularity. The incumbent, President Franklin D. Roosevelt, had very little to worry about from Fields the candidate. But Fields certainly offered a few nuggets of political wisdom in his book for the public to chew on. For example, he poked fun at one of FDR's major policies with this statement: "I shall, my fellow citizens, offer no such empty panaceas as a New Deal, or an Old Deal, or even a Re-Deal. No, my friends, the reliable old False Shuffle was good enough for my father and it's good enough for me." The book's chapters closely followed the typical issues that the on-screen Fields delighted in: 'My Views on Marriage'; 'How to Beat the Federal Income Tax - and What to See and Do at Alcatraz'; 'My Rules of Etiquette'; 'The Care of Babies'; 'How I have Built Myself into a Physical Marvel'; 'How to Suceed in Business'; Etc. An example from 'The Care of Babies': "I always carried a number of sterilized blindfolds, which I would casually place over a baby's eyes before I kissed it. This prevented its growth from being stunted through terror." The photos in this edition are quite remarkable. First photo illustrated edition. HUMOR 8
1924ref. 0071978New York: Dancey-Davis Press 1924. Paperback. Good. Program for the 1923-24 theatrical season featuring the famous Chauve-Souris stage group led by Nikita Balieff. 31 pp. ads. Softcover original wraps with bright puppeteering image on the front wrap and the company's bat logo on the rear. A Good copy: rear wrap soiled and stained; light wear to logo. Front wrap creased along edges; light wear to corners; image still bright and clean. Light soil to title page. Pencil checking to the names around the center caricature drawing. Contents otherwise unmarked. Illustrated throughout. Old program from one of the company's performances in Pittsburgh is tipped-in to the inside of the front wrap. Dancey-Davis Press paperback
1959ref. 66599Pondichery, 1959, in-8, 125pp, broché, Très bel exemplaire! Attention! Texte en Hindi. 125pp
1955ref. 132760Librairie d'Amérique et d'Orient Adrien-Maisonneuve 1955 In-8 broché, XXIII - 337pages,
ref. 33252Paris, Librairie d’Amérique et d’Orient Adrien-Maisonneuve 1955, 275x180mm, XXIII - 337pages, broché. Bel exemplaire.
ref. 17877(Ecrit sous le pseudonyme de Paul Smith). Paris, Labitte. 1844. Deux volumes in-8 (21x13). 384-366 pages. Demi-chagrin prune, dos à nerfs ornés de fleurons dorés (reliure fin 19°).
ref. 0259221392.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 3214Tresse. 1840. ,1 vol. In-8. br. 120pp., quelques rousseurs
